The long-awaited web version of Threads has finally arrived. After announcing that its Twitter competitor would be accessible from browsers earlier this week, Meta’s rollout is finally underway. Instagram head Adam Mosseri confirmed Thursday the update is now live for all users.

That means if you’ve been impatiently refreshing threads.net in waiting for it to be available, you should check again. Up to now, many Threads users have been frustrated by the lack of a web version. Though it was possible to manually navigate to a specific user’s profile, people have been unable to browse their feeds, post, reply or even log in to their accounts from browsers. 

As the app has seen a significant drop-off in engagement following its initial launch, many have viewed the lack of a web version as a significant barrier to the app. Both Mark Zuckerberg and Mosseri have been promising a web version was high on their agenda for Threads, though Mosseri recently said the team was working out some bugs with the experience. 

Now that the web version is finally live, it will be interesting to see which of the many “missing” features Threads will get next. Users have also complained about the lack of content search — right now people can only search for users, not for specific posts — and hashtags, both of which help people discover new content on Instagram and Twitter.

One feature, however, that seems unlikely is the addition of DMs. Mosseri has said he’s reluctant to add another inbox to user’s lives, though he recently raised the possibility of incorporating Instagram DMs into the Threads experience. But he did confirm that post-editing features are in the works, so at least Threads users won’t have to wait more than a decade for an edit button.

Amazon is still working on a Fallout TV series — and we'll finally find out next year whether that's a good thing or a bad thing. The company has revealed that the Fallout TV show will premiere on Prime Video sometime in 2024, over three years after it first announced that it was developing an adaptation of the franchise with the creators of Westworld. According to GameSpot, Bethesda's Todd Howard and Microsoft Gaming CEO Phil Spencer presented a short teaser of the upcoming series at Gamescom's Xbox booth. 

The brief clip reportedly showed a nuclear explosion near a city resembling Los Angeles, characters crossing a wasteland and a woman emerging from one of Fallout's Vaults. And, as you can see above, Prime Video shared an image confirming LA to be the site for Vault 33. In October last year, Amazon's Prime Video X account posted a photo of characters wearing Vault 33 suits, and before that, a few behind-the-scenes images for Vault 32 leaked online. 

When the series was first announced, Bethesda said it had been looking for ways to adapt the Fallout games into a movie or a TV show over the past decade. The adaptation that it eventually approved, written and developed by Lisa Joy and Jonathan Nolan, will take on a "serious and harsh" tone but will also feature "ironic humor" and "B-movie nuclear fantasies."

Meta is again facing allegations it’s not doing enough to prevent the spread of hate speech and violent content in Facebook ads. A new report details eight such ads, targeting audiences in Europe, that were approved despite containing blatant violations of the company’s policies around hate speech and violence.

The report comes from watchdog organization Ekō, which is sharing its work to draw attention to the social network’s “sub-standard moderation practices” ahead of the Digital Services Act (DSA) going into effect in Europe later this week. It details how, over a period of a few days in early August, the organization attempted to buy 13 Facebook ads, all of which used AI-generated images and included text that was clearly against the company’s rules

Ekō pulled the ads before they could be seen by any users. The group requested exact wording of the ads be withheld, but offered descriptions of some of the most egregious examples. Approved ads included one, placed in France, that “called for the execution of a prominent MEP because of their stance on immigration,” as well as an ad targeting German users that “called for synagogues to be burnt to the ground to ‘protect White Germans.’” Meta also approved ads in Spain that claimed the most recent election was stolen and that people should engage in violent protests to reverse it.

“This report was based on a very small sample of ads and is not representative of the number of ads we review daily across the world," a spokesperson for Meta said in a statement. "Our ads review process has several layers of analysis and detection, both before and after an ad goes live. We’re taking extensive steps in response to the DSA and continue to invest significant resources to protect elections and guard against hate speech as well as against violence and incitement.”

While there were a handful of ads that were stopped by Meta’s checks, Ekō says that the ads were prevented from running because they were flagged as political, not because of the violent and hate-filled rhetoric in them. (The company requires political advertisers to go through an additional vetting process before they are eligible to place ads.)

Ekō is using the report to advocate for additional safeguards under the DSA, a sweeping law that requires tech platforms to limit some kinds of targeted advertising and allow users to opt out of recommendation algorithms. (Several services, including Facebook, Instagram and TikTok have recently made changes to comply with the latter provision.) It also requires platforms to identify and mitigate "systemic risks," including those related to illegal and violent content.

“With a few clicks, we were able to prove just how easy it is for bad actors to spread hate speech and disinformation,” Vicky Wyatt, Ekō’s campaign director, said in a statement. “With EU elections around the corner, European leaders must enforce the DSA to its fullest extent and finally rein in these toxic companies.”

Facebook’s “state-controlled media” labels appear to reduce engagement with content from authoritarian nations. A new study reveals that, with the added tags, users’ engagement decreased when they noticed content labeled as originating from Chinese and Russian government-run media. However, the labels also appeared to boost user favorability of posts from Canadian state media, suggesting broader perceptions of the country play into the tags’ effectiveness.

Researchers with Carnegie Mellon University, Indiana University and the University of Texas at Austin conducted the set of studies which “explored the causal impact of these labels on users’ intentions to engage with Facebook content.” When users noticed the label, they tended to reduce their engagement with it when it was a country they perceived negatively.

The first experiment studied 1,200 people with US-based Facebook accounts — with and without state-controlled media labels. Although their engagement with posts originating from Russia and China went down, it only had that effect if they “actively noticed the label.” A second test in the series observed 2,000 US Facebook users to determine that their behavior was “tied to public sentiment toward the country listed on the label.” In other words, they responded positively to media labeled as Canadian state-controlled and negatively toward Chinese and Russian government-run content.

Meta

Finally, a third experiment examined how broadly Facebook users interacted with state-controlled media before and after the platform added the labels. They concluded the change had a “significant effect” as the sharing of labeled posts dropped by 34 percent after the shift, and user likes of tagged posts fell by 46 percent. The paper’s authors also noted that training users on the labels (“notifying them of their presence and testing them on their meaning”) significantly boosted their odds of noticing them.

“Our three studies suggest that state-controlled media labels reduced the spread of misinformation and propaganda on Facebook, depending on which countries were labelled,” Patricia L. Moravec, the study’s lead, wrote in the paper’s summary.

However, the studies ran into some limitations in determining correlation vs. causation. The authors say they couldn’t fully verify whether their results were caused by the labels or Facebook’s nontransparent newsfeed algorithms, which downlink labeled posts (and make related third-party research exceedingly difficult in broader terms). The paper’s authors also note that the experiments measured online users’ “beliefs, intentions to share, and intentions to like pages” but not their actual behavior.

The researchers (unsurprisingly, given the results) recommend social companies “clearly alert and inform users of labeling policy changes, explain what they mean, and display the labels in ways that users notice.”

As the world grapples with online misinformation and propaganda, the study’s leads urge Facebook and other social platforms to do more. “Although efforts are being made to reduce the spread of misinformation on social media platforms, efforts to reduce the influence of propaganda may be less successful,” suggests co-author Nicholas Wolczynski. “Given that Facebook debuted the new labels quietly without informing users, many likely did not notice the labels, reducing their efficacy dramatically.”

208 episodes of The Clone Wars and Star Wars Rebels. Three Tales of the Jedi shorts. Two episodes of The Mandalorian and The Book of Boba Fett. One movie. That's everything you'll need to see to truly understand everything going on in the new Ahsoka series on Disney+. For Star Wars diehards, especially those raised on the animated shows spearheaded by Ahsoka creator Dave Filoni, it's everything they've hoped for. Everyone else, though, may find themselves adrift.

Ahsoka deftly brings animated characters to live action — Rosario Dawson remains a beguiling Ahsoka, and she's joined by Mary Elizabeth Winstead as Hera Syndulla, and Natasha Liu Bordezzo as the impulsive Sabine Wren — and it wastes no time introducing intriguing villains (especially Baylan Skoll, a former Jedi portrayed by the late Ray Stevenson). The series is a direct sequel to Rebels in almost every way. But while that's great news for fans, the downside is that newcomers to the wider Rebels verse, even those who've seen Ahsoka in The Mandalorian and The Book of Boba Fett, will have a hard time finding any emotional stakes.

Photo by Lucasfilm

With the previous live action Star Wars TV shows (including the enjoyable-yet-unneccessary Obi-Wan Kenobi series), Filoni and co-producer Jon Favreau tried to ease general audiences into deeper aspects of Star Wars lore. That was most successful in the first season of The Mandalorian, which was filled with new characters and simple emotional stakes. (Protect Baby Yoda, no matter what it takes!) But Filoni eventually managed to bring in some characters from his animated shows, including the nefarious bounty hunter Cad Bane.

For better or worse, Ahsoka feels like a riskier project than any of those other live action shows. Almost everyone refers to events and major characters from Rebels, without explaining much about who they are. We know that Grand Admiral Thrawn seems like a major new antagonist, but the show never says why. We later learn that Ahsoka is driven to find him because that may reveal the location of Ezra Bridger, the main character of Rebels who disappeared at the end of that series. Sabine and Ahsoka share some pensive moments reflecting on their lost friend, but we don't get much about their shared relationship beyond that.

Photo by Lucasfilm

At times watching Ahsoka is like being invited to a party where everyone else are old friends, and who refuse to explain their in-jokes or shared history. It's not their problem if you're not having as much fun as them. Deal with it. I had similar issues with The Mandalorian's third season relying too much on The Book of Boba Fett, but at least those were shows airing in close proximity. Ahsoka hinges on direct continuity from an animated series that began in 2014 and ran for four years.

Of course, the series may get better down the line. Ahsoka is Filoni's baby, after all, and he's too talented of a storyteller to have her tread water for a season. And I'll admit, even the excellent Andor took a few episodes to really rev things up. I just hope this show weaves character motivations into its plot more effectively moving forward.

In the first two episodes, Ahsoka is basically sent on a fetch quest when a new trio of villains pops up. There’s some investigative work that sheds light on the post-Empire world (would former members of the Empire really want to support the New Republic?), but much of the time I felt like I was waiting for something, anything to happen. At least the handful of action scenes spice up the proceedings – Dawson’s months of training really show in her lightsaber duels. And there are hints of interesting character dynamics moving forward. 

In the years since Rebels ended, it turns out Ahsoka started training Sabine as a Jedi, but then abandoned her. It’s a reflection of Ahsoka’s own story, where she started as Anakin Skywalker’s padawan before a (very complicated) series of events pushed her out of the Jedi Order. Can Ahsoka make up for her mistakes, or is she doomed to fail her student like her master failed her?

At the very least, Ahsokai’s first two episodes are far more intriguing than the Book of Boba Fett or Obi-Wan’s intros. Both of those shows felt superfluous – did we really need Boba Fett’s backstory and redemption tale? Did seeing another Obi-Wan and Darth Vader duel really accomplish anything? At least Ahsoka is trying to push Star Wars into new territory. It’s just too bad that everyone isn’t invited for that journey.

WhatsApp will now let you create small groups without first naming them. Mark Zuckerberg announced the new feature in a Facebook post (viaTechCrunch). You previously had to choose your group’s name when setting it up.

TechCrunch reports that unnamed groups have a cap of six members instead of the named groups’ limit of 1,024 participants. In addition, WhatsApp will reportedly auto-generate placeholder names for unnamed groups based on their members. (For example, “Rocco & Li-Chen” for a chat between them in Zuckerberg’s sample image below.) Depending on how they've saved members’ contacts, the group name will also appear differently for each member.

Meta / Mark Zuckerberg

When joining an unnamed group that includes people who haven’t saved your contacts, it will reportedly display your phone number to the group. This suggests the feature is designed more for established friends, family or colleagues and less for strangers.

TechCrunch reports that the feature will roll out globally “over the next few weeks.”

Atari is launching another retro home console, after its last effort. The Atari 2600+ pays homage to the original Atari 2600, launched in 1977, but this remake echoes the four-switch model from 1980. (Of course, we’re going to get specific.)

Atari

The console has been “lovingly recreated to the same specifications as the original” but is only 80 percent of its size. The console’s plus features are the HDMI output and widescreen support. It’ll have 10 titles in the box, but Atari die-hards will want to track down physical cartridges if they want to play the big hits of the era, like Pac-Man or Pitfall! The mini console also has a remade Atari CX40 joystick. The Atari 2600+ will launch worldwide on November 17 for $130, and pre-orders are already open. Now, to find a copy of E.T. the video game…

– Mat Smith

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Half-Life 2 is getting an unofficial RTX remaster

The community is using an NVIDIA toolkit to modernize the classic shooter.

NVIDIA

From cartridge games to ray tracing. NVIDIA has unveiled a community-led Half-Life 2 RTX: An RTX Remix Project that, as the name implies, will remaster the classic shooter for PCs with GeForce RTX graphics. The team isn't just adding ray tracing, though — this is an attempt to modernize the overall look and feel of the game.

The ray-traced lights are the star attraction, of course, but the modders are also using an early version of RTX Remix to add extra model detail (through Valve's own Hammer editor) and rework materials with physical-based rendering properties. The RTX port, so far, looks moodier and far more detailed, with light sources bouncing and diffusing in a far more realistic manner. Existing RTX conversions, like those for Portal and Quake II, are pretty but limited by either the age of a game or its relative scale. Half-Life 2 is a much bigger challenge.

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X plans to remove news headlines and text in shared articles

Elon Musk said it’s his idea.

According to Fortune, X (formerly Twitter) is planning to implement major changes to the way shared articles appear on a tweet, by removing their text elements and leaving just their lead images with an overlay of the URL. Musk confirmed the incoming change, saying it came directly from him, adding it would greatly improve the “esthetics.” It’s the latest big change, following news that user-blocking will soon go. I’m taking bets on what the social network will strip out next.

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Microsoft will sell Activision Blizzard streaming rights to Ubisoft to win UK approval

It said the deal makes for a 'substantially different transaction under UK law.'

Microsoft is significantly restructuring its Activision Blizzard merger proposal by selling cloud gaming rights for Activision Blizzard games to rival Ubisoft, it wrote in a blog late yesterday. That would address a key concern of UK regulators, who blocked the deal in part because of Microsoft's potential dominance in cloud gaming. The UK regulator will now examine the restructured deal and deliver a decision by October 18.

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Facebook and Instagram will offer chronological Stories and Reels to comply with EU law

Users will also be able to see search results not personalized to them specifically.

Meta will soon offer Stories and Reels in chronological order to comply with the European Digital Services Act (DSA). The changes were expected after the European Commission announced it had agreed in April to create new rules, demanding social media platforms offer alternative systems "not based on profiling." Starting later this month, Meta will offer Reels, Stories, Search and other parts of Facebook and Instagram unaffected by Meta’s existing AI recommendation process.

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Blizzard Entertainment has released the trailer for the second season of Diablo IV along with the announcement that it's arriving on October 17th. According to IGN, Rod Fergusson, who oversees the development of the franchise, players will get vampire powers and will face against a vampire lord in the new questline during the opening night of Gamescom 2023. Season 2 of the online action role-playing game is called "Season of Blood," because yes, it does feature vampires. 

Gemma Chan, actor and producer who starred in Eternals and Crazy Rich Asians, voices the vampire hunter companion Erys, who leads the fight against the new threat in the game's universe. The new season will also feature five new and returning endgame bosses, as well as updates to renown rewards, gem and stash storage, making it so that gems no longer take up space, as well as to resistance and status effects. 

The main Diablo IV storyline that came out earlier this year featured a tale that takes place decades after the end of Diablo III: Reaper of Souls. It puts the player in the shoes of a wanderer who, due to certain circumstances, must now go after Lilith. That's the daughter of Mephisto, who was prominently featured in Diablo II as one of the Prime Evils the player must defeat. Diablo IV became the best-selling game in June when it came out, and Fergusson said the game, with the first season that's still ongoing, boasts 12 million players. 

We'll have to wait and see if the second season will add more players to that number. For now, fans can watch the trailer for it below:

Fighting game fans are eating well this year with the likes of Street Fighter 6, Mortal Kombat 1 and Guilty Gear Strive all arriving. The beat 'em up bonanza is set to continue at least into early 2024, as Bandai Namco announced at Gamescom 2023 that Tekken 8 will hit PC, PS5 and Xbox Series X/S on January 26th. Pre-orders open today.

The tenth overall entry in the long-running series includes 32 unique fighters (King is thankfully among them). The latest trailer notes that the game marks the beginning of "a new Tekken saga," while the series' long-term antagonist Heihachi Mishima is dead. 

Tekken 8 will also introduce a brand new single-player mode called Arcade Quest. You'll create a character and it appears as though they can go to a virtual arcade and compete in Tekken tournaments. It all seems quite meta. 

Not only does Little Nightmares III exist, but it's also bringing two-player co-op to the series for the first time. Little Nightmares III is due out in 2024, and it's heading to PC, Switch, PlayStation 4, PS5, Xbox One, and Xbox Series X/S. Developers from Supermassive Games announced the new entry in the horror franchise at the very beginning of Gamescom Opening Night Live today.

Little Nightmares III looks like the stuff of dreams, if you're a twisted horror fiend. The game's reveal trailer showcases two shrunken, puppet-like characters named Low and Alone navigating an oversized world filled with terrors — it's kinda like the grimdark version of It Takes Two, at least in this initial video. Players have to make their way past vicious creatures and murderous monsters, and finally make their way out of The Nowhere.

Here's how publisher Bandai Namco describes the new game on the PlayStation Blog: "Low and Alone are each equipped with their own iconic items that will allow you to solve various puzzles and defend yourself against the new and dangerous challenges that await you. You’ll be able to interact with the world using Low’s bow and arrows and Alone’s wrench, but you’ll also need your wits, tenacity, and creativity to survive your trip across the Spiral."

The game isn't co-op only — it also has a single-player mode, complete with an AI companion. The co-op is online, specifically (sorry, couch pals).