DJI’s latest product is another Mini drone. It can capture 4K video at up to 30 fps and 60 fps footage at 2.7K resolution, with increased video bitrates up to 100Mbps, which should ensure higher quality video at both settings. While those specs may not excite, maybe the price will.

Not to be confused with the Mini Pro series, which is several hundred dollars more, the $299 Mini 4K weighs less than 249g, is foldable and requires no FAA registration.

The specifications won’t move the Mini series forward, but they cover all the essentials for beginner drone pilots, including 2x digital zoom while recording in 4K, a 3-axis gimbal and electrical image stabilization. DJI says it can transmit 1080p video up to 10km away. There’s also level-5 wind resistance, once again, and it can fly for up to 31 minutes (or up to 93 minutes with DJI’s $449 Fly More bundle.)

The Mini 4K will also include one-tap movements and features like helix, dronie and panoramic shooting support. If you’re a total rookie, DJI’s companion app has flight tutorials and one-tap takeoff and landing.

A lot of this will sound familiar to anyone following DJI’s ever-growing drone family over the last 10 years, but it’s probably not aimed at you — this is for newcomers. The Mini 4K is priced substantially less than its Mini Pro iterations, and it’s actually less than the rest of the Mini drones from DJI. It’s available to order now for $299 / £269.

DJI occasionally knocks us sideways with cutting-edge innovation à la the Ronin 4D, but it's usually just refining existing products to stay ahead of rivals. That applies to the new RS4 and RS4 Pro gimbals, which boast multiple improvements over the previous RS3 models, particularly in the size and capacity of cameras they can support, but no new standout features. 

However, the company also unveiled the Focus Pro, a new version of its LiDAR focus system that works either standalone or with the RS4 Pro. This product is more on the cutting-edge side, adding a host of new capabilities to the company's gimbal and camera systems. 

DJI RS4

The mainstream RS4 gimbal is largely the same as the last model, with a carrying capacity of 6.6 pounds (3kg) that accommodates most mirrorless cameras and a good load of accessories. However, the tilt axis has been extended 8.5mm compared to the RS 3, giving you more balancing space for longer lenses or front-heavy add-ons like ND filters. It also uses DJI's latest 4th-gen stabilization algorithm for improved smoothness and control.

DJI

The RS4 can pair with the new Focus Pro Motor (more about that in a sec), allowing smooth focus and lens zoom adjustments at a speed 30 percent faster compared to the original DJI Focus Motor. As before, it uses dual-mode Bluetooth tech so you can pair with and control multiple cameras. 

Another new feature is improved stability in vertical shooting, steadying jolts for the influencer crowd even when walking or running. The redesigned gimbal horizontal plates allows for "seamless transitions to vertical shooting," the company said, allowing for more efficiency in video creation (to let you quickly get out an Insta Story while filming, for example). 

DJI

As before, it comes with automatic gimbal locking and unlocking for ease of use, along with Teflon coatings on all three axes for smooth operation. A new joystick mode switch lets you change from zoom to gimbal control and the customizable trigger can quickly turn on the FPV mode.

The RS4 supports multiple accessories via the RSA communication port, including DJI's RS Tethered Control Handle and third-party options (DJI has an SDK protocol for the RS family). IT also supports the new BG70 High-Capacity Battery Grip that extends runtime to 29.5 hours with a 2.5 hour charge time (compared to , while supporting power delivery to camera and USB-C accessories.

Finally, the RS4 supports DJI's Ronin Image Transmitter, delivering live-action high-definition feeds to other crew members and allowing for remote-control (focus, etc.) capabilities. 

DJI RS4 Pro

DJI

The RS4 Pro ups the carrying capacity to 10 pounds (4.5kg) as before, while adding side handles and extra mounting points for accessories. It adds a 20 percent motor torque boost to all axes (compared to the RS 3 Pro) to allow for more responsive tracking even with heavy cameras and accessories. 

DJI also introduced a car mount mode, optimizing the stabilizer for vehicle shoots, while updating vertical shooting capability and improving axis locks. Like the RS4, it has DJI's latest 4th-gen stabilization algorithm that's particularly helpful for fast-moving scenes when carrying a heavy camera.

DJI

The primary new capability is functionality with the Focus Pro LiDAR and Focus Pro Motor system, giving cinematographers autofocus capability even with manual focus lenses. It also supports remote control and image transmission, "allowing for remote gimbal operation and intelligent focus assistance," according to the company.

"In collaborative team shooting, the gimbal operator can control the RS 4 Pro gimbal through devices such as the DJI Master Wheels, DJI Ronin 4D Hand Grips, and DJI High-Bright Remote Monitor. Meanwhile, the focus puller can enable LiDAR Waveform on the High-Bright Remote Monitor for intelligent focus assistance, precisely controlling focus using the Focus Pro Hand Unit," DJI says. 

DJI Focus Pro

DJI

For creators and cinematographers, the Focus Pro is the most intriguing product in this release. It's a LiDAR focus system consisting of the Focus Pro LiDAR unit, Focus Pro Grip, Focus Pro Motor and FIZ Hand Unit. It gives the operator autofocus capability even with manual lenses, or lets them focus manually via a real-time view from the LiDAR's perspective.

The grip has a full-color touchscreen, 2.5-hour power supply, intuitive visual operation, auto-calibration and data storage for 15 lenses, along with Bluetooth capability for easy start/stop recording. The LiDAR, meanwhile, supports focus at up to 20 meters (three times more than before), and has an ultra-wide 70-degree view for focus. IT has 76,800 ranging points and a 30Hz refresh rate to minimize focus hunting and ensure reliable focus. 

DJI

Autofocus includes AF subject recognition and tracking, adjustable focus speed and selectable focus area modes, much like a regular mirrorless AF system. The AMF (auto-manual focus) mode, meanwhile, allows for instant switching between manual and autofocus for tricky shooting scenarios. It also helps camera or focus operators by showing the LiDAR waveform. I tried something similar with the Ronin 4D, and while it takes a while to get used to, it's very effective.

The FIZ Hand Unit allows full remote control over focus, iris and zoom for focus pullers. It uses stepless real-time damping for smooth control, while letting the focus puller be up to 160 meters away. Other features including faster motor speeds, 10ms latency and intuitive dial operation. 

Price and availability

The DJI RS 4 is now available for purchase starting at $549 and includes one Gimbal, BG21 Battery Grip, USB-C Charging Cable, Lens-Fastening Support, Extended Grip/Tripod (Plastic), Quick-Release Plate, Multi-Camera Control Cable, and Screw Kit. You can also pick it up for $719 in a combo with a Briefcase Handle, Focus Pro Motor, Focus Pro Motor Rod Mount Kit, Focus Gear Strip, a second Multi-Camera Control Cable, and one Carrying Case. The RS 4 Pro, meanwhile, starts at $869 or $1,099 with the high-capacity battery grip, with the same range of accessories for each.  

The Focus Pro creator combo (DJI Focus Pro LiDAR, DJI Focus Pro Grip, DJI Focus Pro Motor and DJI Focus Pro Carrying Case) is $999, or you can buy the All-in-One combo (with the FIZ Hand Unit as well) for $1,899. The RS BG70 high-capacity battery grip is sold for $149 by itself. 

After making a cameo appearance in the Osmo Pocket 3 camera, DJI's Mic 2 wireless microphone system has officially arrived with some nice upgrades over its popular predecessor. It can now connect directly to your smartphone via Bluetooth, while also offering improved internal recording quality, AI noise reduction, a bigger touchscreen, easier control and more. 

The transmitters come in grey with a new see-through design and DJI introduced a white color option as well. They're slightly smaller than before, but largely resemble their predecessors with a clip, magnetic mount and 3.5mm mic input. The power and link buttons are now on the same side and round instead of oblong, with the record button and USB-C input on the other side. 

DJI

In one welcome change, DJI moved the power-on LED to the sides, rather than near the front as before, where it would annoyingly appear on camera. The DJI logo is front and center, though, so you'll still need a piece of black tape to cover that up. 

The receiver has changed substantially, with a larger 1.1-inch touchscreen and a new thumbwheel to make adjustments easier. DJI has made connecting the transmitter directly to your phone simpler as well via included USB-C and Lightning adapters. 

A big plus of the Mic 2 over other kits like the Rode wireless Go 2 is the charging case that's sold with the two-transmitter kit. It now supports up to 18 hours of use on a charge, up from 15 before, and the transmitters have been upgraded from 5.5 to six hours.

DJI

Topping the list of new features is direct Bluetooth connection support, letting you pair a transmitter mic to your phone (or DJI's Osmo Pocket 3 and Action Cam 4) without the need for a receiver. That'll allow creators on a budget to purchase a transmitter mic by itself for $99, or add DJI's Lavalier Mic for an additional $35. 

Linking a phone is relatively easy — hold the record button for three seconds to put it in Bluetooth mode, then press and hold the link button for two seconds. From there, your phone should detect the transmitter. It worked great with my Pixel 7a, even though it's not on the approved list, and I was able to start recording video with much better quality audio, to say the least. 

There are a couple of caveats: the AI noise cancelling feature doesn't work when connected to a smartphone and you can only use one transmitter at a time. If you have the transmitter/receiver combo, though, you can also get audio by connecting the receiver directly to your phone as before. 

DJI

Speaking of, the Mic 2 has a couple of improvements in audio quality. It promises "brighter and more natural sounding voices" for the interviews or standup work where it's mainly used. And though the original DJI Mic supported internal recording as a backup to camera files, it now captures that at higher 32-bit float quality, letting you max out gain without fearing distortion. It also supports a higher acoustic overload point (AOP), up to 120 dB from 114 dB, meaning you'll see less distortion on higher audio levels. 

The other quality trick is AI noise cancelling, allowing the Mic 2 to lower the environmental noise so vocals stand out better. DJI promises that it works in "complex and noisy environments, such as streets and restaurants." 

A full review is to come, but I tried out the Mic 2 in a variety of situations, including inside a car, riding on a bicycle and in a howling wind. It performed well in nearly all those situations, with all distracting noise blocked in the car and bike shots, leaving just some pleasant environmental sound. However, it was unable to block out a direct 30-40 MPH wind on a sand dune, even with the included wind muff installed. It still worked well enough for me to get the shot, though, which was impressive.

DJI

Key features carrying over from the last model include the option for a safety track recorded at a lower -6 dB (in case you accidentally blow out the levels), an 820 foot range with the transmitter/receiver combo (524 feet in the EU), magnetic clips and a muff for each transmitter. For the receiver, DJI has also included preset gains for different cameras so that it'll work relatively well out of the box. It doesn't include all recent cameras, so hopefully firmware updates will address that. 

With the new options, particularly the smartphone Bluetooth connectivity and Osmo Pocket 3/Action 4 support, the Mic 2 is again likely to strike a chord with creators. It's now available for $349 with two transmitters, a receiver and charging case, $219 for a transmitter and receiver and $99 for individual transmitters. You can also purchase the charging case separately for $69. 

On Friday, a federal court sentenced Joseph James O’Conner to five years in prison for his involvement in the 2020 Twitter hack. Last month, the 24-year-old, known as PlugwalkJoe online, plead guilty to a host of cyber crimes, including carrying out a SIM-swapping attack that targeted a TikTok account with millions of followers. The 2020 Twitter hack saw O’Conner and his co-perpetrators obtain access to the company’s backend and subsequently the accounts of Elon Musk, Bill Gates, Barack Obama and more than 100 other high-profile users. O’Conner netted $794,000 in the crypto scam that followed.

"After stealing and fraudulently diverting the stolen cryptocurrency, O'Connor and his co-conspirators laundered it through dozens of transfers and transactions and exchanged some of it for Bitcoin using cryptocurrency exchange services," the Justice Department said. "Ultimately, a portion of the stolen cryptocurrency was deposited into a cryptocurrency exchange account controlled by O'Connor." In 2021, Graham Ivan Clark, the alleged teenage mastermind behind the breach, plead guilty in return for a three-year prison sentence. In addition to his five-year sentence, O’Conner also faces three years of supervised release after his prison term. He must also forfeit the $794,000 he defrauded during the hack.

DJI has unveiled its new flagship consumer drone, the Mavic 3 Pro, with a triple-camera setup that includes a new 70mm lens designed for "powerful subject framing." It also includes a new 10-bit D-Log M color mode, improvements in the tele cameras, and ProRes capture on the Mavic 3 Pro Cine option. It's the company's fourth Mavic 3 drone, joining the Mavic 3, the Mavic 3 Classic and the Mavic 3 Enterprise models. 

Like the Mavic 3, it's available in regular and Cine models, with the latter having advanced features for filmmakers like Apple ProRes capture (ProRes 422 HQ, ProRes 422, and ProRes 422 LT), a 1TB SSD drive and a 10Gbps lightspeed data cable. However, you'll pay a premium of nearly $1,000 to get those.

DJI

The new 70mm camera has a 1/1.3-inch sensor that's the same size as on the Mini 3 Pro. Though considerably smaller than the 4/3 chip on the main Hasselblad camera, DJI says the camera is designed for a "range of different scenarios from framing intriguing buildings to cars in commercial shoots." That comment indicates that the quality should be better than the 7x tele camera. It can handle 48-megapixel (MP) high-res or 12MP low light photos, along with 4K/60fps video. 

Like the main camera, it supports a new log format called D-log M along with DJI's original D-Log. D-Log M is designed to deliver "natural color gradations with delicate details" even in high-contrast situations like sunsets, the company says. At the same time, it's easier to grade than typical log footage, according to DJI. It can shoot up to 10-bit 4:2:2 ProRes video on the Mavic 3 Pro Cine model and 10-bit 4:2:0 (H.264/H.265) on the regular model. 

DJI

DJI has also improved the 7x (166mm equivalent) tele camera, boosting the aperture from f4.4 to f3.4, which should make it considerably better in low light. It also offers boosted video specs, up from 4K at 30p on the Mavic 3 to 4K/60fps.

Aside from those improvements, it's much the same as the Mavic 3. The main 4/3 Hasselblad camera can shoot video at up to 5.1K at 50fps or DCI 4K at 120fps, with the new D-Log M mode, along with D-Log and HLG options. As before, it can capture 10-bit 4:2:2 ProRes (Mavic 3 Pro Cine) and 10-bit 4:2:0 H.264/H.265 video on the Mavic 3 Pro. 

DJI

It allows up to 43 minutes of flight time, roughly the same as before. You'll also get DJI's omnidirectional sensing and APAS 5.0 obstacle protection, with eight wide-angle vision sensors and a high-performance vision computing to engine "to precisely sense obstacles in all directions and plan a safe flight to avoid them," DJI says. Its DJI O3+ transmission system can transmit a 1080p/60fps HD live feed at high frame rates at a distance of up to 15 km (10 miles), though considerably less in Europe. 

The Mavic 3 Pro also offers key AI features seen on the Mavic 3 and other models. Among those is ActiveTrack 5.0 designed to track a subject while avoiding obstacles, Spotlight (moving the drone around the subject), and Point of Interest (allows the drone to circle around the subject while keeping it centered in the frame). 

DJI

In addition, it includes features designed for creators like MasterShots 4, QuickShots 5 with diverse camera movements like Dronie, Rocket, Circle and Helix, and Panorama 6, designed to take a 100 MP photo. It also comes with a time lapse mode. 

As for the price, the Mavic 3 Pro is only a bit more expensive than the Mavic 3's current $2,049 starting price. The Mavic 3 Pro with a DJI RC starts at $2,199, while the Fly More combo with the DJI RC, three intelligent flight batteries, a charging hub, carrying bag and one ND filter set is $2,999. The same thing with the DJI RC Pro remote (the high-end one with a screen) is $3,889, and the Mavic 3 Pro Cine Premium Combo (with the latter accessories) is $4,799. It's now available to order with shipping starting in May. 

One of the biggest criticisms of DJI's otherwise excellent Avata FPV drone was around the Goggles 2, which lacked comfort and forced you to tether to a battery. Now, DJI has unveiled the Goggles Integra, a new model designed for the Avata that offers an integrated battery, improved ergonomics and new flight control features. The company also announced the RC Motion 2 controller with an upgraded joystick and controls.

The Goggles Integra use a new integrated design that merges the headband and battery, eliminating the annoying connecting cable on the last model. At the same time, DJI promises that the headband is "light, balanced and incredibly comfortable," while offering up to two hours of connecting time. It uses DJI's OcuSync O3+, that provides a 50Mbps video feed with up to 6.2 miles of range and 30-millisecond latency. It has a built-in GPS that lets you fly with no need to connect to a smartphone. 

DJI

Unfortunately, the Goggles Integra lack the built-in diopter range found on the Goggles 2, and are too small to accommodate eyeglasses. Instead, they come with interchangeable lenses, meaning they're less flexible for users who need eye correction than the Goggles 2. And as before, when you take them off to see the drone, you'll need to put your glasses back on. With the battery cable gone, though, it's less awkward to put the headset on and take it off.

Another key difference with the Goggles 2 is that there's no Bluetooth or WiFi communication. That means you won't be able to transmit the visuals you see in the goggles to a smartphone, as you can on the previous model. 

Along with the new headset, DJI introduced the RC Motion 2 as an update to the original RC Motion controller. It uses the same motion-sensing tech, but comes with an improved joystick that protrudes (rather than being flush as before) for more traditional operation. 

DJI

It also has an updated accelerator with a reverse function to support multidirectional flight. That includes vertical, backward and sideways motion, "making it easier to adjust the direction or choose a suitable place to land," DJI wrote. On the side is a new Fn dial (replacing the tilt switch) that lets you adjust the camera's ISO, shutter and other parameters without the to interact with the goggles. 

The new products show that DJI is being responsive to users, but it's unfortunate that the Goggles Integra lacks several key features from the $649 Goggles 2 — even though it's $150 cheaper. The Goggles Integra and RC Motion 2 are now available for $499 and $239 respectively. You can also get them in the Avata Explorer Combo that includes the Goggles Integra, DJI RC Motion 2, and DJI Avata for $1,278. If you need the diopter adjustment range and WiFi/Bluetooth features, the Pro-View Combo with the Goggles 2, DJI RC Motion 2, and DJI Avata is available for $1,428. 

Where DJI's RS 3 and RS 3 Pro stabilizers were about maximum convenience and power, the company's latest is designed to reduce as much weight as possible. The new RS 3 Mini weighs in at just 1.8 pounds, but can carry cameras up to 4.4 pounds, which includes heavy mirrorless models like Canon's EOS R3 and even some cinema cameras. At the same time, it offer's DJI's latest stabilization algorithms, easy controls and more. 

DJI has tested the RS 3 Mini with cameras like the Sony A7S III with a 24-70mm f/2.8 GM lens, the Canon EOS R5 with an RF24-70mm f/2.8 STM lens or a Fuji X-H2S and XF 18-55mm f/2.8-4.0 lens. I tried it with a Panasonic GH6 and 12-60mm f/2.8-4 and a Canon EOS R6 Mark II with a 24-104mm f/4 and had no problems. "A powerful motor ensures that even when the zoom reaches the maximum focal length, the footage captured remains stable, and there is no need to repeat balancing," DJI says.

It's relatively easy to mount cameras thanks to the newly designed dual layer quick-release plate. That also allows for vertical shooting if you attach the plate to vertical arm, and there are no rotation angle limitations in that mode. As with the RS3, the sliding quick release plates make it easy to balance in just a few minutes.

It supports both wired and wireless Bluetooth shutter/record activation via the RS3 Mini's record button, with the camera ready to go as soon as it's turned on. For Sony cameras with supported power zoom lenses, you can also control the zoom using the front dial without the need for a camera control cable. It offers the usual other DJI Ronin control dials, including a joystick, M button to switch modes, a trigger, a front dial and the aforementioned record button. You can also add Ronin accessories like the Briefcase handle, fill lights or microphones.

Steve Dent/Engadget

Functions are controlled by the 1.4-inch full-color touchscreen, letting you change shooting modes, balance the gimbal motors and more. You can also do much of that with the app, or set functions like Timelapse, Track recording (move along up to 10 preset points) and Panorama. Finally, it can go up to 10 hours on a charge with the integrated battery handle and can be fully charged in as little as 2.5 hours with a 10W charger.

I had a chance to briefly try out DJI's RS 3 Mini, and my early impressions were good. I'm not much of a gimbal guy as I often work alone and don't have the need for tracking shots very often. However, this one is so light that I was able to use it a fair while without tiring out. It's also very convenient — there was no need to rebalance even if I zoomed out or changed my camera's configuration. And I was able to shoot most of my footage one-handed, as DJI promises. The results were great — it produced very smooth footage, both in the horizontal and vertical configurations. 

Steve Dent/Engadget

The RS 3 Mini is also a relative bargain compared to the $550 RS 3 Pro. It's available for purchase today at authorized retailers or DJI's Store for $369 (339 GBP/ 389 EUR). If you're concerned about knocking it into a wall, DJI's Care Refresh insurance is now available for the RS 3 Mini, as well. 

DJI's Mavic 3 is a useful cinematic drone, but its steep price ($1,899 as we write this) can be off-putting compared to the $1,449 of the older Mavic 2 Pro. The company thinks it has a simple solution, though: offer a trimmed-back version. DJI has introduced the Mavic 3 Classic, a new variant that drops the telephoto lens in exchange for a better $1,469 starting price (more on that later).

The Classic otherwise includes the features that might draw you to the Mavic 3 in the first place. The centerpiece remains a 20-megapixel, 24mm-equivalent Hasselblad camera that can shoot 5.1K video up to 50 frames per second (4K at 60FPS) and capture 12-bit RAW photos. You can likewise expect a healthy 46-minute peak flight time, a range of up to 9.3 miles and an O3+ transmission system that can send 1080p 60FPS video to your remote. You're still asked to fly within line of sight, but an AirSense ADS-B receiver can warn you of nearby aircraft if you operate at higher altitudes.

This still isn't a trivial expense. The base price is for the drone only, and doesn't include a remote or charger. It's meant for upgrading DJI users who have the necessary gear. Everyone else will have to pay at least $1,599 for the standard kit, which includes the charger and the basic RC-N1 remote. Spend $1,749 and you'll get the display-equipped DJI RC remote. And if you need accessories, the $649 Fly More add-on includes two batteries, a charging hub, a car charger, three pairs of quiet propellers and a convertible carrying bag.

The Mavic 3 Classic clearly isn't meant for newcomers, or even many enthusiasts. You'll want to look at the $679 Mini 3 Pro or $999 Air 2S if you're on a tighter budget. However, it might represent a solid value if you care about drone camera quality but don't need long-zoom shots to create your next magnum opus.

DJI has launched a new cinematic drone called Avata, which was made to work with the new DJI Goggles 2 video headset. While it's in the same category as the brand's previous first-person view (FPV) cinematic model, it takes on a more usual "cinewhoop" form factor with prop guards protecting its quad propellers. Since it's a cinewhoop, the Avata was designed to have the speed and agility of racers but with the stabilization technology needed to be able to capture smooth and vivid footage. 

It can hover, accelerate like a racer and zoom in and out of tight spaces while shooting videos, and its battery can last for up to 18 minutes before needing a recharge. The Avata is equipped with a stabilized camera that has a 1/1.7-inch CMOS sensor with 48 million effective pixels, an f/2.8 aperture and an ultra wide-angle lens. That camera is capable of shooting 4K videos in 60fps and 2.7K videos in 50, 60, 100 or 120 fps. And users can shoot quite a bit of footage before worrying about space, since it has 20GB of internal storage.

While it can be controlled using the existing DJI FPV Remote Controller 2 and the DJI FPV Goggles V2, it was designed to be used with the company's newer models. DJI Goggles 2 is the brand's next-gen video headset with a clearer micro-OLED screen than its predecessor and an adjustable diopter, so that people who wear glasses wouldn't need them while using the device. It can wirelessly stream the drone's live footage from the user's phone or computer for an immersive first-person viewing experience. Meanwhile, the DJI Motion Controller gives pilots the power to perform complex flight maneuvers with one hand. 

The DJI Avata is available starting today from the company's website and various retailers. On its own, the drone costs €579, £499 or $629, while a set with the DJI Goggles 2 and a DJI Motion Controller costs €1,429, £1,229 or $1,388.

DJI

Amazon warehouses in New York City and elsewhere are being investigated by federal prosecutors and the US Department of Labor over unsafe workplace conditions, ABC News has reported. The Occupational Safety and Health Administration (OSHA) conducted inspections "related, among other things, to Amazon's required pace of work for its warehouse employees," a spokesperson said in a statement. 

On top of probing potential safety hazards, the investigators were also looking into "possible fraudulent conduct designed to hide injuries from OSHA and others," the agency added. It said that it opened the inspections based on referrals from the US Attorney for the Southern District of New York regarding allegations of safety and health violations. It's also probing Amazon workplaces outside of Illinois and Florida. 

Over the last several years, Amazon has faced a number of complaints and probes over workplace safety, particularly around demanding tasks. Earlier this year, Washington state's Department of Labor cited and fined the company for "strenuous work at an unsafe pace" in Kent. Last year, the company issued a rare apology for tweets attacking criticism of working conditions, specifically that drivers and other workers were forced to pee in bottles to achieve objectives. 

Following the collapse of a warehouse in Edwardsville, Illinois during a hurricane, the company was criticized by members of congress and the senate for "wholly inadequate" warehouse safety. In April, workers at New York's Staten Island warehouse voted to form the company's first US union.