Stop me if you've heard this one before: Dead Island 2 will arrive later than expected. The zombie-smashing game re-emerged in August with a trailer, gameplay video and a firm release date of February 3rd. As it turns out, that release date was actually malleable. Publisher Deep Silver and developer Dambuster Studios have pushed Dead Island 2 back to April 28th.
"The irony of delaying Dead Island 2 is not lost on us and we are as disappointed as you undoubtedly are," a note on the game's Twitter account reads. "The delay is just 12 short weeks and development is on the final straight now. We're going to take the time we need to make sure we can launch a game we're proud to launch."
Dead Island 2 was announced all the way back in 2014. The project has twice moved to a different studio, with Dambuster taking over in 2019, and it's finally coming to fruition.
The sequel to 2011's Dead Island will be available on PS4, PS5, Xbox One, Xbox Series X/S and the Epic Games Store, and it will be the first game to use an Alexa-powered voice command feature. You'll be able to find out some more details about the game during a showcase on December 6th. The livestream will be available on YouTube, Twitch and the Dead Island website.
Everyone needs a hobby, right? And chances are you know at least one person on your holiday shopping list who fancies themselves a musician. Whether they’re a casual guitarist, a former piano prodigy or a bedroom producer of electronic music we’ve got some recommendations. Some of these even make a great gift for music lovers who haven’t quite made the jump yet. Perhaps getting a synthesizer tinker toy will inspire your loved one to go from a consumer to a maker.
Soma Laboratory Ether
Engadget
If you know someone who believes there’s music all around, if you can just train yourself to listen for it, I have the perfect gift for them. The Soma Labs Ether is sort of like a microphone. But not one that you sing into. Instead, it picks up electromagnetic interference and radiation from across the entire spectrum from Hertz to Gigahertz. Soma likes to refer to it as an anti-radio since it doesn’t tune into one frequency, it tunes into all the frequencies. With the Ether your sound-loving giftee can eavesdrop on neon signs and sample the silent whine of an AC adapter. It’s literally a gateway to an invisible world of electromagnetic waves. And the particularly adventurous can even wield it as a live instrument.
Modular synthesis has been enjoying a revival over the past few years. But getting into Eurorack can be intimidating and very expensive. So a number of companies have been working to lower the barrier to entry. If there’s someone on your list that has been itching to dip their toes in, the West Pest and East Beast from Cre8audio are an excellent starting point. They’re self-contained semi-modular synths, so they don’t need any extra gear to start experimenting. But they’re Eurorack compatible, and can be removed from their cases and mounted in a larger system if they wind up going deeper down that rabbit hole.
We like the West Pest in particular because, in addition to being perhaps the most affordable Eurorack compatible semi-modular synth out there, it explores the more experimental world of west coast synthesis. As the music gear experts at Reverb note “the combination of Wavefolding with the Dynamics Controller (a take on the low-pass gate) gives the synth its bold, unique and adventurous sound.”
Every music lover and music maker needs a good pair of headphones. There are so many amazing sets out there to choose from, but I remain a dedicated fan of Sony’s affordable workhorse the MDR-7506. They’ve been a studio mainstay for decades for good reason. They’re natural sounding, light and comfortable enough to wear for hours, and reasonably priced. The MDR-7506s are equally at home monitoring a podcast, mixing a club banger or just listening to some vinyl. In short, they’re a great practical gift even if you’re operating under a tight budget.
The original Orba is a phenomenal fidget toy and an interesting MIDI controller. The Orba 2 is both those things and a sampler. Adding sampling to this little musical grapefruit greatly expands its flexibility. If you know someone who’s constantly tapping out rhythms or humming little melodies to themselves, they’ll probably love an Orba.
Cheap and portable synths are a dime a dozen these days. Korg really kicked off something of revolution with its Volca line. But one thing we’d yet to see until Roland launched its Aira Compact line, was a portable and affordable box dedicated to vocal effects. The E-4 Voice Tweaker combines pitch correction, a harmonizer, a vocoder, plus pitch and formant shifting, and a looper. There’s also delay, reverb and chorus effects, not to mention Roland’s signature Scatter, which it turns out is much better on vocals than drums. If there’s anyone on your list who’s been trying to turn themselves into the next Bon Iver or late ‘70s Herbie Hancock, this will at least get them part of the way there.
Where to begin with the Habit? It’s a delay pedal – which almost every musician can use. But it’s so much more. It’s a looper, sort of. Chase Bliss calls it a musical sketchpad, and that can be true too. It does all of those things, plus it has a selection of unique modifiers that can chop up sounds in rhythmic ways, mimic the warble of a tape machine, or spit out what can only be described as unicorn sparkles. In short, there’s almost nothing else like it out there. If there’s a guitarist or a synth player on your list with a taste for the esoteric (and you don’t mind splurging), they’ll probably love the strange collection of sounds that Habit puts at their feet.
The 1010Music Nanoboxes are probably the smallest full-featured hardware synths out there. But the Lemon Drop also has the distinction of being one of the only dedicated granular synths on the market. If your giftee is into ambient music or oddball textures they will almost certainly love the Lemon Drop. It has a robust granular sound engine (meaning it chops up sound files into tiny bits and spits them back out) with up to 16 granulators per voice and four voice polyphony. Plus it doubles as an effects processor for live audio with an expressive X/Y pad mode for changing parameters. And it can easily fit in a jacket pocket.
The Mavis is the cheapest way to give someone the gift of a real-deal Moog synthesizer. It’s a $350, pseudo-DIY, semi-modular, monophonic synth and, in a rarity for the company, it’s fully Eurorack compatible. It’s capable of getting that classic Moog sound with thick square and saw waves shaped by resonant lowpass filter. Its 24-point patchbay is an impressive collection of utility and sound-shaping tools that is not only great for learning the art of synthesis but also expanding the potential of a larger modular setup. Lastly, the Mavis is the first time Moog has dipped its toes into the rival world of West Coast synthesis by including a wavefolder. It’s a great gift whether it’s someone’s first synth of fiftieth.
Part of the fun of holiday shopping is finding fun weird things that you know someone would appreciate, but are so impractical they’d never buy it themselves. That’s basically the Rainger FX Minibar in a nutshell. It’s a distortion pedal, and also an endless supply of different distortion pedals. See, on its own it doesn’t do anything. The “Liquid Analyzer” part of the name comes from the fact that there’s a tiny container on top that you need to fill to complete the circuit. And, the sound will change based on what you put in there. Water will have an obviously different effect than say, beer, or soda, or – if you’re metal enough – blood. The folks at Reverb love it because “the Minibar is easy to incorporate into musicians’ small pedalboards… meaning folks can experiment without too much of a space commitment.”
I firmly believe that every guitarist should have an amp sim in their arsenal. They’re handy for quietly practicing late at night, recording direct to a DAW, or building a lightweight live rig that connects to a venue’s PA. Universal Audio’s are among the best amp sims I’ve ever used. They’re not cheap at $400, but if there’s a person on your list you want to splurge on, these are a worthy consideration. While all three of the models are excellent, and my personal favorite seems to change from week to week, it’s probably the Ruby ‘63 Top Boost that has spent the most time on my board.
The Ruby is an emulation of the classic Vox AC30 which has been used by everyone from the Beatles, to U2, to REM, to Queen. Reverb’s experts love that it “delivers choirboy cleans, complex overdrive, and classic vibrato to mimic a classic British tube amp.” Plus you can tweak the Ruby’s sound by turning on popular mods or switching in different speaker emulations.
The Century Collection is another splurge, but it’s the gift that keeps on giving. For $400 your giftee will receive every sample pack, virtual instrument and effect plugin that Pure Magnetic makes for the next 100 years. On day one they’ll get access to around 100 sample packs covering everything from vintage synth pads, to circuit bent toys, to early digital drum machines.
But perhaps even more interesting are the 39 VST plugins that range from lo-fi keys to absolutely out of this world effects. The creative delays and strange micro loopers are highlights and perfect for the person who’s into more ambient and experimental music. Then there’s Lore, an “advanced sound design workstation” that’s updated on a monthly basis with new features and effects. Even if someone manages to outlive the length of their Century Collection membership, they’ll probably never be able to fully explore it all.
Anyone who practices some sort of creative art – be it music, painting or writing – hits a block at some point. There’s tons of advice out there on how to overcome these hurdles, but one of the most famous is easily the Oblique Strategies deck. Developed by Peter Schmidt and Brian Eno in 1975, each card contains an action or a way of thinking designed to shake up your approach to a thorny creative problem. “Use an unacceptable colour,” “Make a sudden, destructive unpredictable action; incorporate” and “Emphasize the flaws,” are the sorts of vague instructions you can expect. And how someone interprets the prompts will produce different results for each person. If you’re shopping for anyone with a creative streak, they’ll find a use for this deck.
If you’re gift shopping for a music producer I can almost guarantee you they’re fans of J Dilla. He was a singular force in hip-hop, and has even had his MPC displayed at the Smithsonian. Dilla Time by Dan Charnas chronicles not just the life of Dilla (James DeWitt Yancey), but his legacy and the history of rhythm in America. In addition, there are graphics that help illustrate the concepts behind Dilla’s unique beats and what made him so special. It’s part biography, part history lesson and part practical music production guide.
If there’s an aspiring songwriter on your list, consider picking them up a copy of How to Write One Song. Written by Jeff Tweedy of Wilco, this tome breaks down the process from beginning to end and encourages readers to start small; don’t try to become a “songwriter” just try to write a song. But this isn’t a rote how-to book, that sort of thing is only so helpful when it comes to mastering an artistic craft. It’s about building creativity into your everyday life. And just like any other skill, being creative requires practice.
A turntable is almost a necessity for any music lover or music maker. For one, it’s a way to listen to the artists they love. Whether that’s for pure enjoyment or for inspiration. And while there are plenty who think that vinyl just “sounds better,” I think the real reason it beats out streaming from Spotify: It’s tangible. There’s nothing quite like physically holding a piece of music, placing the needle in a groove and looking at the large cover art, or reading the liner notes. It connects a person to the art more and forces them to be a more active participant in its consumption.
Now, the AT-LP120XUSB is not the highest-end turntable in the world. And it might not even be the best bang for your gift-giving dollar. But it is excellent sounding and reasonably priced. And the USB port makes it easy for any aspiring music producers to sample straight to their DAW. Maybe, just maybe, it will inspire a life-long love of crate digging.
On December 16th, a hyper-realistic avatar of the late East Coast rap legend Notorious B.I.G. will be holding a concert and performing tracks from his catalogue in Meta's Horizon Worlds. The show, which will use a virtual recreation of 90's era Brooklyn as a backdrop, will also feature performances by guest artists like Bad Boy Records founder Sean "Diddy" Combs and a narrative journey of Biggie's life by American music journalist Touré
Not everyone's impressed that Meta is bringing an artist back from the dead in avatar form, of course, and the effort was met with a deluge of criticism in HotNewHipHop's tweet about the project. Meta said, however, that it received the blessing of The Notorious B.I.G. Estate and that the concert will celebrate his life and legacy. Touré, who was in charge of the narrative aspect of the concert, also said that he "interviewed Biggie's mother and sat in her kitchen, so she knows that [he loves] her son and will take care of his legacy."
Meta's Horizon Worlds is the company's social universe that can be accessed using a Quest headset. Viewers with the a headset will be able to watch the premiere in virtual reality on December 16th, but they can also stream it on Meta Quest TV after it debuts. Fans who don't have a Quest will have to make do with a 2D version of the show, which will be streamed at The Notorious B.I.G.'s official Facebook page.
It's worth noting that 10 years ago, AV Concepts and Dr. Dre's production company brought back Tupac, whose feud with Biggie was well documented, as a hologram for Coachella. Over the past years, the technologies that can bring artists back from the dead have grown even more advanced. We'll likely see more events like this going forward, and we can only hope that the companies behind the projects will treat the artists' legacy with respect.
Blizzard Entertainment will be suspending key games like Overwatch 2 and World of Warcraft in China because it failed to reach an agreement with partner NetEase, it announced. Those titles along with Hearthstone, Starcraft, Heroes of the Storm, Diablo III and Warcraft III: Reforged will be unavailable in China starting on January 23, 2023. Diablo Immortal, which arrived earlier this year, won't be affected as it's covered by a separate agreement, according to NetEase.
"The two parties have not reached a deal to renew the agreements that is consistent with Blizzard’s operating principles and commitments to players and employees, and the agreements are set to expire in January 2023," Blizzard said in the press release. "We will suspend new sales in the coming days and Chinese players will be receiving details of how this will work soon. Upcoming releases for World of Warcraft: Dragonflight, Hearthstone: March of the Lich King, and season 2 of Overwatch 2 will proceed later this year."
NetEase is China's second largest gaming company and has partnered with Blizzard since 2008. It's a key player for Blizzard in the nation, helping guarantee that its games meet China's strict content requirements. The deal wasn't just about money, but also who owned the the intellectual property and player data, according to Bloomberg.
The longstanding agreement didn't appear to end amicably. "One day, when what has happened behind the scene could be told, developers and gamers will have a whole new level understanding of how much damage a jerk can make," said NetEase's president of global investment and partnership, Simon Zhu, in a LinkedIn post spotted by TechCrunch. Blizzard, meanwhile, said "we are looking for alternatives to bring our games back to players in the future."
I hope you're not yet tired of the current avalanche of video game adaptations, because another fun-sounding one is on the way. Lionsgate has picked up the rights to make a Streets of Rage movie, which is being written and produced by John Wick creator Derek Kolstad. Production companies dj2 Entertainment and Escape Artists, which are involved in the Sonic the Hedgehog movies, are on board as well.
It was reported earlier this year that Kolstad was working on a Streets of Rage movie. While the games don't exactly have a rich narrative to speak of, the beat-'em-up series fits right within Nobody writer Kolstad's oeuvre of gritty, violent action. The series seems ripe for the picking after a successful revival in 2020 with Streets of Rage 4.
“When [dj2 CEO Dmitri M. Johnson] first mentioned the idea of cracking a Streets of Rage movie, I was so immediately freaking in,” Kolstad said in a statement, according to Variety. “And to play with Sega? The 10-year-old me is still grinning.”
Lionsgate will also put out the Borderlands movie, which completed filming last year but doesn't yet have a release date. Among the many, many other movies and TV shows based on games that are in the works is a Ghost of Tsushima film, on which Chad Stahelski, the director of all four John Wick movies, is taking the reins.
Twitter might lose even more employees following the mass layoffs that halved its workforce and shortly after the company fired engineers who publicly called out its new owner. According to The Washington Post, Elon Musk gave remaining staff members an ultimatum and asked them to commit to an "extremely hardcore" Twitter going forward. "If you are sure that you want to be part of the new Twitter, please click yes on the link below," he reportedly wrote in an email that links to an online form.
So what does an "extremely hardcore" Twitter mean? The report didn't quite delve into the specifics of Musk's expectations, but the executive apparently said that it means "working long hours at high intensity." He added: "Only exceptional performance will constitute a passing grade." It's not quite clear if the move is legal for workers in countries that have rigorous labor laws. Regardless, the email said that those who don't sign the form by 5PM Eastern on Thursday, November 17th, would be let go and would receive three months of severance pay.
In addition to reporting about the Musk's email, The Post said that Twitter will be doing a postmortem on the launch of its $8 Blue subscription over the next couple of weeks, in an effort to understand why and how it had led to an influx of impersonators. If you'll recall, things got so bad that Twitter had to suspend its subscription service, which offered instant verification and, hence, gave fake accounts a semblance of legitimacy. Musk had just announced yesterday that the company is pushing back the return of Blue verification to November 29th to make sure that it's "rock solid."
The Post also saw internal information and data externally compiled by a software developer that showed Twitter Blue only had around 150,000 users by the time the website paused subscriptions. That's a tiny fraction of the 238 million daily active users Twitter said it had in the second quarter of 2022 and would only bring in $14.4 million in annual revenue.
Further, the new Blue subscription could potentially impact the website's ad revenue. Twitter earned 79 percent of its ad revenue in the US from merely 10 percent of its most valuable users, with the top 1 percent earning the website $40 a month. They're also the ones most likely to pay for a subscription, however, which means they're bound to see fewer ads as one of the perks they're paying for.
Elon Musk has set a new date for Twitter Blue’s paid verification to return: November 29th. The new date comes just a few days after the company paused the roll out and halted new sign-ups after the site was overrun by pranksters and scammers impersonating brands, celebrities and other high-profile accounts.
Musk said the return date was set to give the company enough time “to make sure that it is rock solid.” Musk didn’t say what changes may come with Blue’s relaunch, but the company has already brought back “official” labels in an effort to reassure advertisers. Musk added that verified Twitter users will be unable to change their display names without losing their checkmark “until name is confirmed by Twitter to meet Terms of Service.”
Punting relaunch of Blue Verified to November 29th to make sure that it is rock solid
Twitter, which was losing advertisers even before paid verification launched, has seen even more brands pull back from the platform since the botched rollout of Twitter Blue. In addition to the “official” labels, Musk has proposed other was companies may be better able to identify official accounts, including a suggestion that organizations will be able to “identify which other Twitter accounts are actually associated with them.” It’s unclear how that idea might fit into Twitter’s revamped verification plans.
We’ve reached out to Twitter for more information, but the company no longer has a communications team.
It’s been less than a month since Elon Musk began his chaotic takeover of Twitter but, to many, the platform already feels like it’s entered an inevitable death spiral. Advertisers are fleeing. The few remaining top executives are also leaving. Musk’s Twitter Blue rollout was a complete disaster. The FTC says it has “deep concern” about the company. Musk told employees bankruptcy is a real possibility. Former engineers say the site could break at any moment.
Unsurprisingly, the uncertainty has inspired many users to explore Twitter alternatives. Among them, Mastodon, a decentralized platform founded in 2016, has emerged as one of the top destinations for Twitter quitters. The service saw an earlier uptick in April, when Musk’s buyout was announced, but it’s seen an even bigger flood of new users since Musk’s takeover was completed.
Between October 27th and November 6th, Mastodon gained nearly half a million new users, almost doubling its user base, according to founder Eugen Rochko. Data from Similarweb, shows that the two most popular “entry points” to Mastodon, the mastodon.social server and joinmastodon.org, are getting more than four times the amount of daily traffic compared with the end of October prior to Musk taking over the company.
SimilarWeb
It’s not the first time upheaval at Twitter has driven new users to the “fediverse,” but it’s the largest exodus. And even many of those who haven’t quit Twitter entirely have begun promoting their Mastodon accounts.
But not everyone is ready — or able— to give up on Twitter. And many don’t see Mastodon as a viable substitute for what Twitter has provided.
For Beth Hyman, executive director of the SquirrelWood animal sanctuary in New York, Twitter has for years been a vital source of donations thanks to the rescue’s popular “Crouton & Friends” account. She began to grow SquirrelWood’s Twitter presence in 2018 by posting nightly videos of Crouton, a baby cow living at the sanctuary.
Now, Twitter, where Crouton has more than 65,000 followers, is one of the sanctuary’s biggest, and most reliable, sources of donations. For example, she was able to raise $30,000 for a used horse trailer in just three days in 2021, and frequently shares other fundraisers for the sanctuary. She worries about how Twitter’s current instability could affect them. “I don't want to see the income that helps keep this sanctuary going, and all these animals fed, dry up,” Hyman tells Engadget.
She says she signed up for Mastodon as well as CounterSocial after noticing a dip in her followers in the days after Musk’s takeover, but she’s skeptical she will be able to recreate her Twitter account’s success on a new platform. “Our main home base has always been Twitter. A lot of work goes into this, and it's not like you just flip the switch and walk away and reignite it somewhere else,” she says.
She’s also found that it’s just not as easy to share photos and videos of SquirrelWood’s animals — the main draw for her social media followers — on Mastodon due to its file size constraints. “We’re taking care of 70 animals, I need something that I can do on the fly very easily,” she said.
— Crouton & Friends🏳️🌈 (M_Crouton@mstdn.social) (@m_crouton) October 31, 2022
For others, the decentralized nature of Mastodon has other drawbacks. Eric Feigl-Ding is an epidemiologist who grew his Twitter following at the start of the pandemic when he was among the first to go viral tweeting about the potential threat posed by the novel coronavirus. He now uses his Twitter account, where he has more than 700,000 followers, to share updates about the pandemic and to promote public health policy.
He says he tried to sign up for the mastodon.social server only to find that it was full, and that he and some colleagues are now debating starting their own server, But he worries he won’t be able to reach the same people as he can on Twitter.
“I knew I wanted to reach policymakers, members of Congress, and journalists, basically people who care that can move the needle on this pandemic and prepare for it,” he says. “And Twitter is that platform. Twitter is the platform to get your message out. They're not sitting on Mastodon.”
Feigl-Ding, who has spent a lot of time debunking COVID-19 misinformation, also worries about the consequences of leaving. “You do not want to cede the town square to misinformation, to disinfo, to slanted views on things,” he said. “You want to be there to engage, you want to show up at the debate.”
Others worry about losing the friendships and community they’ve formed on Twitter. Steven Aquino, a tech journalist who covers accessibility, says that Mastodon isn’t a realistic alternative for many people with disabilities because it lacks many of Twitter’s accessibility features. It also just wouldn’t be the same, he says. “The whole point of social media is to be social, and for a lot of disabled people … social [media] is how they interact with other humans,” he tells Engadget.
At the same time, the fact that Musk cut Twitter’s accessibility team makes him worried Twitter itself could become less usable. “The fact that they laid off the entirety of the accessibility team says a lot about what they think about people like me, and where they want the service to be,” he says.
“There’s so much being written about what Elon is doing, and hiring and firing, and those are all important things. But there is no respect for what is the real impact on the people who use the service.”
In YouTube’s latest move to woo TikTok creators onto YouTube Shorts, the streaming giant announced today that short-term video creators would soon be allowed up to a minute of copyrighted music in their Shorts. The change is a significant boost from the previous 15-second limit for any licensed song.
YouTube says its short-form creators will be able to use between 30 and 60 seconds of licensed music “for most tracks.” However, some songs will remain on the previous 15-second limit, with licensing agreements determining which tracks fall in which window. Creators can quickly see how much time each song allows in the YouTube app’s audio picker. The new song-length options begin rolling out today and will continue “over the next few weeks” on iOS and Android.
As user-created videos have exploded during the past decade, aggressive DMCA takedown notices have become a headache for streamers on all platforms. Record labels often automate their copyright enforcement, leading to overzealous claims. For example, creators have seen their videos flagged for accidentally including a few seconds of copyrighted audio from a passing car’s stereo. Some police officers have even exploited the DMCA to their advantage, blasting Taylor Swift songs to prevent bystanders from sharing their legally recorded videos.
The song-limit boost is YouTube’s latest attempt to woo TikTok creators (and therefore viewers and ad dollars) onto Shorts. In September, the company announced an ad-revenue sharing program to give qualified creators a 45 percent cut of ad revenue, regardless of whether they use music. TikTok launched a similar sharing program earlier this year following widespread complaints about its previous “static pool of money” approach.
YouTube’s aggressive approach appears to be paying off, with Shorts tallying views from over 1.5 billion logged-in users per month. As of September 2021, TikTok had racked up 1 billion monthly users. However, given YouTube’s overall dominance in the video space, those numbers likely include people who were already on YouTube watching other content. TikTok’s numbers, on the other hand, more clearly include people looking for its distinctive short-form videos — an audience that YouTube and other media giants like Meta are continuing to chase.
Descript aims to simplify video editing by making it a matter of tweaking transcripts, but now you don't even need to have ready-made audio. The company has redesigned Descript with a new interface that includes a writing tool. You can write a script in Overdub on the fly and either use text-to-speech to vocalize your narration or replace it with your own recording later. This could mainly be helpful if your content doesn't have any spoken-word material, but it might also come in handy if you're not comfortable speaking.
The app as a whole now centers on "Scenes," or distinct visual segments (pictured above). You effectively treat moments in a video like you would slides in a presentation, with each getting its own overlays and titles. The concept is potentially easier to grasp than working with a conventional video editor's timeline. Accordingly, there are now templates with ready-made layouts, title sequences and social clips.
Other additions revolve more around features you might expect from established media editing tools. The Descript recorder is now built into the editor, with separate tracks for your screen and the camera. Color control lets you modify elements like exposure and white balance, while AI-powered chroma keying allows to remove backgrounds like you would using a green screen. And if you need a pre-made soundtrack or B-roll footage, you now have access to stock media from providers like Giphy, Storyblocks and Unsplash.
The new Descript is available now for Macs and Windows PCs. How much you'll pay depends on how you intend to use it. The tool is free for three hours of transcription and other core features, but you'll need to pay $12 per month for watermark-free video exports and 10 hours of transcription. Heavy-duty users will want to spend $24 per month to get unlimited Overdub, 30 hours of transcription per month and pro versions of tools like Audiograms and filler word removal.
As before, Descript makes the most sense if you're working with either dialogue-heavy videos or podcasts. You may still want to stick to a conventional timeline-based editor to produce the next great movie or TV show. However, the new version may be appealing if you need to produce a reasonably polished video in a hurry.
