Twitter's "official" gray checkmarks seem to making their way back to accounts owned by brands, publishers and other public figures. The website initially rolled out its official badges — the ones you can't buy with its new $8 Blue subscription service — on November 9th. But it paused deployment and pulled them back down from accounts that already had them, including Engadget's, just a few hours later. Twitter VP Esther Crawford explained that the checkmarks will be back, it's just that the social network is going to hand them out to "government and commercial entities" at first.

As The Verge reports, the badge has now started reappearing on brand and company accounts like Coca-Cola's and Nintendo of America's. Twitter's own accounts are also displaying the gray checkmark. And some publications like The New York Times, The Wall Street Journal, Bloomberg and Wired have them now, as well. It's unclear if rollout has truly started this time, and if it has anything to do with the influx of impersonator and parody accounts that have flooded the website since its $8 verification has debuted. 

Twitter

Shortly after the company's paid verification scheme went live, fake accounts shelled out for a subscription and got themselves verified. That led to legitimate-looking accounts tweeting out questionable things, such as a fake Nintendo of America posting a picture of Mario giving Twitter the middle finger and a fake LeBron James announcing that he was requesting a trade. On its support account, Twitter said yesterday that it was not "putting an 'Official' label on accounts" yet, but it's "aggressively going after impersonation and deception." The gray checkmark, however, could help people figure out if they're dealing with actual companies and public figures. 

As a response to the situation, the company implemented a new rule that blocks accounts created on or after November 9th from its $8 Blue subscription to prevent them from getting instant verification. Twitter owner Elon Musk also announced that going forward, accounts doing parody impersonation must include the word "parody" in their name, not just in their bio. That's been a part of Twitter's policy for years, but we're guessing the website will now be enforcing the rule more strictly in light of recent events. 

Netflix is finally ready to dip into livestreaming months after word emerged of its plans. The service has confirmed that Chris Rock will debut a comedy special live on the service sometime in early 2023. He's the "first artist" to receive the distinction, the company says, and the stream will be available worldwide.

The firm revealed its live show strategy following a Deadlinescoop this May. At the time, Netflix said it would focus on unscripted material like stand-up specials, competition shows and an upcoming Netflix is a Joke festival. In theory, you could vote on a reality TV series or watch a raw comedy gig with mistakes intact.

The expansion isn't a shock when some of Netflix's main rivals have at least some form of livestreaming in place. Disney+ livestreamed Oscar nominations in February, and will air live episodes of Dancing With the Stars this fall. Others focus heavily on sports. Amazon Prime Video broadcasts weekly NFL matches, for example, while Apple TV+ has Friday Night Baseball. These offerings give you a reason to either join a service or stay subscribed when you've exhausted the usual on-demand fare.

Netflix also hasn't been shy about experimenting with different formats beyond its linear movies and TV shows. It has offered trivia shows and other interactive programming, and is diving further into mobile games. Livestreams could help Netflix further diversify its content and help it avoid a repeat of this year's subscriber losses.

Netflix's The Witcher franchise is going through some major changes, with Henry Cavill, the star of the main show, set to depart. Before Cavill's swansong in season three, though, a miniseries set in the same universe will hit the streaming service, and Netflix has offered another look at it.

The latest teaser for The Witcher: Blood Origin opens with sword-elf Scian (Michelle Yeoh) carrying out a ritual before showing violence, devastation and magic in otherworldly, high-fantasy settings. The four-episode miniseries is set 1,200 years before the events of The Witcher. Scian and her cohorts will bring about the very first witcher — a monster hunter with magic powers.

The Witcher: Blood Origin will arrive on Netflix on December 25th. It could help you bide time until the arrival of season three of The Witcher, which is slated to premiere next summer.

If I’m honest with myself, my one true hobby is collecting hobbies. I play guitar and record electronic music. I picked up painting last year. (I am objectively horrible at it.) I cook. I brew beer. I dabble in DIY electronics. I’m an avid hiker. An on-again-off-again runner. I’ve flirted with boxing. Oh, and I write. Obviously.

Now I’ve added photography to the list. I explored it a bit back in high school and college, but had only picked up a camera (that wasn’t built into my phone) outside of work a handful of times since. Then in 2021, after a couple of years exclusively using my phone’s camera for review photos, I decided I desperately needed to upgrade. I eventually settled on the Fujifilm X-T30, in part because I had a limited budget. But, while I went out in search of an affordable workhorse to up my photo and video game at Engadget, what I ended up with was the perfect camera to rekindle my interest in the art of photography.

Terrence O'Brien / Engadget

Let’s start with what attracts many people to the Fujifilm family in the first place: the controls. My first photography experiences were with film. Sure, it’s been a long time since I last used a film camera, but at least I have some level of comfort there. Unlike most digital cameras, Fujifilm’s X series mimics the look and feel of a 35mm film camera. There are dedicated dials for shutter speed and exposure compensation, and many of Fuji’s first-party lenses have physical aperture rings. If I had sprung for the X-T3 I’d have even gotten a dedicated ISO dial. But there are two programmable dials that can be mapped to control ISO and aperture, even if you’re using a lens without an aperture ring.

This makes the X-T30 far more tactile and satisfying than other digital cameras I’ve used, whereas I would usually just put them in aperture priority and forget about it. Without a PASM dial (Program, Aperture priority, Shutter priority and Manual) as a crutch, I’ve been forced to learn the camera’s various options inside and out. I also have to think more carefully and critically about each exposure. Yes, you can essentially put the X-T30 in shutter or aperture priority mode by changing certain settings to auto, but you can’t just turn a dial and be done with it.

Terrence O'Brien

The other big thing for me is the film simulations. Fuji cameras have a built in set of profiles that are supposed to mimic particular film stock. Think of them kind of like Instagram filters, but less terrible. Astia is tuned for portraits, Velvia is perfect for landscapes, Eterna gives you that low-contrast cinematic look, and so on.

And that’s just scratching the surface: You can tweak the settings further to fine-tune your straight-out-of-camera (SOOC) JPGs to achieve various styles and approximations of other films. There’s even a whole little Fujifilm subculture dedicated to “film recipes” that aim to capture the general vibe, if not the look of many classic film stocks. One of the best resources for this is Fuji X Weekly, where Ritchie Roesch shares and shows off various recipes to try and recreate things like Kodak’s Portra 400 or Ilford Delta.

Because I’m someone who likes to obsess over tiny details and tweak things, this is perfect for me. When I first discovered Fuji X Weekly I spent several days going through the recipes that were compatible with my particular camera (and some that weren’t), punching in the settings and taking test photos, saving my favorites to Evernote for easy recall. Fuji makes it simple to load up to seven of these presets with the Q menu, so I can essentially go out with seven different “films” loaded in my camera and switch between them as the situation dictates.

What I like most about this setup is that I can just go out and shoot, and come back with great looking photos that don’t need any editing. I can decide in the moment: Would this be better with a warmer color palette? Should I be turning up the saturation here? How would this scene look in high-contrast black and white? And I don’t need to do a lot of menu diving to test different looks out.

Terrence O'Brien

I always shoot in RAW + JPG, in case I change my mind later or if something doesn’t come out quite how I wanted. But being able to basically see the finished product and focus on actually composing photos, as opposed to spending even more time sitting at a laptop is great. It’s exactly what I need in a hobby: less staring at a computer screen.

Without getting absurd and gimmicky – artificially limiting how many pictures I can take or using only one preset for at least 24 shots in a row – this feels about as close to shooting film as I’m gonna get on a digital camera. And while, yes, I know I could always just go back to shooting on film, I’d really rather not. I like many of the modern conveniences afforded by a digital camera. Plus, 35mm film and quality development services have gotten quite expensive. Even expired rolls of lower-end stock can fetch a decent price on Craigslist.

It’s not all roses, though. The X-T30 is limited to recording 10 minutes of 4K video at a time, which can make shooting reviews a PITA. And, perhaps more importantly, I may have joined the Fujifilm flock at the exact wrong time. For years the company cultivated a loyal fan base with its philosophy of “kaizen,” which saw it continuously updating even older devices to bring new features and bug fixes. Unfortunately, the company has started to move away from that in recent years.

The X-T30 last received a firmware update over one year ago, in early October of 2021, and that was almost entirely minor bug fixes. It wasn’t even three years old at that point. The company introduced the X-T30 II around the same time which from a hardware point of view is almost identical, but it has a host of new software features and film simulations. There seems to be no technical reason that many of those features couldn’t be ported over to the slightly older camera, especially the film sims, but Fuji has left some of its users out in the cold.

Terrence O'Brien / Engadget

Here’s hoping Fujifilm remembers that it attracted dedicated followers by focusing on the experience and delivering regular meaningful updates to users. Because, while I love my camera, and do think it is probably the best camera for me, I’m a little concerned that I discovered the Fuji community just in time for it to evaporate.

Twitter has altered the rules for its $8 Blue subscription service to prevent new accounts from getting a blue checkmark. Yesterday evening, the company edited the service's help page to add that accounts created on or after November 9th, 2022 "will be unable to subscribe to Twitter Blue at this time." The website also added that Twitter Blue is only available on iOS for users in the US, Canada, Australia, New Zealand and the UK, with plans to expand in the future. 

While Twitter didn't explain why it's putting the restriction on new accounts, the move came after an influx of impersonators got verified by paying for the service. "Twitter's current lords & peasants system for who has or doesn't have a blue checkmark is bullshit," the website's new owner, Elon Musk, tweeted earlier this month before details about the revamped subscription service were revealed. Yesterday marked the launch of the new Twitter Blue, and it allowed people to get the formerly elusive blue checkmark by paying for its perks that include instant verification. 

The internet being the internet, people quickly realized that they can pretend to be someone else and that the checkmark could help them fool unsuspecting users. A bunch of impersonators popped up on the website, including one claiming to be LeBron James who tweeted that the basketball star was requesting a trade. A fake Nintendo of America account tweeted a photo of Mario giving Twitter the middle finger, while a fake Valve account tweeted about a new competitive platform. Twitter started banning them after a few hours. The new rule could help curb the number of fake accounts, but it's unclear how Twitter plans to address the issue going forward — it can't lock new users out of Blue forever. 

While Twitter's blue checkmarks are now for sale, it has another smaller, gray checkmark reserved for public figures. It started rolling out these "official" checkmarks yesterday, but it quickly pulled them back down and will hand them out to "government and commercial entities" first. 

In 2021, Twitter launched an in-app tipping feature that people can use to send money to creators, but it needs to be connected to a third-party payment processor to work. If Elon Musk's vision for the social network comes true, though, Twitter may have a payment system of its own. 

Twitter's new owner and temporary CEO has discussed his plans for the social network in a Spaces Q&A for advertisers. One of the things he revealed is that he envisions a future wherein users can connect their bank accounts to Twitter, enabling them to send money to each other. While it will likely take a long time before we see that happen, if it actually does, The New York Times has confirmed that the company filed registration paperwork to process payments with the Treasury Department's Financial Crimes Enforcement Network (FinCEN) last week. 

In the Spaces discussion, Musk spoke about the feature in relation to creators. He talked about how the website needs to enable monetization for creators to entice them to post their work on the platform. "Now we can say that, okay, you've got a balance in your account, do you want to send money to someone else within Twitter?" the executive said. He also discussed how users will be able to take money out of Twitter by linking their bank accounts, hinting at a system similar to PayPal, which he helped found. The company might even offer an "extremely compelling money market account," as well as debit and credit cards, if things work well. 

This is but one of the changes Musk has planned for the social network. The $8-a-month Twitter Blue subscription that gives users access to instant account verification was one of the very first changes he implemented after taking over the company. Twitter will still verify government entities, celebrities, publishers and other public figures with a second gray "official" checkmark, but the big blue checks are now reserved for paying subscribers. This unpaid checkmark started rolling out yesterday before Twitter stopped its deployment and pulled it back to focus on "government and commercial entities" first.

Elon Musk is trying, once again, to sell his vision of Twitter’s future to the company’s advertisers. Musk, who by all accounts has yet to address Twitter’s remaining staff as a group, joined an hour-long “town hall” to take questions from advertisers and share more about his plans for the platform.

The company’s advertising business has taken a significant hit in recent days as a number of major brands have pulled back from the platform and activists have called for a boycott. Musk said last week that these actions had caused a “massive drop in revenue” for Twitter.

In his talk on Twitter Spaces, Musk tried again to reassure advertisers that their brands would be safe on the platform. He said that ads appearing next to hate speech “isn’t great” and pitched the newly launched Twitter Blue as a way to decrease hate speech on the platform. Under the new Twitter Blue, brands will need to pay for the blue check like all other accounts, Musk said. He added that anyone impersonating a brand would be permanently banned from the service.

He also said that he hopes to make Twitter ads a lot more relevant, and wants to integrate ads into recommended tweets. The goal, he said, was to “drive sales in the short term and protect the demand in the long term.”

Notably, he struck a much different tone than in recent tweets when he threatened “a thermonuclear name and shame” for advertisers boycotting the platform. “I understand if people kind of want to give it a minute and see how things are evolving,” he said. “We've been more rigorous about clamping down on bad content and bots and trolls, not less. So my observation of Twitter over the past few weeks is that the content is actually improving, not getting worse.” He added that brands and advertisers should be more active on the platform and that if they see something they don’t like they should “reply to one of my tweets and I’ll do my best to respond.”

Musk also talked more about his philosophy on content moderation, though he didn’t share any concrete changes to Twitter’s policies or how its moderation council might function. "We have to be, I think, tolerant of views we don't agree with, but those views don't need to be amplified," he said.

He also stated that he has plans to make Community Notes, the crowd-sourced fact checking feature that used to be known as Birdwatch, a more central part of the platform. “This is really gonna help in improving the accuracy of what's said in the system.” He also suggested that Community Notes would have an impact on the visibility of content on Twitter. “It's analogous to the way sort of Page Rank works in Google, where the the prominence of a webpage is proportionate to how much weight other prominent web pages give that web page. I think it’s a game changer.”

Sony has revealed another selection of games that will be available to PlayStation Plus subscribers on the Extra and Premium tiers. The headliner for many folks is one of the most beloved games of all time, The Elder Scrolls V: Skyrim (a game from Microsoft-owned Bethesda Softworks, fact fans). The special edition of the classic 2011 RPG includes updated visuals and other features.

Subscribers will soon be able to play three of Ubisoft’s Tom Clancy-branded games at no extra cost: Rainbow Six Siege (both the PS4 and PS5 versions), The Division 2 and Ghost Recon Breakpoint. Several Kingdom Hearts games are on the way as well. You'll get access to Kingdom Hearts HD 1.5 + 2.5 ReMIX (a remastered collection of four games), Kingdom Hearts HD 2.8 Final Chapter Prologue,Kingdom Hearts: Melody of Memory and the most recent mainline entry in the series, Kingdom Hearts III.

On top of that, you'll be able to check out Oddworld: Soulstorm – Enhanced Edition (which features a new game mode) and space shooter Chorus. PS4 and PS5 versions of both games will be available. Also on the docket are classic indie walking sim What Remains of Edith Finch, puzzle title The Gardens Between, Earth Defense Force: World Brothers, Earth Defense Force: Iron Rain and Onee Chanbara Origin.

There are some worthy PS3 titles coming to the Premium lineup this month, in the form of five more Ratchet & Clank games. You'll get access to Ratchet & Clank, Ratchet & Clank 2: Going Commando, Ratchet & Clank: Up Your Arsenal, Ratchet & Clank: Deadlocked and Ratchet & Clank Future: Tools of Destruction. 

These games will be available on November 15th. It's a pretty solid batch of additions to PS Plus Extra and Premium. Perhaps these titles will help Sony gain back some of the PS Plus subscribers Sony has lost in recent months.

Following a false start over the weekend, the new Twitter Blue has arrived. Priced at $8 per month in the US, the service grants subscribers access to instant account verification and an accompanying blue checkmark that shows up on their profile page and alongside their tweets. As of the writing of this article, the subscription isn't available on Android. It's also unclear when Twitter Blue will arrive outside of the markets where the service was already available before today.    

The other perks Twitter owner and CEO Elon Musk announced would be part of the package, including the ability to see half as many ads and post longer videos, also aren't available yet, with the subscription prompt listing those as "coming soon." Notably, the signup form lists the $8 monthly price as a "limited-time offer."       

Developing...

Spotify is giving its Apple Watch users some love, adding UI and playback upgrades that more closely align with the familiar experience from larger screens. In an update that starts rolling out today, watchOS users will see a beefed-up Your Library view with more in-depth music controls and the ability to download playlists without going back to your iPhone.

Before today's update, Spotify's Apple Watch features were rudimentary. For starters, the app displayed the Your Library view as a text-only list of titles. The new update provides a more attractive UI, including artwork thumbnails. In the watchOS app's old version, once you tapped on an album or playlist, it would immediately launch playback without letting you choose any options beforehand. The new update adds a screen with two prominent buttons for downloading and shuffling your music.

Spotify initially added offline playback in an update from May of last year, but that version still required you to use your iPhone to choose offline music, and you could only download individual songs to your wearable. Downloading entire playlists and albums without pulling out a phone will be a welcome addition for Apple Watch owners. The new update also lets you swipe to like a song from the list view, a gesture already familiar to users of the Spotify iOS app.

Spotify

Today's update also improves Apple Watch podcast playback, letting you view your listening progress and pick up right where you left off. The previous version would always restart podcasts from the beginning.

In addition to the Apple Watch app upgrades, Spotify also highlighted new tap-to-listen controls for Meta's Ray-Ban Stories and music curation for the overhead boarding music on Delta airlines. The company also announced support for the “Ambient Experience” that displays playlist or podcast artwork on Fire TV Omni QLED Series TVs when you aren’t watching anything. Owners of the $800 and up television can scroll through their music using either the TV's remote control or Spotify Connect devices.