Apple’s new plan to give a higher cut of royalties to artists who offer spatial audio has pissed off some indie labels, who argue it will take potential earnings away from them in favor of companies with more resources at their disposal, according to a report from the Financial Times. Apple last month started offering 10 percent higher royalties to artists who release spatial audio tracks on Apple Music. But, this comes out of the same fixed pool of money also used to pay artists who do not offer the format.

Spatial audio is produced using Dolby Atmos technology and, according to executives who spoke with FT, costs roughly $1,000 more per song. A whole album would cost about 10 times as much — now multiply that to account for the hundreds or thousands of albums a label may have in its back catalog. The Financial Times spoke with executives from Beggars Group, Secretly and Partisan Records, which house labels representing artists including Vampire Weekend, Phoebe Bridgers and others.

One executive told FT, “If [this policy] takes between 5 and 10 percent off of your global revenues, and not even because the songs aren’t performing but because you lose that money and it goes to Universal, the biggest player in the market, we’re definitely concerned. It’s hard enough to make money off of streaming.” They plan to take it up with Apple in hopes of working out a better deal.

It’s been 20 years since Mark Zuckerberg first brought thefacebook.com online from his dorm room. What happened next has been endlessly documented: the Harvard-only social network took over college campuses and, eventually, the world.

The social network occupies an increasingly awkward space in Meta’s “family” of apps. A majority of American adults still use the service, but three out of four believe Facebook — perhaps because it fueled a global misinformation crises and promoted genocidal hate speech — is “making society worse.” Facebook still generates billions of dollars in ad revenue for Meta, but user growth has slowed to the point where the company just announced it will no longer share how many people use it.

“Amen spam” regularly appears in Facebook’s list of most-viewed posts. The most prolific users on its game-streaming service are spammers. Faced with increased pressure from TikTok, Meta rejiggered its feed, yet again, to emphasize recommendations over posts from people you know. But the shift hasn’t made Facebook feel like TikTok as much as a strange window into what Meta’s algorithms deem most engaging and least offensive.

My own Facebook feed is inundated with posts from groups I don’t belong to dedicated to anodyne topics like home remodeling, cast iron pan enthusiasts and something called the “Dull Men’s Club.” I haven’t shared anything to my own page in more than a year, despite logging in almost daily. I’m hardly an outlier. A majority of adults now say they are “pickier” than they used to be about what they post on social media.

Unsurprisingly, teens have almost no interest in the social network of their parents and grandparents. Just 33 percent of US teens report “ever” using the service, compared with 71 percent in 2015. These dynamics, in which Facebook’s user base is aging faster than its product, has led some academics to conclude that the social network will one day have more profiles for dead people than alive.

Today, Facebook has more than 3 billion users and remains the workhorse of the Mark Zuckerberg cinematic universe, even if it's no longer the title character. Instead, it’s just one of his company’s “family” of apps. In 2021, it was formally demoted when Zuckerberg rebranded the company as Meta. "Our brand is so tightly linked to one product that it can't possibly represent everything that we're doing today, let alone in the future," Zuckerberg said of Facebook. "From now on, we're going to be metaverse-first, not Facebook-first."

Whether Meta has succeeded in becoming a “metaverse-first” company is, at best, debatable. But few would argue it’s anything close to “Facebook-first.” More recently, Zuckerberg has tried to pitch Meta as a metaverse company and an AI company, joining the race to create human-level superintelligence.

At the same time, the only reason Zuckerberg’s ambitions are even possible is because of Facebook’s success. Meta has lost tens of billions of dollars on its metaverse investments, and expects to lose even more for the foreseeable future. The company also plans to spend billions more on AI infrastructure (AGI doesn’t come cheap).

These investments will determine whether Zuckerberg’s bet on the future of social media is correct. And if he realizes his vision for an AI chatbot, metaverse-enabled future, it will have been possible largely because of the unparalleled financial success of the oldest and dullest part of his empire.

Following failed negotiations with TikTok, Universal music has come good on its threat to pull music from the social media platform. That means no more TayTay, no more Drake and no more... all the other artists that fall under its corporate umbrella. Elsewhere, the CEOs of the world's most influential social media platforms got an (at times) genuine grilling from the US Senate. While a few senators managed to come across as, once again, out of touch and out of their depth. X boss Linda Yaccarino might have said the most bizarre thing, stating that the once-Twitter social network was a "brand new company," and that it was looking into parental controls. Twitter was founded in 2006, Linda. 

This week:

🧠💻 Neuralink’s brain chip has been implanted in a human, Elon Musk says

🤑🎸 Universal Music threatens to pull songs from TikTok over payment terms

📱📲 Galaxy S24 Ultra review: Samsung’s AI reinforcements have arrived

Read this:

As mentioned, the CEOs of Meta, Snap, Discord, X and TikTok testified at a high-stakes Senate Judiciary Committee hearing on child exploitation online. Mark Zuckerberg, Evan Spiegel, Jason Citron, Linda Yaccarino, and Shou Chew spent nearly four hours being grilled by lawmakers, but we've managed to condense the main points and the social media executives' responses to them. 

The hearing was the first time Spiegel, Citron and Yaccarino testified to Congress. Notably, according to lawmakers, all three were subpoenaed by the committee after refusing to appear voluntarily. Judiciary Committee Chair Senator Dick Durbin noted that Citron “only accepted services of his subpoena after US Marshals were sent to Discord’s headquarters at taxpayers’ expense.”

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AI-generated voices mimicking celebrities and politicians are making it harder for the Federal Communications Commission (FCC) to fight robocalls. FCC chair Jessica Rosenworcel wants the commission to recognize calls that use AI-generated voices as artificial, making the use of voice cloning technologies in robocalls illegal.

Under the FCC’s Telephone Consumer Protection Act (TCPA), artificial voice or recording calls to residences are against the law. If AI-generated voice calls are recognized as illegal under the existing law, it’ll give state attorneys general offices nationwide “new tools” to crack down on scammers.

The FCC’s proposal comes shortly after some New Hampshire residents received a call impersonating President Joe Biden, telling them not to vote in their state’s primary. A security firm performed a thorough analysis of the call and determined it was created using AI tools by a startup called ElevenLabs. The company subsequently banned the account responsible for the message.

— Mat Smith

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The biggest stories you might have missed

Snap is recalling its Pixy drone after battery fire

Google reveals another text-to-image generative AI tool, ImageFX

Niantic is bringing an AR skateboarding game to Apple Vision Pro

Meta Quest headsets get spatial video playback, just in time for the Apple Vision Pro launch

Hulu is the latest streaming service to crack down on password sharing

Elgato introduces its first-ever HDMI 2.1 capture cards

Comcast agrees to kill misleading 10G branding

Because Comcast’s internet isn’t that much faster than rivals.

Comcast is discontinuing its Xfinity 10G Network branding to describe its internet service after a National Advertising Review Board (NARB) panel found the term could mislead consumers into thinking that Comcast’s cellular and broadband services would offer much faster speeds than current-generation networks.

Continue reading.

Google tests generative AI tools in Maps

Bots to help you get there.

Google is adding generative AI to Maps. The feature’s in early access and only available in certain areas and for select Local Guides members. It allows you to speak to the app using natural language to discover new places. Ask the app what you’re looking for, like a specific kind of restaurant, and the company’s large-language models will analyze information from all of its listings, along with insights from community members.

The recommendation engine will also recall what you’ve asked in the past, hopefully honing future suggestions.

Continue reading.

Taylor Swift and other Universal Music tracks are disappearing from TikTok

The company made good on its promise following a breakdown in negotiations.

Evan Agostini

After threatening to do so earlier this week, Universal Music Group (UMG) is pulling the catalogs of performers it represents, including Taylor Swift, Drake, Billie Eilish, The Weeknd and others. There are no longer tracks listed in the profiles of some of the world’s most notable artists, and any UMG music featured in TikTok videos will be muted going forward. Universal had previously said TikTok wanted to pay a “fraction” of the rate paid by other social media sites.

Continue reading.

Meta’s Reality Labs has its best quarter ever, making a $4 billion loss

You read that right.

JOSH EDELSON via Getty Images

This is the perfect picture for this story. Reality Labs, Meta’s division for AR, VR and the metaverse, generated more than $1 billion in revenue during the final quarter of 2023, thanks to its Quest headsets and the Ray-Ban Meta smart glasses. The division, however, still lost $4.6 billion in the quarter and more than $16 billion in 2023. Legs are expensive.

Continue reading.

One of Google Search's oldest and best-known features, cache links, are being retired, Google's search liaison said in an X post seen by The Verge. Best known by the "Cached" button, those are a snapshot of a web page the last time Google indexed it. However, according to Google, they're no longer required. 

"It was meant for helping people access pages when way back, you often couldn’t depend on a page loading,” Google's Danny Sullivan wrote in the post. “These days, things have greatly improved. So, it was decided to retire it.

Nowadays, however, the feature is used for more than just a web page backup. Many people rely on it to check to validity of a site, and SEO managers can employ the feature to check their pages for errors. Many users, particularly news professionals, use the cache to see if a website has recently been updated, with information added or removed. And sometimes, a cache can let you check a site that's geoblocked in your region. 

Previously, clicking on the three-dot menu next to a result would open an "about this result" dialog with the Cached button at bottom right. Now, however, it opens a much larger menu showing a website's "about" page, a Wikipedia descrtipoin, privacy settings and more. The cached button is now nowhere to be seen.

None of the comments in Sullivan's replies were positive, with one SEO user saying "come on, why delete the function? It's really helpful for all SEO." Sullivan did say that Google may one day add links to the Internet Archive where the cache link button used to be, within About This Result. 

However, that sounds like it's far from a done deal, and would shift a massive amount of traffic over to the Internet Archive. "No promises. We have to talk to them, see how it all might go — involves people well beyond me. But I think it would be nice all around," he wrote. 

YouTube has hit a new milestone with its Music and Premium offerings. The paid services have more than 100 million users between them as of January, including those who were on a free trial. That's an increase of 20 million members in just over a year, and the figure has doubled since September 2021. YouTube has successfully grown the figures despite a $2 per month increase for Premium that came into force last summer.

It's unclear how many people are actually using YouTube Music (Premium includes access to that service). However you slice it, the music streaming service has significantly fewer paid users than Spotify, which had 220 million Premium members as of September 30. Spotify will reveal its latest membership numbers in an earnings report next week. Apple no longer breaks out its number of Apple Music subscribers. The last firm number the company gave for the service was 60 million subscribers back in 2019.

Regardless, the comparison between YouTube's paid service and Apple Music and Spotify Premium is hardly like-for-like. YouTube Premium is its own thing with its own benefits. It can be tough to go back to the lousier ad-strewn free version of the service after having Premium. The option to download videos for offline viewing without having to resort to workarounds and background playback feature are both very useful. YouTube Music is just an extra perk on top of that for many members.

Amazon launched a new generative AI shopping assistant, Rufus, on Thursday. The chatbot is trained on Amazon’s product catalog, customer reviews, community Q&As and “information from across the web.”

The company views the assistant as customers’ one-stop shop for all their shopping needs. Rufus can answer questions like, “What to consider when buying running shoes?” and display comparisons for things such as, “What are the differences between trail and road running shoes?” It can also respond to follow-up questions like, “Are these durable?”

Amazon suggests asking Rufus general advice about product categories, such as things to look for when shopping for headphones. It can provide contextual advice as well, lending insight into products based on specific activities, events or specific cases. Other examples include asking it to compare product categories (“What’s the difference between lip gloss and lip oil?” or “Compare drip to pour-over coffee makers”). In addition, it can recommend gifts for people with particular tastes or shopping recommendations for holidays.

Amazon said in 2023 every division in its company was working on generative AI. It’s since launched AI-powered review summaries, and it began encouraging sellers to make AI listings and image backgrounds for their products.

Rufus is launching in beta today to only “a small subset of customers” in the Amazon mobile app. But it says the assistant will continue rolling out to US customers “in the coming weeks.

Developing...

The rumors were true: a remake of Until Dawn is coming to PlayStation 5 and PC later this year. As revealed during the latest State of Play showcase, the upgraded version of the interactive horror game is being built in Unreal Engine 5 and it will have several new bells and whistles.

You'll be able to experience the action from a third-person perspective for the first time. Ballistic Moon, which is handling the remake in the stead of original developer Supermassive Games, is expanding the color palette to make it more cinematic and bringing in contextual character movement animations.

There's also a new score from horror composer Mark Korven (The Witch), while the characters, visual effects and environments are all getting upgrades. "We’ve endeavored to keep the fantastic narrative integratory of the original, but we have seized the opportunity to expand upon unexplored emotional parts of the story," Ballistic Moon creative director Neil McEwan wrote on the PlayStation Blog.

The remake should arrive before the movie adaptation of Until Dawn that was announced in January. Unless the cast members all reprise their roles, the new version of the game will likely have bragging rights in at least one respect: the presence of a bonafide Academy Award winner in the form of Rami Malek.

The days of sharing a Hulu account with friends and family are numbered. Like Netflix and sibling service Disney+ before it, Hulu is clamping down on password sharing outside the account holder's "primary personal residence" per an updated subscriber agreement. That is unless the practice is "permitted by your service tier," indicating that users may be able to pay extra to share their membership outside of their household.

Hulu has started telling users that they'll need to comply with the new rules by March 14, as The Verge reports. The service has been informing subscribers in emails that it's "adding limitations on sharing your account outside of your household," but it's unclear exactly how Hulu plans to track that.

Netflix was the first major streaming service to crack down on password sharing and, as a result, it has seen an uptick in subscriber numbers. Disney+ followed suit later last year and, given that Disney will soon own all of Hulu, it's little surprise that the latter is going in the same direction.

After threatening to do so earlier this week, Universal Music Group (UMG) has started pulling the catalogs of performers it represents including Taylor Swift, Drake, Billie Eilish, The Weeknd and others. There are no longer tracks listed in profiles of some of the world's most notable artists.

Moreover, UMG music featured in TikTok videos will be muted going forward, forcing creators to replace the tracks with options from other music labels. That won’t be easy for many of them, considering the huge number of lip-sync videos that litter the social network.

It’s a drastic move on Universal’s part, given that TikTok is a valuable marketing platform for its artists. However, UMG also has a fair amount of leverage, given that it’s the largest record label in the world with some of the most popular artists. Either way, it’s a blow for both creators and users of the platform.

Universal had previously stated that TikTok wanted to pay a "fraction" of the rate paid by other social media sites: "As our negotiations continued, TikTok attempted to bully us into accepting a deal worth less than the previous deal, far less than fair market value and not reflective of their exponential growth."

In response, TikTok said that it serves as a valuable marketing tool for artists and publishers. "Despite Universal's false narrative and rhetoric, the fact is they have chosen to walk away from the powerful support of a platform with well over a billion users that serves as a free promotional and discovery vehicle for their talent."