Netflix is adding two more releases to its excellent library of games. The streaming giant announced Monday it recently secured exclusive mobile rights to Dust & Neon and Highwater, two upcoming titles from indie publisher Rogue Games. Of the two, the former will arrive first when it hits Android, iOS, PC and Nintendo Switch on February 16th. As with past Netflix releases, you can download and play Dust & Neon for free on mobile, provided you subscribe to the service. The same will go for Highwater when it arrives at a later date. Additionally, neither game will include ads or in-app microtransactions.

Rogue Games describes Dust & Neon as a rogue-lite twin-stick shooter. Stylistically, the game looks like a mix of Steamworld Dig and West of Dead. One interesting facet of gameplay is that you manually reload your firearms. Each weapon has its own reload animation, and there are almost 2,000 guns to find in the game, according to Rogue Games. Highwater, meanwhile, is an adventure strategy game set in a world ravaged by climate change. It’s a title with a fair amount of excitement around it, partly due to the fact that it was first shown off during Summer Game Fest last year.

Fans of HBO's The Last of Us who are also into football were facing a bit of a quandary this weekend: catch the latest episode live and avoid the risk of spoilers, or tune into the Super Bowl? Thankfully, HBO Max is making that decision much easier. The fifth episode of the excellent adaptation of Naughty Dog's game will hit the streaming service and HBO On Demand two days early.

You'll be able to stream the episode starting at 9PM ET this Friday. It will still air in its usual 9PM ET timeslot on HBO's cable channel on Sunday, but many fans may opt to watch the titanic tussle between the Kansas City Chiefs and the Philadelphia Eagles instead.

This is a smart, one-off move from HBO as The Last of Us is already a massive hit, with viewership figures that have grown from week to week. The linear airing of the next episode is likely to get hammered in the ratings by the Super Bowl, but this could help HBO maintain the show's momentum and distance the TLOU discourse from football this weekend. 

With its first update of 2023, Telegram is making it easier to communicate with people who might speak a different language than you. The next time someone messages you in a language other than your default language, you’ll see a translate bar at the top of the interface. Tap it to translate their message in real time. If you’re a Premium subscriber, you’ll also have access to this feature when engaging with groups and channels. As you can see from the GIF Telegram shared, this could be handy when planning a trip. Join a channel in the city you plan to visit to see the events and spots locals are talking about. If you want to try Premium, Telegram has also introduced a new annual payment option that allows you to save up to 40 percent on the price of the service if you commit to a full year.

Separately, the update adds a tool for turning stickers and emoji into profile pictures. In addition to using this feature for yourself, you can set or suggest profile pictures for your contacts. Best of all, it’s available to everyone, not just Premium users. And speaking of stickers and emoji, Telegram has made it easier to sort through the dizzying number of options the app offers by organizing them into categories. At the same time, there are new interactive versions of a handful of emoji, and the company has released 10 new custom emoji packs.

A couple of quality-of-life improvements make it easier to manage Telegram’s footprint on your device. To start, Telegram has redesigned the app’s network usage tool. At the top of the interface, you’ll now see the information the tool has to share presented in a handy pie chart with separate tabs for mobile, WiFi and roaming usage. Additionally, Telegram has tweaked the automatic media download settings to support exceptions, giving users more control over the type and size of media the app automatically saves to their phone’s storage. If you don’t have access to the update immediately, be patient. Sometimes these releases take a few days to roll out.

It's a rough time for fans of several live service games, which are titles designed to be constantly updated for a long time. A bunch are shutting down in the near future, and CrossfireX and Knockout City are among the latest to join the list.

CrossfireX is an Xbox console version of the massively popular tactical shooter Crossfire. After some delays, it arrived less than a year ago, but it wasn't a hit with critics or, more crucially, the public. Developer Smilegate has stopped selling the game (the multiplayer component is free-to-play, but the Remedy-developed single-player campaign is not) and is offering refunds for purchases made in the last two weeks. It will shut off the CrossfireX servers on May 18th.

Knockout City, meanwhile, is a fun dodgeball brawler that debuted in 2021. The game went free-to-play last year when developer Velan Studios parted ways with EA to self-publish it. Alas, Knockout City is shutting down too. Its ninth season will be the final one and the servers will close on June 6th. On a positive note, Velan will roll out an option for PC players to run the game on private servers.

Smilegate and Velan are far from alone in closing down live service games recently. Meta's Ready At Dawn studio said this week it would shutter Echo VR, a zero-gravity frisbee title previously known as Echo Arena, on August 1st. It also emerged over the last week or so that Apex Legends Mobile, Battlefield Mobile, Rumbleverse, Crayta and others are closing shop. Development is ending on Back 4 Blood and Marvel's Avengers as well, but Turtle Rock Studios and Crystal Dynamics will keep the respective servers online. 

It's tough to make a game that's successful, let alone one that requires players to stick with it for the long haul. Major players like Fortnite, Apex Legends (the console and PC version), Valorant, Overwatch 2 and Genshin Impact aren't going anywhere anytime soon. But developers are all competing with each other and anything else that can soak up peoples' attention. Even though there are more than 3 billion gamers, there are only so many live service games that the market can sustain.

There was a time when HQ Trivia was on everyone's lips, and millions of people were playing it in hopes of winning some money from its prize pot. Then the trivia show app was beset by one problem after another until it fell off the radar, lost its audience and shut down. CNN announced last year that it ordered a documentary that'll tell the game show's story, with the promise of launching it in 2023. Now CNN Films, the news channel's motion picture division, has released a trailer for the documentary entitled Glitch: The Rise & Fall of HQ Trivia, which is scheduled to premiere on CNN on March 5th at 9PM ET/PT.

During the height of its popularity, HQ Trivia ran two games a day, and users could win part of the prize pot by answering several questions correctly in a row. It was hosted by Scott Rogowsky, though celebrities like The Rock and Kelly Clarkson would sometimes serve as guest hosts. In 2018, however, its controversial co-founder Colin Kroll passed away, and then Rogowsky left reportedly after having a disagreement with management over another hosting job he took. 

According to TechCrunch, more than half of HQ Trivia's staff also signed a petition to remove CEO Rus Yusupov, accusing him of mismanaging the startup. Yusupov then reportedly fired some of the people who led the petition before the company shut down following a failed acquisition in 2020. The trivia app quickly came back thanks to a new investor, but it only ran games once a week with a prize pot of $1,500. Today, the app is suspended in limbo and hasn't had a game since November 2022. 

The CNN documentary will be told through the point of view of Rogowsky, along with other insiders from the company. Based on what Salima Koroma, the docu's director said, we're in for an entertaining ride: "HQ Trivia was supposed to ‘revolutionize television’. But what happens when the people who are running it—'the smartest guys in the room’— don’t actually know what they’re doing? The CEOs who make the Vines and the WeWorks and the Twitters are hailed as the rockstars of our age. But a lot of them are simply emperors with no clothes on. It’s kind of absurd. And I wanted that absurdity to be felt all throughout the film."

Pay TV subscribers can stream the documentary when it premieres through CNN's website, its mobile apps and CNNgo. It will also be available for on demand streaming starting on March 6th.

Naughty Dog announced today that it’s delaying The Last of Us Part I for PC until March 28th. It will follow the game’s PS5 launch last year and roughly coincide with the wrap-up of season one of the HBO series.

We found the console version of the remake to be a massive visual upgrade over the 2013 original — while staying faithful to its core gameplay. Subtler enhancements in the updated version included more intelligent AI, haptic controller improvements, new game modes and accessibility options. The PC launch was initially set for March 3rd.

“These additional few weeks will allow us to ensure this version of The Last of Us lives up to your, and our, standards,” Naughty Dog tweeted today. “We are so excited to bring The Last of Us Part I to a new platform, reaching new and returning players with Joel and Ellie’s unforgettable story of survival, and we hope that you’ll continue to look forward to its PC release on March 28.”

The new arrival date pushes it past the season one finale of the new HBO series based on the game, which is scheduled for March 12th. The show quickly became HBO’s third-largest streaming debut.

After teasing it last year, YouTube has rolled out a new feature called Go Live Together that lets creators co-host livestreams. Anyone with over 50 subscribers can invite a guest to host a livestream with them from iOS and Android mobile devices. Only one guest is allowed at any time, but the host can swap in new guests during the same livestream. 

You can schedule co-streams through YouTube's desktop app, but both the host and guest must use mobile devices during the livestream. To do so, open the YouTube app, tap "Create" then "Go Live Together." After entering stream details, select "Invite a co-streamer" and send an invite link to the co-streamer. They'll then be sent to the waiting room until you click "Go Live."

There's no minimum number of followers for guests, but the host will be held responsible for guests violating any community guidelines. Hosts can earn revenue for ads, which can appear in pre-, mid- and post-roll form. 

YouTube offered a similar feature that lets creators co-host shopping livestreams, which allows both co-hosting and redirects to a brand's channel. Twitch recently introduced a feature in beta called Guest Star which allows creators to bring up to five guests onto streams. That system is a bit simpler, as any viewer can raise a virtual hand and the host can invite them on, much like Clubhouse or Twitter Spaces. Unlike YouTube's mobile limitation, Twitch's version is only available on desktop. 

Paramount+ has reportedly joined the trend of streaming platforms removing original shows to cut costs. The Real World: Homecoming, which reunites casts of the original 1990s MTV reality series, got the boot along with six other shows.

Jordan Peele’s The Twilight Zone reboot, which ran from 2019 to 2020, was also a casualty. In addition, the streamer axed true-crime drama Interrogation, the animated series The Harper House, the comedy No Activity, the crime drama Coyote and the dark comedy Guilty Party. Parent company Paramount Global hasn’t announced whether they will land somewhere else after their removal.

The cuts follow similar removals from sister company Showtime, which Paramount will fold into Paramount+ later this year. (It will then take on the unfortunate rebranding, “Paramount+ With Showtime.”) Rival streamer HBO Max recently pulledWestworld, Raised by Wolves, The Time Traveler’s Wife and The Nevers. They will begin appearing this month with ads on a Roku and Tubi channel creatively titled “WB TV Series.”

A new Twitch livestream tries to answer the question: What if AI made never-ending Seinfeld? “Nothing, Forever” is an experiment using OpenAI’s GPT-3 natural language model to produce (occasionally coherent) dialog between pixelated counterparts of Jerry, George, Elaine and Kramer. Although it’s closer to surreal performance art than the beloved 90s sitcom, it conjures images of a strange, dystopian future where we entertain ourselves with endless content generated by robots.

“Nothing, Forever” immediately hits you with well-known aesthetics. Scene transitions show the exterior of a line of New York City brownstones over the sound of a quirky jazz bassline. It frequently cuts to “Larry” (the Jerry equivalent) performing what AI passes as standup comedy. Scenes inside Larry’s apartment show him chatting with George, Elaine and Kramer's counterparts about appropriately mundane topics. Their conversations, while mostly unintelligible and lacking structure or narrative, make their inspiration clear.

On the other hand, the stiff and rudimentary character models look like they walked out of a 1980s Sierra adventure game. Their voices are robotic too, and Jerry and George sound less like their real-world counterparts and more like Mr. Van Driessen, the hippie social studies teacher from Beavis & Butthead. Finally, it’s a stretch to say the generated dialog is coherent — much less funny. (If not for its laugh track, you wouldn’t notice the laugh lines.) Generative AI’s current limits are as much on display as the show’s influence.

Twitch

“Aside from the artwork and the laugh track you’ll hear,” one of the show’s creators posted to Reddit, “everything else is generative, including: dialogue, speech, direction (camera cuts, character focus, shot length, scene length, etc), character movement, and music.” The stream has little human involvement and changes based on viewer feedback from the Twitch stream. “The show can effectively change, and the narrative actually evolves based on the audience,” said Hartle in an interview with Vice. “One of the major factors that we’re thinking about is how do we get people involved in crafting the narrative so it becomes their own.”

That goal may be far away, as any narrative — much less a personalized one — seems beyond its current capabilities. Still, with a sizable budget and several years of technological advancement, it’s easy to imagine someone producing more watchable generative programming, an endless stream of personalized, assembly-line digital media. “Our grounding principle was, can we create a show that can generate entertaining content forever? Because that’s truly where we see the future emerging towards. Our goal with the next iterations or next shows that we release is to actually trade a show that is like Netflix-level quality.”

Ever found yourself turning down the radio so you can focus on finding a parking spot? Music didn’t stop you seeing, but it was taking up some tangible mental resources. But what if you had a way to immediately make the music more calming? Or to change that distracting string section? That, effectively, is the promise of Aimi’s interactive music player app. It won’t help you find a parking spot, though, you’re on your own with that.

If the name Aimi sounds familiar, that’s because its self-described “generative music platform” has been available online for a while. What’s new is the mobile app, launching in beta today with 5,000 slots open globally. The mobile experience takes the endless mood-based music feeds from the Aimi website and adds the option to tweak them to your heart’s content. It’s not a full-bore music making app, more of a tailored soundtrack for when you want a certain vibe, or as Aimi calls them: Experiences. The basic app will be free, but unlocking the majority of those controls will cost $10 a month.

The app offers experiences with names such as Serenity, Flow, Electronica and Push. Each gives a clear hint at what the vibe is and there are 10 of them at launch. The slowest, Serenity, starts at 64 BPM and they ratchet up to Push’s time-honored throb of 128 BPM.

As a listener, you could just open one of the experiences, tap play and go about your business. The idea being that if what the app serves you up isn’t quite what you wanted, you can mash the shuffle button and it’ll reconfigure the track with new sounds and energy. Or maybe you liked it, so there’s a thumbs-up option to tell it “more of this please.” That’s the most basic use case, which is also the extent of the free tier – but you can take it a few steps further with a subscription.

For premium users, once you have an experience playing, swiping left will give much more detailed control. The first screen shows a cluster of circles, each one labeled after a musical part (Beats, FX, Bass and so on). Hold down one of these circles and, as long as it’s active, it’ll solo just that part. If you tap a circle, you’ll enter a sub menu where you can adjust the volume of that part along with a shuffle option for just that element and more thumbs up/down.

If you swipe left one more time, you’ll find a selection of sliders which can vary from experience to experience, but tend to include “Intensity,” “Progression,” “Vocals” and “Texture.” It’s here that you can tell the app to do things like add a little intensity, mix things up more often or deliver more/less vocals. The changes are usually quite subtle - it’s more re-adjusting than remixing. These settings are remembered, too, so the next time you fire up that experience it’ll be to your taste. Or, at least the taste you had the last time you listened to it.

All the music on offer here is of the electronic variety. And despite the relatively wide range of BPMs, there’s definitely a thread that runs through them. That’s to say, this isn’t genre-hopping in the sense that you might want a Hip Hop vibe before moving over to some Indie and back to EDM. It’s more like being at a large House club with different areas with different BPMs along with a few well-stocked chill out rooms.

According to the company, the musical loops in Aimi are created by a pool of over 150 artists including some big names like Carl Cox. Once the loops are fed into the platform, AI takes over to match the pitch, BPM and general vibe. Theoretically, you have an endless radio station of music you can interact with, and the library is set to keep growing over time. Let’s hope that includes some other genres. Hip Hop and anything with a breakbeat would instantly provide a shot of different energy here, for example. Likewise, something on the more acoustic side of things would at least provide an option for those less into electronic music.

Generative music has seen an increase of interest in recent years as technology has developed enough to make it more fluid than just burping up clips that are in time and key. Mostly this has been focused on the headspace area, meditative apps, concentration soundtracks and so on. Aimi’s main rivals here would include Endel ($15 a month) and Brain.fm ($7 a month).

While Aimi does occupy this space too, its emphasis on interactivity with its mood-based streams sets it apart. In fact, Aimi CEO, Edward Balassanian, sees it as a gateway for the musically curious. “One of the strengths of generative music is that we can use it to attract casual listeners with continuous music experiences and then introduce them to interactive music by letting them take ownership of their music experience.” he told Engadget.

Aimi

This hints at a broader plan. Right now there’s the linear player on Aimi.fm and the new interactive app launching today. In the future, there will also be Aimi Studio, which Balassanian says will be released this summer. “Once we get you hooked on interacting with music through our player, we want you to feel inspired to try making music using Aimi studio. Aimi studio will be offered in both basic and pro editions for everyone from aspiring amateurs to professionals.” he added.

I’m uncertain if this will appeal to users that use something like Note by Ableton or Maschine by Native Instruments. The actual amount of impact you can have on the music in Aimi is very limited as your effectively just giving nudges to the AI rather than being directly hands on. Likewise, the section of the app where you can solo parts isn’t immediate, this means if you were hoping to remix on the fly DJ-style by cutting the bass and beats before dropping them back in on the next phrase, it’s not really designed for that.

Likewise, sometimes you can find yourself distracted by the thing that’s meant to help you focus. When I tried the “Flow” stream, the first “idea” it presented was actually a bit irritating to me, so it served the opposite purpose. Of course, I could shuffle it to something more agreeable, but the irony of being taken out of the moment, even if just temporarily, was not wasted on me.

To that end, it’s hard to see where the interactive arm of Aimi excels, at least at launch. The genres, while varied, do overlap quite a bit. The control you have over the music is quite gentle in the scheme of things and feels more like fine-tuning than an actual creator tool. The core experience of listening to chill vibes is a great alternative to your tired Spotify playlist, but that part is free and has been available in some form for a while.

Balassanian says that even more experiences from more artists will be coming after launch and once the Studio app is released anyone will be able to make loops and upload them to the platform for users to enjoy. In the meantime, you can sign up for early beta access here and start configuring your own soundtrack today.