Star Trek musical parodies have been a thing since the Shatner days, but no official Star Trek musical has ever been released officially. That's about to change, though, as Star Trek: Strange New Worlds season 2 will feature the first ever Star Trek musical episode, Paramount announced. Called Subspace Rhapsody, it will be the ninth episode of the season and debut on Paramount Plus on August 3rd at 7PM ET.  

The news dropped at San Diego Comic-Con during the Star Trek Universe panel, along with a video (below, US only). It features 10 new songs composed by Kay Hanley and Tom Polce of the rock band Letters to Cleo.

Strange New Worlds has been a success with both critics (including Engadget's Daniel Cooper) and audiences since its debut, thanks in large part to the cast led by Anson Mount (Captain Pike), Rebecca Romjin (Number 1) and Ethan Peck (Spock). It also brought a lighter touch to the Star Trek universe following darker shows like Picard. As we detailed yesterday, the show dropped its Lower Decks crossover episode earlier than expected, and it's now available to stream. 

Musical TV episodes are nothing new, with some of the more noteworthy ones coming out of Buffy the Vampire Slayer, Scrubs and Xena, Warrior Princess (yep). Sometimes these are, well, unmotivated, with everyone suddenly breaking into song (Scrubs), or the musical is built as a bottle episode outside the reality of the main show (Xena). 

Subspace Rhapsody seems to be set in motion by plot events, though, with some kind of (insert your favorite Trek MacGuffin here) event bringing out the characters' inner theater kids. As shown in the trailer and retro-style poster, it's staged and performed as a full-blown musical, and looks like some silly fun. 

At one point Christopher Nolan's Oppenheimer, the father of the atomic bomb dons his iconic uniform — a fedora cap, a smoking pipe, a slightly over-sized suit — like Batman wearing his cape and cowl for the first time. It's a look that serves as a sort of armor against mere mortals, who he woos with a peculiar charisma, as well as the military and political bureaucracy he battles while leading the Manhattan Project. It's also a way for Oppenheimer (played by Cillian Murphy) to ground himself as he wrestles with the major conflict around his work: Building an atomic bomb could help to the war, but at what cost to humanity?

Oppenheimer may seem like a curious project for Nolan: Since wrapping up his Batman trilogy with The Dark Knight Rises, he's thrown himself into increasingly complex projects (perhaps to atone for that disappointment). Interstellar was ostensibly a story about a man exploring the cosmos to find a new planet for humanity, but it also wrestled with personal sacrifices as his children aged beyond him.

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Dunkirk was a purely cinematic, almost dialog-free depiction of a famous wartime evacuation. And Tenet was a bold attempt at mixing another heady sci-fi concept (what if you could go backwards through time?!) with bombastic James Bond-esque set pieces. Oppenheimer, meanwhile, is a mostly talky film set in a variety of meeting rooms, save for one explosive sequence.

Take a step back, though, and a film about an intelligent and very capable man wrestling with huge moral issues is very much in the Nolan wheelhouse. Oppenheimer's swaggering genius fits right alongside Christian Bale's Bruce Wayne/Batman, the dedicated magicians in The Prestige or the expert dream divers/super spies in Inception.

The film, which is based on the biography American Prometheus by Martin J. Sherwin and Kai Bird, follows Oppenheimer from his time in Germany as a doctoral student, to his professorship at UC Berkeley. He mingles with notable scientists, including Albert Einstein himself, and makes a name for himself as a quantum physics researcher. We see Oppenheimer as more than just a bookish geek: He sends money to anti-fascists fighting in the Spanish Civil War, he pushes for unionization among lab workers and professors, and he supports local Communists. (Something that will come back to haunt him later.)

It's not too long before he's recruited to the Manhattan Project to build an atomic bomb, and the myth-making truly begins. Like a Nolan heist film, he assembles a team of the brightest scientific minds in America and beyond, and he pushes the government to establish a town doubling as a secret research base in Los Alamos, New Mexico. The film is strongest when it focuses on the specificities of the Manhattan Project: the rush to build a bomb before Nazi Germany, the pushback from scientists terrified about the damage "the gadget" could do.

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The movie firmly focuses on Oppenheimer's point of view, so much so that we mainly see him as a heroic tortured genius. Only he can put the right scientists together and motivate them to work; only he can solve the riddles of quantum physics to keep America safe. Some colleagues criticize his cavalier attitude about building an atomic bomb — they think it can lead to untold disaster, while he naively thinks it may be so powerful it may end all war. But, for the most part, we're left feeling that he was a great man who was ultimately betrayed by a country that didn't care for his post-war anti-nuclear activism.

I wasn't able to see Oppenheimer on an IMAX screen, unfortunately, but sitting front row in a local theater still managed to be a thoroughly immersive experience. That was particularly surp—rising since it's really a movie featuring people (mostly men) talking to each other in a series of unremarkable rooms. Save for one virtuoso set piece — the build-up and aftermath of a successful atomic bomb test is Nolan at his best — what's most impressive is how cinematographer Hoyte Van Hoytema makes those conversations utterly engaging. We've never seen Cillian Murphy's piercing blue eyes do so much work in close-up.

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Still, it's an overall disjointed experience. The few featured women — Emily Blunt as Kitty Oppenheimer, Florence Pugh as the Communist activist Jean Tatlock — are sketched thin, even by Nolan standards. And the movie would have benefitted from more insight into Oppenheimer's thinking. It's a surprisingly standard biopic, even though it's three hours long and far more technical than any studio film this year.

At the very least, it would have been interesting to see Oppenheimer reckon more directly with the aftermath of the bombings of Hiroshima and Nagasaki. We see him confront President Harry Truman (Gary Oldman) in a vain attempt to stop building nuclear weapons, and the film points to his very public stance against future bombs. But even those scenes feel self-serving.

At the end of the film, Oppenheimer finally comes to understand something many of his colleagues have been saying from the beginning. Nothing will be the same because of him. There is no peace now, only the undying specter of nuclear annihilation.

Some redditors seem very excited about a new World of Warcraft feature called Glorbo, which some believe will "make a huge impact on the game." Their palpable enthusiasm for Glorbo caught the attention of a blog named The Portal, which publishes "gaming content powered by Z League," an app that aims to bring gamers together. 

Just one problem: Glorbo isn't real. The Portal appears to be using AI to scrape Reddit posts and turn them into content.

Redditor u/kaefer_kriegerin noticed that The Portal was seemingly turning discussions from some gaming subreddits into blog posts. They decided to try and trick the content farm into covering a fake WoW feature. The ruse was a success. Other redditors played along, as did some Blizzard developers, as WoW Head notes.

The Portal's now-deleted blog post even quoted u/kaefer_kriegerin as stating, "Honestly, this new feature makes me so happy! I just really want some major bot operated news websites to publish an article about this." You almost couldn't make this up. An archived version of the post is still available.

There appears to be at least some level of human input on The Portal. The site added "(Satire)" to the headline of the post before eventually deleting it entirely. It also published an article based on another Reddit troll post about WoW taking away players' keys (which is not a thing that's happening). That blog post is also gone from The Portal.

Engadget has contacted Blizzard to find out whether it will address the hype for Glorbo and actually bring the feature to WoW. As it happens, Blizzard is reportedly using AI to help create character outfits and concept art. We've also asked Z League for comment, and we'll let you know if it sends us a (presumably AI-generated) statement.

Given the rise of generative AI in recent months, we're likely to see a tidal wave of AI-generated guff appearing on websites, even including mainstream publications. Earlier this year, CNET had to correct dozens of AI-generated finance posts after errors were found. The site's staff has pushed back against CNET's plans to keep using AI amid efforts to unionize. Gizmodo publisher G/O Media is also forging ahead with AI-generated blog posts, despite one that was widely mocked for getting a chronological list of Star Wars movies and TV shows very wrong. That and other AI-generated articles that appeared across the G/O network this month infuriated the company's human writers and editors.

Mistakes happen. Human writers can't get everything right all of the time. But any journalist worth their salt will strive to make sure their work is as accurate and fair as possible. Generative AI isn't exactly there yet. There have been many instances of AI chatbots surfacing misinformation. However, some believe AI can help to actually combat misinformation by, for instance, assisting newsrooms with fact checking.

Meanwhile, Google appears to be working on an AI tool that can whip up news articles and automate certain tasks to help out journalists. Some critics who have seen the tool in action have suggested that it takes the work of producing accurate and digestible news stories for granted.

The Borderlands movie is finally getting a release date. According to a tweet from the game’s official Twitter account it will premiere in theaters on August 9th, 2024.

The film, directed by Eli Roth (best known for Hostel) is based on the popular video game of the same name. Borderlands follows Lilith (Cate Blanchett), a treasure hunter who returns to her home planet of Pandora (unrelated to the Avatar movie). She teams up with Roland (Kevin Hart), Tiny Tina (Arian Greenblatt), Krieg (Florian Munteanu), Tannis (Jamie Lee Curtis) and Claptrap (Jack Black) to find the missing daughter of Atlas.

A first look was released last year, though there’s no official trailer yet. It’s peculiar that they’ve decided to announce the release date for the movie more than a year out. What makes it even more odd is that the movie had reportedly wrapped up filming over two years ago in June 2021.

Delays for video game-based movies seem to be increasingly common. The Uncharted movie was delayed several months from its original release date. And when it did release, the film saw mixed reviews, including from Engadget's Devindra Hardawar, who said the Uncharted movie "boldly goes nowhere."The Super Mario Bros. Movie also saw delays in the film’s release. However, that movie set box office records for a video game movie. Barring any further delays, fans should expect to see Borderlands in theaters next year.

Adult Swim’s teaming up with Shinichirō Watanabe, director and creator of the original Cowboy Bebop, for a new jazz-tinged sci-fi anime series, as reported by Variety.Lazarus is being animated by MAPPA, the studio behind Chainsaw Man, Zombie Land Saga, latter seasons of Attack of Titan and so many more. Watanabe won’t be alone, as he’s teaming up with Chad Stahelski, the mastermind behind John Wick, to co-create action sequences.

This is a Watanabe joint, so expect plenty of jazzy visuals and audio cues. To that end, Lazarus features music from jazz and electronic musicians such as Kamasi Washington, Floating Points and Bonobo, among others.

So what’s it about? Lazarus is set in the near future and follows a ragtag team chasing down a mad scientist to prevent a mass-poisoning event. There’s no release date yet, but the creators are dropping more information, including a first-look trailer, at the annual Adult Swim Festival this weekend. It’s worth noting that many of the events planned for this festival have been canceled, due to the ongoing writers and actors strikes.

As for that other Cowboy Bebop on Netflix, Watanabe told Forbes that the live-action version is “not Cowboy Bebop.” It doesn’t matter anyways, as Netflix threw down the cancel hammer for that show in late 2021.

Blizzard is bringing some of its PC games to Steam for the first time. The company announced today that the transition will start with Overwatch 2 on August 10th, but did not go into detail as to what other titles may be coming to the platform.

President of Blizzard Mike Ybarra said in a press release that Battle.net will remain a priority for them but that “we’ve heard players want the choice of Steam for a selection of our games.” The company wants to remind users that while Overwatch 2 will be available on Steam, it still requires that you have a Battle.net account in order to play the game and access features such as cross-platform play. Players will also have access to their Steam friends list and will be able to invite friends on Steam. Blizzard did not announce Steam Deck support, though that won’t stop players from trying to get the game running on it.

Along with Steam support, Overwatch 2 is getting a big update on the same day. Players can expect PvE missions, a new PvP mode and a new hero. Blizzard calls it Overwatch 2: Invasion and says that it will be “a great opportunity for new players.”

Blizzard hasn’t announced what or when other titles will be coming to Steam, noting that it will be sharing that information “when the time is right.” Those eager to download the game on Steam can add it to their wishlist now and you’ll be notified when the game comes out on August 10th.

The good news keeps coming for all Babylon 5 fans: The entire series is coming to Blu-ray just a few months after sharing that an animated feature-length film is in the works. The 30th-anniversary release will include all 110 episodes of its five-season run and its pilot TV movie, The Gathering. Show creator J. Michael Straczynski shared a celebratory tweet directed at fans stating, "YOU WANTED IT, YOU ASKED FOR IT, AND IT'S FINALLY HAPPENED!"

Straczynski's series followed the inhabitants of a 23rd-century Earth Alliance space station set up to mediate peace between five powerful empires. Its initial production wasn't the highest quality — to say the least — jumping between acted scenes and blurry CGI frames. But, in 2021, Warner Bros. Home Entertainment released Babylon 5 Remastered to stream on what was then called HBO Max and as a digital download on iTunes and Amazon. The original camera negatives were scanned in 4K and then downscaled to HD with a clean-up and color correction to boot. The CGI sequences were upscaled to HD, and the show has been available to watch in its original 4:3 ever since.

The Blu-ray release will be "fully remastered in HD," which could be the 2021 update or a newer version. Babylon 5's Blu-ray edition is now available to pre-order for $100 and will be released in the US and Canada on December 5th.

TikTok has started inviting users in Australia, Mexico and Singapore to participate in a closed beta test for its new music streaming service, according to TechCrunch and CNBC. The short-form video hosting app initially launched beta testing for its fledgling streaming service in Brazil and Indonesia in early July. Now, it's expanding the scope of its music service's experimental phase and giving invited users in those regions a free three-month trial to be able to try it out. 

TikTok Music is a completely separate app that testers will be able to download from the Apple App Store or the Google Play Store. It does, however, connect to the main TikTok app, so users can find the full versions of songs that go viral on the video-sharing platform. The music streaming app reportedly offers personalized song recommendations, real-time lyrics, collaborative playlists and the ability to find songs through a lyrics search feature, as well. TechCrunch says it has a Shazam-like feature, which presumably means it can find songs by listening to it, and will let users download tracks for offline listening. 

The ByteDance-owned app told TechCrunch that once the testers' trial period is done, it will cost them AUD12 (US$8.16) per month in Australia, Mex$115 (US$6.86) in Mexico and S$9.90 (US$7.48) in Singapore to be able to keep using the service. TikTok already has a music streaming service called Resso available in India, Brazil and Indonesia, but it's shutting the app down in the last two countries in September. The company has yet to announce if and when its music app is also coming to the US, but it did file a trademark application for "TikTok Music" in the country back in May 2022. 

Remember Twitter Notes? It was supposed to be the feature that let Twitter users write whatever they want, blowing past the typical Twitter character limit. At the time, that limit was only 280 characters. After several updates this year, Twitter Blue subscribers can tweet up to 25,000 characters. Now, CEO Elon Musk has seemingly confirmed that the company is still working on the Notes feature, but is rebranding it to Twitter Articles.

In a reply to a tweet noting the name change, Musk confirms that Articles will be the place to post “long, complex articles with mixed media.” He goes on to say that “You could publish a book if you want.”

Officially announced last year, Notes was pitched as “a way to write longer on Twitter,” and was initially limited to select users in Canada, Ghana, the United Kingdom and the United States. Notably, this was announced before the Elon Musk takeover later that year, but after he announced his intention to buy the company. This is the first time Twitter has acknowledged the feature since then.

As for what this feature will look like, think blog posts but on Twitter. Articles, which will be separate from the main timeline, is an area where users can post long-form content without the typical limitations of a tweet. That means you’ll be able to embed photos, videos and other tweets within an Article. Users can share Articles in tweets, and published Articles will show up in your Twitter profile.

It’s unclear at this time when or if Articles will be available to the public. The feature is still in the experimental stage it has been in since last year, and is only available to a select number of users.

It was just another day in South Park. The kids were making fun of each other on the playground, while the parents were all doing their best to maintain their sanity in the small Colorado town. And then there was me, a tech journalist going door-to-door warning about the impending AI apocalypse. No, I wasn't actually guest starring on the long-running TV series — I was thrust into an episode entirely produced by the Showrunner AI model from The Simulation, the next iteration of the VR studio Fable.

All it took was some audio of my voice (recorded during a call with The Simulation's CEO Edward Saatchi), a picture and a two-sentence prompt to produce the episode. And while it wasn't the best South Park episode I've seen, I was shocked by how watchable it was. It begins with my AI character popping into Sharon and Randy Marsh's house in the morning, warning them about the AI uprising. Randy is intrigued, but Sharon is annoyed by my arrival (both of which were set up in one sentence of the initial prompt).

"They're [AI] infiltrating every aspect of our lives," my AI character says. "They're in our cars, our phones... even our toasters."

"Our toasters, really? I always knew that little bastard was up to something," Randy replies.

Sure, that's not exactly a tightly crafted joke, but it was enough to make me chuckle. And again, it didn't take much for Showrunner AI to piece that conversation together. Watching this episode made it clear that generative AI can actually produce watchable content (certainly more so than that AI Seinfeld project), but it also made me even more worried about the role of AI in media.

At this moment, writers in the WGA and performers in the SAG-AFTRA unions are striking for better residual pay and protections against potential AI exploitation. A tool like Showrunner AI, which can produce decent content without much effort, threatens creatives everywhere. The WGA strike and the fears around AI-generated content is also the main plot line in the demo South Park episode, "Westland Chronicles."

The Simulation

"Maybe it's a mistake to release it, I'm not sure," Saatchi said over email, when I asked if it's really the best time to launch Showrunner AI. "If our focus was becoming 'the AI TV studio' and gloating that we can make shows with no staff I'd feel very queasy — but we're trying to build a simulation and we need infinite story to make that work."

He added: "Now is the moment, in the biggest strike in 60 years, before AI has achieved takeoff, to negotiate the most aggressive protections possible for writers and actors from producers' use of AI — negotiations now so that these tools are in the hands of artists and creators only and not the hands of producers trying to become Griffin Mill Robert Altman's The Player."

(That character famously said, "I was just thinking what an interesting concept it is to eliminate the writer from the artistic process. If we could just get rid of these actors and directors, maybe we've got something here.")

The idea of building intelligent characters isn't new for Saatchi. In 2018, we discussed Fable Studio's VR adaptation of Neil Gaiman's The Wolves in the Wall, which centered on an interactive character named Lucy. Even then, he thought AI-powered beings were more intriguing than the notion of VR storytelling. Now, thanks to the proliferation of generative AI models, he can finally make that happen.

The Simulation

His goal with The Simulation is right there in the name: He wants to create simulations of characters living their lives in specific environments, similar to The Truman Show. That content could be cut down into episodic summaries with Showrunner AI. Like so many in the AI field, Saatchi eventually wants to build AGI, or Artificial General Intelligence, "an AI that reaches and surpasses human intelligence and is, ultimately, a new lifeform."

While many AI experts remain skeptical about the viability of AGI, Showrunner could still end up being a powerful tool. But of course, like any tool, it could end up being used for good or evil. Saatchi envisions it being helpful for creators to build their own shows without a huge budget, but he also admits it could be used by studios to "undermine artistic expression."

The Simulation

After watching myself starring in a South Park episode, though, I'm more worried than hopeful. The tech isn't perfect yet — my voice sometimes sounds overly robotic, and characters pronounce my name differently almost every time — but it's close enough. Saatchi and his team, including the AI research Philipp Maas, who developed the South Park simulation, still preview every episode to ensure they make sense. But with no end in strike for the Hollywood union strikes, it's hard not to imagine some studio looking at this tool as a potential savior.

“We aren’t releasing the Showrunner commercially and aren’t in talks with the South Park people (though we are with several studios about their IP, as well as creators to make original IP) but we used South Park only so that people have a comparison point between a super high quality human show and an AI show," Saatchi said. "If the showrunner was ever released with the permission of an IP (letting fans create their own episodes) we believe all the revenue should go to the IP holders — these are just remixes after all!"

Currently, The Simulation is developing showrunners around other animated concepts, like a space exploration series, and a Silicon Valley satire dubbed "Exit Valley." The technology can't produce live action content yet. The company is also releasing a research paper explaining how its showrunner AI technology works, with the hopes of encouraging more AI workers to build on it.

The most striking thing about my South Park episode is that it actually feels like an episode of the show. Over the course of five minutes, I visited the local school, where all of the kids proceeded to make fun of me. One wisely lectured me about overhyping claims about the AI apocalypse, while I was also warning them to watch out for clickbait. By the end, I was eager to see more. And that was the most worrying thing of all.