Amazon Prime Video announced Monday that the Fallout television series will premiere on April 12, 2024. The news came from a short teaser video the streaming service posted on its social channels, including Instagram, styled like a Pip-Boy interface. The series, initially announced in 2020, will adopt a “serious and harsh” tone while adding “ironic humor” and “B-movie nuclear fantasies.” 

The live-action series, from Westworld creators Jonathan Nolan and Lisa Joy, will have an original (canonical) story set in the Fallout gaming universe. It will take place in 2077, beginning in Vault 33 in Los Angeles. As fans of the game know, it’s set in a post-apocalyptic wasteland following the events of “The Great War” on October 23, 2077. That date has become known as “Fallout Day” among the game’s fans — an ideal day for Amazon to reveal the series’ premiere date.

Fallout will star Ella Purnell (Yellowjackets), Walton Goggins (Justified), Aaron Moten (Emancipation), Xelia Mendes-Jones (The Wheel of Time), Moisés Arias (The King of Staten Island) and Kyle MacLachlan (Twin Peaks). Geneva Robertson-Dworet and Graham Wagner are the series’ executive producers, writers and showrunners. Additional executive producers include Athena Wickham of Kilter Films, along with Bethesda’s Todd Howard and James Altman.

The Problem With Jon Stewart isn't coming back for a third season at Apple TV+, according to The New York Times. It was already supposed to begin filming for another eight episodes within the next couple of weeks, but Apple and Stewart reportedly decided to part ways before it can start. While neither party has issued a statement yet, the publications said the parties didn't see eye to eye when it came to hot button topics. The host apparently told production staff that Apple executives had raised concerns about certain subject matters he's potentially covering in the show, particularly China and artificial intelligence. 

Based on The Hollywood Reporter's confirmation of the news, Apple talked to Stewart about the need to be "aligned" when it comes to show topics and even threatened to cancel the series. Wanting full creative control of The Problem, Stewart chose to walk away instead. 

The Problem debuted on Apple TV+ in 2021, with episodes coming out every other week, six years after Stewart left The Daily Show. Its second season started streaming in 2022 and had four more episodes — for a total of 12 — than the first. It also streamed every week with a break of a few months after its sixth episode. The newer season covered controversial topics, as well, including gender identity and the indictment of former president Donald Trump. Although those episodes went out for streaming, The Hollywood Reporter's sources said there had already been tension between the parties before the third season production kicked off due to the previous themes Stewart had covered on the show. As The Times said, Apple may have been worried about being dragged into political controversies that the series could bring and had agreed to end their partnership. 

YouTube creators may be able to upload music that sounds like it was actually sang by famous musicians one day. According to Billboard and Bloomberg, the video hosting platform is developing an artificial intelligence tool that can mimic the voice of recording artists. It was also hoping to introduce the feature during its Made On YouTube event in September, where it debuted other AI-powered creator tools including a generative green screen. Obviously, its plan didn't push through, and it was apparently because negotiating with recording companies is taking time. The technology is new, after all, and there are a lot of questions that need to be answered first. 

Billboard says one of the key issues they're still hashing out is how monetization would work. Will artists be paid for the music YouTube feeds its AI model, or for the output made using the AI tool? Further, how would songwriters be compensated for any of their music used to train YouTube's AI? Recording companies still reportedly have questions about how the AI model is trained, as well, and about how artists will have the power to opt in or out. If and when the tool does come out, YouTube intends to beta test it first by giving a select group of creators access to the voices of artists who opt in. 

While negotiations are taking time, recording companies are receptive to YouTube's idea, according to the sources. That's because they're looking at the use of AI in music as an inevitability, and they're concerned about getting left behind if they resist licensing deals like what YouTube is offering. As Bloomberg notes, though, YouTube is walking a tricky path and may have to brace itself for legal issues in its quest to explore the use of generative AI in music. OpenAI, for instance, had been sued by a group of authors, including John Grisham and George R.R. Martin, for the alleged use of their novels to train its large language model. 

Back in February, Meta launched a Telegram-like feature for Instagram called "broadcast channels," which introduced a one-way messaging feature to the app. It gave creators a way to update their followers without having to post on their main page. Now, the company is expanding broadcast channels' availability and is also bringing it to Facebook and Messenger. Creators and public figures with Facebook pages will now be able to send messages, including photos, videos and voice notes, to their community. 

It's still a one-way messaging tool, which means only Page administrators can send messages in the channel, but participants can react to them and vote in polls. Admins can launch a channel directly from their page, and Facebook will send their followers a one-time notification to join after they send their first message. Based on the screenshots shared by Meta chief Mark Zuckerberg, broadcast channels will show up in users' Messenger chats under a tab aptly labeled "Channels." Participants will get notifications every time the page owner sends an update, but they can mute the channel anytime. Presumably, those who chose not to participate the first time can still access the channel from the page's profile like people can on Instagram. 

Meta says any page admin where the feature is now accessible can start a channel if they want. The feature still isn't available everywhere, though, and those who can't find the option to open a broadcast channel yet can join the waitlist for now. 

We still have months to wait before Dune: Part Two hits theaters, so what better time to reminisce about David Lynch's intriguing adaptation of Frank Herbert's masterpiece? Reviled at the time, Lynch's Dune has now firmly established itself as a cult sci-fi epic, a film with boundless creative energy hampered by studio interference.

In this bonus episode, Devindra chats with film journalist Max Evry, author of A Masterpiece in Disarray: David Lynch's Dune. We explore why he devoted two years of his life towards researching an unloved film, as well as how it's a refreshing departure from the superhero films dominating theaters today.

Listen below or subscribe on your podcast app of choice. If you've got suggestions or topics you'd like covered on the show, be sure to email us or drop a note in the comments! And be sure to check out our other podcast, Engadget News!

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Credits
Host: Devindra Hardawar
Guest: Max Evry
Music: Dale North

YouTube’s rolling out a whole bunch of new features and design updates, three dozen in total. Some of these tools are for the web app, while others are for the smartphone app and smart TV software. These features aren’t game-changers by themselves, but they add up to an improved user experience. Let’s go over some of the more interesting ones.

It’s now easier to speed up videos for those who just can’t get enough of really fast podcast clips. Just hold your finger down on the video and it’ll automatically bump up the playback speed to 2x. This feature is also useful for searching through a video for a relevant portion, in addition to fast-paced playback. The tool’s available across web, tablets and mobile devices.

The app’s launching bigger preview thumbnails to help with navigation. There’s also a new haptic feedback component that vibrates when you hover over the original start point, so you never lose your place. This will help when perusing videos with your finger on a smartphone or tablet, as the current way to do this isn’t exactly accurate.

One of the more useful updates here is a new lock screen tool to avoid accidental interruptions while you watch stuff on your phone or tablet. This should be extremely handy for those who like to take walks or exercise while listening to YouTube, as the jostling typically interrupts whatever’s on-screen. In other words, your quiet meditation video won’t accidentally switch to some guy yelling about the end of masculinity as your phone sits in a pocket, purse or handbag.

Speaking of guys yelling about the end of masculinity, the company’s finally (finally) added a stable volume feature, which ensures that the relative loudness of videos don’t fluctuate too much. This tool’s automatically turned on once you snag the update.

Even the humble library tab has gotten a refresh. It’s now called “You” and relays a bit more data than before. You’ll have access to previously watched videos, playlists, downloads and purchase all from one place. Again, this change impacts the app on both web and mobile devices. 

The rest of the updates are design related, with on-screen visual cues that appear when creators ask you to subscribe complete with dopamine-enhancing sparkles when you finally “smash that like button.” There’s even a new animation that follows the view count and like count throughout a video’s first 24 hours. Some design elements extend to the smart TV app, including a new vertical menu, video chapters, a scrollable description section and more.

YouTube’s latest update is a tiered release and the company says it could be a few weeks before it reaches every user throughout the globe. The popular streaming platform says more features are forthcoming, including a redesign of the YouTube Kids app.

YouTube’s constantly changing up its core features. The past year has seen an enhanced 1080p playback option for web users and the company's even announced a spate of AI-enhanced creator tools, among other updates. Evolve or die right? The social media landscape, after all, is currently in the midst of something of a sea change.

Alan Wake is coming to Fortnite in a cross-promotional event ahead of the 2010 game’s long-awaited sequel. Alan Wake: Flashback “reimagines Remedy Entertainment’s iconic story in Fortnite” as Epic Games and Remedy Entertainment introduce younger players to a franchise that faded in and out of public consciousness before some of them were born.

The game within a game appears to provide a quick recap of the events of the first title within Fortnite. “Troubled author Alan Wake embarks on a desperate search for his missing wife, Alice,” Epic’s description reads. “Following her mysterious disappearance from the Pacific Northwest town of Bright Falls, he discovers pages of a horror story he has supposedly written, but has no memory of.”

The surreal pairing becomes more logical when you consider Epic and Alan Wake developer Remedy have a working relationship. Remedy signed a publishing agreement with Epic in 2020 in a program covering up to 100 percent of a title’s development costs, including paying for quality assurance, localization and marketing. Once a game recovers its development costs, the companies split their profits 50/50. So, the Fortnite tie-in is a win-win for both companies’ bottom lines.

Alan Wake will also be a playable character via an Alan Wake Outfit. It will launch in the “Waking Nightmare” set available on the Fortnite shop beginning on October 26. Meanwhile, Alan Wake 2 launches for $50 on October 27 for PlayStation 5, Xbox Series X/S and PC via the Epic Store.

Myspace is getting the documentary treatment, with a film currently in the works chronicling the rise and fall of arguably the first big social network. When it launched in 2003, you chose your top eight digital friends, and drama ensued. The platform went mainstream, becoming an important music promotional tool long before Bandcamp or even YouTube.

The movie will be a joint project between production companies Gunpowder & Sky and The Documentary Group. Gunpowder & Sky has produced documentaries like 69: The Saga of Danny Hernandez and Everybody’s Everything, about deceased rapper Lil Peep. The Documentary Group’s behind shows like Amend: The Fight for America and The Deep End, a series focusing on spiritual wellness guru Teal Swan.

Maybe, just maybe, we’ll even learn what Myspace Tom’s last name is.

— Mat Smith​​

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Marvel’s Spider-Man 2 review

Bigger and better.

Sony

Web-swinging around New York City in Marvel’s Spider-Man might be the best game mechanic in recent times, but why not add wings? With the sequel, Insomniac did just that — and gave players two Spideys to control.

The team has also streamlined and expanded combat movesets and abilities. A lot of the gadgets from the first game return, but they’re easier than ever to access. Previously, if you wanted to use a gadget, you’d have to hold R1 and switch from your web-shooters to another option. Now, web shooters are always triggered by mashing R1, but you can hold R1 and hit one of the four face buttons to activate your slotted gadgets. It’s all further augmented by a compelling plot featuring the likes of Venom’s symbiote, the Lizard, Sandman, and more.

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Ray-Ban Meta smart glasses review

Instagram-worthy shades.

Engadget

After a week with the Meta and Ray-Ban’s latest $299 smart sunglasses, they still feel a little bit like a novelty. But Meta has improved the core features, with better audio and camera quality, as well as the ability to livestream directly from the frames. If you’re a creator or already spend a lot of time in Meta’s apps (Facebook, Instagram, even WhatsApp), though, there are plenty of reasons to give the second-generation shades a look. These Ray-Ban Meta smart glasses feel more like a finished product.

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The Nintendo 64 gets a retro console remake from Analogue.

The Analogue 3D will output old game carts in 4K.

Analogue’s 3D aims to be the ultimate Nintendo 64 console tribute, playing original cartridges on modern 4K displays. All Analogue’s machines use field-programmable gate arrays (FPGA) coded to mimic the original hardware. Instead of playing often legally questionable ROM files, like most software emulators, Analogue consoles play original media, without the downsides that software emulation often brings. The Analogue 3D is currently slated to ship in 2024, but no price yet.

Continue reading.

Netflix is making moves to expand its mobile gaming offerings. Soon, subscribers will see more shows made by Netflix made into mobile games, according to a report by the Wall Street Journal, like Squid Game and Wednesday.

While mobile gaming is not entirely new to Netflix, it's still trying to find its place in the company’s business model. Right now, the Netflix app prompts users to download and play games like Exploding Kittens: The Game or Ghost Detective on the app store where you can play on the platform. But eventually, Netflix subscribers will be able to play games directly on their smart TVs and computers. This push into gaming by the streaming giant is preceded by the company’s recent release of a dedicated controller app for iOS devices that lets a player use their phone as a gamepad with a paired TV.

From the start, Netflix has never charged for its games or posed additional fees within its gaming domain. To play on your phone, you only need a subscription. And while we don't know if that is going to ever change in the near future, Netflix's focus on making games based on hit shows could help maintain interest in them, especially in between seasons. The bet on superconsumers’ could also lead the company to a path of buying its way into gaming.

As of now, Netflix offers more than 70 games on its platform and it plans to expand that more into the end of 2023. Netflix will continue to license non-show related games like Classic Solitaire, according to the WSJ.

It has been less than two years since the company began dabbling in mobile gaming and yet, Netflix has already become a player in indie publishing. And we’ve seen the company deliver on its promise of developing games based on hit shows. Netflix Stories: Love is Blind, an interactive story title based on the reality television series just came out last month. Now it appears ready to lean even harder into gaming.

The once-ubiquitous social media site Myspace is getting the documentary treatment, with a film currently in the works that chronicles the rise and fall of the house that Tom built. The movie’s a joint project between production companies Gunpowder & Sky and The Documentary Group, as originally reported by Deadline.

Gunpowder & Sky has produced a number of well-known documentaries, such as 69: The Saga of Danny Hernandez and Everybody’s Everything, about deceased rapper Lil Peep. The Documentary Group’s behind shows like Amend: The Fight for America and The Deep End, a series focusing on spiritual wellness guru Teal Swan.

As for behind-the-camera talent, the film’s being directed by Tommy Avallone, who recently helmed the Barney docuseries I Love You, You Hate Me and The Bill Murray Stories: Life Lessons from a Mythical Man. The film will feature the social media site’s founders Tom Anderson (yes, that Tom) and Chris DeWolfe, in addition to a spate of celebrities who got their start on the platform.

Myspace was the social media site to beat before it was, well, beat by Facebook. The platform launched in 2003 and set the world on fire, becoming an important music promotional tool long before Bandcamp, Spotify and even YouTube. There was a guy named Tom who everyone was chums with. Folks agonized over which real-life friends to put in their list of top eight digital friends. There were some truly grody wallpaper options for your page, and the idea of an Internet troll wasn’t really a thing yet. It was a simpler time.

Gunpowder & Sky CEO Van Toffler said the documentary is a no-brainer for folks of a certain age bracket, noting that his colleagues at the time “were all obsessed with Myspace,” going on to say “without Myspace there’s no TikTok, no Facebook, no YouTube, no Instagram, no social media.”

One must understand that before Facebook, people just expected social media sites to enjoy a few months or even years in the sun before making way for the next big thing. That’s the way it was with Myspace, Friendster, SixDegrees, Classmates and all the rest. Then along came Facebook, YouTube and Twitter, beginning the era of the “too big to fail” social media platform. Recent years have finally shown cracks in the armor of these old-school giants, with Twitter’s stark drop from relevance and generational shifts from Facebook to platforms like TikTok. In other words, massive sea changes of the kind that sank Myspace are no longer unthinkable.

There’s no release date for the Myspace documentary, nor has there been an announcement if it would run in theaters or just on a streaming platform. We'll have to play the waiting game for a while longer.