"When it comes to emulation or bringing classics back or doing really any sort of remastering or reimagining, I don't know if there's anybody who does it better than Digital Eclipse, so they were always our first choice," Atari CEO Wade Rosen told Game Informer.
Atari has yet to share a complete list of the games that will appear on the compilation, but in addition to many classics, the collection will include six new retro-inspired games. One of those is a sequel to 1981’s Haunted House for the Atari 2600. Haunted Houses will feature modern 3D voxel-based graphics and new levels for players to explore. Atari 50: The Anniversary Celebration will cost $40 when it arrives later this year on Xbox, PlayStation, Switch, PC and Atari VCS.
Nikon has unveiled the 20.9-megapixel APS-C Z30, its smallest and lightest Z-series camera yet. Designed for vloggers and creators, it offers a flip-out display, 4K 30p video and a long 125-minute video record time when plugged in — but lacks an electronic viewfinder.
The Z30 is Nikon's third APS-C (DX) mirrorless camera so far, after the Z50 and Z fc models. It uses the same giant Z-mount as the company's full-frame models, which effectively dominates the relatively small body. It has a simple but effective control setup with a mode dial on top, front and rear dials to set exposure, a photo/video selector switch, and buttons for ISO, exposure compensation, AF-lock and shooting mode. A new feature over the other DX models is a tally light on front so vloggers can see when they're recording.
Nikon
The hand grip is deep for such a small camera, but due to the large mount, there's not a ton of room between the lens for your fingers. As mentioned, it has a fully-articulating 3.0-inch screen that activates self-portrait mode when flipped out, letting you set key controls like exposure compensation with the camera at at arm's length. Other key features include built-in stereo mics, a microphone input and a single UHS-I SD memory card slot. Unfortunately, it lacks a headphone jack which is a negative for video creators.
The Z30 competes with Sony's ZV-E10 vlogging camera and has one advantage over its rival. It can shoot 4K at up to 30fps using the full width of the sensor, where Sony's model has a 1.23x crop at 30fps. That's fairly important for vlogging, as a crop makes it harder to get yourself into the shot. It can also shoot 1080p at up to 120 fps for slow-mo, but unlike the ZV-E10, doesn't support log capture — only a "flat" profile. Like its Sony rival, the Z30 has no built-in IBS — only electronic stabilization.
Nikon promises reliably fast and sharp hybrid phase-detect autofocus with face, eye and animal AI detection. It's likely similar to the AF on the Z50 and Z fc models, which are decent but lag behind Sony's APS-C cameras in terms of AF speed and accuracy. It offers a picture control auto function depending on the scene, along with 20 creative profiles. However, there's no one-click "product showcase" or bokeh options like Sony offers on the ZV-E10.
It has a relatively small battery (the same on the other two DX models) giving it a 330 shot CIPA rating. Unlike the Z50 and Z fc which were limited to 30 minutes, the Z30 can record up to 125 minutes of 1080p video and about 35 minutes of 4K. To get those figures, though, you'll have to plug the camera's USB-C port to power.
Nikon
Nikon promises good photography performance as well, but it's already behind the 8-ball in that area without an electronic viewfinder. Still, you get shooting speeds up to 11 fps (mechanical shutter, JPEG/RAW), hybrid phase-detect AF and even the ability to shoot a photo while recording video.
The Z30 arrives in mid-July at $710 for the body only, $850 with a kit Nikkor Z DX 16-50mm f/3.5-6.3 lens, or $1,200 with the Nikkor Z DX 50-250mm f/4.5-6.3 lens. Another option coming in November is the 14-140mm f/3.5-6.3 lens for $1,150. Nikon will also offer a Creators Accessory Kit for $150 with a SmallRig tripod grip, Nikon ML-L7 Bluetooth remote and a Rode VideoMicro microphone.
Along with the camera, Nikon also unveiled a new full-frame Z-mount lens, the Z400mm f/4.5 VR S. Nikon says it's the lightest lens in its class at 2.55 pounds, offers dust- and drip-resistant performance and a focus-breathing compensation function for video recording. It arrives in July 2022 for $3,250.
Sony has announced the launch of Inzone, a new brand of PC gaming displays and headsets. They'll be coming out of the company's Electronics division (not to be confused with its Interactive Entertainment unit) and its flagship product will be the Inzone M9, a 27-inch 4K monitor. The M9 boasts an IPS panel with full-array local dimming, a 144Hz refresh rate and a claimed 1-millisecond gray to gray response time.
Sony says the panel is also DisplayHDR 600-certified and covers 95 percent of the DCI-P3 color gamut. Additionally, the monitor is G-Sync compatible and features support for variable refresh rate (VRR) gaming thanks to the inclusion of an HDMI 2.1 port. If you connect the M9 to a PS5 through that port, you’ll get access to a feature that will automatically switch the monitor between its included low-latency and picture processing modes when it detects you’re about to play a game or watch a movie. Sony has also optimized the PS5’s HDR output for the M9, and you’ll see the benefits of that tuning automatically as well. Sony's M9 will hit shelves this summer and retail for $899.
Alongside a 4K display, Sony will also offer a 240Hz Full HD monitor. Like the company’s new flagship, the M3 will boast a 1-millisecond gray to gray response time, PlayStation 5-specific features and compatibility for both G-Sync and VRR. As you might expect, high dynamic range performance won’t be as good as the 4K variant, with the monitor only earning VESA’s DisplayHDR 400 certification. Sony plans to begin selling the M3 sometime this winter for $529.
If you’re looking for a new gaming headset, Sony has you covered there too. For those who want it all, there’s the $299 H9. It features active noise cancellation, Bluetooth and 2.4GHz wireless connectivity, support for spatial audio and the same synthetic leather found on Sony’s recently announced WH-1000XM5 headphones. For a more affordable option, there’s the H7. It omits the H9’s ANC and “soft fit” leather features for a $229 price tag. The H7 will also come with better battery life. Sony claims you can get 40 hours of use from its new mid-tier headphones compared to 32 hours from the H9. Lastly, there’s the $99 H3, which you can connect to your PC or PS5 through a 3.5mm headphone jack or wired USB adapter. Sony will release all three models this summer.
I've always wondered why aside from a handful of peripherals like the Pulse 3D headset and that weird 3D display, Sony never really tried to expand the PlayStation brand outside of consoles. And while you won’t find any PS logos on its new line of headsets and monitors, with Inzone it really feels like Sony is finally bringing its wider tech expertise to gaming.
Now the reason we haven’t seen a ton of PlayStation-branded peripherals before is because the Sony most people think about is actually a conglomerate of several companies that make everything from medical diagnostic tools to camera sensors. And in the case of Inzone, its new gaming gear isn’t being made by the same Sony that produces its iconic consoles (Sony Interactive Entertainment) but instead by the Sony that makes everyday consumer gadgets (Sony Corp/Sony Electronics) like TVs and headphones including the excellent WH-1000XM5.
Sam Rutherford/Engadget
That’s important because, while these devices have design cues borrowed from the PS5, including their black and white color scheme and sleek sci-fi lines, much of the tech inside has trickled down from a range of Sony Electronics' devices. And after using a handful of Inzone’s new peripherals for about a week, it really feels like you’re getting a great mix of tech from two different branches of Sony.
Let’s start with Inzone’s headphones which consist of three different models: the entry-level $99 H3, the mid-range $229 H7 and the high-end $299 H9. As the cheapest of the three, the H3 are incredibly simple and straightforward. Unlike their more expensive siblings, they don’t support wireless audio and instead rely on either a 3.5mm cord or a USB cable for connecting to your console or PC. On the bright side, the thick padded headband and cloth earcups make the H3 a joy to wear, even during marathon gaming sessions.
Sam Rutherford/Engadget
Another bonus is that due to cooperation between two arms of Sony, all Inzone headsets, including the H3, support the PS5’s Tempest 3D audio engine just like you get on the official Pulse 3D headphones. That means you get spatial audio and customizable sound profiles that make it easier to hear things like the footsteps of someone trying to sneak up behind you. That said, with the Pulse 3D also costing just $99 for wireless headphones that are just as comfortable as the H3, I think they’re probably the better buy for anyone on a budget.
Where things get really interesting though is when you move up to the H7 and H9, which feature dual-mode wireless connectivity (Bluetooth and a dedicated 2.4GHz wireless dongle), a slightly more streamlined design and strong battery life. On top of that, the H9 also feature digital noise canceling using the same tech as Sony’s 1000X line, and it shows.
Unlike the cloth earcups you get on the H3 and H7 headsets, the flagship H9 features soft fit leather earcups just like you get on Sony's WH-1000XM5 headphones.
Sam Rutherford/Engadget
Now I should mention Sony was only able to send out the H3 and H9 for testing, so I’ve been using those for my comparisons. But the H7 and H9 are fairly close in terms of specs, with the main difference being the H7’s lack of exterior RGB lighting, no support for digital noise canceling and the use of cloth earcups instead of the soft fit leather padding you get on the H9 (which is the same material Sony uses on the WH-100XM5). In return, because they don’t have built-in noise canceling, the H7 offer slightly longer battery life (around 40 hours) compared to the H9 (around 32 hours).
Regardless, my time with the H9 so far has been great, and in a lot of ways, they feel like a pair of WH-1000XM5 that have been tuned for gaming. The noise cancellation works wonders for drowning out background sounds, and the super supple leather makes wearing them feel like putting a cloud around your head.
Sam Rutherford/Engadget
I also really appreciate some of the small details Sony added to the H9. On a lot of headphones that offer two modes of wireless connectivity, you can typically only use one type at a time. But with the H7 and H9s, you can connect to two different devices simultaneously. This means you can use the wireless dongle to connect to your PlayStation or PC, and then use Bluetooth to get audio from your phone. And because the PS5 doesn’t have native support for chat apps like Discord, this makes it much easier to talk to your friends regardless of what platform you’re on at the moment.
Additionally, the H7 and H9 are the only other headphones besides the Pulse 3Ds that can use the PS5’s on-screen status notifications, which means you can see stuff like volume levels, battery status, mic mute, and game/chat balance all at glance. So while they aren’t the PS5’s official headphones, they behave like they are, while also offering even more features and better audio quality. And just like the WH-1000XM5, you can even use your phone to take a picture of your ear, to tune their sound even further.
Sam Rutherford/Engadget
As for Inzone’s new monitors, there’s the $529 M3 and the $899 M9. However, since the M3 won’t be available until sometime this winter, I’m going to focus on my time with the M9. Featuring a 27-inch 4K IPS panel with a 144Hz refresh rate, the M9 isn’t the biggest or fastest gaming monitor around. But for the money, it packs a ton of features compared to similarly-priced rivals. Not only does it support VRR and NVIDIA G-Sync, it also sports a strong one millisecond gray-to-gray time, DisplayHDR 600 certification and a gamut that covers more than 95 percent of the DCI-P3 spectrum. In short, colors are bright, rich and vivid while also being largely immune from the ghosting you often see on less sophisticated displays.
However, the M9’s biggest advantage is its full-array local dimming (FALD) which is made up of 96 different lighting zones compared to just eight or 16 on competitors like the LG 27GP950 or the Samsung S28AG700. And after seeing the results side-by-side, I was kind of shocked at how much of a difference the M9’s FALD makes. A lot of gamers can spot bloom in games when something bright moves quickly across a dark background, which often produces ring of light around the object. But not only does the M9 almost completely eliminate halos, the ability to adjust lighting zones with greater precision also gives the monitor improved dynamic range. So in games like Elden Ring, I saw backgrounds that were much darker and atmospheric compared to the washed-out gray tones I saw on other monitors. This allows you to get much better contrast and black levels without needing to upgrade to more expensive QD-OLED displays like Alienware’s $1,300 AW3423DW.
Sam Rutherford/Engadget
And just like its headphones, Inzone’s first monitor has a lot of really thoughtful smaller features. It has a built-in KVM switch, which is extremely useful if you have multiple PCs connected to the same display. It also has a native FPS counter so you can easily keep tabs on performance, while the monitor’s Auto Genre Picture Mode can switch between settings like Cinema Mode and Gaming Mode depending on the content coming from your PS5. And in addition to being height and tilt adjustable, Sony even designed the M9’s stand so that its feet stick out towards the back, which means PC gamers who need to place their keyboard as close as possible to their monitor like Dafran totally can.
But perhaps my favorite little touch, is the software that allows you to navigate the monitor’s on-screen display with your mouse, instead of having to fumble around with the joystick on the back of the panel. The M9 even comes with built-in stereo speakers, so you can plug in your PS5 and get straight to gaming without worrying about audio. And thanks to two HDMI 2.1 ports, one DisplayPort 1.4 jack, support for video over USB-C (DP Alt mode) and a built-in USB Hub, there’s a wealth of connectivity.
All of Inzone's new headsets and monitors will be available this summer except the M3 display, which will go on sale sometime this winter.
Sam Rutherford/Engadget
So aside from the H3 which is somewhat basic, I’ve come away quite impressed with Inzone’s first batch of PC and console gaming peripherals. That said, looking at the pedigree of these two faces of Sony, that probably shouldn’t be a surprise. It might not say so on the box, but in a lot of ways, this feels like the marriage between PlayStation and the tech from some of Sony’s best gadgets. But what might be the most promising part is that while Inzone hasn’t shared any future plans just yet, after talking to some of its reps, it’s clear Sony has big plans for its new gaming brand going into 2023 and beyond.
Taking a page from on-track rival Mercedes, Red Bull plans to produce its own hypercar. On Tuesday, the company took to Twitter to announce the RB17, which is slated to be a two-seater with a hybrid V8 engine and 1,100 horsepower. Production will start in 2025, with Red Bull planning to only make 50 cars at a price of £5 million ($6.1 million) per vehicle.
If just so happen to be a millionaire, buying the F1-inspired RB17 will net you access to Red Bull’s team simulators and on-track training. The company will also service and maintain the car for you at the Milton Keynes factory in England where it plans to produce the RB17.
— Oracle Red Bull Racing (@redbullracing) June 28, 2022
“The RB17 marks the first time that a car wearing the Red Bull brand has been available to collectors,” Red Bull Racing CEO Christian Horner said. “The RB17 distills everything we know about creating championship-winning Formula 1 cars into a package that delivers extreme levels of performance in a two-seat track car.”
Red Bull chief technical officer Adrian Newey is designing the vehicle. His resume includes the Aston Martin Valkyrie and all four of Red Bull’s F1 championship-winning cars. Red Bull said the RB17 would be built around a carbon-composite tub and a body designed to take advantage of ground effect like modern F1 cars.
When Return to Monkey Islandarrives later this year, players will finally discover the secret of Monkey Island. That’s the pitch series creator Ron Gilbert made in the game’s newest trailer, which premiered today during Nintendo’s latest Direct showcase. “My name is Guybrush Threepwood, and this is a story about the time I finally found the secret of Monkey Island,” voice actor Dominic Armato declares at the start of the clip.
As you might imagine, the trailer is full of allusions to past Monkey Island games, including some of the series’ best gags. At one point, Guybrush drifts to the floor of the Caribbean, a sign pointing to Monkey Island and noting it’s only a six-minute walk away. Good thing our hero can hold his breath for 10 minutes.
Many fan-favorite characters also make an appearance in the clip. Among others, I spotted used ship salesman and garish dresser Stan S. Stanman locked in the brig of LeChuck’s ship. Coincidently, you can chat to Stan on Return to Monkey Island’s updated website where he explains he’s in jail for “marketing-related crimes” that may have involved selling non-fungible items.
If you missed the news in April, Return to Monkey Island marks the, well, return of Ron Gilbert to the series he created back in the late ‘80s. Gilbert wrote and directed The Secret of Monkey Island, and went to work on the second game before leaving LucasArts in 1992. Fellow Monkey Island veteran Dave Grossman is also working on the new game, which will take place after the first two games. On consoles, Return to Monkey Island will arrive first on Nintendo Switch.
Pokémon Godeveloper Niantic is creating a new augmented reality mobile game with more big-name partners: the NBA and its players' association. NBA All-World will task you with exploring your neighborhood to find some of the league's stars such as Chris Paul, Steph Curry and James Harden. You can challenge and compete against virtual players in mini-games like three-point contests before recruiting them to your team.
NBA All-World players will be able to deck out their NBA stars in custom apparel. Polygonnotes that you can also improve your squad with items you find out in the wild at places such as sporting goods stores and convenience stores. You'll have the chance to battle others in one-on-one matches with swipe-based commands too. These encounters will be available at various locations, including real-life basketball courts.
It's not yet clear exactly when Niantic will release NBA All-World, but the game will soon enter a soft launch period. You can sign up for updates if you're interested.
Sayonara Wild Heartsdeveloper Simogo has revealed its next game and the eclectic studio is again moving in a different direction. Lorelei and the Laser Eyes is a non-linear adventure title that will land on Nintendo Switch and Steam in 2023.
Simogo and publisher Annapurna Interactive announced the game during today's Nintendo Direct Mini: Partner Showcase. The first trailer depicts a dark, atmospheric world in which you'll need to solve puzzles to get to the bottom of a murder mystery. While the clip is light on story, there are a few peeks at the titular laser eyes.
The trailer description notes that you'll play as a woman who's looking for answers in a central European manor (or possibly a hotel or museum). Players will need to pay attention to what's going on, and think about numbers, patterns and puzzles that they find. Annapurna suggests these could be part of a "macabre game" or just a "simple treasure hunt."
Simogo shook up the gameplay of Sayonara Wild Hearts from level to level and it looks like it's adopting a similar approach here. The trailer suggests there will be a first-person shooter element, for instance. The visuals will vary too, from lo-fi PS1-era environments and character models to wireframe figures. It looks delightfully strange.
Sayonara Wild Hearts is nearly perfect and one of my favorite games of all time. So, I'm really looking forward to checking out Lorelei and the Laser Eyes next year. Here's hoping for more details during the Annapurna Interactive Showcase, which takes place on July 28th.
A few months ago, Valve announced that both of its excellent Portal games were coming to the Nintendo Switch, but we didn't know when. Today's Nintendo Direct presentation cleared that up. Portal Companion Collection will arrive on the Switch later today for $19.99. The collection includes both the original Portal from 2007 as well as the more expansive, story-driven Portal 2 from 2011. Whether you missed these games the first time out or just want to replay a pair of classics, this collection sounds like a good way to return to one of the most intriguing worlds Valve ever created.
While the original Portal was strictly a single-player experience, Portal 2 has a split-screen co-op experience; you can also pay this mode with a friend online as well. And while these games originated on the PC, Valve also released Portal 2 for the PlayStation 3 — and if I recall, the game's controls mapped to a controller very well. Given that the Portal series is more puzzle-based than traditional first-person games, you shouldn't have any problems navigating the world with a pair of Joy-Con controllers.
With the explosion of TikTok and the growth of video on YouTube, Twitch, Instagram and other platforms, interest in vlogging has increased exponentially since we last updated our guide. If you’re one of those creators and a smartphone is no longer good enough, it may be time to upgrade to a purpose-built vlogging camera.
Some models are specifically designed for vlogging, like Sony’s ZV-E10 mirrorless camera that launched last year, or Panasonic’s compact G100. Others, like the new Panasonic GH6, Sony A7S III and Canon EOS R6 are hybrid cameras that offer vlogging as part of a larger toolset.
All of them have certain things in common, like flip-around screens, face- and/or eye-detect autofocus and stabilization. Prices, features and quality can vary widely among models, though. To that end, we’ve updated our guide with all the latest models designed for every vlogger from novice to professional, in all price ranges. Engadget has tested all of these to give you the best possible recommendations, and we’ll even discuss a few rumored upcoming models.
One caveat to this year’s guide is that a parts shortage has limited production of many cameras, causing shortages and higher prices. Sony, for one, halted production of the aforementioned ZV-E10 for a time, and models from Fujifilm and others are also hard to find. The good news is that the shortage appears to be easing, so hopefully we’ll see normal supply levels in the near future.
What do you need in a vlogging camera?
Vlogging cameras are designed for filmmakers who often work alone and either use a tripod, gimbal, vehicle mount or just their hands to hold a camera. It has to be good not just for filming yourself, but other “B-roll” footage that helps tell your story.
The number one requirement is a flip-around screen so you can see yourself while filming. Those can rotate up, down or to the side, but flipping out to the side is preferable so a tripod or microphone won’t block it.
Steve Dent/Engadget
Continuous autofocus (AF) for video with face and eye detection is also a must. It becomes your camera “assistant,” keeping things in focus while you concentrate on your content. Most cameras can do that nowadays, but some still do it better than others.
If you move around or walk a lot, you should look for a camera with built-in optical stabilization. Electronic stabilization is another option as long as you’re aware of the limitations. You’ll also need a camera with a fast sensor that limits rolling shutter, which can create a distracting jello “wobble” with quick camera movements.
4K recording is another key feature. All cameras nowadays can shoot 4K up to at least 24 fps, but if possible, it’s better to have 4K at 60 or even 120 fps. If you shoot sports or other things involving fast movement, look for a model with at least 1080p at 120 fps for slow-motion recording.
Video quality is another important consideration, especially for skin tones. Good light sensitivity helps for night shooting, concerts, etcetera, and a log profile helps improve dynamic range in very bright or dark shooting conditions. If you want the best possible image quality and can afford it, get a camera that can record 4K with 10-bits (billions) of colors. That will give you more options when you go to edit.
Don’t neglect audio either — if the quality is bad, your audience will disengage. Look for a camera with a microphone port so you can plug in a shotgun or lapel mic for interviews, or at least one with a good-quality built-in microphone. It’s also nice to have a headphone port to monitor sound so you can avoid nasty surprises after you’ve finished shooting.
You’ll also want good battery life and, if possible, dual memory card slots for a backup. Finally, don’t forget about your camera’s size and weight. If you’re constantly carrying one while shooting, especially at the end of a gimbal or gorillapod, it might actually be the most important factor. That’s why tiny GoPro cameras are so popular for sports, despite offering lower image quality and fewer pro features.
The best action and portable cameras
If you’re just starting out in vlogging or need a small, rugged camera, an action cam might be your best bet. In general, they’re easy to use as you don’t have to worry about things like exposure or focus. Recent models also offer good electronic stabilization and sharp, colorful video at up to 4K and 60 fps. The downsides are a lack of control; image quality that’s not on par with larger cameras; and no zooming or option to change lenses.
DJI Pocket II
DJI
Last time around we recommended the original Osmo Pocket, but the Pocket II (no more “Osmo”) has some big improvements. As before, it’s mounted on a three-axis gimbal and has impressive face tracking that keeps your subject locked in focus. However, the new model has a larger, much higher resolution 64-megapixel sensor, a faster lens with a wider field of view and improved microphones. As before, you can get accessories like an extension rod, a waterproof case and more.
What really makes the Pocket II great for vlogging are the follow modes combined with face tracking. If you’re working solo, you can simply set it up and it’ll rotate and tilt to follow you around. That also applies for walk-and-talk vlogging, so you don’t have to worry about focus or even pointing the camera at yourself. For $346, it’s not only good for beginners, but is a handy tool for any vlogger.
The Hero 10 Black is what we called a “big, invisible upgrade” over the Hero 9, itself a much improved camera over the Hero 8 Black we recommended last time. That’s largely due to the new processor that unlocks features like higher-resolution 5.3K 60p and 4K 120fps video, much improved Hypersmooth 4.0 stabilization, an improved front-screen and more. All of that makes it ideal to mount on a drone, vehicle, helmet, bicycle and more, at a very manageable $350 price with a 1-year GoPro subscription.
DJI took a much different approach compared to GoPro with its latest Action 2 camera – no with more Osmo branding. Rather than being a standalone camera, it’s a modular system with a magnetic mount that lets you add a touchscreen module with a secondary OLED display and three additional microphones, or a battery module for longer life and an extra microSD slot. As with the Pocket 2, it offers tons of accessories like a 3-in-1 extension rod and more. It’s a versatile option if you do more than just action shooting, and is priced well starting at $399.
Compact cameras are a step-up option from smartphones or action cameras, with larger sensors and much better image quality. At the same time, they’re not quite as versatile as mirrorless or DSLR cameras (and not necessarily cheaper) and they lack advanced options like 10-bit video. For folks who want the best possible quality without needing to think too much about their camera, however, it’s the best option.
Sony ZV-1
Steve Dent/Engadget
Sony’s ZV-1 came out in 2020 and it’s still the best compact vlogging camera available. Based on the RX 100 V, it has a decently large 1-inch 20.1-megapixel sensor and fixed 24-70mm f/1.8-2.8mm equivalent lens. Based on the RX100 V, it has a 1-inch 20.1-megapixel sensor and fixed 24-70mm f/1.8-2.8mm (equivalent) lens. It also offers a lightweight body, built-in high-quality microphone (plus a microphone port), flip-out display, best-in-class autofocus and excellent image quality. It also has vlogging specific features like “product showcase” and background blur.
While the $799 ZV-1 can’t shoot 10-bit video, it comes with Sony’s S-Log picture profiles that give you increased dynamic range for shooting in challenging lighting conditions. The flaws include a lens that’s not quite wide enough when you’re using electronic stabilization, mediocre battery life and the lack of a true touch display and headphone port. That aside, if you’re looking to step up from a smartphone, it does the job nearly perfectly.
Canon’s G7 X Mark III should also be front of mind for vloggers looking for a compact option. It also packs a 20-megapixel 1-inch sensor, but has a 24-100 mm f/1.8-2.8 35mm equivalent zoom — quite a bit longer than the ZV-1 at the telephoto range. It can shoot 4K at up to 30 fps, while offering optical image stabilization, a microphone input (though no headphone jack) and even the ability to livestream directly to YouTube. The downsides are contrast-detect only autofocus and a screen that tilts up but not to the side. For $749, it’s still a great option, though.
This is the class that has changed the most over the past couple of years, particularly in the more affordable price categories. Interchangeable lens cameras give you the most options for vlogging, offering larger sensors than compact cameras with better low-light sensitivity and shallower depth of field to isolate you or your subject. They also offer better control of your image with manual controls, log recording, 10-bit video and more. The drawbacks are extra weight compared to action or compact cameras, extra complexity and higher prices.
Fujifilm X-S10
Jonas Dyhr Rask/Fujifilm
Fujifilm’s X-S10 has displaced the X-T4 as the best vlogging camera out there, thanks particularly to the more affordable price. It ticks all the boxes for vloggers, offering in-body stabilization, 10-bit 4K external video with F-Log recording (at up to 30fps) along with 1080p at a stellar 240 fps, a screen that flips out to the side and easy-to-use controls. It also comes with a headphone jack and USB-C port that doubles as a headphone jack. The main downside is the limited touchscreen controls, but you get a lot of camera for just $1,000.
The best Sony APS-C camera for vlogging is now the ZV-E10. While using many of the same aging parts as the A6100, including the 24.2-megapixel sensor, it has a number of useful features for self-shooters. High on the list is Sony’s excellent autofocus, which includes the same background defocus and Product Showcase features found on the ZV-1 compact. It also offers electronic SteadyShot, a fully articulating display and more. The biggest drawback is rolling shutter that can get bad if you whip the camera around too much. If you can find one, it’s priced at $700 for the body or $800 in a bundle with Sony’s 16-50mm F/3.5-5.6 power zoom lens.
Panasonic’s GH5 was an incredibly popular vlogging camera for a very long time and was actually replaced by two cameras, the $2,200 GH6 and more budget-oriented $1,700 GH5-II. The GH6 is a large upgrade in nearly every way, offering 5.7K at 60 fps and 4K at up to 120 fps, along with ProRes formats that are easy to edit. It also comes with the best in-body stabilization on any camera and great handling. The downside is sub-par contrast-detect autofocus and battery life that’s not amazing.
It’s also worth a look at the GH5 Mark II, which is not only $500 cheaper but particularly well suited for live-streamers. It’s not a huge upgrade over the GH5, but does more than most rival cameras for the price, offering 4K 10-bit 60p video, a fully articulating display and excellent in-body stabilization. As with the GH6, the main drawback is the contrast-detect autofocus system.
Panasonic’s G100 is purpose built for vlogging like the ZV-1, but also allows you to change lenses. It has a fully-articulating flip-out screen, 5-axis hybrid (optical/electronic) stabilization, 4K V-Log-L video at up to 30 fps (though sadly cropped at 1.47X for 4K video), 1080p at up to 60 fps, and contrast detect AF with face/eye detection. The coolest feature is the Nokia OZO system that can isolate audio to a specific person via face-detection tracking — something that can theoretically improve audio quality. Best of all, you can grab it right now with a 12-32mm lens for $750.
Another good buy if you’re on a budget is Canon’s EOS M50 Mark II, particularly if you’re okay with 1080p video only. While not a huge upgrade over the original M50, Canon has made it more compelling for vloggers with a fully-articulating display, continuous eye-tracking in video and live streaming to YouTube. It does support 4K, but with a heavy 1.5 times crop and contrast-detect autofocus only. Still, it’s a good option for folks on a budget, selling for $699 with a 15-45mm lens.
If you’ve got the budget for it, Canon’s EOS R6 offers nearly every feature you need in a vlogging camera. You can shoot 10-bit 4K video at up to 60 fps, and the Dual Pixel autofocus with eye and face tracking is incredibly reliable. It also offers 5-axis optical stabilization, a flip-out display and a relatively compact size. As you may have heard, overheating can be an issue, but firmware updates have improved that issue and it only applies to the more demanding video settings.
The Fuijfilm X-T4 is a great all-around mirrorless camera for vlogging. It has everything you need, including a fully-articulating display, continuous eye- and face autofocus, 10-bit 4K log recording at up to 60 fps, 5-axis in-body stabilization, microphone and headphone jacks (the latter via USB-C) and lower noise in low light.
Image quality, especially in the skin tones, is lifelike and the sensor has minimal rolling shutter. It also offers good battery life and comes with dual UHS-II card slots. Finally, it’s fairly light considering all the features, and Fujifilm has a good selection of small lenses ideal for vlogging. What I don’t like is an autofocus system not quite as fast or accurate as Sony’s and the fairly steep $1,700 asking price for the body only.
If you want to look great while vlogging, check out Nikon’s stylish Z fc. It’s largely identical to the Z50, with features like a 20.9-megapixel APS-C sensor, 4K at 30 fps and a reliable phase-detect autofocus system with face detection. However, the Z fc brings a vari-angle touchscreen to the party and has a beautiful vintage body covered with convenient manual controls. It doesn’t have built-in optical stabilization, but you can get that via a lens. The best feature, though, is the price – you can get one for $1,100 with a 16-50mm lens.
If you’re not quite ready to buy, there are some interesting options on the horizon. Canon just announced the EOS R7, a mirrorless EOS R version of its popular EOS 7D DSLR. It has an APS-C sensor and all-new RF-S lenses, meaning that it might replace Canon’s current M-series cameras. Specs include a 32.5-megapixel APS-C sensor, 4K 60 fps video, an articulating display and more. All of that will make it a top vlogging option, if our upcoming review confirms the hype.
On top of that, Canon also announced a cheaper EOS R10 model with a 24.2-megapixel sensor that could also be an ideal vlogging camera. Both cameras are coming out towards the end of 2022.
In addition, Fujifilm just launched the X-H2S, its new $2,500 flagship mirrorless camera. With a 26.2-megapixel stacked and backside-illuminated sensor, it offers a raft of impressive features. Some of the highlights include 40 fps blackout-free burst shooting, faster autofocus, 6.2K 30fps video, a flip-out display and 7-stop in-body stabilization. If you’ve got the budget, this could be a solid vlogging choice when it arrives on July 7th.
