The following article discusses Star Trek: Picard, Season Three, Episode 9, “Võx”

I’ve always found accusations that I hate Star Trek weird, since I make my love of Trek clear enough every time I write one of these reviews. Every time I watch a nü-Trek episode that I’m fortunate enough to do as part of my day job, I hope that I can genuinely talk about it with a sense of love. And so I am delighted to say “Võx” is the best episode of Star Trek: Picard ever made. It is not by any means perfect, but it’s such a leap from what’s gone before I’ve almost got whiplash.

One of the reasons that “Võx” pops is that Picard’s quality ceiling has been relentlessly low over the last three seasons. The other is that the narrative’s brakes are off, allowing events to move at something faster than a snail’s pace. If I was in a less-generous mood, I’d say a lot of this stuff could have happened earlier in the run to improve the overall pacing. One of the biggest issues I’ve had is the very visible stretching of a thin, mystery-box story over a studio-mandated ten-episode running order.

By comparison, this feels like the first free meal after two 500-calorie-only days on the 5:2 fast diet. You devour a 12-inch pizza and, since you’ve starved yourself for the last 48 hours, you feel you deserve to go out for tacos afterward. In this episode, we learn that Jack is, as Reddit clocked weeks back, the product of a union ‘twixt Dr. Crusher and Picard’s Borgified sperm. We also get a whopping retcon to the plot hole in First Contact, where Picard could hear the Borg and knew the location of the cube’s weak spot despite not being connected to the collective.

Jack decides to go off and tackle the Borg Queen (voiced by Alice Krige!) herself, while Geordi, Data and Beverley start examining the conspiracy. The Queen has already picked a Borgified name for Jack — Võx — to commence his Locutus-like transformation as part of the collective, too. The Borg and Changelings are working together – I’d love to see how that meeting went – to undermine the Federation. They’ve set up every transporter in the fleet to re-write the genetic code of the under ‘25s who pass through it, seeding them with Bio-Borg DNA. When Frontier Day happens, the collective activates its new army of drones, who also turn the newly-connected fleet into an armada.

Fleeing a Titan similarly overrun with Bio-Borgs, the TNG crew get into a shuttle while Seven and Raffi guard Shaw, who takes a phaser to the chest. He even gets a nice valediction, finally using Seven’s chosen name to put a button on his much-discussed arc. Not long after, we get the first laugh-out-loud-on-purpose moment in the series when Geordi asks Data to be more optimistic. There’s a simple, glorious pleasure in letting the endlessly-talented Brent Spiner show off his natural comedic flair in the midst of all this darkness.

The gang race back to the Fleet Museum where, again Reddit called this a month or more back, the Enterprise D has been quietly rebuilt in secret by Geordi. There’s some moments of winking at the camera as the production team head off the obvious questions. How? They pulled the saucer section from Veridian to avoid breaking the Prime Directive and cobbled together other parts from other Galaxy Class ships. Why not the E? Blame Worf, now shut up and watch with a smile plastered on your face as they sit in their old chairs. Hell, they’ve even got Majel Barrett Roddenberry’s voice for the Enterprise D computer.

We need to be careful here, because I’ve slammed this series time and again for its empty, paraphilic use of nostalgia. There are plenty of reasons why this makes no logical sense if you take the time to interrogate things. Maybe it’s because the episode moves at such a clip that there’s no time to overthink things before something else happens. Maybe it’s just the thrill of seeing these actors on this bridge, on this carpet, that the bulk of my critical thinking has been bypassed. 

If I have concerns, it’s still about what Picard is trying to say. Relegating the cyberpunk elements of the Borg to make their assimilation more biological could be seen as an anti-vaccination screed. It’s hard to watch yet another TNG side character brutally die – Ro in “Imposters” and Admiral Elizabeth Shelby, captain of the new Enterprise F, taking two in the chest mere moments later here. There’s an argument that leaving Seven and Raffi on the Titan also sidelines the series’ two queer characters. And this subtextual mistrust of youth which was discussed a few episodes back has now been rendered very much part of Picard’s text.

But I will withhold my judgments about that until next week, when we see how those points are handled. For now, I’m going to bask in the very brief glow of my monitor, and how glorious it was when the lights on the Enterprise D bridge raised to old-school TV levels and we could actually see what was going on. The lights went up and so did the mood, and after all this time, it comes as sweet relief. Now, onward to the finale.

The 2023 edition of Coachella gets underway this weekend and, along with having the option to catch livestreams of every stage on YouTube, you can take part in the fun remotely in another way thanks to Fortnite. The festival has once again teamed up with Epic Games to celebrate Coachella.

Features this time around include emotes that have music from headliner Bad Bunny and fellow performer Burna Boy, as well as returning and new Coachella-related outfits that you'll see in the Item Shop starting at 8PM ET this evening. You'll also be able to listen to songs from artists who are performing this weekend on the in-game Icon Radio.

Epic Games/Alliance Studios

You'll be able to experience Coachella in other ways in Fortnite this year. Starting at 3PM ET today, you can dive into Coachella Island from the Epic’s Picks Discover row in the game mode browser or by entering the island code 5449-4207-12803.

The music-reactive island takes inspiration from Coachella's California desert setting, so you can expect to see mountains, polo fields and palm trees. In the Art Park section, you'll be able to check out replicas of art installations found at the real-life version of Coachella. On top of that, you can try some team-based minigames centered around dancing and parkour.

Players will have the chance to scoop up Coachella-inspired outfits and in-game items from a merch tent. There's a music element here as well of course, as you'll be able to hear tracks from Coachella performer Porter Robinson while you're on the island (or by clicking the play button below, because why not).

Twitter is teaming up with eToro, a social trading network, to expand financial information available on the site and make it easier for users to buy stocks and crypto. As CNBC reports, the existing $Cashtag format, which previously allowed finance-inclined users to click a financial hashtag of sorts to see more data on particular stocks, will be expanded to show more real-time data. That data will continue to be provided by TradingView, a market tracker and existing eToro partner.

The updated search also brings an eToro button under the live price charts, taking users away from Twitter to get more information and potentially invest. Anyone can look through the stats, but eToro will prompt visitors to create an account before being able to part with their money. 

Twitter is openly trying to diversify its offerings, with "additional market insights and greater access to investment capabilities," Chris Riedy, VP of Global Sales & Marketing at Twitter, said in a statement. According to Twitter, the first quarter of 2023 saw 498 million tweets revolving around finance or business.

Since Elon Musk took over as CEO, 80 percent of the company's workforce have been let go in a bid to cut costs. An updated subscription model was launched soon after, promising Blue ticks, fewer ads and increased tweet visibility for $8 per month, while developers were forced to begin paying for a basic API or lose access to the company's firehose. This came after over 500 advertisers reportedly paused spending on Twitter.

While eToro isn’t directly integrated into the social media platform, the tie-in could potentially benefit Twitter financially in the form of referral bonuses.

Easily one of the most fascinating devices I've had the pleasure of reviewing is the Polyend Tracker. It's hard to overstate what a unique piece of hardware it is. The company followed up last year with the Play, another sample-based groovebox that took a more immediate approach to music creation. Now the company is back, yet again, taking its undeniable sampling prowess mobile with the Tracker Mini.

The Mini takes the core workflow of the original Tracker and shrinks it down to something under one pound, and just 6.7 by 5.1 inches. That's not the smallest groovebox in the world, but quite a bit smaller than something like the SP-404 MKII. It retains full compatibility with the Tracker though, so you can start a song in the studio and finish it on the go, or vice versa. 

The Tracker Mini does lack the satisfying jog wheel, versatile pads and FM radio, but it does gain a microphone and a built-in battery. What's more, it actually has more memory and a faster CPU, so the Mini can hold up to eight minutes of mono samples in its pool, up from just two. Plus it supports audio over USB, stereo sampling and even comes with it's own hard case — a must have for protecting your music making gear on the go.

The 4310 mAh batter should last up to eight hours on a charge, though that will largely depend on how you're using the device, obviously. The mechanical keyboard style controls and jog wheel are replaced with gamepad style buttons. It may make navigating the interface slightly more difficult, but many of the shortcut and function keys made the transition. So creating a track shouldn't require to much menu diving or gratuitous button presses. 

Most importantly, though, it has eight tracks of audio and / or MIDI, all the same sample editing tools, effects, beat slicing features, granular and wavetable synthesizers. It is easily capable of not just sketching out an idea, but building an entire song or even album. It looks likely to be one of the most powerful and interesting portable grooveboxes on the market when it starts shipping in July. You can preorder one now directly from Polyend or through retailers like Perfect Circuit for $699.

Arkansas has become the second state to pass a law requiring social media platforms to verify the ages of their users. Governor Sarah Huckabee Sanders has signed the “Social Media Safety Act” into law, which requires companies verify the ages of users under 18 and to gain parental consent before minors create new accounts.

Utah recently passed similar measures, which also impose strict rules on how social media platforms handle the accounts of their youngest users, including an age verification requirement. The laws are part of a growing movement to enforce age verification measures and other age-based restrictions for social media companies. At least three other states are currently considering similar legislation.

The laws are also controversial. While lawmakers have for years called for more protections for teens on social media, privacy advocates and civil rights groups have opposed age verification mandates. Likewise, some child safety groups have argued that comprehensive privacy legislation would be a more effective way to protect children.

Under the Arkansas law, slated to take effect in September, companies are required to check the ages of their users via government-issued IDs like a driver’s license or “any commercially reasonable age verification method.” But, as CNNnotes, it’s not entirely clear which companies will be forced to comply with the law. The legislation includes a number of exemptions that would seem to excuse some prominent platforms.

For example, it states that platforms focused on “professional networking” and “career development” are exempt, which would seem to be a direct reference to LinkedIn. It also has exceptions for gaming-focused companies, as well as companies that allow “a user to generate short video clips of dancing, voice overs, or other acts of entertainment in which the primary purpose is not educational or informative,” which could be interpreted as excluding TikTok.

There are many things I think of when I hear the name "Max." There's Max Headroom, the '80s AI icon that's been on my mind a lot lately. Mad Max! Max Payne! Every friend I've ever had named Max (whose names I've always been jealous of). Even Homer Simpson's alternate persona, Max Power. But there's no universe where I associate "Max" with HBO, even though we've been living with "HBO Max" for years. "HBO" was always the dominant part of that name, whereas "Max" felt like a vestigial remnant from its sister network Cinemax.

Warner Bros.

So I'm sure that many viewers will be surprised to learn that HBO Max will be rebranded as "Max" on May 23rd. Warner Bros. CEO David Zaslav, who spearheaded the $43 billion merger between WB and his previous company Discovery, announced the new service during a media event this morning. It's been a year since Zaslav finalized that merger and announced his intentions to combine each network's content. And, given the increasingly volatile world of streaming media, he likely had to move quickly. But the rebranding seems like a missed opportunity to align the new service with something people already know and love.

Now, to be clear, Zaslav's desire to build something new makes sense. HBO Max's May 2020 launch was notoriously rocky, so much so that it led to a round of executive firings. HBO Max was a blatant attempt to catch up with Disney+, which hit 10 million subscribers just a day after its debut. But it couldn't compete with Disney's seemingly limitless library of content. A month after HBO Max arrived, AT&T (TimeWarner's owner at the time) said the service only had 4.1 million active users. The company tried to make it seem more popular by saying it had 23.6 million "wholesale" subscribers, but those were mostly existing HBO customers who had never touched the HBO Max app.

As a relatively new Warner Bros. leader, Zaslav likely wanted to make a mark with a service of his very own. (Media executives just can't help themselves, remember Jeffrey Katzenberg's Quibi?) So long HBO Max, hello something that combines HBO's prestigious content with Discovery's vast library of unscripted reality shows. During today's media event, Warner Bros. executives stressed that the company wanted to highlight HBO's world-renowned branding — "HBO is not TV, HBO is HBO!" someone proclaimed boldly. But they also hinted that the company didn't want to stuff too much into "HBO" as a concept.

I also bet that Zaslav and crew talked to plenty of advisors and focus groups who made it clear that HBO would never be considered as family-friendly as Disney. A cautious parent may not want to subscribe to an HBO service, even if it was the only way to watch a new Discovery series for kids. As one WB executive pointed out, the company used to see double-digit shares of kids programming across their many networks, but that's "virtually disappeared" in the streaming era.

With the Max refresh, Warner Bros. is trying to fix many of HBO Max's underlying problems. The company says it's aiming to increase engagement (having a ton of new content helps!), enhance retention, strengthen performance and optimize monetization. A carousel of personalized recommendations should help to surface content users may ignore, and WB says Max will also be able to alert people if their subscription payments fail. These are basic features for any modern subscription service, so it's shocking to learn that HBO Max couldn't manage them on its own.

Of course, WB is also trying to "optimize monetization" by raising the subscription cost for 4K viewers. If you want to see Game of Thrones or the upcoming Flash movie in 4K, you'll need to spend $4 more for Max's "Ultimate tier." That's similar to Netflix's 4K strategy, so it's not entirely surprising, but it's still annoying. 

Let me be truly cynical: It doesn't really matter what Max is called. We're awash in terribly-named streaming services, like Peacock and Paramount+. It would have been nice to see WB highlight one of its most prominent properties, but lopping off the first half of HBO Max probably makes more sense than trying to hype up another ridiculous media name (Hulu somehow made it work, but Quibi will forever sound dumb). 

No matter what it's called, we'll still rush to Max to catch the latest episode of Succession or The Last of Us. In this era of streaming networks dumping mountains of content on us, it's somewhat refreshing to have premium shows airing weekly. That gives us time to truly absorb major events (like the most recent Succession shocker), and space to anticipate what comes next. Ultimately, that's HBO's superpower, and Zaslav knows it. When combined with the onslaught of cheap and addictive content from Discovery, he might be able to turn Max into a true Disney+ competitor.

You can now watch The Office in VR, as NBC Universal’s Peacock app is now available for the Meta Quest 2 and Meta Quest Pro virtual reality headsets. In addition, the companies are partnering to give new Quest owners a free year of the streaming service.

The app brings content like Poker Face, Vanderpump Rules and (coming April 14th) Cocaine Bear to a giant screen in VR. Of course, live sports, including NFL and Major League Baseball games, are also included. Additionally, the app supports multitasking with multiple screens, and you can resize the content window — stretching all the way up to theater-sized.

The app launch and deal are part of a three-year partnership between Meta and NBC Universal, announced in October. Meta says it will also bring “experiences across a variety of NBCU IP, including Universal Monsters, Halloween Horror Nights and The Office to immersive environments like Horizon Worlds and Avatars Store.” For example, Meta’s Horizon Worlds (the company’s metaverse home base) will let you interact with virtual content from The Office later this year.

As for the deal, if you buy a new Meta Quest 2 or Meta Quest Pro headset between now and April 11, 2024, you can redeem a code for 12 months of Peacock Premium (usually $5 per month). Or, if you bought one of those headsets before April 11th, you’ll receive an offer for three free months. However, Peacock Premium still includes full ads; you’ll need Peacock Premium Plus, which costs an extra $5 monthly, for a plan with “fewer ads.” Quest owners with eligible accounts (at least 18 years old and living in the US or its territories) can watch for an email with a promo code and redemption link.

Don't expect a blistering frame rate on your Xbox when Redfall arrives on May 2nd. Arkane Studios has revealed that the vampire-slaying shooter will be limited to the 30 frames per second "Quality" mode on Xbox Series X and S at launch. You'll have to wait for an update at an unspecified point in time to use a 60 fps "Performance" option.

The developers haven't explained why the 60 fps mode will have to wait. We've asked Arkane and Bethesda for comment. The 30 fps mode runs at 4K on Xbox Series X, and 1440p on Series S. PC players' frame rates are dictated by their hardware.

Typically, 60 fps modes in games require compromises in visual detail. You may have to run a title at a lower resolution, accept lower-quality effects or settle for fewer on-screen characters. It's not necessarily a simple matter of changing a few parameters — developers may have to verify that they aren't breaking the experience.

Whatever the reasons, this isn't thrilling news for Xbox gamers. Redfall is a fast-paced game that can benefit from the added responsiveness of a 60 fps mode. Its temporary absence won't necessarily detract from the core gameplay, but might prove disappointing if you're the sort who happily sacrifices lush graphics in the name of a smoother experience.

After a week-long tussle with Twitter and owner Elon Musk over labels that the company applied to its accounts, NPR said it will no longer use the platform at all. The organization criticized Twitter over a "state-affiliated media" label that was placed on its main account last week. Twitter later updated the text to read “government-funded media.”

However, NPR said the latest incarnation of the label is "inaccurate and misleading," as it's "a private, nonprofit company with editorial independence." The organization pointed out that federal funding accounts for less than one percent of its $300 million annual budget.

NPR CEO John Lansing said that, as a result of the label, the broadcaster is abandoning Twitter in order to protect its credibility. Until recently, Twitter typically reserved the "state-affiliated media" tag for government-run outlets like Russia's RT and Sputnik and China's Xinhua News Agency. 

"At this point I have lost my faith in the decision-making at Twitter," Lansing said. "I would need some time to understand whether Twitter can be trusted again." The NPR chief also said that "degradation in the culture of Twitter" also played a role in the organization's decision to pause its use of the platform.

Going forward, NPR will no longer "post fresh content" on any of its 52 official feeds. NPR is giving workers who handle its Twitter accounts a two-week grace period to rework their social media strategies. For one thing, they've directed NPR's Twitter followers toward the broadcaster's newsletters and accounts on other social media platforms. The company is leaving it up to staff to decide whether to keep using their personal Twitter accounts.

Twitter has also applied the "government-funded media" label to the BBC's Twitter account, a move that organization has also objected to. In a BBC interview on Wednesday, Musk said the company will tweak the BBC label so that it reads "publicly funded." That would be a more accurate description of how the BBC is funded. Still, Lansing claimed even if Twitter were to backtrack and remove the label from NPR's account, the organization won't start tweeting again right away.

Meanwhile, Musk has revealed how he decides which organizations should have the contentious labels. He's consulting Wikipedia's publicly-funded broadcasters category page. As it happens, several organizations listed on that page — including Canada's CBC, Japan's NHK and the UK's Channel 4 — do not have such labels on their Twitter accounts.

LinkedIn is making it easier to prove you are who you say you are on your profile. The platform is adding new identity verification features that will allow users to confirm their name and employer, and it doesn’t involve paid subscriptions or blue checkmarks.

With the update, LinkedIn is rolling out three ways its members can confirm their identity. The company is partnering with CLEAR — yes, the same CLEAR that can get you to the front of security lines at airports and other venues — to check that the name on your ID is the same as the one on your profile. The process is free but does require sharing a U.S phone number and government-issued I.D.

LinkedIn is also offering a feature for verifying where you work that’s a slightly less involved process. To confirm your employer, you’ll need to enter a verification code sent to your company email address. In both cases, once the verification is complete, a “verification” field will appear on your LinkedIn profile that states what details have been verified.

Alternatively, some users will be able to verify both their identity and employer at once via a partnership with Microsoft Entra, which creates workplace IDs for companies that enroll its program. LinkedIn says the Entra partnership will be rolling out at the end of the month to employees of the “dozens” of companies currently in the program.

LinkedIn previously added phone number and email verification features last year, but those checks were only visible if you tapped into a slightly hidden “about this profile” field. The latest changes add a prominent “verifications” section that will appear directly under a user’s profile details.

Notably, the company is orienting its verification around confirming its members identities, rather than checkmarks or other specialized features. And, unlike Meta and Twitter, LinkedIn is opting to keep verification separate from its paid subscriptions. That also means that having a verified profile doesn’t come with any additional advantages, at least for now. But it could offer an extra layer of protection for those wary of fake accounts, impersonators or other scammers.