Google’s big developer conference had a lot to get through. That included the Pixel Fold (more on that below), a new Pixel A-series phone for only $500, a tablet, Android 14, a faster, more sophisticated AI language model, and lots more tricks for AI chatbot Bard. Coming soon, Bard will be able to analyze images and integrate into Google apps, like Gmail and GDocs. And if you haven’t dabbled with Bard yet – no more waiting list.

Google

And while Google had media and analysts captive, it showed off its holographic meeting experience, Project Starline, two years after it first appeared. Google did not allow Engadget to take pictures or video of the setup – it’s difficult to capture holographs on camera anyway – but our impressions were of an uncanny experience. The prototype uses a light-field display that looked like a mesh window, with multiple cameras to get the visual data to generate the 3D model of the caller. It’s not perfect, but then the system is busy. Sound and images are broadcast to the cloud over WiFi, creating a 3D model of both callers, then sending it down to the light display.

The pitch may be the most realistic, detailed teleconferencing experience, but the tech is still far away from our homes and offices. And Google does like to kill its darlings when things aren’t working out. Will Project Starline survive?

– Mat Smith

The Morning After isn’t just a newsletter – it’s also a daily podcast. Get our daily audio briefings, Monday through Friday, by subscribing right here.

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Google Pixel Fold vs. Samsung Galaxy Z Fold 4: Battle of the foldable

Google Pixel Fold hands-on: A real rival for Samsung

Its first foldable phone is here. And expensive.

Engadget

While the $1,799 Pixel Fold is more expensive than reports suggested, its hardware is mostly what we expected. It sports a 5.8-inch external display and a wide 7.6-inch internal screen when it's opened. It has a new 9.5-megapixel external camera and an 8MP internal shooter, and its rear setup features a 48-megapixel main camera, a 10.8MP ultra-wide and a 10.8MP telephoto camera with 5X optical zoom. In a lot of ways, the Pixel Fold is like last year’s flagship Pixel 7 Pro, but foldable, with the same Tensor G2 processor.

Google apparently had to redesign a lot of components to make it into what is a pretty slender widescreen foldable. We got to see one in person (because we’re Engadget), and the screen has a wider aspect ratio than Samsung’s Galaxy Z Fold series. The bezels are… chunkier too, but that hasn’t put us off too much. The company hasn’t confirmed a shipping date, but it’ll be "sometime next month." It’s offering pre-orders for the foldable if you’re already sold on the concept.

Continue reading.

Google Pixel Tablet hands-on

A $500 smart display with a detachable screen

Though it was initially teased at last year’s Google I/O, the Pixel Tablet is finally ready for purchase. You can now pre-order it for $499, and that includes the speaker base. The Pixel Tablet will likely spend most of its time in your home as a smart display, and you can buy additional docks for $120 each, so you can have stations in multiple rooms to feel like a millionaire.

The company doesn’t want you to think of this as a standalone $370 tablet. With an 11-inch screen, a rounded-rectangle shape and a mesh fabric covering the speaker base, the Pixel Tablet looks incredibly similar to the Nest Hub Max. When the tablet is docked, you can use it as an additional screen and Chromecast to it. Google said this is the first tablet with Chromecast built in, but to be clear, the feature is only available when the device is docked and in Hub Mode, not as a standalone slate.

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Scammers used AI-generated Frank Ocean songs to steal thousands of dollars

It follows the fake Drake and The Weeknd song that circulated last month.

Mario Anzuoni / reuters

More AI-generated music mimicking a famous artist has made the rounds — while making lots of money for the scammer passing it off as genuine. A collection of fake Frank Ocean songs sold for a reported $13,000 CAD ($9,722 in US dollars) last month on a music-leaking forum devoted to the Grammy-winning singer, according to Vice. The fact Ocean hasn’t released a new album since 2016 and recently teased an upcoming follow-up to Blond may have added to the eagerness to believe the songs were real.

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Vast and SpaceX plan to launch the first commercial space station in 2025

The duo will have to compete with Blue Origin and other big rivals.

Another company wants to launch the first commercial space station. Vast is partnering with SpaceX to launch its Haven-1 station as soon as August 2025. A Falcon 9 rocket will carry the platform to low Earth orbit, with a follow-up Vast-1 mission using Crew Dragon to bring four people to Haven-1 for up to 30 days. Vast is taking bookings for crew wanting to participate in scientific or philanthropic work. It’ll be racing against Jeff Bezos' Blue Origin, which doesn't expect to launch its Orbital Reef until the second half of the decade. Voyager, Lockheed Martin and Nanoracks don't expect to operate their Starlab facility before 2027.

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Google Pixel 7a review

It’s got everything you need and more for just $499.

Engadget

So maybe we had one piece of Google hardware a little early. With the Pixel 7a, Google seems to have nailed the balance between price and performance. We’re talking a Tensor G2 chip, a 90 Hz display, wireless charging and a higher-res rear cam, all starting at just $499. And when you factor in its design, the Pixel 7a delivers everything I like about the regular Pixel 7 for $100 less. I’ll say this: If you’ve got family members musing on buying a new Android phone, save yourself a headache and recommend the Pixel 7a. 

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The original HomePod arrived in 2018 and was discontinued in favor of the $99 HomePod Mini in 2021, but Apple brought it back earlier this year as a second generation model with upgraded audio and new smart home tools. Now, it's on sale for the first time at B&H Photo Video for $279 in white and $289 in black via an instant rebate, saving you $20 and $10 respectively. 

The design of the second-generation model is much the same, apart from details like the slightly recessed touch panel, a detachable power cord and a slightly shorter profile. Inside, though, there are a host of changes. Apple reduced the number of tweeters from seven to five, angling them slightly upward instead of side-firing as before. The number of voice microphones was reduced from six down to four and, most importantly, Apple swapped the iPhone 6’s A8 chip for the much more modern S7.

The new model cures one of our biggest gripes with the original HomePod, namely Siri's limited abilities. Now, it can recognize multiple users, create recurring home automations without an iPhone and play music from voice commands via services like Deezer and Pandora and not just Apple Music. Most importantly, performance and responsiveness is much improved.

Sound quality is outstanding, with excellent clarity, though bass can occasionally be too subdued for certain types of music. It works especially well as a stereo pair, something that's easy to set up via the app. It can also be set up for use with Apple TV and has especially good voice clarity. The best part, though, is the reduced price compared to the previous model, and B&H Photo Video's discount of up to $20 makes it a particularly good buy — just be sure to act by midnight ET on May 14th. 

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It’s been ten years since Fairphone launched with the laudable goal of making a better phone than its competitors. Not better in the spec-list sense, but by building it with greener materials and ensuring that they are easily and comprehensively repairable. More importantly, the company has sought to improve the working conditions of the people building the devices in the first place. That’s by paying fairer wages or offering workplace training and other benefits that major manufacturers might be unwilling to do. All the while attempting to produce gear that can at least stand proud alongside brand-name devices costing two or three times as much.

Now, Fairphone is launching its first pair of over-ear headphones, Fairbuds XL, with the same focus on utility and repairability. The company says they’re the “most sustainable headphones on the market,” with almost all of the parts user-replaceable and available to buy. They can’t just be repairable and last a long while, however, they also have to sound good enough that you’ll genuinely want to use these over what else is in the market. Specs-wise, you won’t just get the basics, but active noise cancellation (ANC), multiple audio modes, two-point Bluetooth connection and a two-year warranty that’s likely to include hardware support for a lot longer.

The Fairbuds XL are available either in speckled black or speckled green. I was loaned the green model for two weeks, and while the black looks like every other dull-ass pair of cans on the market, the green is utterly gorgeous. I love the orange contrast cabling and the lovely pop of copper on the four-way joystick, and enjoyed walking around in public with these on.

The design, with its visible wire connections and fold-in arms, is a generation or two behind the cutting edge. You know, your Sony XM5s and B&W Px7s and Bose QC45s, with hidden wires, hinged earcups and an overall more elegant setup. I don’t think it’s an issue unless you’re suffering from a serious case of status anxiety, but if you are, you’re probably not thinking about buying these.

As for the hardware, there’s the aforementioned four-way joystick, a dedicated ANC lozenge button and a USB-C port, and that’s it. This minimalism carries across to what else is in the box: A recycled polyester / nylon carry bag and a little paper manual. There’s no USB-C charging cable, audio adapter or anything else, since Fairphone assumes you already have this stuff, or can just as easily buy it from its store.

Daniel Cooper / Engadget

Fairbuds XL comes with 40mm dynamic drivers, Active Noise Cancellation (ANC) and an Ambient Sound Mode. It has an 800mAh battery which the company says will last for 26 hours with ANC or for more than 30 hours with it switched off. You’ll get around 320 hours of standby time and, once that’s exhausted, charging from cold is pegged at three hours. Supporting Bluetooth 5.1, Fairbuds XL offers dual-point connectivity, letting you hook up and switch between two paired devices. This switching was mostly reliable, although I found there were some device combinations – like an Android smartphone and my mac OS laptop, that it simply refused to play nicely with. Weighing 330 grams (11.6oz), the cans don’t outstay their welcome on your head, or your ears. The earcups are soft enough that I’m not forced to take them off because they’re uncomfortable.

Inside, those 40mm diameter drivers have a frequency response running from 20Hz to 20KHz. That puts it in the same bracket as a number of low and mid-budget sets on the market, of which this probably sits at the higher end, price-wise. Since it lacks any real background in sound, Fairphone sought out help from Sonarworks, a sound calibration company that works with a number of pro audio companies and artists. Its SoundID software will let users calibrate their audio profile to tweak how sound comes out of their headphones for a more personalized experience.

Now on the whole, I do rather like the sound that comes out of the Fairbuds XL. I’m not a massive fan of some of the genres which modern audio tests calibrate for, preferring instead something calmer, cleaner and more atmospheric. One thing I’ve always used to test a headphone’s quality is to see how well you can hear the breaths of the horn players during Finale from the Tron Legacy soundtrack, which are really clear here. Or how alive Max Haymer’s piano feels when playing his jazz reworking of Optimistic that you think you’re in the room. London Grammar’s Stay Awake feels urgent, more meaningful here than in some headphones I’ve tried.

The ANC, meanwhile, was very reliable at drowning out a lot of the ambient noise in my office, inside and out. It totally eliminated the sound of my own typing, the sound of a vacuum cleaner, the building work a nearby neighbor was doing and a crying baby out in public. The one time I had an issue with it was taking a stroll around my local area and getting a face full of wind, but there’s no strong wind setting in the mobile companion app like you’ll find on other products.

In order to offer a greater level of customization, Fairphone is also launching a Fairbuds App for iOS and Android. This will allow you to change the EQ presents – tuned by Sonarworks – for a similar level of tweaking as you could find in SoundID. The app also offers the usual bunch of guides, tutorials and access to customer service, as well as the promise of future software updates. You’ll also be able to order replacement parts directly from the app, which should help prompt you to seek out a fix if things start to go wrong.

There are four sound profiles: Amsterdam (standard), Copenhagen (more treble), Tokyo (more bass) and Boston (heavy bass). I’ll be honest, I found that only really Amsterdam and Boston offered much real difference, and even then, the changes weren’t massive. In fact, I’d say that I’d opt for Amsterdam over Boston even if I was listening to something pretty bassy like Low’s More, with its wonderfully teeth-rattling glitchcore overdriven bass. Suffice to say, I feel like the sound profiles need to be more distinct here, but it’s something that Fairphone should be able to improve upon in the coming months.

Daniel Cooper / Engadget

Of course, Fairphone’s obligation stretches beyond the idea of simply making the hardware modular and repairable. The company says Fairbuds XL uses 100 percent recycled aluminum, 100 percent recycled tin in its solder paste and 80 percent recycled plastic. It added that it has integrated Fairtrade Gold into its supply chain, and uses 100 vegan leather for both the ear cushions and headband.

In terms of working conditions for the people who made them, the company will pay 0.55 USD per headphone made to “fill the living wage gap of production line workers.” And that it is “working with the supplier on improving working conditions based on workers’ needs.” It will also back carbon-reduction projects to help reduce CO2 emissions to ensure the headphones are essentially climate-neutral.

These are all laudable, but even Fairphone serially admits that the effort it makes can only make a small difference in the grand scheme of things. Its work is limited both by its size and relatively small market share, which means that it can’t do everything that it would like to. As much as it can say it’s producing the fairest device on the market, it can’t claim ownership of a halo that it doesn’t deserve. The best it can hope for, however, is to try and push the technology world toward approaching a more sustainable approach for its products.

(This is a good moment to share a gripe about the company’s True Wireless Earbuds, which it launched alongside the Fairphone 4. These are made with fair and recycled materials, and were dubbed as “e-waste neutral,” but weren’t modular or repairable. Given most TWS earbuds have sealed-in batteries, they become effectively unsalvageable when they break. Fairphone offered replacement cases, tips and buds, but it seemed to join the tide as opposed to swimming against it. With the Fairbuds XL, the focus has moved back toward an audio product that sails closer to Fairphone’s true ethos)

Fairphone’s overall ethos is that its products are – with the above exception – user-repairable, and easy enough that anyone should be able to take them apart and keep them going for years to come. The company has already shared a list of parts you can buy from its online store, which includes a new battery, left and right speaker modules, headband assembly and cover, as well as the ear cushions. Prices range from €19.95 (around $22) for the battery all the way to €79.95 (around $88) for a new speaker module, which connects to the setup with an integrated USB-C cable.

As for the ANC selection button, four-way joystick and the specific PCBs inside the earcups, those can be repaired, but right now, only at the company’s repair center. This, to me, seems pretty fair, since users probably won’t be comfortable taking a soldering iron to their cans. The deal is that you can swap in modules to keep this thing going for as long as possible, but if you want to keep it going with completely-original parts, you’ll need more expert help.

Fairphone customarily ships out its loan units for review with an iFixit #00-size Phillips-head screwdriver in the package. This is because it wants reviewers, and by extension potential buyers, to know how easy it is to take apart its products and put them back together. Imagine if Apple, Samsung, John Deere or any of the other companies that are regularly behind anti right to repair legislation had a similar attitude. As usual, I didn’t start disassembling the Fairbuds XL until I’d spent enough time listening to them, just in case something broke, but I needn't have worried.

The easiest repair to make is swapping out the battery, which requires you to pop off the outside cap on the left earcup. If you’ve got strong fingernails, you can lever out the battery and swap in a replacement in half a minute if you’re on the slow side. Removing the ear cushions to replace them is similarly a matter of just twisting them a quarter-turn to unlock them from their mounts. This is easy stuff, which makes it all the more frustrating that most companies won’t let users make these sort of common repairs.

Feeling braver, I then opted to detach the speaker modules from the headband in their entirety to mimic the process of replacing one. You just need to pop out the battery, twist off the ear cushions and then you can slide out the USB-C cable sticking up top. After that, you need to unscrew just two small screws which hold the whole assembly to the headband. The process took all of two minutes, and that was probably because I was going slow to avoid messing up.

Fundamentally, the Fairbuds XL follow through on the usual Fairphone promise of a modular, almost infinitely-repairable device. It has many of the necessary fundamentals to make them a worthwhile purchase for many people, including good ANC, long life and a comfortable design. What it lacks, for now, is a certain dynamism in its sound profiles that would give users more choice in how tunes are presented. Thankfully, that’s something that could be fixed in a later update, which is something that Fairphone has historically been very good at doing. In fact, if you’re happy with very good sound, and want to help make the world a slightly better place in doing so, then I’d say these are a very solid bet.

The name is a bit silly, however.

Fairbuds XL will be available to buy in Europe from tomorrow, May 11th 2023, on Fairphone’s website, priced at €249 (around $275).

Cruise's robotaxis are continuing their push across the Lone Star State. The self-driving car company has announced it plans to begin supervised testing in two more Texan cities, Houston and Dallas, joining its earlier move into Austin (yes, the home of still robotaxi-less Tesla). For now, the expansion is focused on familiarizing the car with the areas, rather than picking up passengers. Residents of the two cities can expect to start seeing Cruise's robotaxis cruising down the streets with a safety driver inside.

In a tweet sharing the news, Cruise said supervised testing in Houston should start in a matter of days while Dallas will be "shortly thereafter." Cruise's robotaxis are already available on a limited basis overnight in Austin and Phoenix and all day in certain areas of San Francisco. 

The speed General Motors-owned Cruise is advancing has brought some concerns. In January, San Francisco's Transportation Authority asked regulators to limit or temporarily pause Cruise and competitor Waymo's expansion, citing repeated cases of their cars inexplicably stopping in traffic and blocking emergency vehicles. As of yet, things have done anything but slow down. Since the request, Cruise celebrated one million fully driverless miles on top of making its robotaxis available at all times in San Francisco — though full access is only for employees.

Right now, there's no set date for when the public will have access to rides in Houston or Dallas. Going off the timeline of other Cruise expansions, it will likely take at least a few months until anyone can hail a self-driving car in either city. Even then, it will probably start with a small group of people and only at night. Anyone interested in taking one of Cruise's robotaxis has to sign up for a waiting list and be accepted to create an account. The company says its limited available cars will keep its services invite-only for the time being.

Google's excellent Pixel 7a just hit the market for an already solid price of $499, but you can now save more thanks to a deal at Amazon. If you order now, you get a free $50 Amazon gift card that can be used for other purchases, effectively bringing the price down to $449 if you plan to order other things from Amazon. 

The Pixel 7a not only received praise in our Engadget review, but instantly became the best midrange Android smartphone in our latest roundup. Google has nailed the balance between price and performance, offering the same Tensor G2 chip as the Pixel 7, along with a 90Hz display, wireless charging and a higher-resolution rear camera. 

The two big changes over the Pixel 6a are a new high-res 64-MP main cam in back, along with a front 13-MP selfie camera can record videos in 4K. The Pixel 7a beats other smartphone cameras in its price range so handily for photography and video that it actually needs to be compared to flagship devices like the Pixel 7 Pro and Samsung's S23 Ultra. 

The extra resolution goes a long way to eliminating any concerns about the lack of a telephoto, as you can zoom in four times and still get a 16-megapixel image. And Google's Night Sight mode remains the best in the business, even though it does add a little more noise than we expected. 

In sum, the Pixel 7a delivers 95 percent of what you get from the regular Pixel 7, but for $100 less. The deal gives you a $50 Amazon card on top of that, which could be spent on accessories like a protective case. More importantly, you get a rare thing — a deal on a Google Pixel phone that just entered the market. 

A "one-app experience" that combines Disney+ and Hulu content will launch in late 2023, Disney CEO Bob Iger has announced during the company's latest earnings call. He said the company will continue offering Disney+, Hulu and ESPN+ as standalone options, but combining services "is a logical progression" of its direct-to-consumer offerings "that will provide greater opportunities for advertisers, while giving bundle subscribers access to more robust and streamlined content..."

Since Comcast still owns 33 percent of Hulu, this announcement suggests that Disney could be thinking of buying the cable TV and media company's stake. Iger didn't elaborate on the company's plans, though, and only said that Disney has had "constructive" talks with Comcast about the future of Hulu. 

In addition to announcing the combined streaming app, Iger has also revealed that Disney+ is getting another price increase after adding $3 on top of its ad-free streaming tier's monthly fee in December. He didn't say when the company is raising the service's prices, but when it does, the ad-free and ad-supported tiers will cost more than $11 and $8, respectively. 

While Disney reported (PDF) a 26 percent decrease in operating losses for its streaming business, a $659 million loss is still massive. The price hike's announcement didn't come out of nowhere, seeing as the company promised investors that the business will be profitable by the end of the 2024 fiscal year. The question is whether the combined Disney+ and Hulu app could convince new users to pay for a subscription — or for old subscribers to come back. Disney+ lost 4 million subscribers in the first quarter of 2023 after shedding 2.4 million users in the previous quarter.

Yes, Sony is still making smartphones, and its latest is the flagship Xperia 1 V designed for both photographers and vloggers. It features a new stacked, backside-illuminated (BSI) sensor along with features aimed at content creators found in its Alpha-series cameras. 

The Xperia 1 V has a new image sensor called "Exmor T for Mobile" designed to be faster and work better with computational (AI) photography, while offering "approximately double" the low-light performance of the Xperia 1 IV, Sony said. As you'd expect in a flagship, it offers other high-end features like a Snapdragon 8 Gen2 Mobile Platform, a 6.5-inch 4K 120Hz OLED HDR display, a 5,000 mAh battery that allows for up to 20 hours of continuous 4K playback, up to 12GB of RAM and more.

With that, Sony is promising "best in class" gaming performance, thanks to a Game Enhancer function that provides visual and auditory support. It also lets players livestream their gaming directly to YouTube. 

The key feature is clearly the camera system, though. The main 24mm f/1.9 equivalent 52-megapixel camera features a Type 1/1.35-inch (about 12mm diagonally) Exmor T sensor that's 1.7 times larger than the Xperia 1 IV's sensor, Sony said. It also comes with an ultrawide 12-megapixel camera and an 85-125mm 12-megapixel optical telephoto zoom, like the one on the Xperia 1 IV. The front 12-megapixel camera has a Type 1/2.9-inch sensor. 

Purists will be able to shoot video and photos using the professional modes that allow for full manual control. Chief among those is the Photography Pro mode designed for creative control. It also allows live streaming while letting creators see viewer comments in real time.

Sony

If you set it to Basic mode, though, you'll get a good dose of computational imaging seen in other Android phones. Those include a Night mode and color settings for subjects like flowers and a blue sky. It also delivers real-time eye autofocus and tracking, along with high-speed continuous shooting of up to 30 fps with auto-exposure and AF enabled. 

For vloggers and content creators, it now features the same Product Showcase setting found on Sony's vlogging cameras like the ZV-E1. The new sensor also promises improved skin tones, thanks to extra saturation available on the sensor. It also has a new voice priority mic placed near the rear camera that can pick up voices even in busy outdoor locations. 

Sony

One cool feature that might justify the price alone for many video shooters is the ability to use the phone as a monitor for select Sony Alpha cameras. The Xperia 1 IV could do that as well, but the new model offers multiple display options with waveforms, gridlines, and zebra lines normally only found on professional field monitors. You can also control settings and record content to phones, features that weren't available before. Meanwhile, the phone's microphones can capture sound while monitoring audio via the Xperia 1 V's headphone jack.

As with past Xperia models, the catch here is the price. The Xperia 1 V starts at $1,400 (in khaki green or black) with 12GB of RAM and 256GB of storage (upgradeable via an microSD slot). That's a lot of money for most smartphone users (even flagship buyers) but might make sense for content creators, avid photographers and others. 

Along with the Xperia 1 V, Sony also unveiled a far more mainstream smartphone, the Xperia 10 V. It's powered by a Snapdragon 695 chipset and offers a 6.1-inch 1080p OLED display that's 50 percent brighter than before, but only refreshes at 60Hz. The camera system features a main 48-megapixel Type-1/2.0-inch sensor with a wide lens, along with a 2x telephoto and an ultrawide. Other features include a 5,000 mAh battery and up to 6GB of RAM. It's priced at €449 in Europe, with sales set to start in June. US pricing/availability is not yet available.

Last year during Superbooth Roland unveiled the Aira Compact series – its first true competitors to Korg’s wildly successful Volca line. Now the company is back for Superbooth 2023 with a new addition to the family, the S-1 Tweak Synth. Like the T-8 and J-6, the S-1 uses Roland’s Analog Circuit Behavior (ACB) technology to recreate the sound of an iconic instrument from its past, the SH-101. While the core of the S-1 is ultimately quite familiar, in true Roland fashion there’s a lot of modern features packed in as well. And in even truer Roland fashion, many of them are buried in a bewildering array of indecipherable menus and button combinations.

I’m going to get this out of the way right now, because it’s a recurring theme in almost every review I write of a Roland product. The interface here is truly mind boggling once you get beyond the immediate hands-on controls. Almost every knob and button has at least one shift function. Many of them aren’t labeled. And the only visual feedback you’re given for anything is via a four-character, seven-segment LED display. A seven-segment LED display in 2023! I dare anyone to tell me what the hell “Nod.d” means without looking it up in the manual. And what about the D-Motion button suggests that this is where the probability and substep options are located? I’m not trying to suggest that I should be able to figure out every feature on an instrument right away without reading a manual. But I also shouldn’t feel like a lost ball in the tall weeds. Especially not when we’re talking about an entry level $200 synth.

The clunky interface here is particularly frustrating because the S-1 is otherwise kind of great. It actually has a decent amount of hands-on controls. It offers far more depth than any of the previous Aria Compact entries, even if you never touch the shift button. There’s an LFO with six different waveform options, including random. The oscillator section allows you to blend together a saw and square wave with pulse width modulation, as well as a sub oscillator and noise source. And, unlike the original SH-101 which was monophonic, the S-1 is polyphonic so you can play actual chords (up to four notes).

And the oscillators sound great. I’m not always the hugest fan of Roland’s ACB sound engine, but it shines here. Thick bass, acid leads and 16-bit JRPG arps are all easily attainable and satisfying. This is easily the best sounding member of the Aira Compact family.

The filter is excellent too. It stops just shy of self oscillation, but still gets pretty sharp and can certainly endanger your eardrums if you have your headphones up too loud. But at the lower end of the cutoff spectrum you get a surprising warmth and silkiness from this dirt cheap emulation of a classic analog circuit. 

Photo by Terrence O'Brien / Engadget

Roland even threw in a delay, seven reverbs and four chorus options. The reverbs are merely ok, but the delay is a perfectly solid digital effect. You can even set the delay time to 1/128 and crank the … Anb(?) reverb model to get howling metallic textures that are out of this world. The choruses, pulled from the Juno and JX-3P are truly excellent. It’s just a shame they’re buried in the arcane menu system because I want to turn them on for almost every patch I make.

There’s a solid arpeggiator, and you can even record directly from the arpeggiator into the 64-step sequencer. That’s pretty handy for laying down glassy high notes then going back in and overdubbing some bass to accentuate the chord changes. I will say though, I haven’t quite figured out how to get to 64 steps. By default sequences are 16 steps, there is no obvious way to go beyond that and I was not provided a manual with my review unit. 

Roland also added motion sequencing to S-1, so you can tweak settings as you’re recording to slowly increase the amount of delay over the course of a pattern. Or even go into the menu and turn on and off the chorus, or change the sub-oscillator tuning on a per-step basis. It really opens up a lot of possibilities on an instrument this small and affordable. You can ratchet notes, set per step probability, and there’s even Step Loop for quickly mangling your sequence into new riffs on the fly, though that is far more useful on a drum machine.

Photo by Terrence O'Brien / Engadget

If the feature list for the S-1 ended here, that would be perfectly fine. But Roland added more. So. Much. More. Maybe too much more.

There’s a draw and chop function, which allows you to create custom waveshapes for even wilder tones. Then use the multiplier on your freshly drawn waveshape, or the comb on your chopped wave for hard-synced and dissonant metallic noises. You can also turn the noise source into a sort of pulsing riser effect. Though, I was unaware of this when I accidentally activated it while messing around one afternoon and couldn’t for the life of me figure out what was going on. This is one of those many unlabeled features hidden behind a seemingly arbitrary button combination. (For the record, you hold down shift then press 1 and 2 simultaneously to cycle through a few different riser modes.)

The one last feature worth mentioning (I think), is a bit of a head scratcher. D-Motion allows you to change parameters by picking up the synth and tilting it about. It’s a fun novelty for a few minutes, but it doesn’t feel practical. Though, at least it makes more sense on the small, battery-powered and portable S-1 than it does on the SH-4d.

Photo by Terrence O'Brien / Engadget

Beyond that the S-1 resembles the rest of the Aira Compact line. It’s plastic, has a rechargeable battery built in and weighs next to nothing. There are 3.5mm MIDI, sync and audio jacks for connecting other gear. And USB-C for charging, but also for sending audio and MIDI to computers, phones and tablets. My one other minor gripe, physically at least, is that the mushy keys are painfully small. Playing chords on this thing is a bit of a headache. But not much more so than on any other instrument of this ilk, like the Modal Electronics Skulpt or a Volca Keys.

Photo by Terrence O'Brien / Engadget

The S-1 Tweak Synth is both the most compelling and most frustrating member of the Aira Compact series. It has plenty of hands-on controls, sounds great and is deceptively powerful for the price. But it is also, perhaps, too complex. It tries to do too many things and ends up feeling cluttered and confusing. Which is the exact opposite of what you want from what is essentially a $200 music toy.

What made Korg’s Volcas so successful wasn’t their laundry list of features, it was their simplicity. They sounded good enough, were affordable, and unintimidating. Roland seems to have gotten the first two parts of the equation down. Now it just needs to work on the last ingredient.

Google's I/O event this year was jam-packed with new product launches and an in-depth introduction to its new generative AI offerings. The star of its new set of device was, perhaps, the new Pixel Fold, a veritable rival to Samsung's foldables powered by a Tensor G2 chip. Like the Samsung Galaxy Fold, it opens like a book so you can fully use its 7.6-inch display, though it also comes with a 5.8-inch external display. It's now available for pre-order and will set you back $1,799 when it starts shipping in June. 

The company has also unveiled its new mid-range phone, the Pixel 7a, that will cost you $499. In addition, the Pixel Tablet is now available for pre-order for the same price. You can use the 11-inch tablet as a smart home display with Google Assistant and Chromecast when it's attached to its speaker dock. On its own, it can last for 12 hours, and while it doesn't come with a stylus, it does support third-party pens. 

But the most important and relevant unveiling of the event was the company's PaLM 2 AI language model, which is the technology behind its Bard AI chatbot and which will power new features across its products. Bard will soon have the ability to decipher images in your queries and respond with images in turn — it's now available without a waitlist in 180 countries. Gmail will have the ability to craft responses to emails for you, while Photos is getting a Magic Editor that can move objects in your pictures. You can get a glimpse of all Google announcements in a condensed version of its I/O keynote above.

Twitter is beginning to roll out its long-promised encrypted direct messaging feature. However, the initial rollout comes with some major limitations that could make it less than ideal for privacy-conscious Twitter users.

Of note, the feature is currently only available to verified Twitter users, which includes Twitter Blue subscribers and those part of a “Verified Organization.” It’s not clear if this is just for the early rollout or if encryption will be added to the growing list of exclusive features for users with a checkmark. For now, an encrypted chat requires both users to be verified, according to the company.

There are also some significant limitations to the feature itself. It doesn’t support group messages, or any kind of media other than links. The company also doesn’t allow users to report an encrypted message directly, advising on a help page that users should report accounts separately if they “encounter an issue with an encrypted conversation participant.”

Twitter

Finally, the level of encryption appears to be less secure than what other apps offer. For one, message metadata is not encrypted. Furthermore, Twitter notes that “currently, we do not offer protections against man-in-the-middle attacks” and suggests that the company itself is still able to access encrypted DMs without the participants knowing. “If someone–for example, a malicious insider, or Twitter itself as a result of a compulsory legal process—were to compromise an encrypted conversation, neither the sender or receiver would know,” the company explains on a help page. It added that it’s working on improvements that would make such exploits more “difficult.”

That’s particularly notable because it falls far short of the standard Twitter owner Elon Musk has described when expressing his desire to add encryption for Twitter DMs. He has said he wants it to be impossible for the company to access users’ encrypted messages even if “someone puts a gun to our heads.”

In a tweet, Twitter security engineer Christopher Stanley acknowledged the shortcoming. “We’re not quite there yet, but we’re working on it.”

For those who are verified and want to try out the feature anyway, encrypted messaging can be accessed via the info menu (that’s the same menu you use to block or report a conversation) within a particular DM. Once encryption is enabled, the encrypted messages will appear as a separate message thread with labels at the top of the chat to indicate that the conversation is encrypted.