Supermassive Games just dropped a trailer for its forthcoming single-player interactive story game set in the Dead by Daylight universe. The Casting of Frank Stone is a character-driven narrative adventure that features all of the character choice and tension of Supermassive-developed titles like Until Dawn and The Quarry.

The developer promises “powerful life or death choices” and an entirely new cast of characters. Supermassive says this is a “whole new way for horror fans” to experience the franchise, and that’s something of an understatement. Dead by Deadlight is an asymmetrical multiplayer title in which one player is the killer and the others are trying to survive. It’s like a really intense version of hide and seek. Obviously, a single player adventure would have to be completely different, which the trailer certainly leans into. 

As you can see, the game looks slow, moody and cinematic, which is a stark departure from the source material. The trailer's short of actual gameplay details, but there are some first person shots of a flashlight in the woods, so that's something. 

We already knew this crossover was in the works, but the trailer debut at The Game Awards is our first real look at the game. Supermassive is known for putting its own B-horror spin on things, so The Casting of Frank Stone should be a good time when it launches in 2024 for Xbox X/S and PC via Steam and Windows. 

Atlus and its subsidiary Studio Zero have finally released a new trailer for the forthcoming RPG Metaphor: ReFantazio at The Game Awards. The title’s being helmed by many of the talented folks behind Persona 5, including director Katsura Hashino and composer Shoji Meguro. The primary difference? This game takes place in a fantasy setting, with nary a high school or talking cat in sight.

The game was originally teased earlier this year, but all we had was a title and a small announcement trailer. Now this trailer is the real deal, with full voice acting, cinematics and plenty of actual gameplay. A video game trailer with actual gameplay, what a novel concept.

As for that gameplay, the combat looks similar to Persona, though without the use of the titular beasties. The game is populated by a diverse cast of characters and if you stare at the menus you can see some tell-tale signs of a robust social element at play, another similarity to the Persona series.

There’s also something of a steampunk vibe running throughout, which is always a nifty choice for a video game. Who knows, maybe there’s a sinister blue door somewhere in the world populated by a creepy old man. Metaphor: ReFantazio — The Royal Tournament, a name Square Enix would love, launches in fall of next year on Xbox X/S and PC.

Content creation experts Streamlabs has partnered with beleaguered social media platform X to offer a “seamless go-live experience”. This is part of X’s long-promised integration of game streaming to the site. To that end, it’ll allow X users to initiate streams without having to manually input stream keys and it’ll let those same users sign into the Streamlabs desktop app or the mobile app using social media credentials.

The system also integrates with X’s new live broadcast chat functionality, so you can monitor chat messages in the Streamlabs desktop add as you stream. The desktop app also lets you adjust monetization options on the fly, including custom alerts for tipping and overlays for branded content. Additionally, content creators have access to the Streamlabs merch store so they can hawk branded products while they stream. Creators using X will also have access to the company's line of widgets for increased engagement.

For regular users, this partnership will allow people to chat with their favorite streamers in real-time straight from X, though this feature looks to be paywalled behind one of those Blue subscriptions, or Premium or whatever it’s called these days. The one that gets you the universally-beloved blue check mark.

Of course, there’s the massive antisemitic elephant in the room. This is a strange time to announce a partnership with X, given Musk’s recent behavior and the ongoing exodus of advertisers from the social media platform. So far this exodus has included Apple, Disney, Paramount, Sony, Warner Brothers Discovery and others. It looks like Streamlabs, and by extension Logitech, has decided to buck trends and tie its horse to the X wagon. Still, new livestreaming tools are never a bad thing. 

When Snapchat introduced the notion of “ephemeral data” to the masses a decade ago, self-destructive messaging really took off. There were tons of companies trying to cash in, from Meta-created Poke to Wickr, Confide, Hash and others. For the most part, all of those companies failed, but the idea has thrived. To that end, WhatsApp just introduced voice messages that automatically delete after being played.

The messaging app’s View Once feature already exists for photos and messages, but this is the first time it has been applied to voice messages. The interface is simple. Just select View Once and make a voice message. It’ll self-destruct after the recipient hears it. This is not only fun in a Mission Impossible sort of way, but actively enhances privacy in the case of audio recordings that mention sensitive topics. Hey, once in a while you have to give someone credit card details and it’s better to be safe than sorry.

There are some caveats, as no technology is foolproof. WhatsApp encourages users to only send View Once voice messages to people they trust, as there are ways to get around the ephemeral nature of the data. For instance, Android users can use the screen record function as they listen and anyone can use another camera or external microphone to capture the message.

The tool’s rolling out globally over the next few days, so it might be a bit before the update hits your box. WhatsApp has been making all sorts of improvements throughout the past year. Just last week, the platform introduced the ability to share photos in their original format, without compression. The app also recently added a tool that masks your IP address when making calls.

Cloud storage app Proton Drive is rolling out a new tool that automatically sends photos to a private cloud server, bringing the feature set closer to something like Google Drive. Not only does the software automatically sync and upload photos to its servers, but there’s a management tool that categorizes images based on when the photos were taken, which Proton calls “snapshots of your life.” All of these features are reserved for Android users.

All you have to do is download the update and enable photo uploads in the settings. Like all aspects of Proton Drive, the transfer will be end-to-end encrypted so you don’t have to worry about prying digital eyes. The encryption applies to the photo itself and any associated metadata.

As for revisiting the photos, the app lays them all out in a grid view, with preview options in a variety of file types, including panoramas, portraits, and even timelapse videos. It’s worth noting that Proton Drive already offered cloud storage for photos, but there wasn’t an automatic sync. Now there is. Android users rejoice, though the company has yet to announce an iOS version.

The update begins showing up today, but it’ll be a few days before everyone gets it. You know the drill. A 200GB Proton Drive subscription costs $5 per month, while a 500GB plan costs $13 each month. There’s a free tier, but it's only 1GB.

Proton has been busy this year. The company released a native Windows file-syncing app back in July and its very own password manager in April. It's well-regarded in the worlds of online encryption and security. There’s a reason, after all, why Proton VPN is our top choice virtual private network.

The digital audio workstation (DAW) Bitwig Studio just received a substantial update that brings plenty of new sounds and effects. Version 5.1 boasts a spate of enhancements, including new waveshapers, new filters, polyphonic voice stacking, a dual oscillator and more. This is especially good news for avid sound designers, as the filters and waveshapers should allow for plenty of tinkering to find that perfect tone.

The filters are all rather unique, going a step further than a simple lowpass or something. For instance, the Fizz filter offers two separate cutoffs with embedded feedback. The Rasp filter is bright and resonant with a host of adjustment options. Vowels is a morphing format filter with an array of models, pitch and frequency offsets that can be programmed to change over time. Finally, there’s Ripple, which is described as a “hyper-resonant circuit.”

There are six new waveshapers to choose from, including the Push soft clipper and Heat S-shaped clipper. Both of these could be great for adding a bit of sizzle to dry tracks. Soar is a soft wavefolder that “makes the quietest parts loud” and Howl does something similar, but with a focus on creating harsh, glitchy sounds. Shred helps get rid of unwanted artifacts and Diode is a classic circuit, which Bitwig calls “a warm, familiar option.”

All filters and waveshapers can be used within the DAW’s Filter+ and Sweep devices, though they are also available as standalone Grid modules. That’s the magic of Bitwig Studio and what sets it apart from other DAWs. Everything is modular, with mix-and-match options for every effect, filter, oscillator and waveshaper.

As for other tools, there’s a new Voice Stacking module that offers layered playback of up to 16 voices per note and a dual oscillator called Bite. Bitwig has also added experimental elements to the quantizing function, which should make for some wild remixes, and adjusted the UI so the mixer can be dragged and dropped anywhere. These changes follow Bitwig Studio 5.0, which offered many new audio playback tools.

Bitwig Studio 5.1 is out now, and it's a free upgrade for license holders with an active plan. The company constantly adds new features to the DAW, as recent-ish updates saw tools to mangle MIDI performances and the addition of a hybrid modular synth.

The DAW is also on sale at the moment. You can get Bitwig Studio for $299, down from its usual $399 price. The bare-bones Essential version of the software, meanwhile, is $79 at the moment instead of $99.

Acer just announced a new gaming laptop, the Nitro V 16. This computer has some serious bells and whistles, with the key takeaway being the inclusion of the just-announced AMD Ryzen 8040 Series processor. The processor has plenty of oomph for modern gaming applications, with the addition of AI technology to enable enhanced ray-traced visuals.

You can spec out the laptop how you see fit, with GPU options up to the respectable NVIDIA GeForce RTX 4060. This GPU features DLSS 3.5 tech and its own AI-powered ray-tracing, called Ray Reconstruction. You have your pick of two display options, with availability of WQXGA or WUXGA screens. Both options boast 165 Hz refresh rates and 3ms response times. Acer promises that the displays offer “fluid visuals with minimal ghosting and screen tearing.”

As for other specs, you can beef up the laptop with up to 32GB of DRR55600 RAM and 2TB of PCIe Gen 4 SSD storage. Acer also touts a new cooling system that features a pair of high-powered fans that make it “well-equipped to take on heavy gameplay.” To that end, you can monitor performance and temperature via the company’s proprietary NitroSense utility app.

There are three microphones outfitted with AI-enhanced noise reduction tech, for online tomfoolery, and the speakers incorporate DTS:X Ultra sound optimization algorithms for immersive audio. Finally, you get a USB-4 Type C port, two USB 3 ports, an HDMI port, a microSD card reader and WiFi 6E compatibility.

If the name of the processor seems a bit confusing, that's because AMD recently changed up its naming conventions. Here's a simple breakdown. The "8" relates to 2024 and the second number refers to the product line or relevant market segment, so that doesn't mean much to consumers. The third number, however, is all about performance. The "4" indicates that the chip uses the advanced Zen 4 architecture. Finally, the fourth number illustrates what type of Zen 3 architecture the chip uses. The "0" denotes a lower-tier Zen 3 experience when compared to Zen 3+, which would be marked as "5". 

The Windows 11 gaming laptop will be available in March, with a starting price of $1,000 for the base model. It also comes with one month of Xbox Game Pass, so you can run it through its paces.

Ubisoft’s Rocksmith+ guitar-learning platform just got an update that’s sure to please ivory ticklers, as the app now teaches piano. A single subscription allows access to every instrument under Rocksmith’s umbrella, including acoustic guitar, electric guitar, electric bass and, now, piano.

The newly-updated Rocksmith+ already boasts 400 piano arrangements to practice, with at least 40 more arriving each month. These songs include pop hits like Elton John’s “Rocket Man”, Adele’s “Make You Feel My Love” and titles culled from a diverse array of genres, including classical to soundtracks and beyond. These piano-based compositions join over 7,000 pre-existing songs for guitar and bass players.

The app’s available for both mobile devices and PCs via the Ubisoft store, and the update lets you use a digital piano, keyboard or wired MIDI controller. It supports keybeds with 25 keys up to the full complement of 88 keys. You’ll have your choice of practice methods, as the app offers an interactive 3D interface or traditional sheet music. Also, you don’t need any extra gear to get going, like a dedicated microphone.

Reviews for the guitar and bass elements of Rocksmith+ have been mixed, with some publications praising the intuitive interface and others decrying the limited song selection. The app offers a free trial for a week, but subscriptions cost $15 per month, if you go with a monthly plan, or $100 per year. The free trial is only available for the yearly subscription, so exercise caution when signing up and be sure to set a reminder to cancel before the week is up if you aren’t jiving with the software.

Netflix just announced that it has renewed Squid Game: The Challenge for a second season. The reality show is a toned-down version of the dystopian drama of the same name, a program known for its harsh critique of capitalism. Production on the second season is already ramping up, as casting is currently underway.

The Challenge recreates many of the more popular scenarios from the original show, complete with fake deaths by gunshot when a player exits the game. Despite being a fictional version of the drama, the real-life players were put in dangerous situations while competing. Many players said they suffered injuries during the game, and others claimed that provisions were so scarce that people were forced to use condoms as lip balm, among other complaints.

Just like its fictional counterpart, the cash prize was so large that people were willing to put up with less-than-ideal and potentially hazardous circumstances. The winner of the first season will be announced tonight and will take home $4.65 million dollars, $10,000 for each of the 465 contestants. That’s the largest payout in reality show history. However, its winner takes all, so 464 players get nothing. As an aside, Netflix is valued at around $200 billion.

Despite the controversy surrounding the show, it's obviously a hit. Squid Game: The Challenge has consistently perched atop the streamer’s top ten, likely helped by the abundance of news regarding the precarious conditions on-set. Bread and circuses, baby!

The streamer has also revealed a bit more information regarding an upcoming video game set “in the Squid Game universe.” Netflix notes that players will “compete with friends in games they’ll recognize from the series,” so we know it has multiplayer at the very least. It also leaves us with one glaring question. The Squid Game… universe? The MCU better watch out.

Twitch is leaving South Korea, with plans to cease all operations on February 27. This is due to ‘prohibitively expensive’ networking fees, according to CEO Dan Clancy. The news is a major bummer, as the country is one of the largest esports markets in the world, with some of the most competitive League of Legends and Starcraft players around.

Clancy calls this a “unique situation," noting that operating in South Korea ends up being ten times more expensive than other countries. He went on to write that Twitch undertook a “significant effort” to continue operations, but the Amazon-owned company simply couldn’t afford it.

Some of these efforts included incorporating a lower-cost peer-to-peer model and downgrading the resolution of streams to 720p, according to TechCrunch. The company had been running at a significant loss and it decided to, well, stop doing that. 

“I want to reiterate that this was a very difficult decision and one we are very disappointed we had to make. Korea has always and will continue to play a special role in the international esports community and we are incredibly grateful for the communities they built on Twitch,” wrote Clancy.

Netflix has also been open about its struggles to continue operations in South Korea. The streaming giant and local internet service provider SK Broadband had been tossing lawsuits back and forth regarding networking fees before settling back in September. As usual, consumers got the shaft on this one, as Netflix ended up raising prices by around 13 percent.

So what’s the issue exactly? It all boils down to a particular type of internet traffic tax employed in South Korea called the “Sending Party Network Pays” (SPNP) model. This tax requires the tech company, Twitch in this case, to pay a fee to the ISP for traffic to be delivered to the end user. Foreign companies resisted these efforts for years but there have been recent crackdowns, and here we are.

South Korea is the first country to force the SPNP model, but other nations are looking to follow suit. India, for instance, has expressed interest in changing up its telecom rules in favor of ISPs and the EU has been debating the issue since March. As for Twitch, the company’s hosting a live stream today to address concerns from Korean users.