Utah's age verification law, which targets publishers distributing material deemed to be "harmful to minors on the internet," has gone into effect. As a response, MindGeek has chosen to block everyone in the state from being able to access its websites, including Pornhub. As Motherboard reports, if somebody with a Utah IP address accesses Pornhub, they'll now be met with a video of adult performer Cherie DeVille. In it, DeVille explained that the company believes requiring users to submit their government IDs isn't the most effective solution to protecting its users and could even put their privacy at risk. 

She continued that "mandating age verification without proper enforcement" has driven users to other sites with fewer safety measures in states with the same law. MindGeek believes that the most effective solution to identify users is by doing so through their device. "Until a real solution is offered, we have made the difficult decision to completely disable access to our website in Utah," DeVille said, ending the video with a plea for residents in the state to contact their representatives and demand device-based verification solutions. 

In January, a law requiring adult websites to deploy age verification measures and ensure their visitors are 18 or older went into effect in Lousiana. Pornhub, however, didn't block all users in the state, and is currently verifying people's ages using Lousiana's digital wallet app for driver's licenses. According to Axios, Utah doesn't have a similar tool that websites like Pornhub could use, making it much difficult to comply with the law. We asked Pornhub if it would consider unblocking Utah residents if the state creates its own wallet app for driver's licenses. 

Laurie Schlegel, the Republication representative who spearheaded the age verification law in Lousiana, explained she championed the bill because she believes that the digital world needed adult-only zones, such as bars where patrons are asked for IDs. At least two dozen states, including Utah, followed Louisiana's example by introducing age verification legislation over the past year. So, even if Pornhub finds a way to unblock Utah residents, a lot of people elsewhere in the US might find themselves having to verify their ages on the website using a government ID.

The Writers Guild of America (WGA) has called for a strike starting today largely over streaming productions, saying that studios are effectively creating a "gig economy" within the union. On the other side of the table, the Alliance of Motion Picture and Television Producers (AMPTP) said the WGA was "unwilling" to compromise on key issues like mandatory staffing. 

"The Board of Directors of the @WGAwest and the Council of the @WGAeast, acting upon the authority granted to them by their memberships, have voted unanimously to call a strike, effective 12:01 AM, Tuesday, May 2," the WGA wrote in a tweet. "The decision was made following six weeks of negotiating with @Netflix, @Apple, @ Disney, @wbd, @NBCUniversal, @Paramountplus and @Sony under the umbrella of the AMPTP." 

The effects of the breakdown in negotiations will be felt immediately, with talk shows like The Late Show with Stephen Colbert and Jimmy Kimmel Live!set to shut down starting today. The strike will also freeze film and TV production, affecting hubs like Los Angeles, New York and Atlanta. The labor situation has already delayed the start of some programming, FilmLA president Paul Audley told Variety. The last writers' strike started in November 2007 and lasted 100 days.

Both sides have said they're willing to continue negotiations, but appear to be far apart on some issues. The "primary sticking points" according to the AMPTP, are the guild's demand for a TV staffing minimum ranging from six to 12 writers per show, along with a guaranteed minimum number of weeks of employment per season (10 to 52 weeks). The studios rejected both proposals and didn't make counter-offers. 

Other issues (laid out in a WGA document) include a demand for streaming residuals that take into account the success of shows. The WGA also wanted increases in minimums of up to 6 percent, and the AMPTP offered 4 percent at most. The guild also wants regulation of AI, proposing that it "can't write or rewrite literary material" or be used as source material. The AMPTP only agreed to study the AI issue, according to the WGA.

There were some areas of agreement, like guaranteed minimums for writers who earn less than a certain amount, and script fees for staff writers. However, both sides are dug in for what could be a long dispute. "The companies have broken this business," guild leadership said last night, calling the problem an "existential crisis writers are facing." 

Meanwhile, the AMPTP said it was "prepared to improve [compensation and residuals], but was unwilling to do so because of the magnitude of other proposals still on the table that the guild continues to insist upon."

Meta is once again holding a VR gaming event, and it won't be hard to tune in. The company has announced a 40-minute Quest Gaming Showcase streaming June 1st at 1PM Eastern through Facebook, Horizon Worlds, Twitch and YouTube. You can expect the usual batches of new games and gameplay footage, but this year's presentation will include a pre-show (starting at 12:45PM ET) featuring title updates and "debut" trailers. After the fact, there will be "deep-dive" talks with developers.

The tech firm is unsurprisingly quiet on specifics. However, we wouldn't count on new hardware. Meta previously noted that its next mainstream Quest headset will arrive later this year. If so, the virtual event may represent a swan song for the Quest 2 that highlights its last big games before its successor arrives.

The showcase comes at an important time for Meta. It recently completed its buyout of Within, the developer of the VR fitness game Supernatural. The industry heavyweight is still struggling to pivot to the metaverse, too. Its Reality Labs unit is still losing billions of dollars each quarter, and it recently cut the price of the Quest Pro by a third to $999 to spur adoption. The gaming event isn't likely to turn things around, but it may sustain interest in Meta's VR platform ahead of new headsets.

Amazon has announced it's making over 100 Prime Video original series and movies available on Freevee, its free streaming service. It seems to be a natural part of the lifespan for exclusive video content these days: In April, HBO and Warner Brothers made a bunch of their shows available for free on Roku, some of which originally aired on TV.

The full list of Prime original content expanding to Freevee isn't available yet, but titles will include The Summer I Turned Pretty, The Wheel of Time, Late Night, Troop Zero and Reacher. The 100-plus titles won't all arrive at once, as Amazon reports that new series and movies will become available on Freevee throughout the year.

It appears that Amazon is dedicated to using Freevee to capture the free-streaming market. Last year, it rebranded IMDB TV into Freevee in a move it said reflected the streaming service's free access — other names reportedly in consideration included "Zon" and "Free TV." Ads are likely a small inconvenience for many people when Amazon Prime starts at $14.99 a month or $139 a year for individuals. You can access Freevee through Amazon and its Fire TV stick or as an independent app on iOS, Android, Xbox, most smart TVs and other systems. 

Freevee already produces a range of original content, like America’s Test Kitchen: The Next Generation and Judy Justice. The streamer also offers titles outside the Amazon production family, including Schitt's Creek, John Wick and Bones. 

Over nine million people watched The Super Mario Bros. Movie over the weekend — on Twitter, The Verge reported. On Friday, a Twitter user uploaded the entire movie to the platform, and it remained there, openly violating copyright laws, until Sunday. The movie was removed and the user suspended from Twitter — again, shy of ten million people already seeing it. 

Sure, copyrighted movies have repeatedly spent a few days on Twitter since Elon Musk took over (firing most your safety and compliance staff will do that for you). But, previous posts, like The Fast and The Furious: Tokyo Drift or Avatar, were shared in two minute increments across lengthy threads. The Super Mario Bros. Movie required only two posts, one with the first hour of the movie and another with the final 32 minutes. 

Why hasn’t this happened before now? Well, Twitter Blue subscribers can upload videos up to 60 minutes long. It's only available on Twitter’s website though, with app users limited to 10-minute videos.

Regardless of mainstream illegal streaming, The Super Mario Bros. Movie has crushed at the box office, making over $1 billion globally, and holding the number one spot four weekends in a row across the US and Canada. If it has come and gone in your area, don't worry, it will probably be back on Twitter soon. 

Over nine million people watched The Super Mario Bros. Movie over the weekend — on Twitter, The Verge reported. On Friday, a Twitter user uploaded the entire movie to the platform, and it remained there, openly violating copyright laws, until Sunday. The movie was removed and the user suspended from Twitter — again, shy of ten million people already seeing it. 

Sure, copyrighted movies have repeatedly spent a few days on Twitter since Elon Musk took over (firing most your safety and compliance staff will do that for you). But, previous posts, like The Fast and The Furious: Tokyo Drift or Avatar, were shared in two minute increments across lengthy threads. The Super Mario Bros. Movie required only two posts, one with the first hour of the movie and another with the final 32 minutes. 

Why hasn’t this happened before now? Well, Twitter Blue subscribers can upload videos up to 60 minutes long. It's only available on Twitter’s website though, with app users limited to 10-minute videos.

Regardless of mainstream illegal streaming, The Super Mario Bros. Movie has crushed at the box office, making over $1 billion globally, and holding the number one spot four weekends in a row across the US and Canada. If it has come and gone in your area, don't worry, it will probably be back on Twitter soon. 

Twitter might provide publishers with a new way to earn from their content outside of the typical recurring subscription option. According to company chief Elon Musk, Twitter will allow media publishers to charge users for access to individual articles they post on the website as as soon as next month. Users will end up paying a higher per-article price than what the cost of access to every article would amount to if they had a subscription instead. But Musk said it's for those who want to read the occasional story from a specific outlet, so each article probably wouldn't cost as much as a monthly subscription. 

At this point in time, though, details about the upcoming feature remain vague. Musk only said that it will start rolling out next month — it's unclear what kinds of accounts and media outlets will be able to offer per-article charging. In addition, Twitter's owner didn't say how much the website would be taking as commission. When the company officially replaced Super Follows with Subscriptions, Musk announced that it won't be taking any money from creators for the next 12 months. After the year is up, Twitter will be taking a 10 percent cut on subscriptions. 

Engadget has reached out to the website for clarification, but it doesn't have a press team anymore. We'll have to wait for more information to know if Twitter will implement the same rule for per-article payments. Ultimately, the company will be taking a cut — Twitter, under Musk, has been introducing more and more paid features to boost revenue. It's pretty common knowledge at this point that its verification badge now comes as a perk for its $8-a-month Blue subscription. Twitter also shut down its free API to launch a new one that users would have to pay for. It would cost enterprise customers almost $50,000 a month to access the new API, so some organizations and companies such as NYC's transport authority had chosen to end Twitter integration or to leave the website instead. 

After decades of middling results, video game adaptations are finally the hottest thing in entertainment, especially after those Super Mario Bros. Movie box office numbers. Streamer Peacock is joining the video game adaptation wars with a live action comedy based on the PS1-era vehicular warfare simulator Twisted Metal and it just dropped the first trailer.

For the uninitiated (anyone under 30), Twisted Metal was a hugely popular franchise that is sort of a riff on the Battle Mode from the Mario Kart series, with a heavy emphasis on comical violence and absolute destruction. Think Rocket League with guns. The show seems to be scrapping the arena-based nature of the games with a journey across a post-apocalyptic wasteland.

The series stars the newly-appointed Captain America, Anthony Mackie and Brooklyn 99 standout Stephanie Beatriz. You can’t tell much from the apocalypse-soaked trailer, but the show’s description describes Mackie as a “motor-mouthed outsider offered a chance at a better life” and Beatriz as a “badass axe-wielding car thief.” It also wouldn’t be Twisted Metal without the iconic killer clown Sweet Tooth, described here as a “deranged clown who drives an all too familiar ice cream truck.”

The franchise arguably reached its pinnacle in 1996 with Twisted Metal 2, and there hasn’t been a new release in over a decade, so who exactly is this show for? Who knows! But it has evil clowns and explosive car chases, so who cares? The first season premieres July 27th and consists of ten episodes.

This is just another step in Sony’s plans to bring its big gaming franchises into other media, which has so far included the plodding Uncharted movie and the mega-popular The Last of Us series on HBO. Prepare for an onslaught of PlayStation adaptations in the near future, including Horizon Zero Dawn, Gran Turismo and God of War.

Vampire Survivors, the addictively casual indie game, is getting an animated television series. Known for its rich and cinematic backstory to the same degree as narrative-driven classics Space Invaders, BurgerTime and Dig Dug, Vampire Survivors is a pick-up-and-play casual game with simple 2D character sprites. Media company Story Kitchen will partner with the game’s creator, Luca Galante (founder of developer poncle), to make the series.

Galante said in a (hopefully) cheeky tone, “The most important thing in Vampire Survivors is the story, so it’s a dream come true to see what started as a little indie game I made on my weekends come to life as an animated TV show! It’s also great to be partnering up with such experienced and talented people to make the show. I do wonder if they’ve realized that there isn’t a single vampire in Vampire Survivors, though.” If the announcement sets the stage for the series, we may be in store for a show brimming with self-aware and tongue-in-cheek humor.

The game’s backstory is no more complex than the blurb, “The year 2021, Rural Italy, there lived an evil person named Bisconte Draculó, whose many evil magics created a bad world filled with famine and suffering. It’s now up to the members of the Belpaese family to end his reign of terror and return good food to the table.” Vampire Survivor’s gameplay revolves around controlling an auto-firing character’s movement and loadout as they blast away increasingly daunting hordes of enemies. It borrows elements from roguelike games and tower defense (with Castlevania-esque characters). Once you settle into the action, it can almost become a meditative experience. The title has consistently been one of the most-played Steam Deck games since its launch and is available on PC, Mac, Xbox, Android and iOS.

Story Kitchen is headed by Dmitri Johnson, who co-produced the Sonic the Hedgehog movie series. It also includes John Wick creator and writer Derek Kolstad, former Agency of the Performing Arts (APA) agent, and partner Mike Goldberg. Deadlinereports that the series creators are currently searching for a writer. Hopefully, the eventual scribe won’t find their ideas too constrained by the game’s sprawling and complex lore.

The USS Enterprise has gone through several iterations across TV shows and movies, and now Star Trek fans can explore them as much as they want to online. As Deadline reports, the latest update to the Roddenberry Archive adds 360-degree virtual recreations of the famous Starship Enterprise bridge as depicted in various Star Trek properties. It has the bridge from Star Trek: The Original Series, Picard, Discovery and Strange New Worlds, arranged according to timeline in the new web portal. Fans can click on the version of the Enterprise they want to see and then expand the virtual bridge, which they can drag around and explore to see its beeping panels and displays.

The Roddenberry Archive is a multi-decade collaboration between the estate of Star Trek creator Gene Roddenberry and cloud graphics company OTOY. This is their largest set of digital archive works to date, and it was launched with accompanying videos, including a William Shatner interview with a holographic version of the 1979 USS Enterprise bridge as a background. John de Lancie, who has portrayed Q since 1987’s Star Trek: The Next Generation, also narrates the history of the Starship Enterprise bridge across decades of shows and movies. 

The Roddenberry Archive team is working to add more virtual set recreations fans can explore in the future aside from the ones already available. One of the projects they're working on is a 1:1 scale recreation of the entire Starship Enterprise from the 1979 film Star Trek: The Motion Picture.