Posts with «arts & entertainment» label

Star Trek: Lower Decks goes back to its beginnings

The following article contains major spoilers for Season Four, Episode Nine

Star Trek: Lower Decks takes its name and premise from a late episode of Star Trek: The Next Generation. “Lower Decks” pivots away from the show’s usual format to focus on four junior crew members and is told mostly from their perspective. One of them is Sito Jaxa (Shannon Fill) who had appeared two years earlier as a cadet in “The First Duty.” That episode focused on Wesley Crusher’s involvement in a conspiracy to cover up an accident that killed a fellow cadet. It also gave us our first look at Nicholas Locarno (Robert Duncan McNeill), the episode’s ostensible villain. Locarno was, at some point, intended to be the helm officer in Voyager and was named as such in an early draft of the series' bible. But, during pre-production, Locarno’s name was dropped and McNeill instead played Tom Paris, with the same backstory. Producers have, in various interviews, said the issue hinged on Locarno’s redeemability after his actions in “The First Duty.” But it’s equally plausible that the character was changed to avoid paying royalties to the character’s creators. But, even if you knew none of the above information, I don’t think you’d get any less out of this week’s episode of Lower Decks. Because while this series was conceived at the get-go to play to the crowd and bury itself in references, it rarely does so at the expense of telling a good story.

Mariner is once again throwing herself into harm’s way to save her friends without regard to her own safety. Her cavalier attitude to life, death, and her own career have threaded through much of this season to the point that now, even Captain Freeman is worried. She pulls the rest of Beta shift into a plan that’ll keep her daughter out of harm’s way on the next mission. Starfleet thinks the rogue ship destroying everything in its path might be targeting former officers. The list of at-risk individuals includes high-profile figures like Dr. Crusher but, this being Lower Decks, the Cerritos is sent off to find Nicholas Locarno. And while that’s going on, Freeman sends Mariner, Boimler, Tendi and T’Lyn on what she hopes will be a zero-stakes assignment to fix a weather buoy in orbit around Sherbal V. Except, of course, the crew’s shuttle is attacked by a Klingon Bird of Prey and the crew have to beam down to the hostile planet below.

Meanwhile, Freeman, Shaxs and Rutherford head to what can only be described as a Star Wars planet where Locarno is meant to be plying his trade. Despite its reputation as a wretched hive of scum and villainy, it’s got a muscular bureaucracy that the inhabitants use to frustrate Starfleet officers. The episode makes full use of that disconnect between the stuffed-shirt crew and the rougher corners of the universe. It was rare that we’d see the Next Generation crew really get their elbows dirty – the best I can call to mind is the awkward moments in “Gambit.” There’s just something inherently funny about the primary-colored space communist scouts encountering hairy-assed people who live in the “real world.” That’s before you get to Captain Freeman trying to beat up a Balok puppet that turns out to be a real alien. Of course, it’s a double bluff – at each turn, the villains put bureaucratic obstacles in Starfleet’s way but wave through a sinister bounty hunter type out of spite. Except the bounty hunter in question is Billups wearing a silly helmet, who got the necessary data to track down Locarno.

On the planet, the rest of Beta Shift is left fending for their lives as chaotic weather makes survival even harder. It doesn’t help that the victims of other attacks, explorers from several other alien races, are all fighting to the death for supremacy. Mariner, frustrated at the gang’s wise refusal to fight their way to safety, opts to go it alone and bumps into a Klingon. But their own fight to the death is interrupted by a rainstorm of glass shards and, while they shelter, Mariner finally reveals the source of her angst. She’s been sabotaging her career because she’s deeply resentful about Starfleet, and her role within it. When she signed up, she’d bought into the idea of exploring strange new worlds, but instead the Federation has been embroiled in an endless parade of galaxy-threatening wars. Her best friend was Sito Jaxa, from “Lower Decks,” who in that episode was sent to her death on a covert mission. Starfleet quite literally chewed up and spat out one of her friends, but as much as Mariner may hate what Starfleet is, she can’t quite just walk away because of what the Starfleet ideal represents. And you don’t need to be fluent with the events of a TV series from 31 years ago — Good God, I feel old — or the para-narrative around Voyager’s pre-production, to appreciate that dilemma. Of course, her Klingon opponent counters, saying that Mariner's angst dishonors Sito's sacrifice, and that she needs to get on with the job at hand. And, much as she agrees, she adds (just before hugging her former opponent) that she's still duty-bound to call out when Starfleet "can do better." 

Despite its love of self-referentiality, Star Trek has often struggled with any degree of on-screen self-interrogation. There are moments, best exemplified by the Root Beer scene in “The Way of the Warrior,” where the show touches on the values it espouses. The show’s numerous creative teams have often pushed the idea that Starfleet, and the Federation, aren’t as noble a force as the myth suggests. With Beyond, Simon Pegg wanted to focus on the nature of the Federation as a colonizing force, even if that concept is almost entirely erased from the finished film. I’ll leave it to better writers than I to explore this in depth, but it’s rare we get moments where Starfleet officers wonder, out loud or in private, if they aren’t the universally good force they’ve been led to believe they are. This thread is also paid off in the B-story as Freeman and Co. are told, more or less, that nobody in the real world likes having them around. Sure, it’s a gag in a sitcom, and our sympathies are almost universally with the Starfleet crew, but the fact it’s here at all isn’t to be sniffed at.

By the time we’ve reached the cliffhanger, Beta shift is trying to cajole the warring parties to work together. And, if we’re honest, the idea of disparate groups coming together to solve a problem as a whole is, surely, an idea worth upholding. But before we can see if they are able to be rescued, Mariner is beamed away to an ultra-minimalist starship. After forcing the door, she comes face-to-face with her rescuer / captor, and it’s… Nicholas Locarno.

This article originally appeared on Engadget at https://www.engadget.com/star-trek-lower-decks-goes-back-to-its-beginnings-130001207.html?src=rss

Dead Cells: Netflix Edition scares its way to a Halloween release date

We knew Netflix had snagged the iconic roguelike/metroidvania Dead Cells for its ever-growing games library, and now we know when it’ll release. Dead Cells: Netflix Edition will be available on October 31. That’s Halloween, to those who don’t mess with the dark pagan arts. This is the full game, along with every paid DLC release, including the Castlevania crossover.

A standard Netflix subscription gives you access to the game on both iOS and Android devices, so you can finally see what all the Dead Cells fuss is about without spending any extra cash. As for that Halloween release date, this launch is part of the streamer’s “Netflix and Thrills” promotional event. Dead Cells isn’t a scary game, but it is steeped in a certain kind of classic gothic horror, like its forebear Castlevania.

Here’s a quick run down. You play as a headless blob/human hybrid, attempting to escape an island prison. It’s a sidescrolling action platformer. Every time you die, you start over and the world’s layout changes, which makes it a roguelike. However, you do get permanent upgrades that carry over from run to run and power ups that let you access new areas, which is where the Metroidvania part comes in. It’s extremely addictive, like calling in sick to work addictive.

In other words, there’s a reason Dead Cells has sold more than 10 million copies across numerous platforms and has even inspired a forthcoming animated series. If you’ve been on the fence for the, uh, past five years and have a Netflix account, this is a no brainer.

The streamer’s “Netflix and Thrills” event also sees the release of a brand-new sequel to the indie hit Slayaway Camp, which drops today. As for TV and movies, the company’s traditional bread and butter, “Netflix and Thrills” features the release of Mike Flanagan’s The Fall of the House of Usher, UFO docuseries Encounters and the survival thriller Nowhere, among many others.

This article originally appeared on Engadget at https://www.engadget.com/dead-cells-netflix-edition-scares-its-way-to-a-halloween-release-date-152630472.html?src=rss

TikTok's first live 'global music event' will feature Cardi B and Charlie Puth

TikTok has had a major impact on the music industry over the last few years, with many songs that have gone viral on the platform becoming major mainstream hits. The service is now making a bigger push into music by hosting its own festival.

Dubbed as the platform’s first “live global music event,” TikTok In The Mix will take place in Mesa, Arizona on December 10. The headliners are Cardi B, Niall Horan, Anitta and Charlie Puth, all of whom are popular figures on TikTok. The service says there will be surprise guests and performances by emerging artists, some of whom are involved in the TikTok Elevate program for up and coming musicians.

Followers of the four headliners will get presale codes to buy In The Mix tickets starting on October 27. The general sale will start on November 2.

Of course, TikTok will stream the event live on its app. The service also says it will bring the For You feed to life at In The Mix through “a range of activities inspired by our community's favorite trends." Some creators will be present too.

Similar platforms might be more inclined to sponsor an existing music festival than to go it alone. However, TikTok has carved out a space for itself as a destination for music discovery, so it makes sense for it to host its own event with a blend of established names and fairly fresh faces.

This article originally appeared on Engadget at https://www.engadget.com/tiktoks-first-live-global-music-event-will-feature-cardi-b-and-charlie-puth-141212595.html?src=rss

Adult film star Riley Reid launches Clona.AI, a sexting chatbot platform

Adult film icon and media investor Riley Reid aims to bring the transformational capabilities of generative AI to adult entertainment with an online platform where users can chat with digital versions of content creators. But unlike other, scuzzier adult chatbots, Clona.AI’s avatars are trained with explicit consent of the models’ creators who have direct input in what the “AI companions” will, and won’t, talk about.

For $30 a month, fans and subscribers will be able to hold “intimate conversations” with digital versions of their favorite adult stars, content creators and influencers. The site’s roster currently includes Reid herself and Lena the Plug. A free tier is also available but offers just five chat messages per month. 

“The reality is, AI is coming, and if it's not Clona, it’s somebody else,” Reid told 404 Media. “When [other people] use deepfakes or whatever — if I'm not partnering up with it, then someone else is going to steal my likeness and do it without me. So being presented with this opportunity, I was so excited because I felt like I had a chance to be a part of society's technological advances.”

Clona uses Meta’s Llama 2 large language model as a base, then heavily refines and retrains it to reflect the personality of the person it’s based on. Reid explains that her model was first trained on a variety of her online media including interviews, podcast appearances and YouTube videos (in addition to some of her x-rated work) before further fine tuning its response by having the AI chat with Reid herself.

“I’ll be able to see how it responds to users, and edit it to be like ‘no, I would have said it more like this,’’’ Reid said. “But in the beginning my focus was on things like making sure it had my dogs’ names right, making sure I was fact-checking it.”

While the AI companion will be capable talking dirty, how dirty that gets depends on the actor’s preferences, not the user’s. Reid notes that her model, for example, will not discuss physically dangerous sex acts with users. "I don't know if the tech team thought about the sounding guys, but I was like, I thought about them,” she said.

Generative AI technology has shown tremendous potential in creating digital clones of deceased celebrities and recording artists. The process requires little more than the celeb’s permission (or that of their estate) and a sufficiently large corpus of their vocal or video recordings. However, we’ve already also seen that technology be misused in deepfake pornography and shady dental advertising. Unscrupulous data scraping practices on the public web (data which is then used to train LLMs) has also raised difficult questions regarding modern copyright laws, copyright infringement and Grammy award eligibility.

Still, Reid remains optimistic about the historically proven resilience of the sex industry. “I feel like we're gonna be a huge part of AI adapting into our society, because porn is always like that,” Reid said. “It’s what it did with the internet. And the porn world has seen so many advances in technology.”

This article originally appeared on Engadget at https://www.engadget.com/adult-film-star-riley-reid-launches-clonaai-a-sexting-chatbot-platform-000509221.html?src=rss

The Star Wars: Dark Forces remaster will arrive on February 28, 2024

Nightdive Studios has revealed when you'll be able to check out its remaster of Star Wars: Dark Forces. The latest version of the first-person shooter is scheduled to hit PS4, PS5, Xbox One, Xbox Series X/S, Nintendo Switch and PC on February 29, 2024.

The Nightdive team used its KEX engine to revitalize Star Wars: Dark Forces for modern gaming platforms, on which it will be able to run at up to 4K resolution at 120fps. The studio is promising updated lighting and atmospheric effects thanks to advanced 3D rendering. Controller users can take advantage of a weapon wheel and rumble features, along with gyro controls. Of course, you'll be able to earn trophies and achievements too.

Mark your calendars... Star Wars™: Dark Forces Remaster is set to release on February 28, 2024 for PS4, PS5, Xbox One, Series X|S, Nintendo Switch, and PC! 💫✨ pic.twitter.com/jjnrlSpz5h

— Nightdive Studios (@NightdiveStudio) October 24, 2023

LucasArts originally released the first FPS game in the Star Wars franchise in 1995. The game sees you take control of Kyle Katarn, a mercenary who joins the Rebel Alliance after defecting from the Galactic Empire. Katarn discovers that the Empire is developing the Dark Trooper Project, under which it's attempting to amass an army of battle droids and stormtroopers with power armor. As far as gameplay goes, it was one of many titles from around that time that took a page (or 12) out of Doom's playbook.

Nightdive is well known for modernizing old games for new consoles. The studio also has remasters of System Shock 2 and Turok 3 in the pipeline.

This article originally appeared on Engadget at https://www.engadget.com/the-star-wars-dark-forces-remaster-will-arrive-on-february-28-2024-175502427.html?src=rss

YouTube Music now lets you generate your own AI playlist art

YouTube Music has two new features rolling out, and it should come as no surprise that one of them is all about AI. Instead of looking at a compilation of album covers or uploading your own image, you can now use AI to create custom playlist art right from the YouTube Music app. 

Whether or not you've ever thought about what's at the top of your playlist, designing and adding an image is pretty simple. All you need to do is click the playlist's edit button and then on the existing main image. YouTube Music will then bring you to a range of categories, such as nature, humor and animals. Each one will generate a random set of pictures upon selection, such as a dog in a specific art style, that you can change. Just toggle through the options, and when you find one you like, save it as your playlist's new cover photo. 

YouTube Music's other update set to roll out is a feature called speed dial that lets you jump right back into recent listens, like specific artists and playlists. The format is very reminiscent of the top of Spotify's homepage, but YouTube appears to show more options than its competitor. 

These features follow other recent attempts by YouTube Music to compete with more established services, such as adding a comments section and timed lyrics to follow along with songs. AI-powered custom playlist art is available now to English language accounts in the United States, with plans to roll out globally in the future, while speed dial will be available in the coming months. 

This article originally appeared on Engadget at https://www.engadget.com/youtube-music-now-lets-you-generate-your-own-ai-playlist-art-140053565.html?src=rss

The Morning After: Tinder’s latest update lets your family play virtual matchmaker

Tinder’s new feature is a new nightmare to me. Tinder Matchmaker allows users’ family and friends to recommend potential matches. Wannabe matchmakers do not need a Tinder profile to view or suggest possible pairings, so anyone you know could help you find the one. Or at least... another one.

The Tinder user will need to launch a “Tinder Matchmaker session” either from a profile card or within the app’s settings. You can share a unique link with up to 15 individuals in a 24-hour period. Once a matchmaker gets a link, they can log into Tinder or continue as a guest to swipe away. Don’t worry: They can't send messages or actually swipe right on the profiles.

Both Hinge and Bumble have already tried matchmaking, although the former’s attempts didn’t last – the dedicated Hinge matchmaking app is no longer available.

– Mat Smith

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Watch Netflix's Squid Game: The Challenge trailer

The reality show will stream next month.

Netflix

Netflix has dropped a trailer for the upcoming reality series Squid Game: The Challenge. It all kicks off with 456 contestants competing for the $4.56 million prize in events and games repackaged (minus the blood-spraying violence) from the hit scripted series. A fictional critique of modern capitalism’s exploitation of the financially desperate made into a reality TV spectacle that exploits the financially desperate? Yes. But watch the trailer.

Continue reading.

Amazon’s Fallout series finally has a release date

It begins streaming on April 12, 2024.

Amazon Prime Video / Instagram

Amazon announced Monday that its Fallout TV series will premiere on April 12, 2024 on Prime Video. The short teaser video was even styled like a Pip-Boy interface from the storied game franchise. The live-action series, from Westworld creators Jonathan Nolan and Lisa Joy, will have an original (canonical) story set in the Fallout gaming universe. It will take place in 2077, beginning in Vault 33 in Los Angeles. As fans of the game know, it’s set in a post-apocalyptic wasteland following the events of “The Great War” on October 23, 2077, making yesterday the perfect day to announce the show.

Continue reading.

Department of Justice expands its Tesla probe

It’s looking to include EV driving range figures.

The Department of Justice has expanded its investigation into Tesla. In an SEC filing, the company said the agency issued subpoenas for information related to "personal benefits, related parties, vehicle range and personnel decisions." According to Reuters and Consumer Reports, Tesla vehicles didn't hit the Environmental Protection Agency (EPA) range estimates in road tests. Its vehicles have already been penalized in other countries for failing to disclose that its EVs have shorter ranges in low temperatures, and the company reportedly formed a special team that sought to quash complaints about the distance its cars can travel on a single charge.

Continue reading. 

This article originally appeared on Engadget at https://www.engadget.com/the-morning-after-tinders-latest-update-lets-your-family-play-virtual-matchmaker-115041564.html?src=rss

Meta is promoting Threads posts on Facebook and there’s no way to opt out

Meta is starting to ramp up its growth-hacking tactics for Threads in a bid to boost engagement on the Twitter competitor. The social network is promoting its newest app by cross-posting Threads posts to users’ Facebook feeds, the company confirmed Monday.

It’s a familiar move for Meta, which regularly uses the Facebook feed to promote new features, including those from its other apps. The company has inserted Instagram Reels into recommendations in Facebook’s feed for years, and also allows businesses on WhatsApp to buy ads that appear in Facebook feeds. But unlike those efforts, it seems that Threads promotions on Facebook are not optional.

“We’ve launched an update to make it easier for people to see the latest content from Threads directly on Facebook and Instagram,” the company wrote in response to a Threads user who asked how to keep their posts off of Facebook. “But we’re listening to feedback like yours as we continue to build on this.”

Meta is now using Facebook to boost Threads reach

This is a new “For you on Threads” feature showing at the top of the news feed pic.twitter.com/Sk6XK0ve9E

— Matt Navarra - Exiting X… Follow me on Threads (@MattNavarra) October 19, 2023

Meta began testing the promotion of Threads posts on Instagram in August, but the move to put posts on Facebook without providing an opt-out feature, seems to be more controversial. Some users are pointing out that they use Threads much differently than Facebook and may not want their Threads posts to be put in front of their Facebook friends. 

We’ve reached out to Meta for more information about how it recommends Threads posts and if it intends to allow users to opt out of that kind of sharing. But the company has previously hinted that it would one day use its much larger apps to try and boost Threads. When Threads reached 100 million sign-ups shortly after it launched, Mark Zuckerberg remarked that the growth had happened with “mostly organic demand” and that the company hadn’t “even turned on many promotions yet.” (Interestingly, that post has since been deleted.)

Threads’ initial explosive growth proved to be short lived, however, with engagement dropping considerably in the weeks that followed. Anecdotally, the service feels much more lively in recent weeks, and downloads have started to once again tick up, according to a recent report from Insider.

But a report from analytics firm SimilarWeb, which tracks web traffic, suggests the company still has a lot of ground to make up. “In the US, where Threads attracted the most attention, September Threads usage on Android was down 40% from where it was in July,” senior insights manager David Carr wrote in the report. Given those trends, and that Meta has been steadily adding new features like post editing and keyword search, it’s maybe not all that surprising the company would now be trying to juice Threads’ growth, even if its tactics for doing so are unpopular.

This article originally appeared on Engadget at https://www.engadget.com/meta-is-promoting-threads-posts-on-facebook-and-theres-no-way-to-opt-out-202057606.html?src=rss

Netflix's Squid Game: The Challenge trailer confirms it missed the message

Netflix has dropped a trailer for the upcoming reality series Squid Game: The Challenge. The forthcoming show starts with 456 contestants competing for a $4.56 million prize in events repackaged (minus the brutal violence) from the scripted series. What better way to follow a fictional critique of modern capitalism’s exploitation of the financially desperate for profit and entertainment than to embrace a reality TV spectacle that exploits the financially desperate for profit and entertainment?

Among other games ripped from the South Korean show, the competition’s trailer showcases the original series’ creepy “red light, green light” doll as players in green tracksuits nervously scoot across the floor, ready to stop at a moment’s notice. (In this version, the “gunshots” fired at infringing players involve pre-placed blood packets exploding on their chests.) In standard reality TV fashion, there are hints of shameless backstabbing and plenty of lusting over the prize money. Masked guards create an ambiance of intimidation as Sammy Davis Jr.’s “I’ve Gotta Be Me” plays in the background, echoing the source material’s theme of unlikely riches as the sole path to fulfillment in a late-capitalist hellscape.

When the competition was filmed earlier this year, each player subjected themselves to this exhibition for a 0.22% chance at a couple of million dollars after taxes.

Netflix

The reality series made headlines earlier this year when several contestants reportedly required medical attention, proving that irony has flatlined, and Netflix is selling tickets to view its corpse. “It was like a war zone,” one player told The Sun. “People left in tears.” The report described frigid conditions: one exhausted player was hauled away on a stretcher while others crawled to the finish line.

“Even if hypothermia kicked in then people were willing to stay for as long as possible because a lot of money was on the line,” one competitor said. “Too many were determined not to move so they stood there for far too long. There were people arriving thinking they were going to be millionaires but they left in tears.”

As a contestant says in the trailer, “This is a savage game.” Squid Game: The Challenge begins streaming on Netflix on November 22.

This article originally appeared on Engadget at https://www.engadget.com/netflixs-squid-game-the-challenge-trailer-confirms-it-missed-the-message-185144569.html?src=rss

How to watch Xbox’s third-party games showcase

Xbox is presenting a showcase on Wednesday to highlight the various third-party titles coming to Microsoft’s gaming consoles, Windows computers and Game Pass. The festivities kick off on Wednesday, October 25 at 1PM EST. You can watch via the official YouTube channel or on Twitch.

The stream promises a “fresh mix of indie games and familiar favorites” from third-party companies like Remedy, Studio Wildcard, Ryu Ga Gotoku Studio and more, with 20 minutes of trailers and gameplay footage on the docket. Consider this Xbox’s version of those Nintendo Indie World showcase events.

So what should you expect during the stream? Microsoft hasn’t released a list of games that’ll take center stage, but did drop some teases. The company says it’ll reveal the “latest information” about Yakuza-adjacent RPG Like a Dragon: Infinite Wealth and Dungeons of Hinterberg. It also promised a launch trailer for the long-awaited Alan Wake II, which releases at the end of this week, and the first gameplay footage of Ark: Survival Ascended. There should also be some surprises, so can we have a little Hollow Knight: Silksong trailer… as a treat?

The stream will be available in 30 languages, including American Sign Language (ASL) and British Sign Language (BSL.) Additionally, Xbox says that YouTube streams will be in 4K at 60fps, which should be a good way to suss out real-world graphical performance.

This article originally appeared on Engadget at https://www.engadget.com/how-to-watch-xboxs-third-party-games-showcase-172052353.html?src=rss