Parents throughout the country just breathed a sigh of relief at the prospect of allowing more screen time for their kids that doesn’t revolve around some really loud and annoying YouTube dude. PBS just launched a new free ad-supported channel called PBS Retro, as reported by The Wrap. As the name suggests, this is a repository for all of your favorite edutainment classics from the 1980s, 1990s and beyond. The nostalgia is strong with this one.

PBS Retro is available via The Roku Channel, which is a streaming service on smart TVs and, of course, Roku devices. The 24/7 channel airs all of the shows you’re likely picturing right now, including Reading Rainbow and Mister Rogers’ Neighborhood. You’ll also be able to introduce your kids to Thomas and Friends, Zoboomafoo and Kratt's Creatures, among others. It’s a collection of old-school classics.

This isn’t the only PBS-adjacent channel available on Roku’s platform. It’s home to other ad-supported channels like PBS Antiques Roadshow, Antiques Road Trip, PBS Food, Julia Child and PBS Nature. There are also plenty of PBS-related channels available via subscription, including PBS Masterpiece, PBS Kids, PBS Living, PBS Documentaries and PBS America. Some of these are available on Hulu+ Live TV.

PBS may become an even bigger fixture in the free ad-supported streaming television (FAST) space in the future. The organization says it's in the “early days of experimentation” with a goal of making PBS content “available in new places.” It will “continue to consider additional opportunities” if these FAST channels increase revenue and brand awareness. In the meantime, Mister Rogers’ Neighborhood makes for some mighty fine ASMR.

It’s never good to recommend a comedy by saying it makes you weep, but somehow Bluey, a comedy for kids, feels more real and more truthful than anything else on TV. I see so much of myself in Bandit’s triumphs and failures as he tries to parent his two daughters. I nod along to all of his unsuccessful parenting tactics that, I’ll admit, I’ve also tried on my own two kids. And then, at the end of so many episodes, I’ll realize that the front of my t-shirt is wet with tears because I've been crying.

There can’t be many people unfamiliar with Bluey, the biggest kids’ TV series on the planet, if not the biggest series overall. Each seven-minute episode is a slice-of-life sitcom about the Heelers, a family of anthropomorphic dogs living in Brisbane, Australia. Bluey and her younger sister Bingo live with parents Bandit and Chilli. The show started out focused on the playtimes the kids would have with each other or their parents. But it quickly sprawled out to create a rich world in the vein of The Simpsons, with a whole city’s worth of storylines. It can now regularly relegate the Heelers to the background to focus on the show’s deep cast of characters.

It closed out its third season with last Sunday's “The Sign,” a (comparatively) epic 28-minute episode and this week with “Surprise,” a sweet little postscript. The former’s long running time was described as a dry-run for any potential Bluey movie, wrapping up a number of the show’s storylines. It focuses on a wedding taking place at the Heeler’s home in the shadow of the family’s plan to relocate to another city. I won’t spoil too much beyond saying “The Sign” is a story about the bigness of change and how that affects parents and kids alike. Much of it focused on Bandit’s decision to move for a better-paid job and the way that impacted Chilli and the two girls. It’s a complicated issue, especially because it highlights that parents often just want to do what’s best for the kids.

Ludo Studio

“Surprise,” meanwhile, focuses more on the mundane struggle of Bandit trying to play two different games with his daughters at the same time. Much as Bluey wants to be just seven minutes of silly fun, it can’t quite help but be honest about the emotional and physical labor of parenting. All Bandit wants to do is sit down and watch sport on the TV but his daughters won’t allow him that luxury. He’s chased around the house, forced to pretend to teach a tennis ball to ride a bike and then pelted with ping pong balls fired from a toy launcher. (Bluey’s happy to highlight how often Bandit will get hit in the groin as a consequence of whatever game the girls are playing.)

The payoff to all of that effort comes in the final half minute of the episode, which is when I started sobbing. As much as it may be pitched as a palate cleanser after the scale and emotional heft of the previous episode, the final moments offer a real (if pleasant) punch to the gut. I can’t help but feel plenty of parallels in Bluey’s life and that of my own (similarly-aged) daughter, and feel a lot of kinship with Bandit as well. If I’m one one-hundredth as good a parent as this silly cartoon dog who often gets it wrong, then I’ll feel like I’ve done a good job.

There’s been speculation that this third season may be the end for Bluey. Bloomberg reported the uncertainty around creator Joe Brumm’s future with the show, although producer Sam Moor has said it will continue in some form. Any delay would also risk that the child actors – who remain anonymous for their own safety — will age out of being able to play their roles. But in many ways, Bluey can’t not continue given the show is now a multi-billion dollar cash cow for the BBC, which owns a big chunk of the show’s rights.

I don’t want to say goodbye to Bluey and the Heelers, and I’d prefer they kept the cast as-is and let them grow up alongside Bandit and Chilli. That, to me, would be an honest thing to do, rather than indulging in the fakery that dogs so many TV shows which face this problem. But if they have to go, I’ll choose to remember Bluey’s three perfect seasons through the highs and lows of parenting.

Netflix has renewed The Witcher for a fifth season, but the company says that will bring the series to an end. The final season will be shot back-to-back with the fourth season, which has just started production. The two seasons will cover the events of the last three books in the series: Baptism of Fire, The Tower of the Swallow and Lady of the Lake. The show is a direct adaptation of Andrzej Sapkowski’s novels, but it does occasionally take inspiration from CD Projekt Red's game adaptations (and vice versa).

The fourth season will mark a significant change for The Witcher, as Liam Hemsworth is replacing Henry Cavill in the lead role. This time around, Geralt of Rivia will find a new family in the Hanza, who will help him track down Yennefer and Ciri after the trio is separated. New cast members who are joining for the fourth season include Laurence Fishburne, Sharlto Copley and James Purefoy.

For All Mankind is coming back for a fifth season of space-based alt-history hijinks on Apple TV+. This is unsurprising news, given the near-universal critical acclaim heaped on season four. However, the company also surprise-announced a spinoff series called Star City that will follow the Russian space program.

Original series creators Ronald D. Moore, Matt Wolpert and Ben Nedivi are all onboard for Star City, though there’s no cast yet. The plot synopsis calls it a “robust expansion” of the universe and refers to it as a “propulsive, paranoid thriller.” It also looks to be taking viewers back to the events of season one of For All Mankind, chronicling the Russian moon landing that started the story.

“This time, we explore the story from behind the Iron Curtain, showing the lives of the cosmonauts, the engineers and the intelligence officers embedded among them in the Soviet space program, and the risks they all took to propel humanity forward,” Apple wrote in a press release.

The company didn’t say if the show would rely on frequent time jumps, like its forebear. To that end, Apple hasn't released any casting information for season five of For All Mankind. Given the show’s propensity toward expansive time skips, it’s highly possible series regulars like Joel Kinnaman and Krys Marshall are on their way out. After all, their characters were really getting up there in age and stretching credulity in season four. 

Apple TV+

This is some seriously good news for sci-fi fans, but still doesn’t take away the brutal sting of Star Trek: Lower Decks getting canceled. Paramount should probably just sell Star Trek to Apple already, since the latter actually seems to care about science fiction.

Disney is reportedly planning to add linear cable-style streaming channels to Disney+. According to The Information, the company wants subscribers to spend more time in the app and, by offering more viewing options, it may entice users to stick around. In addition, by running ads on these channels, Disney could boost its bottom line.

There are already a bunch of free, ad-supported streaming (FAST) services such as Roku, Pluto TV and Tubi. Last year, Warner Bros. Discovery brought FAST channels featuring its shows and movies to Roku and Tubi. Disney itself has some FAST channels inside the ABC.com app, including ones dedicated to General Hospital and 20/20. But none of those are inside a subscription service.

The report suggests that Disney may offer channels based on tentpole franchises such as Star Wars and Marvel, along with others showing animated movies from Pixar. Many folks have FAST channels on as background noise while cleaning and so on, and given the high brand affinity for Disney, this makes sense for the company to explore.

Beyond Marvel and Star Wars, Disney has a deep well of shows and movies to pull from for its linear streaming channels. There's absolutely a market for a channel that shows The Simpsons 24/7. There's probably an audience out there that would love to have Boy Meets World or Scrubs on in the background as they go about their day, and of course Disney has a large library of animated kids shows in its locker. A DuckTales channel seems like a no-brainer.

Disney is trying to make Disney+ a one-stop shop for consumers. It recently folded in Hulu and it reportedly plans to do something similar with ESPN when the sports network's standalone streaming service arrives next year. Adding linear streaming channels to the mix could help Disney pull eyeballs away from the likes of Roku and Pluto TV as well.

Another major streaming platform has explored different strategies too, according to the report. At one point Netflix is said to have considered offering the option to subscribe to and watch other streaming services from within its app, much like Amazon does with Prime Video Channels. The Information notes that while Netflix hasn't moved forward with that plan, the company hasn't ruled it out as it too tries to get users to spend more time in its app

Fallout, a TV adaptation of Bethesda's eponymous series of post-apocalyptic RPG games, will hit Prime Video earlier than expected. All eight episodes will hit the streaming service at 9PM ET on April 10.

This is actually the second time Amazon has brought forward the release date. The series was originally supposed to debut on April 12, but it moved one day earlier when a trailer dropped last month.

If you catch the first episode as soon as it hits Prime Video, you'll be able to take part in a live global fan premiere. You can pick your faction and interact with other viewers in a live chat.

Fallout was created by Jonathan Nolan and Lisa Joy, the same duo who were behind Westworld. Nolan (Christopher Nolan's brother) directed the first three episodes. The most recent trailer nailed the look and darkly comic tone of the games. Here's hoping the show itself sticks the landing by having a solid story and performances. Having a strong cast that includes Walton Goggins should definitely help on the latter front.

Disney just pulled a fast one. Star Wars movies and shows are typically announced years before being released, but the company just revealed a new TV program that premieres next month. Tales of the Empire is an animated show produced by Dave Filoni, the man who cut his teeth on cartoons like Star Wars: The Clone Wars and Star Wars Rebels before moving onto live action stuff like Ahsoka.

As the name suggests, this is something of a companion piece to 2022’s Tales of the Jedi. It’s an anthology series that spotlights different characters within the empire as they, uh, heroically try to defeat the nefarious rebels and bring order to the galaxy. You can expect appearances by many of your dark side faves, including Grand Admiral Thrawn, General Grievous and the Grand Inquisitor.

Just like how Tales of the Jedi put the spotlight on two characters, Ahsoka and Count Dooku, this new series will have its own duo to follow. There’s Morgan Elsbeth, a primary antagonist in Ahsoka and one episode of The Mandalorian, with the trailer indicating that Tales of the Empire will reveal how Thrawn and Elsbeth became besties. The show will also focus on Barriss Offee, a former Jedi Knight who fell to the dark side during the Clone Wars.

Despite being animated, the characters will be played by their live action actors. Lars Mikkelsen returns as Thrawn and Matthew Wood is once again portraying Grievous, the evil cyborg who is in dire need of some cough syrup. Diana Lee Inosanto is back as Elsbeth and Meredith Salenger is voicing Offee.

The show premieres on everyone’s favorite corporate-sponsored pseudo-holiday, May the Fourth, also known as May 4. All six episodes will be available to stream on Disney+ upon the release date. The live action Star Wars: Acolyte follows this with a premiere on June 4.

Netflix is the new streaming home of the Mark Twain Prize for American Humor as part of a multiyear deal. This year's prize is going to Kevin Hart, who is being honored for his "extraordinary contributions to the genre and his impressive achievements across comedy, film and television." The likes of Dave Chappelle, Jimmy Fallon, Tiffany Haddish, Regina Hall, Chelsea Handler, Nelly, Chris Rock and Jerry Seinfeld are set to pay tribute to Hart (and perhaps roast him a bit) at the ceremony. For what it's worth, Hart inked a multiyear movie deal with Netflix in 2021.

The Mark Twain Prize is in its 25th year and it's perhaps one of the most prestigious comedy awards in the US. It's awarded to those who have had "an impact on American society in ways similar to the distinguished 19th-century novelist and essayist Samuel Clemens, best known as Mark Twain," a press release notes. Previous recipients include Richard Pryor, Whoopi Goldberg, Lily Tomlin, Lorne Michaels, Steve Martin, Billy Crystal, George Carlin, Tina Fey, Will Ferrell, Carol Burnett, Eddie Murphy, Bill Murray, David Letterman, Julia Louis-Dreyfus, Jon Stewart and Adam Sandler.

The ceremony takes place on March 24 at the Kennedy Center Concert Hall in Washington DC. You'll be able to watch it when it hits Netflix on May 11. That's during the Netflix is a Joke festival, a series of stand-up shows taking place in Los Angeles that will also stream on the platform. Netflix has a rich history of comedy specials and shows at this point, so it seems like a natural fit for the Mark Twain Prize, which was previously broadcast on Comedy Central, PBS and CNN.

Black Mirror, the series that eerily foreshadowed our current tech dystopia, is set to return in 2025 for a seventh season, Netflix revealed at its UK Next event. The six-episode run will include a sequel to one of the best-loved episodes, the darkly funny Star Trek spoof USS Callister. 

It's light on details, with a Netflix teaser only teasing the 2025 date and sequel episode. "Robert Daly is dead, but for the crew of the USS Callister, their problems are just beginning," the description reads. The original episode from season 4 (2017) starred Jesse Plemons and Cristin Milioti, along with the voice of Aaron Paul and an uncredited cameo by Kristen Dunst. That episode won multiple Emmys, including one for Outstanding Television Movie.

Black Mirror debuted in the UK in 2011 with the occasional hiatus, including this year. It was created by Charlie Brooker and executive produced by Annabel Jones. 

Its last season, in 2023, featured five episodes and included a few bangers like Loch Henry and Joan is Awful. The latter takes streaming services to their logical, dark conclusion (think The Truman Show meets OpenAI meets Netflix) — and we expect similar themes in the upcoming season. 

Disney+ has released the first trailer for its upcoming animated series X-Men '97, and it feels like a blast from the past for fans of the animated series that aired in the 90s. Its story picks up from where the old series left off, with the trailer showing how the team makes an effort to work together after the death of Professor X who was seriously injured by the end of the Saturday morning cartoon. That means viewers can expect the same roster of mutants from the original show, including Cyclops as team leader, Wolverine, Jean Grey, Beast, Storm, Rogue, Gambit, Jubilee and Bishop. By the end of trailer, we also get a glimpse of Magneto, who apparently inherited everything Professor X had left behind. 

X-Men: The Animated Series was arguably the best adaptation of the comic books. The new show has a similar look and feel to it, but its animation quality thankfully looks a lot better. It features voice actors already known for the role, including Alison Sealy-Smith as Storm and Cal Dodd as Wolverine, but it also features new ones like Ray Chase as Cyclops. According to Entertainment Weekly, Divergent star Theo James is also part of the cast, but showrunner Beau DeMayo refused to reveal who he's voicing other than saying that it's a "fan-favorite character." Marvel Animation's X-Men '97 starts streaming on Disney+ on March 20 and will have 10 episodes in all. The streaming service has yet to reveal its release schedule, but it typically adds an episode a week for its shows — whether it'll also release an episode every Saturday morning remains to be seen.