As promised, YouTube Music now offers podcasts. In the US, you can launch the Android or iOS app to stream audio or video podcasts without a Premium or Music Premium subscription. Shows will play in the background, and you can cast them to other devices like speakers.

The feature is reaching American users "gradually," YouTube says, so don't be surprised if you have to wait a little while to see the podcast section. The format is coming to other regions, although YouTube hasn't provided a timeline. And before you ask: paying members will still have to listen to host-read ads.

The addition may seem odd when Google already has a Podcasts app. This unifies listening for YouTube Music subscribers, though — and, of course, theoretically entices you to sign up. This could make the app a more viable alternative to Spotify if you're paying for on-demand music and want everything in one place.

YouTube has been ramping up its podcast efforts across the board, including an Explore page for non-Music users. Just don't count on the service producing a swath of originals like Spotify. The rival has dropped some of its originals, and has been expanding distribution of Gimlet shows to other platforms. The podcast industry isn't as hot as it once was, even if there's still plenty of demand.

Acclaimed developer Young Horses just dropped four free games on Steam as part of a collection it's calling the Free Range initiative. The team behind the beloved PS5 launch title Bugsnax is known for making off-kilter takes on traditional game formulas, and these four titles look like they carry on that proud tradition.

These are not bigwig releases, as they were mostly developed as side projects and at various game jam events. The strangest one of the four, and therefore the most intriguing, is called Antbassador, which was originally developed for the Ludum Dare game jam. Have you ever wanted to control a giant finger in a tophat as you try to accommodate the needs of a bustling ant colony? Now’s your chance.

If you haven’t had your fill of picnic ruiners, there’s IndependANT. The 3D open-world platformer casts you as an ant trying to locate a missing queen. This is a new and original title that did not begin life as a game jam, but rather as a tech demo to show off the newly-implemented Unreal 5 engine.

We move from insects to reptiles with the hilariously-titled Snakedate. As the name suggests, you are a snake at a club looking for dates. This mostly involves swiping right on a snake-based dating website and then, uh, wrapping your slithering body around any creature that catches your fancy.

Finally, there’s Octodad: Student Edition. This is the original version of the standout hitOctodad: Dadliest Catch, first created when many key developers at Young Horses were still in college. It's a bit rough around the edges, as it's more than 12 years old, but this is Octodad through and through. This is the OG design that fueled a Kickstarter frenzy and started it all for the company.

All four titles are available for download right now, but only via the Steam Store. Octodad: Dadliest Catchfinally launched for the Switch some years back, but it looks like these four games are all PC exclusives for now.

Following a three-year hiatus, Netflix revealed on Wednesday that Black Mirror’s latest season will begin streaming in June. In an interview on the Tudum blog, series creator Charlie Brooker claimed Black Mirror’s latest episodes would surprise fans. “Partly as a challenge, and partly to keep things fresh for both me and the viewer, I began this season by deliberately upending some of my own core assumptions about what to expect,” he told the blog, adding the new season would tackle tropes he “previously sworn blind the show would never do.”

If nothing else, season six will feature Black Mirror’s most stacked cast to date. Some of the actors that lent their talents to the production include Aaron Paul (Breaking Bad), Annie Murphy (Schitt’s Creek), Ben Barnes (Shadow and Bone), Himesh Patel (Station Eleven), Josh Hartnett (Black Hawk Down), Kate Mara (House of Cards), Rory Culkin (Columbus) and Salma Hayek Pinault (Frida), among many others. 

News that Netflix was working on a new Black Mirror season first surfaced nearly a year ago. At the time, it was rumored the anthology’s newest episodes would be more cinematic in scope, something the teaser trailer appears to confirm. After the past two seasons left critics and fans feeling the anthology had lost much of its incisive edge, it has a lot to prove.

It should now be easier to deduce whether Twitter has restricted the visibility of a tweet over a possible violation of the company's hateful conduct policy. Twitter has started applying a label to tweets that it believes breaks those rules, as it recently pledged to do.

When Twitter detects a tweet that may violate the policy, it will limit the reach of the post and apply a label that reads "Visibility limited: this tweet may violate Twitter's rules against hateful conduct." The company plans to expand the labels to include more types of policy violations in the coming months.

Twitter says it may limit the visibility of rulebreaking tweets by excluding them from search results, as well as from the For You and Following timelines. Such tweets may be downranked in replies and it may not be possibly to reply to them, retweet them, bookmark them or pin them to profiles.

Twitter noted that it may incorrectly label a tweet as one that violates its rules, so the authors of such tweets can effectively appeal the decision by providing feedback. However, the company said it may not acknowledge the feedback or restore the tweet's typical reach.

The company is taking a looser approach to moderation under current owner Elon Musk as it has adopted a "Freedom of Speech, not Freedom of Reach" philosophy. For instance, it quietly updated the hateful conduct policy this month to lift a ban on misgendering and deadnaming transgender people.

With nearly 60 million daily active players, Roblox is one of the most popular games on the planet. So it’s surprising then that it’s taken until now for a company like Razer to partner with the game's creator to release a line of Roblox-branded gaming gear. 

Razer

Announced today, the line includes new versions of some of Razer’s most popular accessories, like the Orochi V2 gaming mouse. There’s also a Roblox-themed BlackWidow V3 mechanical keyboard and Barracuda X headset. What makes Razer’s Roblox Edition peripherals different from some of the other collaborative gaming lines released in the past is that each Razer device comes with an in-game Roblox item. The Orochi V2, for instance, comes with the “Razer Cyberpack,” a backpack shaped like a mouse. Meanwhile, the BlackWidow lets you adorn your Roblox avatar with a set keyboard wings. If that wasn’t weird enough, none of the in-game items are one-for-one recreations of their real-world counterparts.

Pricing starts at $90 for the mouse, while the headset and mechanical keyboard will cost $130 and $180, respectively. In other words, each Roblox Edition accessory costs more than you would pay for those devices normally. For instance, the standard black, white and quartz Orochi V2 colorways cost $70 when they’re not on sale. You’re basically paying extra for your kid to show off to their friends on Roblox. The entire line will go on sale on April 28th through the Razer website and select retailers.

Developer Dramatic Labs has set a release date of May 23rd for the narrative adventure game Star Trek: Resurgence. It was supposed to come out in spring of 2022, but better late than never, right? The title launches for the PS4, PS5, Xbox One, Xbox Series X, Xbox Series S and PC via the Epic Games Store. So pretty much everything but the Switch.

If the term “narrative adventure game” brings to mind Telltale classics like The Walking Dead and The Wolf Among Us, there is a good reason. Dramatic Labs is made up of former Telltale developers, some of which worked on those iconic adventure games. So you can expect a title that prioritizes making tough decisions over whiz-bang action. Star Trek as a franchise seems especially suited to this style of play, given the often thoughtful nature of the stories.

Star Trek: Resurgence is set shortly after the events of Star Trek: The Next Generation, placing it before the events of Star Trek: Picard but relatively concurrent with the events of Star Trek: Lower Decks. This is Star Trek. There are lots of timelines to keep track of.

The game features two playable lead characters, neither of which will be familiar to fans. However, Dramatic Labs has teased the presence of legacy characters from throughout the universe, and it has already revealed that the one and only Spock will feature heavily in the storyline. This is not the Spock from the original Star Trek and its sequel movies, but rather the aged Ambassador Spock as seen in The Next Generation timeline. The story involves stopping a war between two alien races, which is something the Vulcan ambassador would most certainly get behind.

Resurgence uses the Unreal 5 engine, which should eliminate some of the jankiness surrounding old-school Telltale games. There is also plenty of talent behind the scenes, so this is something to be cautiously optimistic about, as it has been a long time since a truly iconic Star Trek game appeared on our radar. In any event, we only have a month to find out if Resurgence lives up to classic early 2000s titles like Star Trek: Bridge Commander.

Netflix is offering a peek at Henry Cavill's final turn as Geralt of Rivia. The streaming service has posted a teaser trailer for The Witcher season three that showcases Cavill as the White Wolf. There's precious little story in the clip. However, Geralt is now worried enough to know real fear, and it's clear Ciri and Yennifer have even more to worry about.

As with Stranger Things season four, Netflix is splitting The Witcher's third run into two parts. A first volume premieres June 29th, while you'll have to wait until July 27th to see the rest. That's not entirely voluntary. As show creator Lauren Schmidt Hissirch told Collider in an interview this December, there was a possibility the challenges of producing visual effects would require dividing the season.

It may be a bittersweet season for fans. Cavill is known to be a fan of all things Witcher (both the novels and the games), and many seem him as synonymous with the on-screen representation of Geralt. Liam Hemsworth is set to replace Cavill in season four. It's too soon to say how well Hemsworth will fare, but it's safe to presume he'll bring something different to the role.

Blizzard Entertainment is being sued by former Chinese publishing partner NetEase after servers shutdown in January when the two failed to reach a continuation agreement. NetEase is seeking ¥300 million Yuan (roughly $43.5 million) in damages, which the company says will be put toward issuing refunds for discontinued games and recouping investments from unsold merchandise inventory.

The suit has multiple components. NetEase says Blizzard was supposed to handle customer refunds with regard to discontinued games and that it got stuck with the bill. NetEase also alleges that the original contract was worded in such a way as to grant Blizzard “unequal terms and conditions” in favor of the publisher’s “unilateral rights," as reported and translated by MMO-focused gaming website Wowhead. A representative from Blizzard’s parent company Activision told Engadget that it has yet to see any formal paperwork announcing the lawsuit and said that NetEase is “contractually responsible” for refunds and anything else that falls under the “operations” umbrella.

NetEase also alleges that it provided Blizzard with a large advance to make future titles. The Chinese developer says that not only were these titles never finished or released, but that Blizzard never returned any of the seed money. Again, Activision had no comment as it has not seen the suit. 

Blizzard and NetEase were successful partners for the past 14 years before negotiations broke down to renew the long-term licensing agreement. This led to a complete cessation of all Blizzard games and services in the region, including popular properties like World of Warcraft, Overwatch 2, Starcraft and Diablo III, among others. Millions of Chinese players lost access to their accounts and related data. Some started fresh with new accounts in other regions, but most (112 million people) opted for a refund.

The agreement did not end amicably, with reports of NetEase staffers tearing down the Blizzard offices and livestreaming the destruction of a World of Warcraft statue. NetEase's president of global investment and partnership, Simon Zhu, also seemed to call out a high-ranking Blizzard staffer as a “jerk” in a LinkedIn post. Now there’s an alleged lawsuit to add even more fuel to the fire. This is a developing story so we will update this post when and if Activision/Blizzard receives a copy of the lawsuit.

Canadian synth-pop artist Grimes says AI artists can use her voice without worrying about copyright or legal enforcement. “I’ll split 50% royalties on any successful AI generated song that uses my voice. Same deal as I would with any artist i collab with,” she tweeted on Sunday. “Feel free to use my voice without penalty. I have no label and no legal bindings.”

The musician’s declaration comes in the wake of streaming platforms removing an AI-generated song using simulated voices of Drake and The Weeknd. Universal Music Group (UMG), which represents both artists, called for the purge after “Heart on My Sleeve” garnered over 15 million listens on TikTok and 600,000 on Spotify. UMG argued that publishing a song trained on its artists’ voices was “a breach of our agreements and a violation of copyright law.”

Grimes takes a considerably more open approach, adding that she has no label or legal bindings. “I think it’s cool to be fused [with] a machine and I like the idea of open sourcing all art and killing copyright,” she added.

This isn’t Grimes’ first time weighing in on AI. The artist collaborated with mood music startup Endel to launch an AI-generated lullaby app in 2020. She was inspired to create “a better baby sleeping situation” for her son, X Æ A-XII. In addition, she predicted in 2019 that generative AI could mean “the end of art, human art,” continuing by saying, “Once there’s actually AGI (Artificial General Intelligence), they’re gonna be so much better at making art than us... once AI can totally master science and art, which could happen in the next 10 years, probably more like 20 or 30 years.”

In addition to music, generative AI is already disrupting numerous industries, including visual art, writing, online media and voiceover work. After its sudden arrival — and rapid improvements — within the past year, AI content creation has set off numerous legal, ethical and copyright firestorms. Unfortunately, it will likely worsen before society and copyright laws settle on any consensus. In March, the US Copyright Office said AI art, including music, stemming from a text prompt couldn’t be copyrighted. But it left the issue far from settled as it left the door open to granting copyright protections to works with AI-generated elements.

Grimes’ offer to split royalties says it would apply to any “successful” AI song using her voice, leaving some confusion over where that cutoff is. Either way, she sounds ready to back up the offer with tools artists can use, promising, “We’re making a program that should simulate my voice well but we could also upload stems and samples for ppl to train their own.”

When Elon Musk first announced Twitter would start charging for verification, he said the company’s legacy “lords & peasants” system was “bullshit.” Now, just days after winding down the old system, Twitter has begun handing out blue ticks to celebrity users and accounts with more than one million followers. Among the users who received the verification but say they did not pay for the service include author Neil Gaiman, actor Ron Perlman, the Massachusetts Institute of Technology and Twitter comic dril.

“For the curious, I’m not subscribed to Twitter Blue,” author Neil Gaiman tweeted on Sunday afternoon. “I haven’t given anyone my phone number. What a sad, muddled place this has become.” Other celebrities expressed similar sentiments. “Ah they got me. Im fucked,” dril wrote, before later losing his check mark – seemingly because Paul Dochney, the writer who runs the account, changed dril’s display name to “slave to Woke.”

It’s unclear just how many users Twitter has re-verified in this way. On Friday, Musk claimed he was “personally” paying the Twitter Blue subscription of a few celebrities, including LeBron James and Stephen King. Additionally, accounts that once belonged to Chadwick Boseman, Kobe Bryant and Anthony Bourdain, celebrities who died long before Musk’s takeover of Twitter, were also reverified over the weekend. The same message appears if you click on any of the blue checks associated with those accounts. “This account is verified because they are subscribed to Twitter Blue and verified their phone number.”

It’s unclear if someone paid to verify those accounts or if Twitter granted them blue checks free of charge. Twitter does not operate a public relations department Engadget could reach for comment. Understandably, many of those who got their check mark for free are upset that Twitter is suggesting they paid for Twitter Blue. “Its ok he fired the people in charging telling him its illegal,” dril joked, pointing to a screenshot showing the Wikipedia page detailing the Lanham Act, a federal law that lays out, among other things, what constitutes false endorsement in the US.