If you’re a content creator or YouTuber, camera companies increasingly want your business. Last year was no exception, with several new vlogging-specific models released by Canon, Sony, DJI and others. That means there are now over a dozen on sale, alongside regular mirrorless cameras that also do the job well.
Models specifically designed for vlogging include Sony’s new ZV-E1 full-frame mirrorless that launched last year, DJI’s Osmo Pocket 3 or Canon’s compact PowerShot V10. Others, like the new Panasonic G9 II and last year’s Canon EOS R6 II are hybrid mirrorless cameras that offer vlogging as part of a larger toolset.
All of them have certain things in common, like flip-around screens, face- and/or eye-detect autofocus and stabilization. Prices, features and quality can vary widely, though. To that end, we’ve updated our guide with all the latest vlogging cameras designed for novice to professional creators, in all price ranges. Engadget has tested all of these to give you the best possible recommendations.
Factors to consider before buying a vlogging camera
Vlogging cameras are designed for filmmakers who often work alone and either use a tripod, gimbal, vehicle mount or just their hands to hold a camera. It must be good for filming yourself as well as other “B-roll” footage that helps tell your story. The biggest requirement is a flip-around screen so you can see yourself while filming. Those can rotate up, down or to the side, but flipping out to the side is preferable so a tripod or microphone won’t block it.
Continuous autofocus (AF) for video with face and eye detection is also a must. It becomes your camera “assistant,” keeping things in focus while you concentrate on your content. Most cameras can do that nowadays, but some (notably Canon and Sony) do it better than others.
If you move around or walk a lot, you should look for a camera with built-in optical stabilization. Electronic stabilization is another option as long as you’re aware of its limitations. You’ll also need a camera with a fast sensor that limits rolling shutter, which can create a distracting jello “wobble” with quick camera movements.
Steve Dent/Engadget
4K recording is another key feature. All cameras nowadays can shoot 4K up to at least 24 fps, but if possible, it’s better to have 4K at 60 or even 120 fps. If you shoot sports or other things involving fast movement, look for a model with at least 1080p at 120 fps for slow-motion recording.
Video quality is another important consideration, especially for skin tones. Good light sensitivity helps for night shooting, concerts and so on, and a log profile helps improve dynamic range in very bright or dark shooting conditions. If you want the best possible image quality and can afford it, get a camera that can record 4K with 10-bits (billions) of colors. That will give you more options when it’s time to edit the footage.
Don’t neglect audio either — if the quality is bad, your audience will disengage. Look for a camera with a microphone port so you can plug in a shotgun or lapel mic for interviews, or at least one with a good-quality built-in microphone. It’s also nice to have a headphone port to monitor sound so you can avoid nasty surprises after you’ve finished shooting.
You’ll also want good battery life and, if possible, dual memory card slots for a backup. Finally, don’t forget about your camera’s size and weight. If you’re constantly carrying one while shooting, especially at the end of a gimbal or gorillapod, it might actually be the most important factor. That’s why tiny GoPro cameras are so popular for sports, despite offering lower image quality and fewer pro features.
The best action and portable cameras
If you’re just starting out in vlogging or need a small, rugged camera, an action cam might be your best bet. In general, they’re easy to use as you don’t have to worry about things like exposure or focus. Recent models also offer good electronic stabilization and sharp, colorful video at up to 4K and 60 fps. The downsides are a lack of control; image quality that’s not on par with larger cameras; and no zooming or option to change lenses.
The best compact vlogging cameras
Compact cameras are a step up from smartphones or action cameras, with larger sensors and much better image quality. At the same time, they’re not quite as versatile as mirrorless or DSLR cameras (and not necessarily cheaper) and they lack advanced options like 10-bit video. For folks who want the best possible quality without needing to think too much about their camera, however, they’re the best option.
The best mirrorless/DSLR vlogging cameras
This is the class that has changed the most over the past couple of years, particularly in the more affordable price categories. Interchangeable lens cameras give you the most options for vlogging, offering larger sensors than compact cameras with better low-light sensitivity and shallower depth of field to isolate you or your subject. They also offer better control of your image with manual controls, log recording, 10-bit video and more. The drawbacks are extra weight compared to action or compact cameras, more complexity and higher prices.
This article originally appeared on Engadget at https://www.engadget.com/best-vlogging-camera-151603452.html?src=rss
With the explosion of TikTok and the growth of video on YouTube, Twitch, Instagram and other platforms, interest in vlogging has increased exponentially since we last updated our guide. If you’re one of those creators and a smartphone is no longer good enough, it may be time to upgrade to a purpose-built vlogging camera.
Some models are specifically designed for vlogging, like Sony’s ZV-E10 mirrorless camera that launched last year, or Panasonic’s compact G100. Others, like the new Panasonic GH6, Sony A7S III and Canon EOS R6 are hybrid cameras that offer vlogging as part of a larger toolset.
All of them have certain things in common, like flip-around screens, face- and/or eye-detect autofocus and stabilization. Prices, features and quality can vary widely among models, though. To that end, we’ve updated our guide with all the latest models designed for every vlogger from novice to professional, in all price ranges. Engadget has tested all of these to give you the best possible recommendations, and we’ll even discuss a few rumored upcoming models.
One caveat to this year’s guide is that a parts shortage has limited production of many cameras, causing shortages and higher prices. Sony, for one, halted production of the aforementioned ZV-E10 for a time, and models from Fujifilm and others are also hard to find. The good news is that the shortage appears to be easing, so hopefully we’ll see normal supply levels in the near future.
What do you need in a vlogging camera?
Vlogging cameras are designed for filmmakers who often work alone and either use a tripod, gimbal, vehicle mount or just their hands to hold a camera. It has to be good not just for filming yourself, but other “B-roll” footage that helps tell your story.
The number one requirement is a flip-around screen so you can see yourself while filming. Those can rotate up, down or to the side, but flipping out to the side is preferable so a tripod or microphone won’t block it.
Steve Dent/Engadget
Continuous autofocus (AF) for video with face and eye detection is also a must. It becomes your camera “assistant,” keeping things in focus while you concentrate on your content. Most cameras can do that nowadays, but some still do it better than others.
If you move around or walk a lot, you should look for a camera with built-in optical stabilization. Electronic stabilization is another option as long as you’re aware of the limitations. You’ll also need a camera with a fast sensor that limits rolling shutter, which can create a distracting jello “wobble” with quick camera movements.
4K recording is another key feature. All cameras nowadays can shoot 4K up to at least 24 fps, but if possible, it’s better to have 4K at 60 or even 120 fps. If you shoot sports or other things involving fast movement, look for a model with at least 1080p at 120 fps for slow-motion recording.
Video quality is another important consideration, especially for skin tones. Good light sensitivity helps for night shooting, concerts, etcetera, and a log profile helps improve dynamic range in very bright or dark shooting conditions. If you want the best possible image quality and can afford it, get a camera that can record 4K with 10-bits (billions) of colors. That will give you more options when you go to edit.
Don’t neglect audio either — if the quality is bad, your audience will disengage. Look for a camera with a microphone port so you can plug in a shotgun or lapel mic for interviews, or at least one with a good-quality built-in microphone. It’s also nice to have a headphone port to monitor sound so you can avoid nasty surprises after you’ve finished shooting.
You’ll also want good battery life and, if possible, dual memory card slots for a backup. Finally, don’t forget about your camera’s size and weight. If you’re constantly carrying one while shooting, especially at the end of a gimbal or gorillapod, it might actually be the most important factor. That’s why tiny GoPro cameras are so popular for sports, despite offering lower image quality and fewer pro features.
The best action and portable cameras
If you’re just starting out in vlogging or need a small, rugged camera, an action cam might be your best bet. In general, they’re easy to use as you don’t have to worry about things like exposure or focus. Recent models also offer good electronic stabilization and sharp, colorful video at up to 4K and 60 fps. The downsides are a lack of control; image quality that’s not on par with larger cameras; and no zooming or option to change lenses.
DJI Pocket II
DJI
Last time around we recommended the original Osmo Pocket, but the Pocket II (no more “Osmo”) has some big improvements. As before, it’s mounted on a three-axis gimbal and has impressive face tracking that keeps your subject locked in focus. However, the new model has a larger, much higher resolution 64-megapixel sensor, a faster lens with a wider field of view and improved microphones. As before, you can get accessories like an extension rod, a waterproof case and more.
What really makes the Pocket II great for vlogging are the follow modes combined with face tracking. If you’re working solo, you can simply set it up and it’ll rotate and tilt to follow you around. That also applies for walk-and-talk vlogging, so you don’t have to worry about focus or even pointing the camera at yourself. For $346, it’s not only good for beginners, but is a handy tool for any vlogger.
The Hero 10 Black is what we called a “big, invisible upgrade” over the Hero 9, itself a much improved camera over the Hero 8 Black we recommended last time. That’s largely due to the new processor that unlocks features like higher-resolution 5.3K 60p and 4K 120fps video, much improved Hypersmooth 4.0 stabilization, an improved front-screen and more. All of that makes it ideal to mount on a drone, vehicle, helmet, bicycle and more, at a very manageable $350 price with a 1-year GoPro subscription.
DJI took a much different approach compared to GoPro with its latest Action 2 camera – no with more Osmo branding. Rather than being a standalone camera, it’s a modular system with a magnetic mount that lets you add a touchscreen module with a secondary OLED display and three additional microphones, or a battery module for longer life and an extra microSD slot. As with the Pocket 2, it offers tons of accessories like a 3-in-1 extension rod and more. It’s a versatile option if you do more than just action shooting, and is priced well starting at $399.
Compact cameras are a step-up option from smartphones or action cameras, with larger sensors and much better image quality. At the same time, they’re not quite as versatile as mirrorless or DSLR cameras (and not necessarily cheaper) and they lack advanced options like 10-bit video. For folks who want the best possible quality without needing to think too much about their camera, however, it’s the best option.
Sony ZV-1
Steve Dent/Engadget
Sony’s ZV-1 came out in 2020 and it’s still the best compact vlogging camera available. Based on the RX 100 V, it has a decently large 1-inch 20.1-megapixel sensor and fixed 24-70mm f/1.8-2.8mm equivalent lens. Based on the RX100 V, it has a 1-inch 20.1-megapixel sensor and fixed 24-70mm f/1.8-2.8mm (equivalent) lens. It also offers a lightweight body, built-in high-quality microphone (plus a microphone port), flip-out display, best-in-class autofocus and excellent image quality. It also has vlogging specific features like “product showcase” and background blur.
While the $799 ZV-1 can’t shoot 10-bit video, it comes with Sony’s S-Log picture profiles that give you increased dynamic range for shooting in challenging lighting conditions. The flaws include a lens that’s not quite wide enough when you’re using electronic stabilization, mediocre battery life and the lack of a true touch display and headphone port. That aside, if you’re looking to step up from a smartphone, it does the job nearly perfectly.
Canon’s G7 X Mark III should also be front of mind for vloggers looking for a compact option. It also packs a 20-megapixel 1-inch sensor, but has a 24-100 mm f/1.8-2.8 35mm equivalent zoom — quite a bit longer than the ZV-1 at the telephoto range. It can shoot 4K at up to 30 fps, while offering optical image stabilization, a microphone input (though no headphone jack) and even the ability to livestream directly to YouTube. The downsides are contrast-detect only autofocus and a screen that tilts up but not to the side. For $749, it’s still a great option, though.
This is the class that has changed the most over the past couple of years, particularly in the more affordable price categories. Interchangeable lens cameras give you the most options for vlogging, offering larger sensors than compact cameras with better low-light sensitivity and shallower depth of field to isolate you or your subject. They also offer better control of your image with manual controls, log recording, 10-bit video and more. The drawbacks are extra weight compared to action or compact cameras, extra complexity and higher prices.
Fujifilm X-S10
Jonas Dyhr Rask/Fujifilm
Fujifilm’s X-S10 has displaced the X-T4 as the best vlogging camera out there, thanks particularly to the more affordable price. It ticks all the boxes for vloggers, offering in-body stabilization, 10-bit 4K external video with F-Log recording (at up to 30fps) along with 1080p at a stellar 240 fps, a screen that flips out to the side and easy-to-use controls. It also comes with a headphone jack and USB-C port that doubles as a headphone jack. The main downside is the limited touchscreen controls, but you get a lot of camera for just $1,000.
The best Sony APS-C camera for vlogging is now the ZV-E10. While using many of the same aging parts as the A6100, including the 24.2-megapixel sensor, it has a number of useful features for self-shooters. High on the list is Sony’s excellent autofocus, which includes the same background defocus and Product Showcase features found on the ZV-1 compact. It also offers electronic SteadyShot, a fully articulating display and more. The biggest drawback is rolling shutter that can get bad if you whip the camera around too much. If you can find one, it’s priced at $700 for the body or $800 in a bundle with Sony’s 16-50mm F/3.5-5.6 power zoom lens.
Panasonic’s GH5 was an incredibly popular vlogging camera for a very long time and was actually replaced by two cameras, the $2,200 GH6 and more budget-oriented $1,700 GH5-II. The GH6 is a large upgrade in nearly every way, offering 5.7K at 60 fps and 4K at up to 120 fps, along with ProRes formats that are easy to edit. It also comes with the best in-body stabilization on any camera and great handling. The downside is sub-par contrast-detect autofocus and battery life that’s not amazing.
It’s also worth a look at the GH5 Mark II, which is not only $500 cheaper but particularly well suited for live-streamers. It’s not a huge upgrade over the GH5, but does more than most rival cameras for the price, offering 4K 10-bit 60p video, a fully articulating display and excellent in-body stabilization. As with the GH6, the main drawback is the contrast-detect autofocus system.
Panasonic’s G100 is purpose built for vlogging like the ZV-1, but also allows you to change lenses. It has a fully-articulating flip-out screen, 5-axis hybrid (optical/electronic) stabilization, 4K V-Log-L video at up to 30 fps (though sadly cropped at 1.47X for 4K video), 1080p at up to 60 fps, and contrast detect AF with face/eye detection. The coolest feature is the Nokia OZO system that can isolate audio to a specific person via face-detection tracking — something that can theoretically improve audio quality. Best of all, you can grab it right now with a 12-32mm lens for $750.
Another good buy if you’re on a budget is Canon’s EOS M50 Mark II, particularly if you’re okay with 1080p video only. While not a huge upgrade over the original M50, Canon has made it more compelling for vloggers with a fully-articulating display, continuous eye-tracking in video and live streaming to YouTube. It does support 4K, but with a heavy 1.5 times crop and contrast-detect autofocus only. Still, it’s a good option for folks on a budget, selling for $699 with a 15-45mm lens.
If you’ve got the budget for it, Canon’s EOS R6 offers nearly every feature you need in a vlogging camera. You can shoot 10-bit 4K video at up to 60 fps, and the Dual Pixel autofocus with eye and face tracking is incredibly reliable. It also offers 5-axis optical stabilization, a flip-out display and a relatively compact size. As you may have heard, overheating can be an issue, but firmware updates have improved that issue and it only applies to the more demanding video settings.
The Fuijfilm X-T4 is a great all-around mirrorless camera for vlogging. It has everything you need, including a fully-articulating display, continuous eye- and face autofocus, 10-bit 4K log recording at up to 60 fps, 5-axis in-body stabilization, microphone and headphone jacks (the latter via USB-C) and lower noise in low light.
Image quality, especially in the skin tones, is lifelike and the sensor has minimal rolling shutter. It also offers good battery life and comes with dual UHS-II card slots. Finally, it’s fairly light considering all the features, and Fujifilm has a good selection of small lenses ideal for vlogging. What I don’t like is an autofocus system not quite as fast or accurate as Sony’s and the fairly steep $1,700 asking price for the body only.
If you want to look great while vlogging, check out Nikon’s stylish Z fc. It’s largely identical to the Z50, with features like a 20.9-megapixel APS-C sensor, 4K at 30 fps and a reliable phase-detect autofocus system with face detection. However, the Z fc brings a vari-angle touchscreen to the party and has a beautiful vintage body covered with convenient manual controls. It doesn’t have built-in optical stabilization, but you can get that via a lens. The best feature, though, is the price – you can get one for $1,100 with a 16-50mm lens.
If you’re not quite ready to buy, there are some interesting options on the horizon. Canon just announced the EOS R7, a mirrorless EOS R version of its popular EOS 7D DSLR. It has an APS-C sensor and all-new RF-S lenses, meaning that it might replace Canon’s current M-series cameras. Specs include a 32.5-megapixel APS-C sensor, 4K 60 fps video, an articulating display and more. All of that will make it a top vlogging option, if our upcoming review confirms the hype.
On top of that, Canon also announced a cheaper EOS R10 model with a 24.2-megapixel sensor that could also be an ideal vlogging camera. Both cameras are coming out towards the end of 2022.
In addition, Fujifilm just launched the X-H2S, its new $2,500 flagship mirrorless camera. With a 26.2-megapixel stacked and backside-illuminated sensor, it offers a raft of impressive features. Some of the highlights include 40 fps blackout-free burst shooting, faster autofocus, 6.2K 30fps video, a flip-out display and 7-stop in-body stabilization. If you’ve got the budget, this could be a solid vlogging choice when it arrives on July 7th.
If your favorite person has a love of video or photography, a camera may be the best gift they’ll ever get. Some may want to capture their adventures with an action camera, while others may desire a mirrorless camera for portraits, movies or artistic shots. The technology is better than ever as camera makers try to stay ahead of smartphones with faster shooting speeds, sharper video and incredible autofocus. We found the best models for budgets ranging from $400 to $2,500, along with top accessories to complement their existing gear.
GoPro Hero 10 Black
Will Lipman Photography for Engadget
For the adventurer on your gift list, there’s no better action camera than the GoPro Hero 10 Black. It bests the previous Hero 9 Black model in a number of key ways, thanks mainly to the faster GP2 processor. That helps it deliver improved image quality, with higher resolution at up to 5.3K/30fps instead of 5K as before. It also offers improved noise reduction, smoother stabilization, more faithful color reproduction and better handling.
Sony’s A6100 is a great gift idea for budding photographers, as it offers the best features of its APS-C mirrorless camera series at the best price. Chief among those is the incredibly reliable autofocus system with eye-detection and other AI tricks. Even with fast-moving action, the A6100 will nail focus for video or photos most of the time thanks to the extremely rapid tracking system. It also offers accurate colors, good low-light performance and a flip-up display that allows for selfies and vlogging, with sharp video capture at up to 4K. It’s also one of the best mirrorless camera deals around at $748, or $848 with a 16-50mm kit lens.
A gimbal is a great gift idea for video shooters, helping them boost production value with smooth tracking, panning and other shots. If your loved one has a mirrorless camera, the best option is DJI’s Ronin-SC model. It weighs just 2.4 pounds, 41 percent lighter than DJI’s original Ronin-S — making it easier to use for longer periods. It can stabilize just about any type of video as well, thanks to the ActiveTrack 3.0 mode and AI that can lock onto and track human or other subjects.
If your gift recipient is into making YouTube videos, the Panasonic GH5 has been the vlogging camera of choice since it first came out . The 20-megapixel Micro Four Thirds sensor delivers pin-sharp 4K video downsampled from the full sensor at up to 60fps, with a 10-bit high-color option that makes editing easier afterwards. It also includes other necessities for vlogging like a flip-out display, in-body stabilization and dual high-speed card slots. With the arrival of the $1,700 GH5 II, the original GH5 is cheaper than it’s ever been at $1,300, giving your loved one a lot of camera for the money.
If your giftee is starting to get serious about video, the Magnus VT 4000 is the best budget tripod option out there. It’s lightweight at 8 pounds, but the anodized aluminum construction is strong enough to handle a mirrorless camera and accessories weighing up to 8.8 pounds. The lack of heft makes it practical for travel, while the fluid head allows for smooth tilts and pans. Other features include a middle spreader to keep things steady and legs that extend up to 64 inches so you can match the eyeline of your subjects.
For a serious camera gift that’s around $2,500, Canon’s 20-megapixel EOS R6 is the best hybrid model out there. It delivers up to 20 fps burst shooting speeds while the Dual Pixel AF nails focus on nearly every shot, whether in bright sunlight or dim lighting. It’s also a solid pick for video, letting you shoot 4K supersampled video at 60 fps with 10-bit log and HDR options for maximum editing flexibility — again, with Canon’s Dual Pixel AF system that’s second to none. The caveat to that is overheating, which limits use for things like weddings and journalism.
Some of the most useful gifts out there for vloggers are Joby’s famous mini-tripods, and the best one for the money is the GorillaPod 3K. Attaching your camera using the secure clip-in mounting plate is dead simple, and you can ensure that everything is even with the built-in level. The flexible legs let you set your camera anywhere to shoot or even wrap it around a tree or other object. The most common usage is as a vlogging handle, as vloggers can bend the legs forward to fit themselves into the video and steady out their shooting.
Your favorite camera nerd can never have enough memory cards, but they can be a pretty pricey gift. SanDisk’s ExtremePro UHS-I SD cards are cheaper than UHS-II cards, but the 90 MB/s read/write speeds are fast enough for most types of photography and video. If your loved one needs that extra UHS-II speed, Lexar’s UHS-II SD 1667X (250MB/s) and 2000X (300MB/s) SD cards are solid picks.
If the vlogger in your life doesn’t already have one, Rode’s wireless and shotgun microphones are solid, affordable gifts. The VideoMic Go is ideal for interviews and run-and-gun shooting, thanks to the crisp directional audio and relative ease of use. It comes with a shock mount to eliminate bumps or vibrations that could interfere with sound and doesn’t require a battery, unlike past Rode models. Meanwhile, Rode’s Wireless Go is one of the most popular wireless lavalier mics out there, functioning as both a microphone and wireless transceiver. It offers a reliable connection and good audio quality, or you can maximize clarity by connecting an external 3.5mm microphone like Rode’s $40 SmartLav+, the Sennheiser Pro Audio ME2 or others.
A good light is an awesome tool in your favorite photographer or videographer’s arsenal, and a relatively affordable gift to boot. One of the best all-around models is the Nanlite LitoLite 5C RGBWW Mini LED Panel. It weighs just 4.8 ounces, but offers dimmable lighting across a range of colors, with adjustments either on the fixture or via a smartphone app. It mounts on any wall or light stand via a magnet or quarter-inch threads, has cordless operation and a battery that runs for 1.5 hours at full power (charged via USB). The most interesting feature is special effects that range from a cop car’s flashing lights, flames, candlelights, a lightning storm and more.
Backpacks are life for photographers and video shooters, so they make great gifts — if you get the right one. Peak Design’s Everyday Backpack 20L is a good choice, thanks to the stylish weatherproof design, internal dividers for laptops, cameras, lenses and more, a wrap-around zipper and a protected laptop sleeve. It offers excellent build quality and Peak Design backs that up with a lifetime warranty.
As someone who used to use Adobe’s Premiere Pro CC exclusively, I never thought I’d switch to another app. I did, though, and can’t recommend Blackmagic Design’s DaVinci Resolve 17.2 enough (either the free or $295 studio version). You get a lifetime of updates, so it’s far cheaper than Adobe’s subscription program that runs $630 per year. Resolve is slightly trickier to learn, but far more powerful than Premiere for key tasks like color grading and effects. Most importantly, I’ve found Resolve to be far, far more reliable than Premiere on a wide range of computers, which is easily the most important “feature” on an editing app.
An intervalometer allows you to take photos at set intervals to view a slow process in super fast speed. Watching paint dry is just as boring in fast motion as it is at normal speed, however, when you point your camera to the clouds in the sky, you can get some amazing effects.
By taking a picture every 3 seconds, and then playing the sequence back at 30 frames a second, you will get to see a 10 minute event in just 7 seconds.To get a nice flowing motion picture, you need to get a good balance between the recording frame rate, and the play-back frame rate.
The recording frame rate is limited by the amount of memory you have in your camera, the length of the captured event, battery charge, and the camera's general capabilities. The playback frame rate needs to be fast enough to prevent jittering, but not so fast that you lose the event in a blink of an eye. The more you practice with different subject matters, the more you get a feel for how long you need to keep the camera running and how long to leave between shots.
When taking pictures of the clouds, you can generally use a 3-5 second frame rate, depending on their speed across the sky. To capture the flow of traffic, I would recommend a picture every 1-2 seconds. However, for really slow events like a plant growing, you may need to extend the frame capture rate significantly. You will get a better idea once you try it for yourself.
This tutorial follows on from the Arduino selfie tutorial, so you might notice some similarities. However, in this tutorial, we will have more control over the intervalometer by using a sliding potentiometer and an LED bar. The pin layout is slightly different from the Arduino Selfie tutorial - so best to start from scratch to avoid pin misconfigurations.
Warning : Any circuit you build for your camera (including this one) is at your own risk. I will not take responsibility for any damage caused to any of your equipment.
I found out that my Canon Powershot SX50 HS camera has a port on the side for a remote switch. In the "Optional Accessories" section of the camera brochure, it identifies the remote switch model as RS-60E3. I then looked up the model number on this website to find out the size of the jack (3 core, 2.5mm), and the pinout (Ground, focus and shutter) required to emulate the remote switch. Once I had this information, I was able to solder some really long wires to the jack and connect up the circuit (as described below).
I use Time-Lapse tool to stitch all of the pictures together to create a movie/animation.
You will need to download and install the LED_Bar library from Seeedstudio into your Arduino IDE libraries folder in order to use the LED Bar in this tutorial. For more information about the LED Bar - visit the LED Bar Seeed-Studio wiki.
/* =============================================================== Project: DIY Canon Intervalometer using Arduino Author: Scott C Created: 9th October 2014 Arduino IDE: 1.0.5 Website: http://arduinobasics.blogspot.com/p/arduino-basics-projects-page.html Description: Use Arduino as an intervalometer for Canon PowerShot SX50 HS A slide potentiometer is used to control the time between photos. The LED Bar is used to display the delay between photos. A 3 core 2.5mm jack is used to connect the Arduino and Relay module to the Camera. ================================================================== */
/* You will need to download and install the LED_Bar library from here: https://github.com/Seeed-Studio/Grove_LED_Bar */ #include <LED_Bar.h>
/* Connect 5V on Arduino to VCC on Relay Module Connect GND on Arduino to GND on Relay Module */
#define CH1 7 // Connect Digital Pin 7 on Arduino to CH1 on Relay Module #define CH3 6 // Connect Digital Pin 6 on Arduino to CH3 on Relay Module
int potPin=A0; //Connect Slide potentiometer to Analog Pin 0 on Grove Base Shield int potValue=0; //The variable used to hold the value of the potentiometer
LED_Bar bar1(9,8); //Connect LED Bar to Digital I/O 8 on Grove base shield. //The LED Bar actually uses digital pin 8 and 9.
//Turn OFF any power to the Relay channels digitalWrite(CH1,LOW); digitalWrite(CH3,LOW); delay(2000); //Wait 2 seconds before starting sequence
//Focus camera by switching Relay 1 digitalWrite(CH1, HIGH); delay(2000); digitalWrite(CH1, LOW); //Stop focus delay(3000); }
voidloop(){ // Read the slide potentiometer and convert the reading to a value between 0 and 10. potValue=constrain(map(analogRead(potPin),0,1000,0,10),0,10);
//Use the pot value to create a visual count-down display on the LED bar. for(int i = potValue; i>0; i--){ bar1.setLevel(i); delay(1000); }
//If the pot value is less than 1, then delay for 30 seconds. if(potValue<1){ delay(30000); }
//Turn LED Bar off when taking photo bar1.setLevelReverse(0);
//Press shutter button for 0.1 seconds. Modify delay if required. digitalWrite(CH3, HIGH); delay(100); digitalWrite(CH3,LOW); //Release shutter button }
The Video
This project shows how to make your Canon Powershot SX50 HS a whole lot smarter using an Arduino. There are so many things that look so different with an intervalometer. While I connected a slide potentiometer to the Arduino to provide extra flexibility, and an LED Bar for visual feedback, there are many other sensors out there that can be combined with the camera. For example, you could use a PIR sensor to take a picture when movement is detected. Or take a picture when a laser trip-wire is broken. What about sound activation, light activation, leak detection.... the options are limitless.
This has been one of my favorite projects, it was a lot of fun, and very interesting. I highly recommend that you try it out!
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[Eugene] wanted to use his vintage Leica M4 as a digital camera, and he had a Canon EOS 350D digital camera sitting around unused. So he Frankensteined them together and added a digital back to the Leica’s optical frontend.
It sounds simple, right? All you’d need to do is chop off the back from the EOS 350D, grind the digital sensor unit down to fit into exactly the right spot on the film plane, glue it onto an extra Leica M4 back door, and you’re set. Just a little bit of extremely precise hackery. But it’s not even that simple.
Along the way [Eugene] reverse-engineered the EOS 350D’s shutter and mirror box signals (using a Salae Logic probe), and then replicated these signals when the Leica shutter was tripped by wedging an Arduino MiniPro into an old Leica motor-winder case. The Arduino listens for the Leica’s bulb-flash signal to tell when the camera fires, and then sends along the right codes to the EOS back. Sweet.
There are still a few outstanding details. The shutter speed is limited by the latency in getting the signal from the Leica to the 350D back, so he’s stuck at shutter speeds longer than 1/8th of a second. Additionally, the Canon’s anti-IR filter didn’t fit, but he has a new one ordered. These quibbles aside, it’s a beautiful hack so far.
What makes a beautiful piece of work even more beautiful? Sharing the source code and schematics. They’re both available at his Github.
My attention is drawn towards the noise behind me.... I cannot believe it. There it is.
The Arduino is taking a SELFIE !!
How did this happen?
Well actually, it is not that difficult for an Arduino.
I found out that my Canon Powershot SX50 HS camera has a port on the side for a remote switch. In the "Optional Accessories" section of the camera brochure, it identifies the remote switch model as RS-60E3. I then looked up the model number on this website to find out the size of the jack (3 core, 2.5mm), and the pinout (Ground, focus and shutter) required to emulate the remote switch. Once I had this information, I was able to solder some really long wires to the jack and connect up the circuit (as described below).
And before I knew it, the Arduino was taking Selfies !!!
Warning : Any circuit you build for your camera (including this one) is at your own risk. I will not take responsibility for any damage caused to any of your equipment.
/* =============================================================== Project: Arduino Selfie Author: Scott C Created: 14th Sept 2014 Arduino IDE: 1.0.5 Website: http://arduinobasics.blogspot.com/p/arduino-basics-projects-page.html Description: Arduino takes selfie every 30 seconds ================================================================== */
/* Connect 5V on Arduino to VCC on Relay Module Connect GND on Arduino to GND on Relay Module */
#define CH1 8 // Connect Digital Pin 8 on Arduino to CH1 on Relay Module #define CH3 7 // Connect Digital Pin 7 on Arduino to CH3 on Relay Module
voidsetup(){ //Setup all the Arduino Pins pinMode(CH1, OUTPUT); pinMode(CH3, OUTPUT);
//Turn OFF any power to the Relay channels digitalWrite(CH1,LOW); digitalWrite(CH3,LOW); delay(2000); //Wait 2 seconds before starting sequence }
voidloop(){ digitalWrite(CH1, HIGH); //Focus camera by switching Relay 1 delay(2000); digitalWrite(CH1, LOW); //Stop focus delay(100); digitalWrite(CH3, HIGH); //Press shutter button for 0.5 seconds delay(500); digitalWrite(CH3,LOW); //Release shutter button delay(30000); //Wait 30 seconds before next selfie }
By connecting up the camera to an Arduino, the camera just got smarter !! The Arduino connects to 2 different channels on the relay board in order to control the focus and the shutter of the camera. The relays are used to isolate the camera circuit from that of the Arduino. I have also included a couple of diodes and resistors in the circuit as an extra precaution, however they may not be needed.
Warning : Any circuit you build for your camera (including this one) is at your own risk. I will not take responsibility for any damage caused to any of your equipment. Do your research, and take any precautions you see fit.
The Video
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Welcome to IRL, an ongoing feature where we talk about the gadgets, apps and toys we're using in real life and take a second look at products that already got the formal review treatment.
Welcome back to IRL, and if we do say so ourselves, this week's edition is a doozy. On one end of the gadget-loving spectrum, Jason is still happily using his Canon Rebel XT, while Darren remains thoroughly unsatisfied with his $400 AirPlay speaker (it was easy to set up, at least -- he'll give it that). And, just for good measure, we threw in an Arduino fail. So, which piece of audio gear is on our "do not buy" list? Who needs to take a course in wiring-based coding? And does Jason have anything negative to say about his DSLR? Head past the break to find out.
