For those of us who've been on the internet for decades, today is a big milestone: the 20th anniversary of the first video uploaded to YouTube. That happened way back on April 23, 2005, only about a year and a half before Google made the shrewd move of purchasing the site. That first video is the all-time classic 19-second clip "Me at the zoo," the kind of video that came to define early YouTube. It's grainy, short and has no production values to speak of. Fast forward a few decades and YouTube has no peer in terms of its sheer volume of audiovisual content —the company says that a mind-boggling 20 billion videos) have been uploaded in the last 20 years, and 20 million are updated daily.

With all that in mind, Engadget's staff put their heads together to pick out the videos that have meant the most to them over the years. Not surprisingly, there's some weird stuff here, a lot of it from the early days of the platform. Apparently the stuff that really resonates with us isn't polish or production, but the raw, oddball stuff that couldn't have existed anywhere else. 

Ambient Renders

I test a whole bunch of portable batteries for Engadget. A power bank can refill a dead smartphone in one to two hours, but thanks to annoying technology “advancements” it takes around 20 hours to drain a phone again. I’m constantly playing YouTube videos on my tester handsets with the screen brightness cranked all the way up to make them die faster (these poor phones). My favorite videos to use are from Ambient Renders. Each one is eight or so hours of painstakingly rendered, mostly nighttime views from the windows of fancy lofts in modern-day big cities, cozy bedrooms of the distant past and sci-fi futurescapes. The soundtracks are soft rain, lonesome wind, crackling fires, distant thunder and the rumble of passing transport pods.

I often return to a Warm Cozy Cabin With a Relaxing Fire and Gentle Wind — a candle-lit bedroom with huge windows overlooking snow-covered pines, with a couple of mugs steaming in the corner. The subtle movements and details really come to life when you play them on a TV. There are a ton of these types of videos on YouTube and, lately, the creator has taken to adding “not made with AI” disclaimers to the video descriptions. It’s plain to see these are made with love and skill. The intricacy is stunning and even the sci-fi views are anchored in realism. — Amy Skorheim, senior reporter

Canadian, Please | gunnarolla & Julia Bentley

I was trying to remember the first YouTube video I was obsessed with and honestly couldn't tell you. Between communitychannel, Jake and Amir, Michelle Phan, Wong Fu Productions and many more, I have too many likes and faves to count. But I can tell you that I've been jamming to Gunnorolla's "Canadian, Please" since before it became cool to want to be Canadian. This certified bop was something I replayed over and over; I've memorized the lyrics and the song haunts me in my dreams, too. My more modern favorites change every month, but I currently adore CinemaSins, Scary Interesting, Wilko Rehashed, Psychology in Seattle and The School of Life. Oh and also, don't go looking for my channel from when I was a regular vlogger in the 2000s. Don't. — Cherlynn Low, managing editor

Carl Lewis National Anthem Fail

YouTube isn’t just for watching new videos of celebrities embarrassing themselves. You can also revisit humiliations from way before the video site’s inception!

Take this spectacular(ly bad) national anthem performance by Olympic sprinter Carl Lewis. Ahead of a 1993 regular-season NBA matchup between the Chicago Bulls and New Jersey Nets, the gold medalist stepped on the court to demonstrate the vocal talent we were deprived of as he wasted his prime years racing.

This video only includes snippets of Lewis’ belting (as in whipping listeners with a belt) rendition. But you still get his overly embellished opening note, self-aware “Uh oh!” after making a sound you’d expect from an animal being stepped on and an (ultimately unfulfilled) promise to make up for it.

As a bonus, this version includes SportsCenter anchor Charlie Steiner’s inability to keep his composure after the clip rolls. That’s followed by his Dad Joke-worthy commentary that Francis Scott Off-Key wrote Lewis’ rendition. — Will Shanklin, contributing reporter

Dog of Wisdom

It's almost 10 years later and I still reference this video every couple weeks. I can't offer higher praise than that. — Anna Washenko, contributing reporter

Food Wishes

One of the great things about YouTube, to this day, is the massive number of tutorial videos. I’ve used it to learn how to tie a tie, record music, put together furniture and where to dispose of that furniture when it’s given up the ghost. It also taught me how to cook. This is primarily thanks to one man. He goes by Chef John, but his channel is called Food Wishes. 

I’m fairly sure he’s the very first cook to capitalize on the platform, as he’s been making recipe videos pretty much since the beginning. This spaghetti with clam sauce tutorial is over 18 years old. I chose this particular video because I remember a trio of occasions in my life where I whipped out this recipe to amaze friends, family and (gasp) would-be romantic partners. His simple, charming and no-nonsense approach to cooking has always clicked with me, and I’m not alone. He has over four million followers on the platform and still cranks out videos to this day. His channel is a great reminder of how useful YouTube can actually be. — Lawrence Bonk, contributing reporter

John Frusciante - 09 - New Dawn Fades

My favorite YouTube video, the one I return to year after year, is a bootleg of the Red Hot Chili Pepper’s John Frusciante playing Joy Division’s “New Dawn Fades” at a solo show in Amsterdam at the start of the century. Say what you will about his main band, but John Frusciante is easily one of the greatest living guitarists, and this video — shot in 2001 and uploaded to YouTube less than a year after the platform went online in 2005 — is the perfect showcase of his many talents as a musician.

The footage is grainy, like so many videos from the era, but what counts is you can hear nearly every nuance of his performance. With his beloved Martin 00-15 acoustic guitar, Frusciante plays two melodies at the same time in his trademark syncopated style, all the while singing Ian Curtis’ lyrics with so much emotion.

As a teenager, Frusciante’s performance inspired me to no end. I spent countless summer hours trying to learn and emulate his playing style. In 2006, I even bought an issue of Guitar World magazine because it came with a DVD that included an interview with Frusciante and a lesson from the man himself on how to play "Under the Bridge". I probably should have known someone would upload that video to YouTube. It would have saved me a few bucks.

Looking back at my favorite video all these years later, it captures what’s best about YouTube. You can find nearly every performance in music recording history. Frusciante’s performance of "New Dawn Fades" could have easily disappeared with the passage of time. Instead, it will now exist as long as YouTube does, waiting to inspire someone else. — Igor Bonifacic, senior reporter

Lenny Kravitz - Fly Away (lyrics)

YouTube is home to an endless stream of poignant art, thought-provoking video essays and open windows to other people’s lives. More than that, though, it’s home to a lot of really dumb shit. Most of that shit is bad, as forgettable as it is lazy. But when someone puts in the work to make their dumb idea as dumb as possible, when they are enlightened by just how dumb their idea could be... that’s when the magic happens.

This Lenny Kravitz “remix” by all-around web artist Neil Cicierega — which turns the funk rock hit into an ode to dragonflies and having sex with candy bars, all while aping a “my first Windows XP slideshow” aesthetic — is a prime example of the “good dumb” I’m talking about. It is completely of the internet, something that could only result from one weirdo out there with a silly idea and some video editing software. It is so stupid, but also inspired, so it always works for me. — Jeff Dunn, senior reporter

Rancid Stool - Low Music video

Damn, who is that handsome young man having the worst day of his life in glorious 280p? Oh wait, that would be me.

Way back in the day, my buds and I made a music video for a Foo Fighters song for a contest. Needless to say, we didn't win, but we had an absolute blast all the same. Making something silly with your friends is really fun. Who could have imagined?

Some [mumbles] years later, the video is still one of my favorite things I've ever done. Yes, the editing stinks (my bad), it doesn't make a whole lot of sense narratively and the name of our would-be production company is very regrettable.

Still, I'm really proud of what we put together. Every time I watch it, I get the urge to start making fun videos again. Maybe I’ll actually do that someday.

P.S. Screw you and your magnificent mustache forever, Chad Sexington. —Kris Holt, contributing reporter

Shining Movie Trailer Parody

In the age of AI, fake movie trailers have become something of a spam epidemic on YouTube. But as someone who distinctly remembers swapping video files to friends and coworkers via email with Quicktime or AVI files attached — yes, it was exactly the bandwidth and security nightmare it sounds like — I still rank this hand-edited Shining remix near the top of my YouTube Mount Rushmore. The romcom take on Kubrick's horror classic dates back to at least 2005, but it seems to get rediscovered by new fans every few years, and rightly so — it's a gem. — John Falcone, executive editor

Star Trek: Tik Tok

Lots of people have made music videos out of unexpected crossovers like this, but Star Trek: Tik Tok still stands out to me as the best. Every clip from the original 1960s series is paired to perfection with the lyrics, and Captain Kirk is a weirdly fitting analogue for Kesha's late 2000s party girl.

When I watch it now, I think this video captures the scrappy ethos of what it meant to go viral during the early days of YouTube. It was about creativity, not content creators. People were making weird and funny shit just for the heck of it. Every now and then you'd stumble on a video that resonated and it lived in your head rent-free for years. And what can I say, I still think this track is a banger. — A.W.

We Like The Moon

The first YouTube video I saw that left me totally agog at what the human mind is capable of was "We Like the Moon." I didn’t have a TV at the time so had no idea Quiznos had used the concept in their commercials. When I saw it on my friend's computer in 2006 or so, I was coming at it fresh. I remember a giddiness rising in my soul and a goofy smile plastering my face. It felt like we were living in a world of limitless creativity and possibility where fun was a guiding principle and “good” didn’t mean access to funding, expensive equipment, technical prowess, or even a decent voice. My partner and I sang it, and still sing it, whenever the moon, marmots, chopsticks or zeppelins are mentioned. Now, I realize strangely proportioned, animal-like monstrosities raving off-key about nonsense is old hat at this point. But I will never forget when this was first played for me. — A.S.

Where the Hell is Matt? 2008

This is the third of Matt Harding's videos of himself dancing badly in various scenic locations around the world, and the first in which he encouraged bystanders to dance with him — equally badly, with some exceptions. I have no defenses against large groups of people doing the same thing simultaneously in multiple locations.

Oddly specific, I know, but in a society obsessed with dividing and categorizing, it reminds me of our common humanity. This video never fails to bring a tear to my eye, from the subtle political statements (Tel Aviv and East Jerusalem were not placed right next to each other by accident) to the sheer obvious joy of everybody involved. I even like the music. — Sam Rutherford, senior reporter

Correction, April 23, 2025, 3:39PM ET: This story originally said that 20 trillion videos have been uploaded to YouTube; the correct figure is 20 billon. We apologize for the error.

Apple's spin on AI is finally here, and it already seems smarter than Microsoft Copilot and Google Bard. Apple Intelligence focuses on privacy and "personal intelligence," with a bit of an assist from ChatGPT. While we haven't tested it ourselves yet, Apple appears to be avoiding the pitfalls of Microsoft's Recall feature, as well as Google Bard's unfortunate early gaffes. The company isn't trying to capture everything you're doing on your computer, and it's being careful about how it's using larger AI models like ChatGPT. 

Shortly after the WWDC 2024 keynote ended, Engadget's Cherlynn Low and Devindra Hardawar discussed why they think Apple is taking a more thoughtful approach to AI.

Nintendo turned things around with the Switch. Before its launch, the Wii U was languishing well in third place in the console wars and, after considerable pressure, the company was making its first tentative steps into mobile gaming with Miitomo and Super Mario Run. Fast-forward to today and Nintendo continues to sell millions of Switch units each year, even with the console being nearly eight years old. This is likely due in part to the Switch’s unique hybrid format and an ever-growing game library with uncharacteristically strong third-party support. Whether you’ve had your Nintendo Switch for many years or you just bought one, there are plenty of great titles to try for the first time. We’ve collected our favorite Nintendo Switch games here, in a list we’re constantly reevaluating, and don’t worry if you have a Switch Lite — every game on the list is fully supported by the portable-only console.

In this installment of What We're Listening To, Engadget writers and editors discuss some of the recent music releases we've had on repeat. It's safe to say there's some variety on this list.

Sierra Ferrell - Trail of Flowers 

Sierra Ferrell seems almost like an anachronism in 2024, but in the best possible way. She has this effortless, old-timey country style that is at points reminiscent of the likes of The Carter Family or Flatt and Scruggs (her brilliant covers of songs once performed by the latter duo are permanently seared into my brain), and it’s just so refreshing. Trail of Flowers, Ferrell’s second studio album, toes a little further into a more modern sound, but it maintains this deeply Americana feel that just seems to roll off the West Virginian artist so naturally.

Country music isn’t just one thing, and neither is Trail of Flowers. It meanders through different flavors — folk, bluegrass, hints of jazz — but it manages to do so in a way that feels cohesive when it’s all taken together. The wistful “American Dreaming” and “Wish You Well” are offset by sillier, whimsical numbers like “I Could Drive You Crazy” or the deep cut cover, “Chitlin' Cookin' Time in Cheatham County.” Tracks like “Money Train,” “I’ll Come Off the Mountain” and “Lighthouse” are instantly catchy. “Why Haven’t You Loved Me Yet” and “No Letter” feel like classics in the making.

And then there’s the cheekily sinister, scorned-lover’s lament, “Rosemary.” It’s one of the songs that first got me hooked on Sierra Ferrell years ago, as I imagine is the case for a lot of fans who have followed Ferrell’s career since her busking days or her unforgettable GemsOnVHS performances. I was almost nervous to hear it on Trail of Flowers, with a full production, after loving the raw, stripped-down recording I’ve been replaying on YouTube for so long. But they’ve done a beautiful job of capturing that magic, and “Rosemary” may be my favorite track on the album. It’s hard to pick, though.

Castle Rat - Into the Realm 

Sometime early last year, I discovered something I didn’t realize was missing from my life: medieval fantasy doom metal. I was at a show at the gloriously trippy Brooklyn Made watching an opener ahead of the band I’d gone there to see, and unexpectedly found myself witness to an on-stage choreographed sword fight (well, there was a scythe involved too) between a woman in chainmail and someone wearing a hooded rat mask and lingerie. I’d already been enraptured by the band’s heavy, immersive riffs and the singer’s hypnotic 1970s-esque vocals, but in that moment, yeah, things really clicked into place. This was my introduction to Castle Rat, and it was a damn good one.

I’ve been eagerly awaiting the release of their debut album ever since, and from the second it dropped last month — an LP called Into the Realm — I’ve pretty much been playing it on a nonstop loop. It would actually be embarrassing if you were to check the number of times I’ve listened to the album’s standout ballad, “Cry For Me.” It is a haunting, emotional song that really takes you on a journey and I’m a little obsessed with it. Into the Realm opens strong with the boppy “Dagger Dragger,” and some real heavy-hitters follow in tracks like “Feed the Dream,” “Fresh Fur” and “Nightblood.” “Red Sands” is a slow-building powerhouse, and I’ve even found myself loving the three roughly minute-long instrumental interludes that tie the whole album together.

Doom bands love a good theme (as do I), and we tend to see a lot of weed, witchcraft, science fiction and fantasy pop up throughout the subgenres that fall under this umbrella. Castle Rat definitely isn’t the first to have a shtick, but there’s a certain freshness to the band’s even more specific, self-described medieval fantasy brand, perhaps because they commit to it so hard. Their ‘70s and ‘80s influences are obvious, yet everything they’ve put out so far still feels original. Some people might find the whole thing gimmicky, but I think it’s working. Especially since they have the chops to back it up. I’m excited to see where Castle Rat goes from here.

Honorable Mentions:

Girl with No Face, Allie X— Another song I’ve been listening to an embarrassing amount these days is Weird World, off Allie X’s latest album, Girl with No Face. I somehow haven’t tired myself of it yet, it makes me go absolutely feral. Girl with No Face is full of synth-pop gems, like “Off With Her Tits” — a dancey, angsty anthem sure to resonate with anyone who has experienced dysphoria around their body image — “John and Johnathan,” “Black Eye” and “Staying Power.”

Club Shy, Shygirl — This is just a collection of straight-up bangers. It’s not even 16 minutes long, but it really hits. If you need an instant mood-elevator ahead of a night out, this album is it.

Stampede: Volume 1, Orville Peck — Orville Peck’s first release in his fringeless era is a duets album, the first part of which was released on Friday and features artists including Willie Nelson, Noah Cyrus and Elton John. I haven’t had much time to spend with Stampede: Volume 1 yet, but I’m into it so far. “Conquer the Heart” ft. Nathaniel Rateliff and “How Far Will We Take It?” with Noah Cyrus feel like they combine the best elements of Pony (2019) and Bronco (2022). Bronco came in two waves, so I expect we’ll see a Volume 2 for Stampede before long, too.

— Cheyenne MacDonald, Weekend Editor

Hannah Jadagu - Aperture

Whenever I hear the words “banger” or “bop,” I don’t think about artists like Taylor Swift. I think about the nebulous musical genre known as bedroom pop. Bop, after all, is right there in the name. Hannah Jadagu is a bedroom pop wizard of the highest order. Her first EP was made entirely on an old iPhone and still slaps, though she has since graduated to real recording studios. Jadagu’s latest full-length on Sub Pop, Aperture, is filled with both bangers and bops, and my favorite is the lovelorn “Say It Now.” Listen to this thing. It just may be the perfect pop song and is absolutely crying out for some road trip singalongs. The shoegaze-adjacent “What You Did” is another classic and would be at home on any decent summer playlist.

— Lawrence Bonk, Contributing Reporter

Justice - Hyperdrama

Justice’s first full-length release Cross from 2007 is one of my favorite albums of all time. Not only did it define the crunchy electronic sound of the blog house era in the late 2000s and early 2010s, it also felt like a new French duo had picked up where Daft Punk left off following 2005’s Human After All. Now Justice is back with its fourth album in Hyperdrama. But instead of being inspired by a specific genre of music like we heard in Audio, Video, Disco’s stadium rock tracks or Woman’s disco-fueled beats, this album feels more like the soundtrack to a moody sci-fi thriller, almost as if this is Justice’s alternate reality take on the Tron: Legacy soundtrack.

“Generator” is a certified banger and probably the song that sounds the most like classic Justice. “Neverender” and “One Night/All Night” are also highlights, though I think Justice may have leaned a bit too heavily on Tame Impala to give this album personality. “Dear Alan” delivers super smooth vibes and Thundercat makes a delightful appearance and finishes things strong in “The End.” 

The one thing I really miss is at least one truly danceable track like we got on all of the band’s previous albums. I also have to admit that some of the songs in the middle blend together in a less-than-memorable way. So while Hyperdrama isn’t the top-to-bottom masterpiece that Cross was a decade and a half ago, more Justice isn’t a bad thing.

— Sam Rutherford, Senior Reporter

Utada Hikaru - Science Fiction

Over the past few weeks, I've mostly been listening to songs from Science Fiction, the first greatest hits album by J-Pop artist Utada Hikaru. I've been a fan since they released their debut album First Love back in 1999, when people were far more likely to be weirded out by the fact that yes, you can enjoy music with lyrics in a language you don't understand. Utada has been in and out of the J-Pop scene since then, and there were long stretches of time when I wouldn't hear anything about them. Every new music drop is a gift, especially this album, since it's tied to an upcoming concert tour, which they only do once in a blue moon.

Utada experienced a resurgence in 2022 when their songs “First Love” and “Hatsukoi” — which also translates to “first love” — were featured in a hit Japanese drama series on Netflix called (you guessed it) First Love. Those tracks are, of course, in Science Fiction, which also includes songs from various points in Utada's career. 

The album will take you on a journey from when they mostly wrote R&B-inspired pop to an era when their music became more experimental, and it will introduce you to their current sound, which is both mainstream and unique. While some of the re-recorded versions of their older songs like “Traveling” don't quite hit the mark, it's still a good representation of who Utada is as a musician. As a long-time fan, though, this album isn't just a collection of songs to me, but a collection of memories from different stages of my life.

— Mariella Moon, Contributing Reporter

Caroline Polachek - “Starburned and Unkissed”

There are a few reasons that “Starburned and Unkissed” stands out against the I Saw the TV Glow soundtrack, which is replete with not only beloved mainstays like Broken Social Scene's “Anthems For A Seventeen-Year Old Girl” as well as other original songs from luminaries like Phoebe Bridgers and Hop Along's Frances Quinlan. If cornered, I would say the most brilliant thing about “Starburned and Unkissed,” its greatest strength, is that it's just a little too slow. 

Every note stretches and yearns with the impatience of adolescence, verges on running out of air, of snapping in two. Much like the scene of the utterly and equally brilliant I Saw the TV Glow it was written for, it captures the sleepy anxiety of a too-warm high school, overcrowded and isolating. The heaviness of its crushing guitars ebbs and flows unsteadily, mimicking the experimentation of callow hands. (It takes the second try on the chorus for the drums and guitars to all come in on cue.) 

It's unstable, hopeful. Caroline's voice — gently mangled by intentional autotune pitch shifts — falls out of key in the song's last few refrains, threatening to derail the dreamy beauty of the past three minutes. It ends abruptly, begging for another listen, another return to a time that can't be recaptured.

Honorable mentions:

“Lover's Spit Plays in the Background,” Claire Rousay — Rousay's sentiment is a perfect album for reading outside on an overcast day. I'm not sure I can pick a standout track, as the experience is really in letting the whole thing wash over you, but this one's close enough.

“Stickers of Brian,” Hot Mulligan — Classic pop punk subject matter (“my job sucks and I hate everyone”) but my god what an earworm.

“On Brand,” Ekko Astral — Levels of snottiness previously considered unachievable. Hard not to love what a beautiful mess these folks make.

“Cometh the Storm,” High on Fire — Most of High on Fire's 20+ years of output sounds like — and lyrically is probably about — an axe-wielding barbarian ripping a bong, or whatever other D&D nonsense they're up to. (I say this lovingly. I adore High on Fire.) The title track off the new one is… unusually dirge-like? At first it felt very “old band showing their age” but it's grown on me as an intentional and welcome change. They're not off the hook for using AI for the “Burning Down” music video though. C'mon guys.

— Avery Ellis, Deputy Editor, Reports

In this installment of what we're listening to, Reviews Editor Cherlynn Low dives into new releases from Taylor Swift and Ariana Grande, and explores what music means to us when songs are consumed more like books and journal entries.

Cherlynn Low, Deputy Editor, Reviews

April 19 should have been declared a global holiday. It was, after all, the release day of Taylor Swift’s highly anticipated album, The Tortured Poets Department (TTPD). How could we be expected to work on this most hyped of Fridays, when there were lyrics to overanalyze and melodies to emo-walk to?

Taylor Swift - The Tortured Poets Department

I’ll admit: I hate myself a bit for the eagerness with which I hit play on albums like TTPD and Ariana Grande’s Eternal Sunshine (ES). Both musicians had recently left long-term relationships and got together with new beaus, amid rabid press coverage and relentless speculation on Reddit. I usually prefer to hear from the people involved instead of reading tabloid articles based on what “friends close to” said, and for Swift and Grande, songs are usually as close as we’ll get to primary sources. 

I saw these albums as opportunities to get their takes on what went down. Granted, it’s always wise to take their words with generous helpings of salt, the same way therapists tend to remember that their patients’ retelling of stories can be skewed or unreliable.

Both Grande and Swift have made their lives the subject of their music for years, and they often have an air of defensiveness. Titles like “Look What You Made Me Do” and “Yes, and?” make me think of people who blame others or don’t care about the consequences of their actions. Even songs like Swift’s “Anti-Hero” from her last album and Grande’s “Thank U, Next” seem at first glance to be about taking accountability, but really continue the theme of dodging real responsibility.

I’m not sure if music has always been rooted in scrutinizing the artist’s life, but it certainly seems to have become more popular in recent years. The level of interest and analysis around things as simple as word choice or order has probably never been as high, either. It’s also worth considering that these two much-hyped albums were released within two months of each other. Granted, Swift’s new music has only been out for about 40 hours, and there are 31 whole songs spanning a full 65 minutes and 8 seconds, so I will need to listen to it a few more times for it all to sink in.

Grande’s album, which dropped last month, was scrutinized by fans and critics alike. It was released shortly after her divorce from Dalton Gomez and her budding relationship (reportedly) with fellow Wicked cast member Ethan Slater.

When I first played through ES, I was mostly underwhelmed and annoyed. There was, as expected, no accountability for what her actions did to the mother of a newborn and a lot of romanticizing of her latest man. But even on just my second listening, I knew I had a few favorite tracks. Other Engadget staff members agree with me: ES is a solid album with quite a few bangers. 

Ariana Grande - Eternal Sunshine

I may not endorse Grande’s behavior — and no one asked me to — but damn, I can’t help liking her music. And it’s probably because I’m hooked on the melodies and production, not the lyrical content.

Swift, on the other hand, seems more of an aspiring wordsmith. Much has been said about her lyrical abilities, and I have no desire to retread those waters. I’ll just say that as an occasional aspiring poet myself, I have to admire the laissez faire approach of rhyming “department” with “apartment.”

I’m more intrigued by what seems to me like the priority of a song’s words over its tune and sound. Like Billboard states, TTPD’s title alone “calls even more attention to her lyricism than usual.”

Swift’s music has always felt like journal entries meant for the public, chock-full of inside references, Easter eggs and thinly veiled digs at former lovers. Her earlier works were therefore highly relatable for scores of teenagers around the world. But as her success ballooned, so has she grown out of touch with the average person, and her songs have consequently become more like glimpses into a life that mere mortals can only dream about. While her pieces continue to feel like blogs or Tumblr posts, Swift controls the narrative by carefully orchestrating not just synths, guitars and lyrics, but also pap walks and delicately timed public appearances.

Unlike Grande, who has mostly avoided appearing with Slater at high-profile events and also hasn’t hidden as many Easter eggs in her songs, Swift has not been afraid to show off and show up for her new partner. She’s not publicity-averse; she seems to anticipate and almost courts it.

With the general strategy around TTPD, like announcing it at the Grammy’s and slow teases of lyrics and cover art, it certainly seems like these days, the billionaire with a private jet problem is more focused on her myth and financial value than the art of songwriting.

Swift surprised everyone at 2AM on April 19 by releasing a whole 15 more songs alongside the initial 16 people were expecting for TTPD. This meant that anyone who pre-ordered the original album would miss out on basically an entire second album worth of tracks and need to spend more. The Swift team also made several versions of the physical album available, like collectors’ editions — all blatant cash grabs designed to maximize revenue.

Grande is guilty of this too, making so many different iterations of “Yes, and?” when that single was released in what seemed like an attempt to place the song at the top of streaming charts. ES also has different versions of cover art for fans to spend their hard-earned money on.

Here’s the thing. Do I care deeply about either of these albums? Nope. Did I eagerly listen to them, hoping to glean insight on their seemingly messy and chaotic relationships? Yes. But despite Swift’s marketing and positioning herself as a poet — and TTPD offering more of a look at her fling with Matty Healy from The 1975 — I realized I just didn’t quite like her album musically. In fact, my favorite Swift songs like “Wildest Dreams” and “Delicate” are beautiful symphonies of atmospheric synths and instrumentation.

Maybe I’m just learning that I care more about music than lyrics. Or maybe I think good songs are a combination of the two and should speak for themselves without having to rely on hype, gossip and marketing tactics. To be fair, that’s true of all art, whether it’s film, photography or poetry. And while the irony of my being sucked into playing TTPD and ES due to the promise of learning about their lives isn’t lost on me, I guess I just wish I could listen to music (and read books and watch movies) without having to worry or be so concerned about the creator’s choices and actions. But in 2024 (and beyond), that seems no longer feasible.

Regardless of if you just got your hands on a PS5 or you’ve had the console for a while, chances are you had a good idea which few games you wanted to start out with. After playing those to death, maybe you’re on the hunt for the next title that will suck you into an immersive world. We can confidently say that all of the video games on our best PS5 games list do this in their own way, be they action-adventure titles, racing sims, puzzles and everything in between. As always, in building a list like this, we looked for must-play games that offer meaningful improvements over their last-gen counterparts when played on a PlayStation 5 console, or are exclusive to the system. We'll be updating this periodically, so, if a video game's just been released and you don't see it, chances are that the reason for its absence is that we haven't played through it for the first time yet. Either that or we hate it.

Read more: The best SSDs for PS5

There are too many streaming services to keep track of today — and with prices steadily rising, you might be asking yourself if it’s still worthwhile at all to subscribe to these services instead of cable. We share those frustrations but have ultimately decided this oversaturated space offers much more than the basic-cable world that came before it. But now, you have to wade through all of those options and figure out which have the content you want to watch, which fit into your budget, which have the most compelling original series, movies and documentaries, and the best live TV streaming services.

We at Engadget wanted to make that process easier so we’ve compiled a list of the best streaming services you can subscribe to right now, with our favorite picks spanning across all content types and budgets. Should you go out and subscribe to all of the services listed here? Probably not, unless you’re a true cord cutter aching for content. But these are the services that offer the best bang for your buck, regardless of whether you’re a live sports buff, a classic movie lover or a general streaming enthusiast.

Amazon’s Big Spring Sale has officially ended but a few deals are still going strong. While this latest event wasn't on the level of a Prime Day or a Black Friday sale, over the past week we found decent savings on some of the gadgets and devices we recommend. Now that the sale is done, the pickings are a little slimmer, but that doesn't mean you're out of luck completely. If you didn't take advantage of the sale while it was live, or if you've still got some shopping left to do, consider this list your last chance to reap the discounts from Amazon's latest sale. (Of course, if you miss out now, Prime Day typically comes back around in July every year.) Here are the best Amazon Spring Sale discounts on tech we love that you can still get today.

Best Spring Sale deals under $50

Best Spring Sale deals on Amazon devices

Best Spring Sale deals on Apple devices

Best Spring Sale deals on headphones, earbuds and speakers

Best Spring Sale deals on smartphones

Best Spring Sale deals on gaming gear

Best Spring Sale deals on smart home tech

Best Spring Sale deals on other tech

Best tech deals available elsewhere on the web

Your Spring Sales Shopping Guide: Spring sales are in the air, headlined by Amazon’s Big Spring sale event. Our expert editors are curating all the best spring sales right here. Follow Engadget to shop the best tech deals from Amazon’s Big Spring Sale, hear from Autoblog’s car experts on the best spring auto deals on Amazon, and find spring sales to shop on AOL, handpicked just for you.

Amazon’s Big Spring Sale is nearly over and if you’re interested in saving on tech, you’ve come to the right place. This sale event may not have been a boon for discounts on laptops, tablets, wearables and the like, but we were able to dig up a number of decent tech deals available right now. While most of these prices are not the same as those we saw during the Black Friday time period, some get pretty close (as a general rule of thumb, a good price in March isn’t necessarily the same thing as a good price in November). As a reminder, the Big Spring Sale comes to a close at the end of the day March 25, so you have limited time left to shop these deals. Here are the best Amazon Spring Sale discounts on tech we love that you can get before the event ends.

Best Spring Sale deals under $50

Best Spring Sale deals on Amazon devices

Best Spring Sale deals on Apple devices

Best Spring Sale deals on headphones, earbuds and speakers

Best Spring Sale deals on smartphones

Best Spring Sale deals on gaming gear

Best Spring Sale deals on smart home tech

Best Spring Sale deals on other tech

Best tech deals available elsewhere on the web

Your Spring Sales Shopping Guide: Spring sales are in the air, headlined by Amazon’s Big Spring sale event. Our expert editors are curating all the best spring sales right here. Follow Engadget to shop the best tech deals from Amazon’s Big Spring Sale, hear from Autoblog’s car experts on the best spring auto deals on Amazon, and find spring sales to shop on AOL, handpicked just for you.

The Amazon Big Spring Sale is in full swing, and among the slew of clothing, outdoor and home products on discount, there are a few good tech deals to be had. Unlike regular Prime Day, the Big Spring Sale is not exclusive to Prime members, which is great for any shopper with items to check off on their lists. However, it’s also not like Prime Day in that the number of tech deals available is much less than that of Amazon’s summertime or fall sales events. But if you’re on the market for a new Bluetooth tracker, robot vacuum or pair of wireless earbuds, you have some decently discounted options to choose from. We’ve scoured Amazon’s site to find the best tech deals to come out of the Big Spring Sale — check them out below.

Best Spring Sale deals under $50

Best Spring Sale deals on Apple devices

Best Spring Sale deals on Anker devices

Best Spring Sale deals on headphones, earbuds and speakers

Best Spring Sale deals on smartphones

Best Spring Sale deals on gaming gear

Best Spring Sale deals on smart home tech

Best Spring Sale deals on Amazon devices

Best Spring Sale deals on other tech

Best tech deals available elsewhere on the web

Your Spring Sales Shopping Guide: Spring sales are in the air, headlined by Amazon’s Big Spring sale event. Our expert editors are curating all the best spring sales right here. Follow Engadget to shop the best tech deals from Amazon’s Big Spring Sale, hear from Autoblog’s car experts on the best spring auto deals on Amazon, and find spring sales to shop on AOL, handpicked just for you.