A cyberattack hit Carnegie Mellon University last summer and the attackers breached personal data, according to a disclosure from the school last week. The Pittsburgh-based university known for its top tech and computer science programs said on Friday that the attack impacted 7,300 students, employees, contractors and other affiliates.
"There is no evidence of fraud or inappropriate use of the information from those files," a statement from CMU said. Still, the attackers likely accessed and copied data that included names, social security numbers and birth dates. With help from law enforcement, CMU disabled any access to that copied data, according to the school.
It started on August 25 when unauthorized users accessed CMU's systems. The university says it began recovery processes and an investigation into the incident that included months later in December, while notifications to impacted parties began to go out last week. Impacted parties will receive credit monitoring services to mitigate further damage.
CMU did not respond to a request for comment and further information about the attack by the time of publication.
This article originally appeared on Engadget at https://www.engadget.com/carnegie-mellon-reveals-it-was-hit-by-a-cyberattack-over-the-summer-155618462.html?src=rss
Major apparel supplier VF Corp followed up on its December cyberattack disclosure, with its latest Securities and Exchange Commission form admitting to a data breach impacting up to 35.5 million customers. That means if you've purchased from its major brands like Vans, North Face, Timberland, Dickies and more, you may have been impacted. But VF Corp still insists that the incident won't hurt its financial performance.
Initially, VF Corp warned customers that the cyberattack it experienced in December could have an impact on its holiday order fulfillment. The company said "unauthorized occurrences" on its IT systems caused operational disruptions, and the attackers likely stole personal information. Now, it's come out just how widespread the damage from the attack could be.
VF Corp did not respond to a request for comment clarifying what type of data the hackers stole. In the SEC filing, however, the company said it did not collect consumer social security numbers, bank account information or payment card information, and that there is no evidence the hackers stole passwords. It also said that the unauthorized users were "ejected" from its systems by December 15, after being discovered two days earlier.
"Since the filing of the Original Report, VF has substantially restored the IT systems and data that were impacted by the cyber incident, but continues to work through minor operational impacts," the latest filing states. VF still has not confirmed who was behind the attack.
This article originally appeared on Engadget at https://www.engadget.com/apparel-supplier-for-north-face-vans-admits-its-cyberattack-led-to-a-data-breach-of-35-million-customers-153411926.html?src=rss
Pixar‘s 1998 movie, A Bug’s Life, brought tiny CGI ants to the world’s largest screens. National Geographic’s new docu-series, A Real Bug’s Life inverts that, turning insects into giants in our homes. The only thing digital about the critters featured in the Disney+ series, though, is the technology filming them. But like its animated counterpart, the show explores the world they live in and their adventures in ways we’ve never seen before.
With its focus on insects, A Real Bug’s Life isn’t limited to specific remote habitats. Over the course of the series you’ll visit arid desert planes, tropical jungle, concrete jungle, a rural farm in the UK and even the humble backyard. But thanks to a series of innovations, we see these worlds from entirely new perspectives. “I think that the look and feel of this show, and this is not just me saying it, I don't think that there's anything else that looks like this or has ever looked like this” Nathan Small, a self-shooting Producer/Director who worked on the show told Engadget.
National Geographic
The series opens in New York City where we follow the misadventures of an adorable bold jumping spider. While our eight-legged hero begins his journey on a city rooftop, it’s not long before we’re down at street level and joined by a cast of intrepid ants, industrious flies and a menacing praying mantis. Some of the shots instantly stand out without you fully knowing why. But Small does.
He explained that macro professionals have long favored 60- or 100mm lenses, which give incredible detail but have a very shallow depth of field (DOF). “Which means that there's no context ever,there's no geography, and you're always in this sort of very smushy, blurry world,” he said. “In the last few years, there have been lots of what are called ‘probe’ lenses released. The main one, which was a bit of a game changer, is made by a company called Laowa and it's a 24 millimeter” he added.
A probe lens looks exactly how you’re imagining — more like a vacuum cleaner attachment — but the shots it produces have two key advantages, Small explained. The first one is practical: the 16-inch barrel means you don’t need to be as physically close to the bug you’re shooting. The second, and the real reason those shots are standing out, is that with a 24mm lens you have a much deeper DOF, leaving much more in focus. “You get that geography and you get that setting which gives it a really cartoony and fresh… kind of funky look.” All I’ll say after watching that episode is, a New York all-beef will never seem the same again. You’ll also see a fly dining on a burger in excruciating, stomach-churning detail.
Perhaps the most surprising thing about the Laowa lens is that it’s relatively affordable. At $1,600 it’s not cheap, but it’s the same price as a regular (albeit very good) Canon 85mm lens that serious hobbyists might consider.
National Geographic
Small also explained that sometimes techology isn't changing the shot, instead it can improve what happens within it. “Not very long ago, all the lights that I was using were your classic film lights, Arri Blondes and all that kind of thing. They're very hot” he said. “LED lights, they're super bright, but they're cold, so it means we're getting all the light we need without cooking the animal, which obviously no one wants, while letting it act in a natural way” he added. Capturing critters trying to escape the heat is far less interesting than watching them do what comes naturally.
But the thing that enabled many of the most cinematic shots in A Real Bug’s Life isn’t available to buy, at least not off the shelf. “I never really touch the camera any more,” Small said. “I'm doing everything on custom built motion control rigs. I have a robot that I've been working on for the last five years, gradually changing things.” Small’s “robot” is a machine-engineered rig, hewn with the same precision as medical tools — something he says is vital as any shake or wobble at the scale he’s working at is hugely magnified.
The robot allows him to work at a distance and monitor via a large display for a better idea of what the things will look like on a TV. Two rails with sliders provide dual axes of movement while a rotating stage and tilt control provide a full range of motion that, put together, opens up shots you could only dream of with a tripod and slider alone. The robot’s “brain” uses an eMotimo motion controller and he directs it all with a PlayStation 2 DualShock. After years of updating and refining, the robot can finally deliver the dynamic macro footage we enjoy in the show. Head to the episode set on the British farm if you want to see Small's cinematic robo-shots for yourself.
Some things still require a human though. If you ever wondered how they capture seemingly impossible moments, like a spider spinning a web, the answer is… patience. In the show we see an elephant hawk-moth emerging from its chrysalis. “I just didn't really sleep for about five days, that's short of it” he said. “You collect a lot of them so you have options. I had my camera on a big rail and then as soon as I saw one start to twitch and move, I slide the camera along and bang, you're on that one.” The final shot in the show lasts barely 10 seconds, but without it the narrative falls apart, such is the life of a wildlife photographer.
National Geographic
If you want to have a go at recording an emerging elephant hawk-moth or bold jumping spider but don’t have Disney-level budgets, don’t worry. Small says that today’s consumer products are already more capable than a lot of pro gear was not that all that long ago. Specifically when it comes to working in low light. “Before, you were stuck at like ISO 200, which is a nightmare for macro, because everything is too dark or noisy,” he said. “[Now] you can shoot at 3200 and still get really clean images.” As he mentioned earlier, these higher apertures like f11 or above avoid those “smushy” backgrounds. He also says that a lot of his kit is put together with SmallRig parts (no relation).
For the camera itself, that will largely depend on what you want to capture. For close-up macro photos (rather than video), Small says the Olympus system is preferred within the industry, thanks mostly to its internal focus stacking/bracketing. In the same way HDR photos blend multiple exposures for more even, natural light, focus stacking does the same but with, well, focus, so you can have your subject and background pin sharp.
More of a bird person? Then Canon seems to be the industry favorite according to Small. Particularly the larger sensor models and RF mount lenses. Canon’s stellar auto-focus locks onto animals really quickly, and can keep it locked even when the subject is moving (as birds are wont to do). The RF lenses also have a great reputation thanks to their blend of speed and excellent built-in stabilization making them a good option for general wildlife photography too. When not shooting for work, Small uses a Canon EOS 5DS. “I think that's a good all round camera that does everything that I need it to. Stills are like my hobby now, which is quite sad, isn't it? Because it's very close to my job.”
A Real Bug’s Life, narrated by Awkwafina, premieres on Disney+ Jan 24.
This article originally appeared on Engadget at https://www.engadget.com/disneys-a-real-bugs-life-docu-series-review-143009674.html?src=rss
If you're counting down the days until your winter escape and want to ensure its pure relaxation, there's good news: Apple's second-generation AirPods Pro with active noise canceling are down to $189 from $249. The 24 percent discount brings the AirPods to a new all-time low at Amazon (or for one dollar more at Target).
Apple's AirPods Pro are one of the best wireless earbuds for 2024, especially for use with iOS devices. The second-gen earbuds look deceptively similar to past models but are in a class of their own — garnering an 88 in our review. They have great noise canceling, but it was their natural sounding transparency mode that really impressed us. The overall sound quality of the AirPods Pro is also richer and maintains a better output even at lower volumes. Plus, the earbuds last six hours with noise canceling turned on or seven hours without and have up to 30 hours of use with the charging case.
You can also use Apple's AirPods Pro second-gen with the company's upcoming Vision Pro. We tried out the new mixed reality headset's features, from meditation to the floating keyboard, all of which you can read about here. The Vision Pro is currently available for pre-order, starting at $3,499 for the 256GB version.
This article originally appeared on Engadget at https://www.engadget.com/the-second-gen-airpods-pro-are-cheaper-than-ever-right-now-141537544.html?src=rss
Korg launched its Nu:Tekt line of DIY kits in 2019 with the NTS-1. It was basically just the programmable digital oscillator from the Prologue and Minilogue XD in a cheap dedicated box. Over the years it's gotten a few more members, including an oscilloscope and headphone amps. For NAMM 2024 the company is updating the originator with the NTS-1 mk2 and adding the NTS-3 Kaoss Pad to the mix.
The NTS-1 mk2 is the same size and shape as the original, and still comes as a solderless DIY kit. There's still a single monophonic digital oscillator as well, built on the LogueSDK. But that's about where the similarities end. Inside is a new, more powerful processor driving an updated version of the SDK which includes new oscillator types and effects, and the ability to use incoming audio as a modulation source. The ribbon keyboard has been swapped for an 18-key multitouch capacitive keyboard that looks far more playable. Korg has also added an eight-step sequencer, MIDI out and moved to USB-C for power.
The NTS-1 mk2 looks like a solid upgrade to a surprisingly versatile mini synth, but it's the NTS-3 that brings something truly new to the table. It also comes as a solderless DIY kit that Korg says should take less than 20 minutes to assemble. And when you're done, you'll have honest-to-goodness Kaoss Pad with 35 built-in effects, an expressive X/Y pad for controlling them and a looper. And, of course, since it too is built on the LogueSDK you can load custom effects too. (Or design your own, if that's your bag.) You can use up to four effects simultaneously and a latch feature allows you to control them individually.
Unfortunately we don't have a ton more info about either device. There will be a librarian for managing custom oscillators and effects, though no date has been given for when it will be available. And similarly we don't the know the price of either device. All we know is that the NTS-1 mk2 is scheduled for release sometime in April, followed by the NTS-3 in June.
This article originally appeared on Engadget at https://www.engadget.com/korg-nutekt-diy-line-gets-a-new-mini-synth-and-a-kaoss-pad-133559507.html?src=rss
Anyone who likes to take and share a lot of photos will likely agree that AirDrop is a great feature, but its Apple-only status is limiting. Now, WhatsApp could give it a run for its money across all devices. The company is seemingly working on a new update that would allow users to share files with nearby devices, WABetaInfo reports.
WhatsApp's new feature is currently under development (it hasn't even reached Beta testing yet), so while we don't know when it will be available, we do have a good idea of what it will look like. For starters, users will likely need to shake their device in order to activate a request and, of course, be in close proximity to the other person. The recipient then needs to open WhatsApp and also shake their device to see and accept the share request. We don't know how close the pair will need to be, but AirDrop has a range of about 30 feet for context.
WABetaInfo
WhatsApp's security measures extend to sharing as files (likely to be mostly photos and videos) will be end-to-end encrypted. The platform will also keep phone numbers private when users share files with anyone outside of their contacts. While much of this mirrors AirDrop, it's unclear if files will automatically download to a user's camera roll or work with Bluetooth alone. Currently, WhatsApp allows for 100 photos to be sent at one time over regular messaging, so we'll have to wait and see how this feature differs.
This article originally appeared on Engadget at https://www.engadget.com/whatsapp-may-soon-offer-its-own-airdrop-like-file-sharing-feature-125542333.html?src=rss
In a very relatable moment, NASA struggled for three months to get the lid off its asteroid sample container, having sent it into deep(ish) space and back. Same, NASA, same: I’ve struggled with jars of pickles.
The space agency was finally able to get into the asteroid Bennu sample container last week and published a high-resolution image of its Touch-and-Go-Sample Acquisition Mechanism (TAGSAM) on Friday, revealing a delightful array of dust and rocks, scraped off Bennu by spacecraft OSIRIS-REx.
The TAGSAM lives in a special glove compartment to prevent the sample from being contaminated, and only certain tools are approved for use with it. The team eventually had to develop new tools to open the fasteners. Tapping it on the side of the kitchen counter did not work.
— Mat Smith
You can get these reports delivered daily direct to your inbox. Subscribe right here!
Apple’s Vision Pro is now available for pre-order in US stores and the company’s website. You might like to know you’ll have to scan your face with an iPhone or iPad using Face ID when you pre-order to make sure you’re getting a precise band fit. Prices start at $3,499 for the 256GB version — but you may want more storage. It’ll cost $3,699 with 512GB of storage and $3,899 with 1TB. If you have more money to burn, the travel case, additional battery packs and extra light seals will each run you $199. And if you’re feeling like you want some late-80s/early-90s accessories, you can clip the device to your pants with Belkin’s battery holder. Cool.
What makes NVIDIA’s RTX 4070 Super special? Raw power, basically. It features 7,168 CUDA cores, compared to 5,888 on the base RTX 4070 and 7,680 on the RTX 4070 Ti. Its base clock speed is a bit higher than before too. Together with the power of DLSS3 upscaling, the 4070 Super is a far more capable 4K gaming card.
It’s the same hacking group behind the SolarWinds cyberattack.
Microsoft said a hacking group linked to a Russian intelligence agency accessed the emails of several of its senior executives and other employees. It said a hacking group known as Midnight Blizzard or Nobelium is responsible — the same group behind the 2020 SolarWinds cyberattack. Microsoft and US cybersecurity officials have said Nobelium is part of Russia’s Foreign Intelligence Service (SVR).
The hackers accessed a small percentage of Microsoft’s corporate email accounts, including members of its senior leadership and employees in cybersecurity and legal teams.
This article originally appeared on Engadget at https://www.engadget.com/the-morning-after-nasa-finally-shows-whats-inside-its-bennu-asteroid-container-121523420.html?src=rss
Meta has been fighting upcoming regulations in the European Union's Digital Markets Act (DMA) for months, but no more. The company has announced it will comply with the DMA's stipulation that it can't favor its own services or force users to remain inside its ecosystem. This decision will greatly impact Meta's user experience in the EU, including allowing people to utilize Messenger and Facebook Marketplace without a Facebook account. Meta previously filed an appeal arguing that the two platforms should not be included under the DMA.
Giving in means that Messenger and Facebook Marketplace users in the EU can now use the services and all of their functions through standalone accounts. The only difference for Marketplace is that conversations will occur over email. Along with the overall Meta Marketplace and Messenger, the European Commission's regulations on Meta include Facebook, Instagram, WhatsApp, and Meta ads. For example, users can now keep their Facebook and Instagram accounts separate instead of linking information between the two platforms.
The European Commission initially designated six companies as "gatekeepers" under the DMA: Alphabet, Amazon, Apple, ByteDance, Meta and Microsoft. There are 22 core platform services between them that fall under the law's jurisdiction due to factors like users, revenue and valuation. Qualification also hinged on "if they provide an important gateway between businesses and consumers in relation to core platform services." ByteDance and Apple are among the other companies which have pushed back against the DMA's regulations ahead of its March 2024 enforcement. However, Google (owned by Alphabet) recently announced that users could stop its platforms like YouTube and Chrome from sharing data.
This article originally appeared on Engadget at https://www.engadget.com/meta-is-letting-users-uncouple-messenger-and-marketplace-accounts-in-the-eu-115556543.html?src=rss
NAMM 2024 is right around the corner, but Korg isn't waiting for the festivities to officially begin. It's announced about a dozen new products over the last few days. Among them are updates to two of the company's virtual analog synths, the roughly 10-year-old KingKorg and the 22-year-old MicroKorg.
The KingKorg Neo is built on the same 37-key form factor as the rest of Korg's recent digital synths, like the Opsix, Modwave and Wavestate. But the core here is the company's XMT (eXpanded Modelling Technology) virtual analog sound engine. It's not the most convincing analog emulation in the world, but it does have some character.
It's a multi-timbral synth, with each patch having the ability to layer or split to different sounds, with three oscillators at its disposal. There are 138 different options to choose from on the oscillator front, ranging from basic wave shapes, to PCM samples. And there are 18 different filter emulations to choose from as well, including the classic MS-20. There's also two LFOs, two envelopes, and a whole host of effects from your typical delays and reverbs, to amp simulators and sound mangling decimator.
Perhaps most exciting though, is the 16-band vocoder and included gooseneck mic. But, the KingKorg Neo isn't the only new synth from the storied manufacturer with a vocoder. It's also updating its iconic MicroKorg with the MicroKorg 2.
The original MicroKorg was launched in 2002 and went on to become one of the best selling synths of all time. In fact, in May of 2023 Korg was still pumping out iterations of the original, celebrating its multiple decades of success with a Crystal special edition.
The new version has a very similar form factor, including its small size, gooseneck mic, the ability to be powered by batteries and a large dial for navigating patches that are still sorted by genre. But under the hood is a new sound engine, and there's a 2.8-inch color display on the front which should simplify sound design. There's also a built-in loop recorder which should make it a much more powerful instrument for solo performers.
The KingKorg Neo is expected to start shipping in February for $1,000. We'll have to wait a bit longer for the MicroKorg 2 however, which should be hitting the market in June, though there's no word on pricing. Hopefully it'll fall somewhere in the $500 range like the original. Part of what made the MicroKorg so successful was that it was perfectly accessible to even the lowliest of synth hobbyists.
This article originally appeared on Engadget at https://www.engadget.com/korgs-microkorg-2-and-kingkorg-neo-are-overdue-updates-to-its-virtual-analog-synthesizers-110005853.html?src=rss
Apple's $3,499 Vision Pro isn't for everyone, and indeed, the latest pre-order estimates reflect a slow start for this VR spatial computing device. According to analyst Min-Chi Kuo's calculations based on pre-order inventory and shipping time, he reckons the company sold somewhere between 160,000 to 180,000 Vision Pro headsets during this past weekend. This already far exceeds Kuo's earlier production figures of 60,000 to 80,000 units targeting the initial release on February 2, which is no wonder that the Vision Pro was sold out immediately after pre-orders opened.
While this sounds like positive news, Kuo pointed out that with shipping times remaining unchanged within the first 48 hours, this might indicate a quick drop in demand after the heavy users and hardcore fans were done pre-ordering. In contrast, iPhone orders would usually "see a steady increase in shipping times 24 to 48 hours after pre-orders open." But of course, the Vision Pro isn't meant for the average consumer in its current state, especially given the lack of some mainstream apps like YouTube, Spotify or Netflix. Not to mention the eye-watering $3,499 base price either, though Apple may later release a cheaper model in the ballpark of $1,500 to $2,500, according to an earlier report by Bloomberg’s Mark Gurman.
Kuo added that even with the device being sold out based on the upper initial production figure of 80,000 units, that only accounts for about 0.007 percent of Apple's 1.2 billion active users, which makes the Vision Pro "a very niche product" in the eyes of Cupertino. That is to say, the tech giant will need to somehow drum up and sustain demand for the headset before its global launch, which is rumored to take place some time before this year's WWDC — likely in June. Meanwhile, Apple is also busy setting up demo areas at its US flagship stores, in the hopes of making a few more sales with their 25-minute sessions.
This article originally appeared on Engadget at https://www.engadget.com/apple-might-have-sold-up-to-180000-vision-pro-headsets-over-pre-order-weekend-081727344.html?src=rss