With the Tetris movie hitting Apple TV+ this week, we chat with the game’s creator, Alexey Pajitnov, and Henk Rogers, the man who helped bring it out of the Soviet Union. We discuss just how realistic the film is (it definitely takes plenty of liberties), the impact of Tetris on gaming and where it could be headed in the future. Also, Cherlynn and Devindra dive into the recent letter from the Future of Life Institute, which was signed by Elon Musk and other tech leaders, and called for a pause on AI development beyond GPT4. It turns out that wasn’t entirely altruistic.

Listen below or subscribe on your podcast app of choice. If you've got suggestions or topics you'd like covered on the show, be sure to email us or drop a note in the comments! And be sure to check out our other podcasts, the Morning After and Engadget News!

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Topics

• Interview with Tetris designer Alexey Pajitnov and Tetris publisher Henk Rogers – 1:17

• The open letter asking for a 6-month pause of AI development is more suspicious than you think – 16:57

• Do the proposed U.S. DATA and RESTRICT acts reach too far in trying to ban TikTok? – 26:48

• Pres. Biden bans the use of commercial spyware – 36:20

• Microsoft is focused on security, AI and a light processor friendly version in Windows 12 – 39:11

• Google unveils AI planning tool to help beat extreme heat due to climate change – 43:21

• Apple’s WWDC dates announced: June 5 to 9 – 45:12

• Working on – 57:39

• Pop culture picks – 1:02:16

Livestream

Credits
Hosts: Cherlynn Low and Devindra Hardawar
Guests (Audio): Alexey Pajitnov and Henk Rogers
Producer: Ben Ellman
Music: Dale North and Terrence O'Brien
Livestream producers: Julio Barrientos
Graphic artists: Luke Brooks

Netflix released at least one movie a week over the past two years, but for 2023, the company is changing course. According to Bloomberg, the streaming giant is restructuring its movie division and releasing fewer movies overall. Netflix will combine the team working on small projects with a budget $30 million or less and the unit that produces mid-budget films that cost $30 million to $80 million to make. The restructuring will result in a "handful" of layoffs — the company didn't specify a number — and the departure of two notable executives. Lisa Nishimura, who oversees documentaries like Tiger King and small budget films, as well as VP for film Ian Bricke are both leaving the company after over a decade. 

As Bloomberg notes, Netflix ramped up its film development efforts after studios started building their own streaming services instead of licensing their movies to the company. In addition to the units working on small and mid-budget films, Netflix has one more division developing big-budget projects. It's unclear if the last group is also affected by the restructuring.

Despite the sheer number of titles Netflix previously released, only a few had won accolades, had reached millions of hours of streaming, or had the kind of cultural impact some of the biggest blockbusters had achieved. (According to the company's Top 10 page, its most watched movies for 2021 and 2022 include Red Notice, Don't Look Up and Glass Onion: A Knives Out Mystery.) Netflix Film chief Scott Stuber reportedly decided to cut down on the titles the service is releasing this year so he could ensure that the division is producing more high-quality projects. 

Stuber didn't say how many people are losing their jobs from the shakeup, but the numbers are supposed to be smaller than the layoffs that happened at the company last year. Netflix implemented job cuts before many of its rivals in the film, TV and entertainment space did. HBO and HBO Max had to let some production staff members go as part of a larger Warner Bros. Discovery restructuring back in August, while Disney recently announced that it's laying off 7,000 workers, including those involved with media and distribution.

Rumors of an animated Scott Pilgrim show have been swirling around for years, though Netflix officially confirmed those rumors last year by announcing it was working on something. More details just dropped, however, and not only is the Scott Pilgrim anime a real thing, but it is currently in production and features the entire cast of the original 2010 movie.

We mean the entire cast, including Michael Cera, Mary Elizabeth Winstead, Ellen Wong and Mae Whitman. Some cast members have become major stars in the years since the film’s original release, but they are also returning. In other words, expect to hear the dulcet tones of Chris Evans, Brie Larson, Kieran Culkin and Aubrey Plaza as they reprise their original roles.

There’s also plenty of behind-the-scenes folks coming back for this animated follow-up. The big name here is original director Edgar Wright, who is returning as an executive producer and seems to be heavily involved if his tweets are any indication. Bryan Lee O’Malley, the original creator of the Scott Pilgrim comic, is one of the showrunners. Wright even tweeted to suggest that the film’s original composers, legendary chiptune band Anamanaguchi, would be back in some capacity.

Netflix has dropped a trailer, but it does not feature any actual footage, so the look and feel of the animation are still unknown. Additionally, no official release date has been announced, so it may be a while before we see what this new interpretation looks like. It’s time to play the waiting game again, but at least we know it’s actually coming this time. In the meantime, there is the original movie to watch, comics to read and a video game to play.

No, the origins of Tetris didn't involve a high-speed car chase, but the true story behind the game still reads like a spy novel. There's corporate intrigue, nefarious government agencies and an envious amount of globe-trotting. But the reality wasn't enough for the creative minds behind Apple's Tetris film, which premieres on March 31st. Director Jon S. Baird and writer Noah Pink couldn't help but spice up the story with hyperactive pixel art, cartoonishly evil villains and wildly discordant tonal shifts. The result is a film that may entertain general audiences – or critics who have somehow never heard of Tetris before – but will probably leave true aficionados of the game cold.

From its opening scenes, in which a young Henk Rogers (The Kingsman's Taron Egerton) recounts the magical moment he encountered Tetris at CES, the film aims for the snappy dialog of Aaron Sorkin's scripts for The Social Network and Steve Jobs. But it never reaches those heights. Rogers is the entrepreneur responsible for working together with Alexey Pajitnov (Nikita Efremov), the Soviet programmer who created Tetris, to bring the game to the rest of the world. He makes for a compelling main character on paper, and yet the film doesn't delve too deeply into why he'd risk his life and business (he was the founder of Japan's Bullet-Proof Software) for a single game.

Apple

Call that a failure of storytelling, or perhaps it's just dramatic shorthand. Rogers is one of the first people to become truly obsessed with Tetris, and that alone defines his actions. Throughout the movie he and others experience the "Tetris effect" – hallucinating falling blocks after playing the game. That's a practically universal response to playing Tetris for an extended period. The world quickly fades out of view while you're focusing on those shapes, and its effect on you lingers for days.

In this film, that's shown in the most basic way possible: A hallucinatory display of shapes right in front of someone's eyes. But I couldn't help but imagine how a more artful take would have looked. Think Tetris by way of Darren Aronofsky's Pi, a movie where the lead character starts to see evidence of math in every corner of the natural world.

That being said, there's still plenty to enjoy in Tetris. Rogers’ early glimpse at a Game Boy prototype, the system that would make Tetris a global phenomenon, is treated like he's encountering the Holy Grail. He immediately sees the potential for appealing not just to kids with NES consoles but even adults. You could easily call it the first casual video game. Ben Miles and Togo Igawa also do a fine job of embodying Nintendo royalty, former Nintendo of America chairman Howard Lincoln and the company's third president, Hiroshi Yamauchi.

“The very important role of Tetris of that time was that it started to break down the barrier between people and computers,” Pajitnov told me in an interview. Early on, he said people were embarrassed to admit they were hooked on Tetris, and others were quick to say they don’t play games, “just Tetris.” Now gaming, especially those of the casual mobile variety, can reach just about anyone.

At the very least, Tetris the film understands the power of games. But it would be stronger if it embraced the reality of the story, rather than try to position itself as a cheap spy movie. British billionaires Robert and Kevin Maxwell are more James Bond villains than actual humans (admittedly, that may not be far from the truth), as they wrangle with Soviet leaders and Rogers over distribution rights to the game. Soviet intelligence officers, who repeatedly threaten Rogers and Pajitnov, are even more cartoonish. By the time we reached an obligatory car chase that, for some reason, also turns into pixelated graphics, I was almost completely checked out.

Apple

It’s doubly disappointing since the movie didn’t need to do much of this. The real-world licensing dilemma, which kicked off after the British software seller Robert Stein sold rights to the game before the Soviet Union’s approval, could be compelling enough. Prior to Rogers’ discovery of the game, Stein had sold rights to the Maxwell’s Mirrorsoft for European distribution, and to Spectrum Holobyte in the US. Rogers’ snagged Spectrum’s rights, but quickly realized that Steins’ contracts were likely illegitimate. To the movie’s credit, it also covers this licensing drama, but it’s almost always overshadowed by the more fantastical elements added by the filmmakers.

While the pieces don’t entirely fit into place (sorry), if Tetris pushes more people to explore the actual history of the game through other media, like the BBC's documentary Tetris: From Russia with Love, Dan Ackerman's The Tetris Effect and the graphic novel The Games People Play, it may have been worth it. Still, its existence also means we won’t get to see any other adaptations, like a Halt and Catch Fire-esque limited series, anytime soon.

Netflix might have started (or is at least looking to start) testing games for TV, based on code within its app that developer Steve Moser has shared with Bloomberg. Moser reportedly found hidden code referencing games played on television, as well as additional code that indicates the possibility of being able to use phones as controllers to play them. One line from within the app apparently reads: "A game on your TV needs a controller to play. Do you want to use this phone as a game controller?" Moser also previously found hints that the service's then-upcoming ad-supported plan might not come with offline viewing. He turned out to be spot on. 

The streaming giant launched its gaming experience on Android, iPhones and iPads in 2021. It requires mobile users to download games from the App Store or from Google Play due to rules set by Apple and Google. But since the point of these games is to increase engagement and retain users, they can be launched from within the Netflix app and an active subscription is necessary to be able to access them. On the Netflix app for TV, these games are notably absent. 

It remains to be seen how the company intends to implement gaming on TVs and whether it will also require users to download the games before being able to play them. Netflix VP of game development Mike Verdu said last year, though, that the company was "seriously exploring a cloud gaming offering" and that it's looking to launch more than just casual games for television. 

For now, users will have to make do with what's available on mobile. At the moment, Netflix's catalogue has around 55 titles available, though it's rolling out 40 more games throughout 2023. 

Twitter has finally confirmed some of the details and pricing for the new version of its API. The company had previously delayed the changes after confirming that it was banning third-party clients as part of a larger shakeup of its developer features.

As expected, the company is maintaining a free tier with limited functionality, though it offers far less than its predecessor. Under the new free tier, which is aimed at bots and other “testing” purposes, accounts can post up to 1,500 tweets a month, but won’t be able to access any other featuires. That may offer a lifeline to some of Twitter’s famed bot accounts, but at about 50 tweets a day, may prove to be too limited for those that post more frequently.

At $100 a month, the new “basic” tier offers a bit more: developers can post up to 3,000 tweets a month at the user level and up to 50,000 a month at the app level. It also offers a read limit of 10,000 tweets a month, which, again, is far less than what was previously offered.

Twitter

Meanwhile, an enterprise tier is meant for businesses that need a higher level of access, though details for that tier are still murky. According to Twitter’s developer website, the enterprise tier will include “commercial-level access that meets your and your customer's specific needs” and other features. Businesses can apply for enterprise access, but the only pricing information Twitter has disclosed is that there will be "monthly subscription tiers." 

It’s also unclear what will happen to researchers and academics who currently rely on Twitter’s API for their work. In a series of tweets, the company said it was “looking at new ways to continue serving this community” but didn’t elaborate. Wired previously reported the company had told some organizations API access could run as much as $42,000 a month, but that plan doesn't seem to have materialized, at least not yet.

The new details also mean that a lot of services using Twitter’s older APIs could soon stop working altogether. The company confirmed that its existing APIs, used by a vast number of developers, researchers and other services, would be deprecated within the next 30 days. “We recommend that you migrate to the new tiers as soon as possible for a smooth transition,” the company said. Though it’s unclear just how many developers will be willing to pay for stripped down versions of the APIs.

Spotify already offers a host of personalized playlists, and now the company is giving users even more control over the generation of those mixes. Building on the mood, decades and genre playlists the platform debuted in 2021, Spotify today introduced Niche Mixes, a feature the company says combines all of its personalized playlists “in a playful way.”

In short, you can now prompt Spotify to create an algorithmically generated mix for almost any mood or genre. To do so, navigate over to Spotify’s search bar and type the activity you want the app to soundtrack for you and add “mix” to the end. You can get pretty creative. I asked Spotify to create a witch house playlist for me, followed by one featuring relaxing videogame soundtracks. In both cases, Spotify obliged and did a pretty good job of selecting appropriate tracks. That said, you'll sometimes run into situations where Spotify won't produce an exact match for the mix you want. For example, I asked it to create a "dubstep work mix," only to get a workout playlist instead.   

As with the company’s other personalized mixes, you can expect each playlist to feature a mixture of familiar songs alongside tracks ones you may not have heard before. Niche mixes are available to today to free and Premium users who search in English.

You now know when you can continue following the adventures of Captain Christopher Pike. Paramount+ has revealed that the second season of Star Trek: Strange New Worlds will premiere June 15th, with new episodes appearing each Thursday. While the streaming service isn't saying much about the plot apart from a Star Trek: Lower Decks crossover, it's promising a 10-episode run and has already renewed the show for a third season.

Animation fans in the US, meanwhile, can expect Lower Decks season four in August and a fifth season in the pipeline. The new episodes have the crew of the USS Ceritos dodging "malevolent computers," getting trapped in caves and running into aliens from across the galaxy.

The second season of kids' animated series Star Trek: Prodigy is now slated to debut this winter. The fifth and final season of Star Trek: Discovery was already poised to arrive in early 2024.

The two confirmed renewals aren't surprising. While Paramount+ is now popular for more than Star Trek, the sci-fi franchise remain one of the service's main attractions. Strange New Worlds and Lower Decks in particular have enjoyed a strong reception. With Picard winding down this April, the remaining productions will have to carry extra weight.

Nintendo might be making it harder to play its older games on official hardware, but there are other options if you know where to look. One of them is about to be a lot easier to find: Dolphin, a popular emulator that runs most GameCube and Wii titles, will be launching on Steam later this year. Dolphin is already available for free, but launching on Steam could make using the emulator more straightforward on devices like the Steam Deck, where dropping to desktop mode and manually installing programs can be a little cumbersome. 

That doesn't mean downloading Dolphin from the Steam store will give you instant access to classic Nintendo games, however. Dolphin's store page is quick to point out that the "app does not come with games. You must own an original copy of any game you want to use with Dolphin." If you've dabbled in retro game emulation at all, that should sound pretty familiar — emulating console games is a bit of a legal gray area. 

That's probably why the Dolphin Steam page is reluctant to even identify what, exactly, it does — instead choosing to say it plays "classics from the Big N's cube-shaped and motion-controlled consoles." The emulator's website is a bit more explicit, specifically stating that "downloading commercial games is illegal" and encouraging users use homebrew tools to make backups of game discs they legally own. 

Dolphin is expected to launch on Steam Early Access by the end of Q2 2023, with a full launch planned by the end of the year. 

We now know why Twitter’s algorithm seems to recommend some users’ tweets so often. Newsletter Platformer reports that the company has a secret VIP list of a few dozen accounts “it monitors and offers increased visibility” in its recommendation algorithm. The accounts include Elon Musk, as well as a handful of other prominent Twitter users.

The revelation comes as Musk has repeatedlypromised to make Twitter’s recommendation algorithms open source. He also recently stated that soon only paid subscribers to Twitter Blue would be eligible to have their tweets displayed in the algorithmic “For You” feed. It’s not clear if that change would also affect the VIP list of users who regularly get a boost in the feed. Some of the accounts on the list, like President Joe Biden and YouTuber Mr Beast, are currently verified but don’t pay for Twitter Blue. Twitter no longer has a communications team to respond to questions.

According to Platformer, the VIP list was “originally created to monitor the engagement received by Twitter power users” as the company has tried to allay suspicions that its “shadowbans” certain users to reduce their visibility on the platform. “Our ‘algorithm’ is overly complex & not fully understood internally,” Musk recently tweeted.

But the list, which reportedly is only 35 accounts in addition to Musk, is also telling about who Musk believes should benefit from Twitter’s algorithm. Platformer didn’t publish the entire list, which includes LeBron James, New York Representative Alexandria Ocasio-Cortez, venture capitalist Marc Andreesen, Tesla fan account @teslaownerssv and conservative personality Ben Shapiro. It also includes @catturd2, an account recently described by Rolling Stone as the “Sh-tposting King of MAGA Twitter.”

It’s also not the first time that a report has surfaced about how Musk has tweaked Twitter’s algorithm to boost his own tweets. Last month, Musk said the company was fixing an issue that caused users’ For You feeds to be overwhelmed with dozens of Musk tweets. Platformer later reported that Twitter employees had changed its algorithm to favor Musk after the CEO was mad that his Super Bowl tweet didn’t receive as much engagement as Biden’s. Musk reportedly fired an engineer who suggested the lack of engagement was due to declining interest in his tweets.