The CEOs of Meta, Snap, Discord, X and TikTok testified at a high-stakes Senate Judiciary Committee hearing on child exploitation online. During the hearing, Mark Zuckerberg, Evan Spiegel, Jason Citron, Linda Yaccarino and Shou Chew spent nearly four hours being grilled by lawmakers about their records on child safety.

Judiciary Committee Chair, Senator Dick Durbin, noted Discord’s Citron “only accepted services of his subpoena” after US Marshals went to the company’s headquarters. Compared to previous hearings with tech CEOs, it was a heavier setting. The room was filled with parents of children who had been victims of online exploitation.

“Discord has been used to groom, abduct and abuse children,” Durbin said. “Meta’s Instagram helped connect and promote a network of pedophiles. Snapchat’s disappearing messages have been co-opted by criminals who financially extort young victims. TikTok has become a, quote, platform of choice for predators to access, engage and groom children for abuse. And the prevalence of CSAM (child sexual abuse material) on X has grown as the company has gutted its trust and safety workforce.”

Of course, it wouldn’t be a US Senate hearing without politicians also embarrassing themselves: Senator John Kennedy asked Snap’s Evan Spiegel if he knew the meaning of “yada yada yada” (Spiegel claimed he was “not familiar” with the phrase). “Can we agree… what you do is what you believe and everything else is just cottage cheese,” Kennedy asked. (… What?)

X’s Yaccarino, who repeatedly claimed X was a “brand new company” (and not Twitter with a poorly received rebrand), said the platform was considering adding parental controls. “Being a 14-month-old company, we have reprioritized child protection and safety measures,” she said. “And we have just begun to talk about and discuss how we can enhance those with parental controls.”

Twitter launched in 2006.

— Mat Smith

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Universal Music could pull Taylor Swift and Drake from TikTok

The group said it’s a ‘bad deal that undervalues music.’

Buda Mendes/TAS23 via Getty Images

Universal Music Group is threatening to pull all of its music from TikTok today following a breakdown in negotiations over royalties. The company wrote in an open letter that TikTok wanted to pay a “fraction” of the rate paid by other social media sites. “As our negotiations continued, TikTok attempted to bully us into accepting a deal worth less than the previous deal, far less than fair market value and not reflective of their exponential growth.”

The sides have reportedly been in negotiations for the past year. Such deals are worth billions annually to music publishing companies – and Universal is the world’s largest record label. If a deal isn’t struck, TikTok creators would lose access to songs from stars including Taylor Swift, Billie Eilish, the Weeknd, Drake and others.

Continue reading.

Persona 3 Reload is a surprising dose of 2000s nostalgia

Wired headphones. DVD players. Internet cafes.

With Persona 3 Reload, developer Altus chose the most confusing (and influential) entry in the series to remake. There are some big changes you may not even notice if you haven’t played the 2006 original recently, with new English language voice actors (all the Japanese VAs return from the original) and, interestingly, the most voiced scenes from any game in the Persona series. Oh, it’s also incredibly gorgeous at times. But damn, it makes me feel old.

Continue reading.

Hideo Kojima teases a new action-espionage game for PlayStation

No, it won’t be a Metal Gear Solid title.

Jordan Anderson via Getty Images

Hideo Kojima appeared on PlayStation’s State of Play not only to give Death Stranding 2 another nudge but also to say he’s developing a brand-new game for PlayStation. It’ll be an action-espionage title codenamed PHYSINT — so nothing to do with the Metal Gear Solid series that made his name. Kojima Productions has started early work on the project, but it won’t go into full production until the team finishes Death Stranding 2. Which is looking bonkers.

Continue reading.

The latest Xbox controllers seem to be inspired by bowling balls

Just the colors, not the shape.

The Xbox Design Lab is neat. You can customize the colors of your controller pretty much however you like, with more options for the Vapor series. The six top case options have swirling color patterns more typically seen at your local bowling alley. If that still exists.

Continue reading.

Universal Music Group (UMG) is threatening to pull all of its music from TikTok today following a breakdown in negotiations over royalties, the company wrote in an open letter. That would mean TikTok creators would lose access to songs from stars including Taylor Swift, Billy Eilish, The Weeknd, Drake and others. 

With UMG's deal with TikTok set to expire, the sides have reportedly been in negotiations for the past year. Such deals are worth billions annually to music publishing firms and are typically negotiated every few years. Universal is the world's largest record label, and if does pull it's music from TikTok, it would be the first time this has happened in recent memory.

Universal said TikTok wanted to pay a "fraction" of the rate paid by other social media sites. "As our negotiations continued, TikTok attempted to bully us into accepting a deal worth less than the previous deal, far less than fair market value and not reflective of their exponential growth." 

In its own post, TikTok said that it serves as a valuable marketing tool for artists and publishers. "Despite Universal's false narrative and rhetoric, the fact is they have chosen to walk away from the powerful support of a platform with well over a billion users that serves as a free promotional and discovery vehicle for their talent."

TikTok also benefits greatly from access to Universal's catalog and being cut off from access to ultra-popular artists like Taylor Swift would be a blow to creators and users. TikTok's Chinese parent ByteDance has more than 3 billion monthly active users and made $29 billion in revenue in a single quarter ending June 2023, according to The Financial Times. Warner Bros. Music, the number three record label behind Sony Music and UMG, recently struck a deal with TikTok. 

Universal said it does "not underestimate what this will mean for artists and their fans" but that it will not shirk its responsibilities. "TikTok’s tactics are obvious: use its platform power to hurt vulnerable artists and try to intimidate us into conceding to a bad deal that undervalues music and shortchanges artists and songwriters as well as their fans." The company added that payments from TikTok amount to "only about 1 percent of our total revenue."

Las Vegas will host Super Bowl 58 in its new billion-dollar, sustainably powered Allegiant Stadium. The venue holds 70,000 people, but if you’re not one of them and American football is your thing (or you just like the buzzy commercials and want to see Usher perform at halftime) you’ll need a way to watch at home. Luckily, there are a multitude of ways to do so — and one of them is nearly free. Kick off happens Sunday, February 11, at 3:30pm Pacific (6:30pm Eastern) so you have some more time to decide how you want to watch the big game. Here are all the ways to watch Super Bowl 2024.

How to watch Super Bowl 58

This year, the rights to air the biggest annual sporting event in the US goes to CBS… and Nickelodeon. Yep, the kids channel is hosting a live, family-friendly version of the event, complete with helpful thematic graphics and the cast of SpongeBob SquarePants and Dora the Explorer hosting, providing commentary and explaining the rules to the youngest NFL fans. If you don’t need sideline reports from Sandy Cheeks, regular versions of the game will appear on CBS, CBS Sports Network, Paramount+ and on the NFL+ mobile app.

How to watch the Super Bowl with cable or satellite TV

Cable and satellite subscribers can tune into their local CBS station. If your plan includes CBS Sports Network (or Nickelodeon), you can go that route, too. Here’s a list of local CBS stations and affiliates so you can find your channel.

How to stream Super Bowl 2024

Last year, the Super Bowl was a little more complicated to stream since the broadcaster (Fox) didn’t have an over-the-top streaming app. It’s easier this year: the standalone Paramount+ app lets subscribers watch the game live. Plans start at $6 per month and there’s currently a free seven-day trial, but there’s no telling if that deal will still be live right before the big event. Of course, most live TV streaming services will also have the game, either on your local CBS station or via CBSSN. Here are the providers that will show Super Bowl LVIII:

• YouTube with Live TV - $73 per month

• Hulu with Live TV - $77 per month

• Fubo - $80 per month

• DirecTV Stream (CBS and Nickelodeon) - $80 per month

• Philo (Nickelodeon only) - $25 per month

If you’re willing to pay, Paramount+ is the cheapest way to stream the Super Bowl this year, plus you’ll get other shows to watch when the game’s over.

Can I watch the 2024 Super Bowl for free?

Almost. If you buy an indoor digital antenna, which hooks up to the coaxial port on your TV set, you can grab the game broadcast from your local CBS affiliate at no extra cost. It’ll let you watch your local NBC, ABC, PBS and FOX networks, too.

Can I watch the 2024 Super Bowl on mobile?

The NFL+ mobile app is airing the Super Bowl, but only on your smartphone or tablet (PC access and casting isn’t supported for primetime games, which includes the Super Bowl). So if you’re watching solo, this could be a good option. A subscription goes for $7 per month and it also provides NFL Network content with 24/7 football news.

Who is performing at the Super Bowl 2024 halftime show?

For some, the action in between the two halves of the game is what really matters. Mega stars have headlined the halftime show for decades now, with performances by Rihanna, Shakira, Lady Gaga, Prince, The Rolling Stones and Beyonce garnering almost as many headlines as the game itself. This year, Usher, who's timing the release of his latest album to drop just two days before the game, will light up the stadium with a set. Before the game, Reba McEntire will sing the national anthem and Post Malone will follow that up with a rendition of "America the Beautiful."

Tickets to Super Bowl 58 are going for thousands of dollars — but there are far cheaper ways to see the action. This year, the game will take place at 3:30pm Pacific (6:30pm Eastern) on Sunday, February 11, at Allegiant Stadium, which is just a poker-chip’s throw from the Las Vegas Strip (and here we thought Vegas was just for CES). Usher will play the halftime show, Reba McEntire will sing the National Anthem and there are sure to be plenty of zany ads to see (and some football thrown in, too). If you’re not traveling to Nevada for the big game, here are all the ways to watch Super Bowl LVIII.

How to watch Super Bowl 58

This year, the rights to air the biggest annual sporting event in the US goes to CBS… and Nickelodeon. Yep, the kids channel is hosting a live, family-friendly version of the event, complete with helpful thematic graphics and the cast of SpongeBob SquarePants and Dora the Explorer hosting, providing commentary and explaining the rules to the youngest NFL fans. If you don’t need sideline reports from Sandy Cheeks, regular versions of the game will appear on CBS, CBS Sports Network, Paramount+ and on the NFL+ mobile app.

How to watch the Super Bowl with cable or satellite TV

Cable and satellite subscribers can tune into their local CBS station. If your plan includes CBS Sports Network (or Nickelodeon), you can go that route, too. Here’s a list of local CBS stations and affiliates so you can find your channel.

How to stream Super Bowl 2024

Last year, the Super Bowl was a little more complicated to stream since the broadcaster (Fox) didn’t have an over-the-top streaming app. It’s easier this year: the standalone Paramount+ app lets subscribers watch the game live. Plans start at $6 per month and there’s currently a free seven-day trial, but there’s no telling if that deal will still be live right before the big event. Of course, most live TV streaming services will also have the game, either on your local CBS station or via CBSSN. Here are the providers that will show Super Bowl LVIII:

• YouTube with Live TV - $73 per month

• Hulu with Live TV - $77 per month

• Fubo - $80 per month

• DirecTV Stream (CBS and Nickelodeon) - $80 per month

• Philo (Nickelodeon only) - $25 per month

If you’re willing to pay, Paramount+ is the cheapest way to stream the Super Bowl this year, plus you’ll get other shows to watch when the game’s over.

Can I watch the 2024 Super Bowl for free?

Almost. If you buy an indoor digital antenna, which hooks up to the coaxial port on your TV set, you can grab the game broadcast from your local CBS affiliate at no extra cost. It’ll let you watch your local NBC, ABC, PBS and FOX networks, too.

Can I watch the 2024 Super Bowl on mobile?

The NFL+ mobile app is airing the Super Bowl, but only on your smartphone or tablet (PC access and casting isn’t supported for primetime games, which includes the Super Bowl). So if you’re watching solo, this could be a good option. A subscription goes for $7 per month and it also provides NFL Network content with 24/7 football news.

Who is performing at the Super Bowl 2024 halftime show?

For some, the action in between the two halves of the game is what really matters. Mega stars have headlined the halftime show for decades now, with performances by Rihanna, Shakira, Lady Gaga, Prince, The Rolling Stones and Beyonce garnering almost as many headlines as the game itself. This year, Usher, who's timing the release of his latest album to drop just two days before the game, will light up the stadium with a set. Before the game, Reba McEntire will sing the national anthem and Post Malone will follow that up with a rendition of "America the Beautiful."

We finally know for certain who will face off in Super Bowl 2024: The Kansas City Chiefs will play against the San Francisco 49ers in the biggest annual sporting event in the US. The game will take place in Las Vegas at the $1.9 billion Allegiant Stadium, with kick off at 3:30pm Pacific or 6:30pm Eastern on Sunday, February 11. The game will air on CBS, which means it’ll also be streaming live on Paramount+ since both are owned by Paramount Global. You can also watch it on cable, with a live TV streaming service and with the NFL's app on mobile. That’s all to say that you have plenty of options to watch, stream and otherwise enjoy the big game this year. Here are all the ways to watch Super Bowl LVIII in 2024.

How to watch Super Bowl 58

This year, the rights to air the biggest annual sporting event in the US goes to CBS… and Nickelodeon. Yep, the kids channel is hosting a live, family-friendly version of the event, complete with helpful thematic graphics and the cast of SpongeBob SquarePants and Dora the Explorer hosting, providing commentary and explaining the rules to the youngest NFL fans. If you don’t need sideline reports from Sandy Cheeks, regular versions of the game will appear on CBS, CBS Sports Network, Paramount+ and on the NFL+ mobile app.

How to watch the Super Bowl with cable or satellite TV

Cable and satellite subscribers can tune into their local CBS station. If your plan includes CBS Sports Network (or Nickelodeon), you can go that route, too. Here’s a list of local CBS stations and affiliates so you can find your channel.

How to stream Super Bowl 2024

Last year, the Super Bowl was a little more complicated to stream since the broadcaster (Fox) didn’t have an over-the-top streaming app. It’s easier this year: the standalone Paramount+ app lets subscribers watch the game live. Plans start at $6 per month and there’s currently a free seven-day trial, but there’s no telling if that deal will still be live right before the big event. Of course, most live TV streaming services will also have the game, either on your local CBS station or via CBSSN. Here are the providers that will show Super Bowl LVIII:

• YouTube with Live TV - $73 per month

• Hulu with Live TV - $77 per month

• Fubo - $80 per month

• DirecTV Stream (CBS and Nickelodeon) - $80 per month

• Philo (Nickelodeon only) - $25 per month

If you’re willing to pay, Paramount+ is the cheapest way to stream the Super Bowl this year, plus you’ll get other shows to watch when the game’s over.

Can I watch the 2024 Super Bowl for free?

Almost. If you buy an indoor digital antenna, which hooks up to the coaxial port on your TV set, you can grab the game broadcast from your local CBS affiliate at no extra cost. It’ll let you watch your local NBC, ABC, PBS and FOX networks, too.

Can I watch the 2024 Super Bowl on mobile?

The NFL+ mobile app is airing the Super Bowl, but only on your smartphone or tablet (PC access and casting isn’t supported for primetime games, which includes the Super Bowl). So if you’re watching solo, this could be a good option. A subscription goes for $7 per month and it also provides NFL Network content with 24/7 football news.

Who is performing at the Super Bowl 2024 halftime show?

For some, the action in between the two halves of the game is what really matters. Mega stars have headlined the halftime show for decades now, with performances by Rihanna, Shakira, Lady Gaga, Prince, The Rolling Stones and Beyonce garnering almost as many headlines as the game itself. This year, Usher, who's timing the release of his latest album to drop just two days before the game, will light up the stadium with a set. Before the game, Reba McEntire will sing the national anthem and Post Malone will follow that up with a rendition of "America the Beautiful."

Microsoft didn't have to look too far to find the new president of Blizzard. Former Call of Duty general manager Johanna Faries is replacing Mike Ybarra, who stood down from the role amid last week's sweeping layoffs in Microsoft's gaming division. Blizzard was said to be particularly hard hit as Microsoft fired around 1,900 people.

Faries, a former National Football League executive, joined Activision as the head of Call of Duty esports in 2018. She started overseeing all things Call of Duty in 2021 and officially starts her new role on February 5. 

Blizzard has largely operated independently since it merged with Activision in 2008. As such, Blizzard workers may be forgiven for being concerned at someone from the Activision side taking control. Former Activision Blizzard CEO Bobby Kotick often meddled in Blizzard's affairs, reportedly resulting in Overwatch 2 delays, among other things.

In an attempt to soothe any worries, Faries wrote in an email to staff that "Activision, Blizzard, and King are decidedly different companies with distinct games, cultures and communities. It is important to note that Call of Duty’s way of waking up in the morning to deliver for players can often differ from the stunning games in Blizzard’s realm: each with different gameplay experiences, communities that surround them, and requisite models of success. I’ve discussed this with the Blizzard leadership team and I’m walking into this role with sensitivity to those dynamics, and deep respect for Blizzard, as we begin to explore taking our universes to even higher heights."

Faries added that she is "committed to doing everything I can to help Blizzard thrive, with care and consideration for you and for our games, each unique and special in their own right.” Meanwhile, on X, Faries wrote that Blizzard's Diablo 4 was part of her current rotation of games, alongside Call of Duty and Baldur's Gate 3.

As generative AI (and access to AI tools) continues to grow, expect to see more things like the tumult over “George Carlin: I’m Glad I’m Dead.” Released on (then pulled from) YouTube, it’s framed as an hour of new “material” by the comedian, who died in 2008. Of course, it's not that. It isn't based on old notes or lost routines, either, like recent releases from the Beatles, and George Carlin’s estate has filed a lawsuit against the makers.

Initial reports from NPR said the AI was trained on thousands of hours of Carlin routines to create the material. Dudesy, the channel that created and posted the video, was later approached by The New York Times, and their spokesperson said the video was “completely written by Chad Kultgen” — one of the channel’s hosts.

Both hosts, comedian Will Sasso and writer Kultgen, are named in the suit. They claim the AI-created Carlin is like an impressionist. (Although, it’s really not a great one…)

The complaint seeks unspecified damages and the immediate removal of “any video or audio copies” of the special.

— Mat Smith

The biggest stories you might have missed

What’s up with the toxicity around Cities: Skylines II?

Seeking Mavis Beacon is a Sundance doc about the search for a lost tech icon

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​​You can get these reports delivered daily direct to your inbox. Subscribe right here!

Fossil gives up on smartwatches

But will keep releasing updates for a few years.

Fossil

Fossil is officially out of the smartwatch business. Its Wear OS smartwatch lineup hasn’t seen a new model since 2021, and the company has now confirmed it’s getting out of wearables. If you own a Fossil-branded watch (which covers several fashion brands like Skagen, Michael Kors, Diesel and even Emporio Armani), you should get updates for the next few years.

But let’s be clear: It probably wasn’t the Pixel Watch that landed the finishing blow.

Continue reading.

Tesla recalls 200,000 vehicles because of a faulty backup camera

A software issue keeps it from activating when vehicles are in reverse.

Tesla is recalling 200,000 vehicles in the US, following reports the backup cameras wouldn’t engage when cars were put in reverse — which is the whole point of the things. Tesla has processed 81 warranty claims potentially related to the issue, according to Autoblog. The recall includes certain Model Y, Model S and Model X vehicles from 2023. Tesla says it delivered 1.8 million vehicles last year, so this recall accounts for more than 10 percent of the company’s yearly output. If this sounds familiar, well, it comes six weeks after Tesla recalled over two million vehicles after serious safety issues with its Autopilot feature.

Continue reading.

X blocked Taylor Swift searches to ‘prioritize safety’

After pornographic deepfakes of the singer went viral last week.

Reuters / Reuters

X confirmed it’s preventing users from searching Taylor Swift’s name after pornographic deepfakes of the artist began circulating on the platform. Visitors to the site started noticing on Saturday that some searches containing Swift’s name would only return an error message.

The platform’s handling of the issue has been slow. After the images went viral last Wednesday, Swifties took matters into their own hands (of course!) mass-reporting the accounts that shared the images and flooding the hashtags relating to the singer with positive content. Do you not remember the snake emoji saga?

Continue reading.

Engadget Podcast: The Mac turns 40

And we review the Framework Laptop 16.

Thoughts, feelings and facts this week on the Mac hitting middle age, the modular laptop capable of gaming and the realization that the Apple car dream is still alive. This week, Devindra is joined by News Editor Nathan Ingraham. 

Listen here.

We were so close to finally drifting on the cobblestone streets of Yharnam, but it looks like we’ll have to wait a little longer for Bloodborne Kart. And, it’ll be called something else when it does arrive. Lilith Walther, the developer behind the project, said the team has to “scrub the branding” off of the game and delay its release after Sony intervened. It was supposed to be released on January 31 for PC. The outcome isn’t exactly surprising, but it means the game will take shape a bit differently than planned — in a thread posted on X, Walther said, “This is a fan game no more!”

Bloodborne Kart, a retro-style racing game that started out as a meme, has generated a ton of support from fans who have been yearning for new Bloodborne content. In response to the latest development, many have joked that the whole saga has forced Sony, which owns the IP, to actually acknowledge the title for the first time in years. Walther previously released a free Bloodborne “demake” in the style of a PS1 game.

“So Sony contacted us,” Walther wrote in an update on Friday. “Long story short, we need to scrub the branding off of what was previously known as Bloodborne Kart. We will do this, but that requires a short delay. Don't worry, the game is still coming out! It'll just look slightly different.”

The developers planned to feature 12 racers styled after familiar Bloodborne characters, including The Hunter and The Doll from the Hunter’s Dream, with single-player and multiplayer modes. There were to be 16 maps and boss fights, so you could race against the likes of Father Gascoigne. It really sucks that they won’t be able to follow through with the original idea, because it looked awesome, but I have no doubt they’ll spin it into something equally great.

“We were honestly expecting something like this to happen and the idea of having full creative control is kind of exciting!” Walther wrote. There's no new release date just yet, but in the meantime, you can rewatch the Bloodborne Kart trailer on a loop and dream of what we almost had. 

With a healthy dose of heart and whimsy, the Sundance documentary Seeking Mavis Beacon follows two young Black women who are devoted to finding the original model for Mavis Beacon Teaches Typing. If you touched a computer during the '80s or '90s, there's a good chance that Mavis helped you get comfortable with a keyboard. Or at the very least, you might remember her from the program's original 1987 cover: a smiling, elegant Black woman dressed in a cream-colored outfit. She embodied style and professional poise — it was as if you could be just as capable as her if you bought that program.

It's no spoiler to say that "Mavis Beacon" didn't really exist – she was a marketing idea crafted by a group of white dudes from Silicon Valley. But the program's cover star was real: Her name was Renee L'Esperance, a Haitian model who was discovered while working at Saks Fifth Avenue in Los Angeles. After her image helped make Mavis Beacon Teaches Typing a success, she retreated from the spotlight, reportedly heading back to retire in the Caribbean.

Seeking Mavis Beacon

The documentary's director and writer, Jazmin Jones, as well as her collaborator, Olivia McKayla Ross, start with those basic details and set out to find L'Esperance like a pair of digital detectives. From a home base in a rundown Bay Area office – surrounded by tech ephemera, a variety of art pieces and images of influential black women – they lay out L'Esperance's reported timeline, follow leads and even host a spiritual ceremony to try and connect with the model.

I won't say if the pair actually end up finding L'Esperance because it's the journey that makes Seeking Mavis Beacon such a joy to watch. Jones and Ross both grew up with the typing program and felt a kinship toward the character of Mavis Beacon. It was the first program to prominently feature a Black woman on the cover (a move that reportedly caused some suppliers to cut their orders), so it made the technology world seem like somewhere young Black women could actually fit in. Beacon's digital hands also appear on-screen, as if she's gently guiding your fingers to the correct letters and positioning.

To help uncover more details about the whereabouts of Mavis Beacon, Jones and Ross set up a hotline and website for anyone to submit clues. Some of those calls are featured in the film, and they make it clear that her digital presence inspired many people. The film opens with references to Beacon throughout culture, including one of my favorite bits from Abbott Elementary, where Quinta Brunson's over-achieving teacher is far too excited to spot the typing icon in a school crowd. I was reminded of my own childhood experience with Mavis Beacon Teaches Typing, spending free periods at school and idle time at home trying to get my typing speed up. By middle school, typing felt as natural as breathing. And yes, I would also have freaked out if I saw the real Beacon in person.

While the documentary doesn't seem out of place at Sundance, which is known for innovative projects, it also sometimes feels like a piece of experimental media meant for YouTube or an art show filled with impossibly cool twenty-somethings. (At one point, Ross attends a farewell ceremony for one of her friends' dead laptops, which was hosted in an art space filled with people dressed in white. That's the sort of hip weirdness that will either turn you off of this film, or endear you to it more.)

Jones shows us screen recordings of her own desktop, where she may be watching a TikTok alongside her notes. Instead of a full-screen video chat with another person, sometimes we just see a FaceTime window (and occasionally that reflects Jones' own image looking at the screen). Finding Mavis Beacon tells its story in a way that digital natives will find natural, without locking itself exclusively into screens like the film Searching.

As is true for many first features, the film could use some narrative tightening. Jones and Ross's investigation stalls at several points, and we're often just left adrift as they ponder their next steps. The pair also occasionally appear too close to the story, or at least, that's how it seems when we see Jones tearing up while pleading to meet with L'Esperance.

But I'd argue that's also part of the charm of Seeking Mavis Beacon. Jones and Ross aren't some true crime podcast hosts looking to create content out of controversy. They're young women who found comfort in one of the few faces in tech that looked like them. With this film, Jones and Ross could be similarly inspirational for a new generation of underrepresented techies.

Instagram is testing yet another feature meant to give users an alternative to finstas. It’s called “flipside” and it allows people to create a secondary photo grid that only designated friends can see.

If that sounds somewhat familiar it’s probably because Instagram already makes it pretty easy for users to create posts intended for a more limited audience. The app added the ability for users to share grid posts with “close friends” back in November (Stories for close friends has been a thing since 2018). More recently, it tested audience lists for Stories, so users could create multiple lists for small-group sharing. The app, of course, also makes it fairly easy to create an actual finsta.

Flipside, somewhat confusingly, offers yet another way of doing essentially the same thing. Users create a separate list of friends, distinct from “close friends,” to add to their “flipside.” They can then choose to post to their main grid or to their “flipside,” which is also accessible from their profile but only visible to the aforementioned list of friends. People will know if they have access to someone’s flipside if they see a key icon in someone’s grid, according to screenshots shared on Threads. (You can see a video of it in action over on Threads.)

Apparently, even Instagram head Adam Mosseri realizes this is all a bit redundant. “On one hand it feels good to create a clear space that feels more private,” he wrote in a post on Threads. “On the other, it's yet another way to reach a smaller audience on top of secondary accounts and Close Friends.”

He added that “we're not even sure we'll launch it,” which might explain why the company has been relatively quiet about the test. Flipside was first spotted back in December but was an internal prototype at the time, according to TechCrunch. However, it's now started to appear for actual users, with a number of reports of it appearing on Threads over the last day.

Early reactions seem to be mixed, with some enthusiasm for the update and some wondering why on earth they need yet another social media profile to maintain. Others seem to be, understandably, confused.

While finstas have (sometimes hilariously) been maligned, Meta’s recent obsession with creating “more private” spaces on Instagram is likely about more than simply adding convenience. Mosseri has noted many times over the last couple years that Instagram users simply aren’t posting as much as they used to, especially in their feeds. For an app that relies on advertising — much of it in users’ feeds — that’s less than ideal. So it’s not all that surprising Instagram would be looking for new ways to get people to spend more time posting to and scrolling their feeds.