A Twitter account that tracked the flights of Elon Musk’s private jet is no more. The company has permanently suspended @ElonJet, as Jack Sweeney, a college student who ran the account, noted.

Sweeney used publicly available flight data to operate @ElonJet and accounts that track flights of other public figures. Over the weekend, Sweeney said screenshots provided by a Twitter employee indicated that the company limited the reach of @ElonJet. On Monday, Sweeney said it seemed there were no longer any restrictions on the account, but Twitter has since dropped the banhammer.

In January, a few months before Musk announced a deal to buy Twitter, he offered Sweeney $5,000 to delete the account. Sweeney rejected the overture, instead asking for $50,000. As CNBC notes, @ElonJet had more than half a million followers. Sweeney also runs a version of the bot on Instagram.

Self-proclaimed free speech absolutist Musk, who has caused chaos at Twitter since taking over the company, suggested in November that he would not ban @ElonJet, despite claiming the account “is a direct personal safety risk.” It’s unclear whether Musk himself reversed course or one of his employees made the call to suspend @ElonJet. Twitter no longer has a communications department that can be reached for comment.

Fans of several Spotify live audio shows will soon have to say goodbye to their favorite programs. According to Bloomberg, the music and audio streaming service is ending the production of shows such as Doughboys: Snack Pack, Deux Me After Dark, which describes itself as the "place for the latest tea on your favorite celebrities," The Movie Buff with comedian Jon Gabrus, and A Gay in the Life, which provides a safe space for conversations about the LGBTQ+ experience. The aforementioned shows have either already ended or have announced that they're going off the air soon. 

A company spokesperson has confirmed the cancellations to Bloomberg. The news organization also heard from sources that Spotify ended some of the programs before their creators' contracts were up but that the service will still pay them the entire amount it promised. 

Several companies, including Spotify, saw live audio programming a new area for growth during the height of the pandemic when Clubhouse blew up in popularity. In Spotify's case, it gave Locker Room, the audio-based social network for sports fans that it acquired in March 2021, an overhaul and renamed it Greenroom. It launched a dedicated Greenroom app last year before rebranding it again as Spotify Live in April and integrating live audio inside of its main app. While cancelling multiple shows indicate that the company is stepping back from live audio, it's not killing the format completely. Bloomberg says The Fantasy Footballers and The Ringer MMA Show will continue as usual.

TikToksaid last year that it reached one billion monthly active users worldwide, so whatever it's doing is clearly working. That hasn't stopped the ByteDance-owned company from testing and introducing new features, though, including those that put it in direct competition with YouTube. Case in point, its latest experiment that gives select users worldwide access to a horizontal full screen mode for videos they watch on their phones. 

The company has confirmed to TechCrunch that users chosen to be part of this test will see a button on square or rectangle videos in their feed. If they tap on that button, the video will expand horizontally to take up the whole screen. TikToks are famous for being short vertical videos, and creators still have to put a "turn your phone" message at the beginning of theirs if they filmed in landscape mode. If the company does launch this feature, they wouldn't have to do that anymore, and other creators might be more inclined to film landscape videos. Of course, a wide release depends on testers' response to the feature, among other factors. 

This is but the latest move the company has made in an effort to capture audiences who might like YouTube's format better. Earlier this year, for instance, TikTok extended its maximum video length from three minutes to ten minutes. That said, it's not exactly lagging behind the Google-owned video platform: According to a previous TechCrunch report, kids and teens have been spending more time on TikTok than YouTube since the middle of 2020. 

Warner Bros. Interactive Entertainment today delayedHogwarts Legacy yet again, but the most demanding versions of the game are spared. Instead, the postponement pushes the PlayStation 4 and Xbox One versions back to April 4th, 2023, with the Nintendo Switch variant arriving on July 25th.

Previously, the last-gen versions were scheduled to launch on February 10th alongside the PS5, Xbox Series X/S and PC iterations. Although today's delay will disappoint Harry Potter fans with older consoles, you need to look no further than Cyberpunk 2077 for an example of a game that just wasn't ready for last-gen hardware. This latest reshuffling should give developer Avalanche Software time to polish the Harry Potter-themed game for older systems.

Warner Bros. initially slated the wizarding title for a 2021 launch but later pushed it back to this year and, finally, to 2023. Starting on February 7th, people who buy the Deluxe Edition for PS5, Xbox Series X/S or PC will have 72 hours of early access to start their adventure. However, the delayed versions won’t have an early-access period.

Avalanche Software/Warner Bros. Interactive Entertainment

Hogwarts Legacy is an open-world action RPG set in the 1800s. You play as a custom-created Hogwarts student in the century before the events in the Harry Potter books and movies. You will craft potions, learn spells and make friends while embarking “on a dangerous journey to uncover a hidden truth of the wizarding world.”

Warner Bros. notes that the game isn’t a new story from author JK Rowling, but it collaborated with her team to ensure it remains true to her original vision. However, the RPG’s character creator may let you make transgender characters, a welcome departure from Rowling’s opinion on that topic.

Avatar: The Way of Water is a triumph. As a sequel to the highest-grossing film ever, which was criticized for its formulaic story (and the surprisingly small ripple it had on pop culture), the new movie is a genuine surprise. It's a sweeping epic that reflects on the nature of families, our relationship to the natural world and humanity's endless thirst for violence and plunder. Fans of the original film often had to make excuses for writer and director James Cameron's stilted script, but that's no longer the case for The Way of Water, thanks to additional help from Amanda Silver and Rick Jaffa (who both worked on the recent criminally under-loved Planet of the Apes trilogy).

Perhaps most impressive, though, is that James Cameron has managed to craft the best high frame rate (HFR) movie yet. Certain scenes play back at 48 frames per second, giving them a smoother and more realistic sheen compared to the standard 24fps. That leads to 3D action scenes that feel incredibly immersive — at times HFR can make you forget that the lush alien wildlife on Pandora isn't real.

Fox/Disney

Unlike the handful of high frame rate movies we've already seen – The Hobbit trilogy, as well as Ang Lee's Gemini Man and Billy Lynn's Long Half-Time Walk – the Avatar sequel deploys the technology in a unique way. Rather than using HFR throughout the entire movie, Cameron relies on it for major action sequences, while slower dialog scenes appear as if they're running at 24fps. To do that, the entire film actually runs at 48fps, while the calmer scenes use doubled frames to trick your brain into seeing them at the typical theatrical frame rate.

If this sounds a bit confusing, your brain may have a similar reaction while watching the film. The Way of Water often jumps from hyper-real HFR to pseudo-24 fps in the same scene — at one point, I counted around a dozen switches in a few minutes. This is a strategy Cameron has been discussing for years. In 2016, he noted that HFR is "a tool, not a format," and later he rejected Ang Lee's attempt at using HFR for Gemini Man's entire runtime.

Cameron's dual-pronged approach to HFR is bound to be controversial. Even for someone who appreciates what the technology has to offer — pristine 3D action scenes with no blurring or strobing — it took me a while to get used to flipping between high frame rate and 24 fps footage. With Gemini Man, my brain got used to the hyper-reality of HFR within 15 minutes. In The Way of Water, I was almost keeping an eye out for when the footage changed.

Fox/Disney

Despite the distracting format changes, The Way of Water’s high frame rate footage ultimately worked for me. At times, the film appears to be a window into the world of Pandora, with breathtaking shots of lush forests and lush oceans. It makes all of Cameron’s creations, from enormous flying fish-like creatures that you can ride, to alien whales with advanced language, appear as if they’re living and breathing creatures. HFR also works in tandem with the sequel's more modern CG animation, making the Na'vi and their culture feel all the more real.

 Over the film’s three hour and twelve-minute runtime, I eventually managed to see what the director was aiming for, even if his ambition exceeded his grasp.  (Cameron, who has the world’s first [Avatar] and third-highest grossing films [Titanic] under his belt, and who dove into the Marianas Trench in a self-designed personal submarine, suggests you can use the bathroom anytime you want during The Way of Water. You’ll just catch up the next time you see it in theaters. Baller.)

The re-release of Avatar earlier this month also used a combination of HFR and traditional footage (in addition to brightening the picture and upscaling the film to 4K). But even though that revamp grossed over $70 million on its own, there hasn't been much discussion about how it integrated high frame rate footage. (I saw it on a Regal RPX screen, which offered 3D but no extra frames, sadly.) There's a better chance you'll be able to catch Avatar: The Way of Water exactly how Cameron intended. It'll be screening in 4K, HFR and 3D at all AMC Dolby Cinema locations and select IMAX theaters (single laser screens get everything, some dual-laser screens will only offer 2K 3D with HFR). While you could see it in 2D, why would you?

After suffering through the interminable Hobbit movies in HFR, I figured the technology was mostly a waste of time, yet another money-grab that Hollywood can use to pump up ticket prices. Director Peter Jackson struggled to recreate the magic of his Lord of the Rings trilogy, and amid production issues, he also failed to change the way he shot the Hobbit films to account for HFR. So that led to sets that looked like they were ripped from B-grade fantasy movies and costumes that seemingly came from a Spirit Halloween pop-up.

Ang Lee’s more studious attempts at using the technology, especially with the action scenes in Gemini Man, convinced me HFR still had some potential. But even he struggled along the way. Billy Lynn’s Long Half-Time Walk is a cinematic curiosity, where HFR makes slow dialog scenes appear too distractingly real. Gemini Man was cursed by a messy script and the need to be a big-budget Will Smith blockbuster.

Fox/Disney

Avatar: The Way of Water benefits from the creative failures of all of the earlier high frame rate films. For many, it’ll be their introduction to this technology, so it’ll be interesting to see how general audiences respond. Video games and hyper-real YouTube action footage have made 60fps footage far more common, so I could see younger audiences, those raised on hundreds of hours of Minecraft and Fortnite, vibing with Cameron’s vision. Everyone else will need more convincing. For me, though, I’m just glad there’s finally a high frame rate film that’s genuinely great, instead of just a technical exercise.

Amazon will offer Prime Gaming members an extra batch of PC games later this month at no extra cost. Along with a few Metal Slug titles, SNK 40th Anniversary Collection and a few others, you can snap up Arcane Studios' Dishonored 2 between December 27th and January 3rd.

A few years before it unleashed Deathloop, Arcane's Lyon studio developed another sneaky action-adventure game in Dishonored 2. As with the first game in the series, it enables players to be creative in how they tackle missions, depending on their preferred playstyle. You can, for instance, take a non-lethal stealthy approach or battle enemies head on. This time around, you can play as two characters, each of which has their own supernatural abilities — Deathloop fans will certainly see some of that game's DNA here.

It's not yet clear whether Amazon will offer Dishonored 2 through Steam, the Epic Games Store or the Amazon Games app. However, it's worth noting this game is unsupported on Steam Deck. That's a bit odd, considering its decade-old predecessor should run on the handheld without any hitches. Still, a free(ish) game that's as good as Dishonored 2 is nothing to sniff at, especially if you end up looking for something to play during the holidays.

Before Dishonored 2 and the other games hit the Prime Gaming lineup later this month, there are a few other notable titles that members can snag at no extra cost right now as part of the regular monthly drop. Classic first-person shooter Quake and Brothers: A Tale of Two Sons (from A Way Out and It Takes Two director Josef Fares) are up for grabs for another few weeks.

Twitter has dissolved its Trust and Safety Council via email and less than an hour before its members' Zoom meeting with the company's executives, according to The Washington Post and NPR. The council was reportedly supposed to discuss recent developments and changes on the website under Elon Musk, but the email said that the members' help is no longer needed. Its members were apparently informed that Twitter is "reevaluating how best to bring external insights" and that the council is no longer "the best structure to do this."

The company disbanded the group just a few days after three members resigned from their voluntary positions. In their letter, they said the well-being of Twitter's users is on the decline despite Musk's claims and that the executive should not be allowed to define digital safety. In a response to the news of their departure, Musk tweeted: "It is a crime that they refused to take action on child exploitation for years!" After that tweet, NPR said some remaining members sent a letter to Twitter demanding the company to stop misrepresenting the council's role, as attacks against former and current advisors continued to grow worse. 

The Trust and Safety Council members aren't employees handling moderation on the website, and they have no power to make decisions or to review banned accounts and specific tweets. They're a group of external advisors from expert and anti-abuse organizations, including the National Center for Missing & Exploited Children, YAKIN (Youth Adult Survivors & Kin in Need), the Samaritans and GLAAD, volunteering their time to help Twitter figure out how to fight hate and harassment. When Twitter formed the council in 2016, it said the group's purpose is to make the website a less toxic place so that "anyone, anywhere can express themselves safely and confidently." 

More members were on the verge of resigning before the group was dissolved, Larry Magid, chief executive of Silicon Valley nonprofit ConnectSafely, told The Post. He said: "By disbanding [the council], we got fired instead of quit. Elon doesn’t want criticism, and he really doesn’t want the kind of advice he would very likely get from a safety advisory council, which would likely tell him to rehire some of the staff he got rid of, and reinstate some of the rules he got rid of, and turn the company in another direction from where he is turning it."

Musk said in October that he will form a "moderation council" made up of members with "widely diverse viewpoints" before he reinstates banned accounts. But in an interview in November, he admitted that he will still have the final say in making decisions. Twitter has yet to introduce a moderation council, but Musk has already reinstated previously banned accounts', such as Donald Trump's and Andrew Anglin's, the neo-Nazi creator of The Daily Stormer. 

Netflix's penchant for live-action manga remakes isn't going away any time soon. The streaming service has revealed that it's partnering with Legendary Entertainment on a live action My Hero Academia movie. Anime and manga adaptation veteran Shinsuke Sato (Alice in Borderland, Bleach) will both direct and executive produce, while Obi-Wan Kenobi's Joby Harold is writing the screenplay.

The manga and the anime it fostered both revolve around Deku, a boy who aches to join the UA High School and become a superhero despite missing the natural powers that most humans have by that point. Both the manga and the still-running anime offshoot have been successful, with the manga racking up over 65 million sales so far.

There's no mention of casting or a release window for the Netflix project. Toho, which handles the anime, will distribute the movie to Japanese theatres. As IndieWireexplains, this comes four years after Legendary said a movie was in the works.

As with earlier adaptations, Netflix has multiple incentives to create a My Hero Academia title. It's tapping into a large fanbase, sometimes for anime productions it already offers. This also gives it a way to reel in customers who would otherwise stick to anime-centric rivals like Crunchyroll, which recently lowered prices in some countries.

Whether or not it'll be worth watching is another matter. Netflix doesn't have the best track record for live action takes on manga and anime. The Cowboy Bebop series misunderstood its source material and generally struggled despite a top-tier cast and intriguing premise. There's also the question of the format. A movie doesn't allow as much room for story development as an episodic show, so My Hero Academia may have to rush through the narrative.

The Hollywood Foreign Press Association announced the 2023 Golden Globes nominations today. Streaming services dominated television categories, while direct-to-streaming films were recognized as well. Netflix and HBO Max had the best showings among streamers, tallying 14 television nods.

Netflix’s The Crown received four nominations: Best Drama Series, Best Television Actress - Drama Series (Imelda Staunton), Best Supporting Actress - Television Series (Elizabeth Debicki) and Best Supporting Actor - Television Series (Jonathan Pryce). Monster: The Jeffrey Dahmer Story also received four: Best Limited Series - Anthology Series or Television Motion Picture and acting nominations for Evan Peters, Niecy Nash and Richard Jenkins. Other Netflix series receiving nods include Ozark's three nominations (including Best Drama Series), along with a single nod each for Inventing Anna and The Addams Family spinoff Wednesday.

Netflix also did well in the film categories, with Glass Onion: A Knives Out Mystery nominated for two awards (including Best Picture - Musical/Comedy) and Guillermo del Toro’s Pinocchio picking up two more (including Best Picture - Animated). Additionally, three more Netflix movies received acting recognition: Ana de Armas (Blonde), Adam Driver (White Noise) and Eddie Redmayne (The Good Nurse).

HBO

The White Lotus was HBO Max’s top series, picking up four nominations, including Best Limited Series - Anthology Series or Television Motion Picture. The dark comedy anthology also picked up acting nods for Jennifer Coolidge, Aubrey Plaza and 83-year-old F. Murray Abraham. Hacks was close behind with three, including Best Musical/Comedy Series and two acting noms (Jean Smart and Hannah Einbinder). Finally, House of the Dragon’s three nominations (including Best Drama Series) brought the Game of Thrones franchise back to awards season.

Severance and Black Bird put Apple TV+ on the board. The former was nominated for Best Drama Series, along with acting recognition for Adam Scott and John Turturro. Black Bird was nominated for Best Limited Series - Anthology Series or Television Motion Picture, alongside acting noms for Taron Egerton and Paul Walter Hauser.

Disney+

Disney+ had a limited presence on this year’s list. Diego Luna picked up an acting nod for the title role in Andor while Turning Red was nominated for Best Picture - Animated. However, Hulu — Disney’s other streaming service — did very well, picking up noms for Pam & Tommy (four, including Best Limited Series, Anthology Series or Television Motion Picture), Only Murders in the Building (three), Elizabeth Holmes story The Dropout (two) and Under the Banner of Heaven (two).

As always, there were several high-profile omissions. Amazon’s budget-shattering epic, Lord of the Rings: The Rings of Power, didn’t receive a single nomination. Meanwhile, whether because of Will Smith’s damaged reputation or the movie itself, Apple TV+ film Emancipation was also left out.

Winners will be announced at the 2023 Golden Globes ceremony on January 10th, starting at 8 PM ET. The show will air on NBC and Peacock with comedian Jerrod Carmichael as host.

Twitter has begun rolling out Community Notes to all of its users globally, the company announced on Saturday. Previously known as Birdwatch, the feature first debuted in 2021 under former CEO Jack Dorsey as means for the social media website to combat misinformation.

Community Notes takes a crowd-sourced approach to debunking misleading tweets. Moderators who are part of the program can append notes to tweets to add “context.” Regular users can then vote on whether they find the context “helpful.” Before today, only individuals in the US could see the notes. Twitter says it will start adding contributors from other regions soon.

Current company owner Elon Musk has positioned Community Notes as a critical element of his “Twitter 2.0” vision, claiming the feature will be “a gamechanger for improving accuracy on Twitter.” However, as with any crowd-sourced feature, there’s the potential for Community Notes to backfire if groups use the tool to promote partisan views.

The global rollout of Community Notes comes a day before the relaunch of Twitter Blue. Following a disastrous first attempt at paid account verification, Twitter announced on Saturday it would start rolling out its revamped subscription service again on Monday. This time around, subscribers will need to provide a number for verification purposes before the company will add a blue checkmark to their account. Additionally, users who change their handle, display name and profile photo will temporarily lose their blue checkmark while Twitter reviews their account.