A movie version of Mojang Studio’s Minecraft is starting to come together. Action hero veteran Jason Momoa is in talks to star in an upcoming film adaptation of the popular worldbuilding game, reportedThe Hollywood Reporter. While no contract has been signed yet, the possible addition of Momoa is an encouraging sign of life for a film that has been on Warner Bros’ backburner. Warner Bros originally planned to release the film in March 2022, but it was shelved due to production delays related to the pandemic, according to THR. The film’s troubles pre-date Covid-19; its original director and screenwriters quit the movie in 2014 due to creative differences with Mojang.

Napoleon Dynamite’s Jared Hess has now reportedly signed-on to direct the film, and Dune producers Mary Parent and Roy Lee are also on board. It’s unclear what role Momoa will play in the film, as it’s still unknown what elements of the 2011 game will appear in the film and whether we’ll see fan favorites like Minecraft Steve. The film’s storyline, released by Mojang Studios in 2019, is pretty straightforward: “The malevolent Ender Dragon sets out on a path of destruction, prompting a young girl and her group of unlikely adventurers to set out to save the Overworld.”

But fans should expect more movement on the film in the near future. The Anklerreported that Warner Bros.’ lease on the rights to Minecraft expires in January 2023, so production on the film will need to start before then.

Sega Genesis’ Streets of Rage franchise is reportedly coming to the silver screen. Sources toldDeadline that John Wick creator Derek Kolstad wrote a script adaptation on spec. Also to be involved are Sonic franchise producers dj2 Entertainment and Escape Artists. While no deal has been signed yet, it’s likely to soon be in motion.

Widely known as one of the most popular Sega franchises from the early 90s, the original Streets of Rage trilogy still has an enthusiastic fanbase drawn to its vintage aesthetic and EDM soundtrack. The beat-em-up games feature ex-cops who take on underground criminal gangs. The franchise finally got a long-awaited sequel in 2020 with the release of Streets of Rage 4, which sold more than 2.5 million copies worldwide. The games offer very little as far as storyline, which gives the film a lot of liberty, but also very little to work off of.

A Streets of Rage film adaptation has serious potential to draw crowds, given that there’s no shortage of nostalgia for games from the 80s and 90s. Both Sonic films were box office successes. Sonic the Hedgehog 2 earned $72 million in its opening weekend at the domestic box office this month, an especially high figure during the pandemic era.

If Exploding Kittens is still a part of your party game repertoire several years later, Netflix has just the news you were hoping to hear. The streaming service is introducing an "exclusive" version of the Exploding Kittensmobile game as well as an animated TV series. The adult-oriented show will be executive-produced by card game creators Elan Lee and Matthew "The Oatmeal" Inman as well as veterans like Mike Judge, and will star well-known personalities including Lucy Liu (Kill Bill) and Tom Ellis (Lucifer).

The series revolves around a holy war that sees God and the Devil visit Earth in the form of beefy house cats. It won't stream on Netflix until 2023, but the upgraded game is due in May with two new cards and promises of future gameplay based on the show.

Netflix is keen to note this is will be the first time it launches both a game and a series from the same franchise (Stranger Things doesn't count, apparently). While the game certainly wasn't built from scratch, the company not-so-subtly hinted that it might repeat this simultaneous development strategy going forward — don't be surprised if more games and shows arrive in tandem.

You probably didn't get to watch Nintendo's first anime movie when it premiered in Japan in 1986, but you now have your chance — at quality you would never have experienced in theaters. Polygonnotes Femboy Films has released a 4K remaster of The Great Mission to Rescue Princess Peach on both YouTube (below) and the Internet Archive. You can not only expect clean, color-corrected visuals based on a rare 16mm print, but new English subtitles and a fresh two-channel Dolby Surround audio capture from the VHS release.

The story isn't exactly revolutionary, but it's an intriguing peek at the Super Mario Bros. franchise at a time when the canon was far from settled. Mario and Luigi travel from the 'real' world into the Mushroom Kingdom to rescue Princess Peach after briefly escapes into their realm and is captured by King Koopa (Bowser). You can expect many references to the original Super Mario Bros. game, but you'll also find unusual deviations from the now-established premise. Mario and Luigi work at a grocery store, and they're compelled to save Peach thanks to a Dumpling Dog character. And did we mention Luigi drinks sake?

Whatever you think of the plot, this is a significant film preservation project. Great Mission was only officially released in Japan, and there was just one run of VHS tapes. If it weren't for the restoration, the anime might have been lost to modern audiences. The remaster should ensure that younger gamers have a glimpse of early Super Mario culture beyond emulated games or the not-so-stellar American movie from 1993.

Famed electronic instrument maker Roland is celebrating its 50th anniversary today by teaming up with boutique publisher Bjooks to announce a coffee table book that tells its story. Inspire The Music: 50 Years of Roland History is a 400-page tome that delves into the tech, people and culture behind the company.

The book includes several chapters that explore Roland products and their impact on certain music scenes. Roland and Bjooks say Inspire the Music explains the context and history of the Jupiter-8 Synthesizer, Boss guitar pedals, TR-808 Rhythm Composer and TB-303 Bass Line. The book will cover other gear, such as keytars, grooveboxes and V-Drums, as well as how the Octapad SPD-30 percussion pad became a staple of modern music in India.

In addition, Inspire the Music features dozens of interviews with artists and Roland designers. You can expect to hear from the likes of Johnny Marr of The Smiths, DJ Jazzy Jeff, guitarist Nita Strauss, Sister Bliss of Faithless, Orbital, Peaches, Swizz Beatz, Jean-Michel Jarre and Nick Rhodes and Roger Taylor of Duran Duran.

Bjooks came to prominence through Kickstarter, and has published glossy books on topics such as guitar pedals, modular synthesis and interface design. In 2020, it teamed up with Moog for a book featuring tips and tricks for the semi-modular Mother lineup.

Inspire The Music will be released this summer. Pricing has yet to be revealed.

Roland/Bjooks

This week, WhatsApp began rolling out emoji reactions. And it looks like the company could soon implement another overdue feature. With the latest beta release of its iOS app, WhatsApp has added an option that allows users to limit specific individuals from seeing their “Last Scene” status, according to WABetaInfo.

If you’re not familiar with that part of WhatsApp, it’s the feature that indicates when someone last checked the app, and it’s a way to find out if a contact may have potentially seen your message even if they have read receipts turned off. For a while now, WhatsApp has allowed you to limit who sees your status to only your contacts. You can also disable the feature altogether, but you haven’t had the ability to prevent specific individuals from seeing that information.

However, WhatsApp iOS beta version 22.9.0.70 adds a new “My Contacts Except…” option under the Last Seen section of the app’s privacy settings. According to WABetaInfo, adding an individual to that list also prevents you from seeing their status. The outlet says WhatsApp is also implementing more granular privacy controls for both profile photos and about sections. With the feature now in beta testing on both Android and iOS, it likely won’t be long until it’s officially available in WhatsApp.

China has signaled it will begin actively enforcing regulation that forbids the livestreaming of unauthorized games. Per Reuters, the country’s National Radio and Television Administration said on Friday all internet platforms are “strictly forbidden” from streaming titles that the government has not approved.

According to video game industry analyst Daniel Ahmad, China has always required that games be officially licensed before they can be distributed or streamed within the country, but it rarely enforced the latter ban. That behavior allowed games such as Elden Ring, a title that’s not officially approved for sale in China, to find substantial audiences on platforms like Huya. Ahmad notes that FromSoftware’s latest garnered approximately 17 million cumulative daily average viewers in its first week of release.

“What this means in practice is that unless your game is approved by the [National Radio and Television Administration], it is going to be very difficult for it to get visibility via live streaming, short video, advertisement or other platforms [and] channels,” Ahmad said.

China has become increasingly tough on video games in recent years. Last summer, the country began enforcing a three-hour weekly limit on the amount of time children can play online video games. At the time of the ban, a state-owned news outlet described the medium as “spiritual opium.” The National Radio and Television Administration employed similar rhetoric, claiming issues like teenage addiction necessitated the need for urgent action on video game livestreaming.

Elon Musk, who until the last week or so, was known on Twitter mainly for trolling and incurring the wrath of the SEC, has now set his sights on taking over the platform. Speaking at a TED conference on Thursday, the Tesla CEO positioned his $43 billion hostile takeover bid not as something he wants to do, but as something he feels is “important to the function of democracy.”

“It's important to the function of the United States as a free country and many other countries,” he said. “Civilizational risk is decreased, the more we can increase the trust of Twitter as a public platform.”

That may sound like a lofty goal — and it’s not that different from how Jack Dorsey and other Twitter leaders have talked about the platform — but Musk’s actual ideas for making Twitter more “trustworthy” are bizarre and sometimes contradictory. It suggests he has little understanding of how Twitter works, much less how to run the company.

During the interview, Musk repeatedly stated he believed speech on Twitter should only be constrained by what’s legal. Twitter, he said, should “err on the side of, if in doubt, let the speech exist.” He said that permanent bans should be used sparingly. “A good sign as to whether there's free speech is, [if] someone you don't like is allowed to say something you don't like, and if that is the case, then we have free speech.”

Besides being a somewhat narrow view of free speech, Musk’s own track record would appear to be at odds with this statement. While he has zero experience running a social media company, his actions as Tesla’s CEO suggest there are many scenarios in which he is notably less committed to absolute free speech.

As Quartzpoints out, Musk has reportedly fired numerous Tesla workers who disagree with him. Recently, one employee was shown the door for posting videos to his personal YouTube channel that depicted flaws in Tesla’s self-driving software running on his own vehicle. Musk also reportedly tried to force a law firm, hired by Tesla and SpaceX, to fire an associate who had previously worked for his arch-nemesis the SEC, in an apparent retaliation for the lawyer’s involvement with the agency’s investigation of Musk. Incidentally, Tesla has faced allegations of discrimination and is currently contending with a lawsuit from the state of California over its treatment of Black employees.

Trust and safety experts were also quick to point out that a lack of content moderation actually has a chilling effect on free speech. “Effective moderation is not inherently in conflict with free speech,” Samidh Chakrabarti, Facebook’s former head of civic integrity tweeted. “It is required for people to feel free to speak.”

This is more than just theoretical. Just ask former CEO Dick Costolo who famously presided over one of the most toxic eras in Twitter history thanks to a hands-off approach to content moderation. It was under his tenure as CEO that Gamergate and other targeted harassment campaigns were able to drive scores of users off the platform. Costolo later admitted that his failure to deal with trolls was a huge mistake.

Others pointed out that less moderation would quickly result in Twitter being overrun with spam and other shady — yet entirely legal — content. Even Musk seemed to contradict himself on this point, saying that a “top priority” would be to rid Twitter of the “spam and scam bots and bot armies” that frequently impersonate him.

Away from the culture war battles over "free speech," Twitter is facing significant challenges of its own. The company is still in the middle of a big shift, changing many of its core features in an effort to find new sources of revenue. It still has aggressive growth targets for users and revenue that would prove challenging even for seasoned Twitter insiders — which Musk is not.

And Musk doesn’t even seem to know what he actually wants. He acknowledged that he was unsure of if he would be able to pull off actually buying Twitter (other shareholders seem to agree on that point) and claimed to be unconcerned with making money from his investment. He claimed to have a “plan B,” but didn’t share details. He also admitted that his tweets are little more than a “stream of consciousness” he sometimes composes while on the toilet.

As with so much else he does, it’s impossible to tell if he really wants to fully control Twitter or if all this is yet another elaborate troll. It could be both.

“I do think this will be somewhat painful,” he mused. On that, at least, he’s spot on.

This week, Cherlynn and guest co-host Sam Rutherford discuss the new Nintendo Switch Sports games, a coincidental week of beauty gadget coverage and the ongoing saga of Elon Musk trying to own Twitter. We also go over Activision Blizzard’s new Chief Diversity Officer and Meta laying claim to almost half of all digital asset sales in its virtual world.

Listen below, or subscribe on your podcast app of choice. If you've got suggestions or topics you'd like covered on the show, be sure to email us or drop a note in the comments! And be sure to check out our other podcasts, the Morning After and Engadget News!

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Topics

• Nintendo Switch Sports – 1:53

• Checking out the Theraface Pro and PMD Personal Microderm Classic – 14:56

• Elon Musk isn’t done with Twitter, might be trying to buy the company – 23:59

• Blizzard has hired a Chief Diversity Officer to help sort out its whole mess – 36:31

• Meta wants a 47.5% cut on all items sold in the Metaverse – 40:45

• Vivo’s X Fold has a fingerprint reader on both screens – 44:28

• Sonos bought a startup that makes speakers powered by light – 48:53

• Working on – 53:52

• Pop culture picks – 55:14

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Hosts: Cherlynn Low and Sam Rutherford
Producer: Ben Ellman
Livestream producers: Julio Barrientos, Luke Brooks
Graphics artists: Luke Brooks, Brian Oh
Music: Dale North and Terrence O'Brien

If Elon Musk is indeed able to buy Twitter, the platform could look a lot different. In his first public, non-tweeted comments since the saga began, Musk addressed why he wants to buy the company, and changes he would want to bring about.

“Twitter has become kind of the de-facto town square,” he said. “It's just really important that people have both the reality and the perception that they're able to speak freely within the bounds of the law.”

In terms of specific changes, Musk said Twitter should open-source its algorithms and minimize the interventions it takes in policing content. “Any changes to people's tweets — if they're emphasized or de-emphasized — that action should be made apparent,” he said. “So anyone can see that that action has been taken so there's no sort of behind-the-scenes manipulation, either algorithmically or manually.”

He added that the underlying code behind the algorithm should be available on GitHub, so that users could inspect it themselves.

Musk also spoke about his philosophy on content moderation, namely that there should be very little of it. “I think we would want to err on the side of, if in doubt, let the speech exist,” he said. “I'm not saying that I have all the answers here.” He repeated several times that his preference would be to allow all speech that is legal, and that he dislikes measures like permanent bans. “I do think that we want to be just very reluctant to delete things and be very cautious with permanent bans,” he said. “You know, timeouts I think are better than sort of permanent bans.”

Those comments are not likely to be well-received among Twitter employees, some of whom were reportedly extremely worried by the prospect of him joining the board.

Musk’s appearance at TED comes just hours after the Tesla CEO made a $43 billion offer to buy Twitter. That offer was the culmination of a chaotic few days for Musk and Twitter, during which he revealed that he had become Twitter’s largest shareholder, was offered a seat on the company’s board of directors, declined to join and was subsequently sued by Twitter shareholders over his delay in reporting his investment to the SEC.

Whether Musk will actually succeed in taking over the company is unclear. Twitter’s board has so far only said that it will “review” the offer. “I'm not sure that I will actually be able to acquire it,” he said. When asked if he had a "plan B," if Twitter's board were to decline his offer, he said that he did but declined to elaborate. 

As for his own Twitter feed, Musk confirmed what many may have long suspected. “I'm tweeting more or less stream of consciousness,” he said. “It's not like, ‘let me think about some grand plan about my Twitter’ or whatever. I'm like, literally, on the toilet like, ‘oh, this is funny,’ and then tweet that out, you know?”