Disney+ has been shy about divulging sales for Premier Access movies like Mulan, but it's now eager to brag. As AV Clubreports, Disney has revealed that Marvel blockbuster Black Widow raked in more than $60 million in estimated revenue solely from customers paying $30 each for Premier Access. That's more than a quarter of the roughly $215 million Disney expected to make from all sources, including US and international box office sales.

The company also bragged that Black Widow was the largest US box office opening during the COVID-19 pandemic, just besting F9. That wasn't difficult, though, given that movie theaters have routinely struggled to attract viewers when they weren't dealing with widespread closures.

We wouldn't count on Disney providing Premier Access figures on a regular basis, especially as the pandemic continues to (hopefully) subside and more people are comfortable venturing to theaters. To some extent, the media giant needed the $60 million number to make Black Widow's debut sound more impressive. We'd add that it's difficult to compare this against data for rivals like Amazon and Netflix. They don't have equivalents to Premier Access, so they measure success for original movies largely in terms of viewership and new subscriptions.

Nonetheless, this represents an important milestone for Disney as it shifts toward streaming. It's now comfortable mentioning Premier Access numbers after months of staying quiet. Even if Premier Access fades into the background, it's now a significant part of Disney's movie release strategy.

Netflix has shared a new trailer for Spriggan, its upcoming adaption of Hiroshi Takashige and Ryoji Minagawa’s seminal manga of the same name. The streaming giant first announced series in 2019, at which point it said it would release the show in 2021. Spriggan is now slated to debut next year, following production delays related to the coronavirus pandemic.

The Spriggan manga ran between 1989 and 1996 and was most recently adapted into a movie in 1998 that was overseen by Akira director Katsuhiro Otomo. The source material might not be familiar to most anime fans in the West, but if you follow the medium there’s a good chance you’ve seen the work of some of the people who are working on the new series. David Productions, the studio behind Jojo’s Bizare Adventure, is on animation duties, with Hiroshi Kobayashi (Kill la Kill) directing the project and Hiroshi Seko (Attack on Titan, Mob Psycho 100) penning the show's screenplay.

Fans of the Witcher won’t have to until the end of the year to see something new from the franchise. At Witchercon, Netflix announced it will debut Nightmare of the Wolf on August 23rd. The company first announced the animated prequel movie at the start of last year and shared today it will focus on Geralt’s mentor, Vesemir. Korean animation house Studio Mir, best known for its work on The Legend of Korra, worked on the project, as did The Witcher showrunner Lauren Hissrich.

The film should give fans of The Witcher something to enjoy while they wait for Netflix to release season two of The Witcher. Following multiple delays, the new season of the live-action series is slated to hit the streaming service on December 17th.

The Witcher will return to Netflix almost exactly two years after the fantasy series debuted. You can stream all eight episodes of the show's second season starting on December 17th. Season one premiered on December 20th, 2019.

Season two of The Witcher will pick up where the first batch of episodes left off. Following some COVID-related delays, filming for season two wrapped in April. The release date was revealed during WitcherCon. Netflix teamed up with CD Projekt Red for an event that celebrates both the show and CDPR's games.

Netflix also revealed the titles for the season two episodes. However, the finale's title remains top secret for now. There's no sign of a proper trailer just yet, but WitcherCon (which is still running at the time of writing) will close out with an interview with star Henry Cavill and the tease of a surprise or two.

Absolver studio Sloclap is working on a new kind of kung fu game, Sifu, and it requires a little more time and attention than developers originally planned. Sifu was supposed to hit PlayStation 4, PS5 and the Epic Games Store this year, but it's been delayed to early 2022. 

Sloclap shared the new release date in a trailer that also shows off the game's unique death system. Sifu is a kung fu-inspired game, much like Absolver, but it's narrative-driven and every time a player dies, they return to the fight as an older version of themselves. Sifu is all about hand-to-hand combat and magical age progression, and it tells a violent tale of revenge suitable for any age — well, teens and up, according to the ESRB.

The game's first trailer was inspired by Old Boy and today's video is called, "Sifu - Fight Club Gameplay Teaser," so we're sensing a film-centric theme, too.

Sony hasn't forgotten about one of the PSVR's hidden gems. During its State of Play showcase on Thursday, the company shared the trailer for Moss: Book II. It's the sequel to Polyarc's excellent 2018 Moss, which featured a cute mouse named Quill as its heroine. 

The trailer sets the stage for the story that will unfold. After successfully rescuing her uncle in the first game, Quill now finds herself the target of a winged tyrant. As in the original, you'll have a physical presence in the game thanks to a ghostly figure that can interact with Quill and her environment. With Book II, Polyarc promises they'll be new weapons and abilities for players to discover and that those tools will create new ways for players to explore the world the studio has crafted.    

Moss: Book II does not currently have a release date, but Polyarc promised to share more information about the game in the coming months. 

What if Tony Stark met Erik Killmonger before one of his own weapons set him on the path to becoming Iron Man? That’s one of many hypothetical scenarios Marvel’s new animated series What If…? will answer when it debuts next month on Disney+. The first episode will hit the streaming platform on August 11th, with subsequent episodes to follow every Wednesday.

In development since at least 2019, What If...? is the fourth original Marvel series to make its way to Disney+ since the release of WandaVision at the start of the year. It’s also the first animated project to come out of the Marvel cinematic universe. That means many of the actors most closely associated with the MCU are reprising their roles, including Chris Hemsworth, Michael B. Jordan and the late Chadwick Boseman in his final performance as T’Challa.

Amazon has struck a multi-year deal for exclusive Prime Video streaming rights for Universal's live-action theatrical releases. As Deadline reports, it's the first time Amazon has struck such a deal with a major US studio. The deal kicks in with Universal's 2022 slate of movies.

Here's where things might get a little confusing. The deal is for a chunk of the pay-one window, which is the 18-month period after a movie's theatrical run. Earlier this week, Universal and its NBCUniversal sibling Peacock reached a similar agreement for the first four and last four months of the window.

Within four months of their theatrical release date, Universal's live-action movies will start streaming on Peacock. Four months after that, they'll move over to Prime Video for 10 months, then the films will go back to Peacock for at least another four months. Streaming rights can get pretty complicated!

The deal covers blockbusters such as Jurassic World: Dominion, Get Out director Jordan Peele's next horror film and Halloween Ends. Movies from Focus Features and Blumhouse are also part of the pact.

As for Universal's animated movies from Illumination and DreamWorks, those currently stream on Netflix. For the 2022 and later release slate, according to Deadline, Netflix might hang onto the streaming rights for Universal's animated flicks for the 10 months of the pay-one window that they're not on Peacock. In any case, the movies will later hit Prime Video. 

Meanwhile, Amazon's free streaming service IMDb TV will have exclusive streaming rights for 2020 and 2021 theatrical movies from Universal. The deal covers current box office champ F9 and The Invisible Man, along with some older animated movies like Despicable Me 2, How to Train Your Dragon 2 and Shrek 2.

The Prime Video deal follows a major agreement between Netflix and Sony Pictures. Starting in 2022, Netflix will have exclusive rights to Sony's theatrical releases for the 18-month pay-one window. So, movies like Uncharted, the Spider-Man: Into the Spider-Verse sequel and Morbius are all Netflix-bound.

Like many in-person events, geek Mecca Comic-Con was upended by the pandemic. By most accounts, the decision to switch to a virtual conference backfired as social media activity plummeted by upwards of 90 percent. Cosplaying on the couch clearly isn't as gratifying as congregating with 6,500 passionate fans under one roof. With big guns Marvel Studios and DC Films already choosing to skip this year's Comic-Con@Home, the event needs all the support it can get. One company that hasn't given up on the conference is Amazon. 

For the second year in a row, it's hosting an online panel with talent from some of its biggest shows and movies. You'll be able to watch the action on San Diego Comic-Con's official YouTube channel starting at 2PM ET on July 23rd.

This year's lineup features a mix of female-led fantasy, blockbuster anime, teen slasher and crime. First up is The Wheel of Time, a series adaptation of the bestselling novels by Robert Jordan about a clan of female magicians starring Rosamund Pike. Amazon will be hoping the show is more Shadow and Bone than The Nevers. Neon Genesis Evangelion creator Hideaki Anno will also be present to discuss the final chapter in the Rebuild movie saga, Evangelion: 3.0+1.0 Thrice Upon a Time.

To tap into the '90s slasher revival kicked off by Netflix's Fear Street trilogy, Amazon is trotting out its modern spin on I Know What You Did Last Summer, featuring a fresh-faced cast of sacrificial lambs. This year's event will also see Amazon highlighting content from its streaming service that isn't called Prime Video. As such, cast members from IMDb TV's Leverage: Redemption will be on hand to discuss the return of the crime series.

The film that kickstarted (and nearly killed) Star Trek’s first second life is going to be remastered, once again. Star Trek.com (via Gizmodo), says that Paramount has green-lit a “full restoration” of Robert Wise’s 2001 “Director’s Edition” of Star Trek: The Motion Picture. The site says that the project, which will take between six and eight months to finish, will be formatted in 4K, with Dolby Vision HDR and a new Dolby Atmos soundtrack. David C. Fein, Mike Matessino and Daren R. Dochterman, who worked with Wise on the 2001 DVD version, will all return to work on the 4K spruce up.

The Motion Picture (TMP)’s fraught production meant that the film was barely finished before it premiered, with Wise carrying the print himself to the premiere. Wise had said that the film was “unfinished,” and despite a healthy box office, took a pasting from critics who deemed it to be too slow and talky. At the dawn of the DVD era, Wise, Fein, Matessino and Dochterman collaborated on a re-edit of the film that better showed off Wise’s original vision. This included remastered visual effects and a remastered and re-edited score by Jerry Goldsmith. The effects for the 2001 version were produced by CGI pioneers Foundation Imaging, which was Star Trek’s (then) contractor for all computer generated work.

(After its theatrical run, ABC broadcast a “Special Longer Version” of the film that is notorious for including extra scenes with clearly unfinished effects. The most obvious of which is the start of Kirk’s EVA, where the airlock set is surrounded by studio scaffolding, intended to be replaced by a matte painting.)

It was a well-held myth in fan circles that a 4K version of the Director’s Edition was impossible because the CGI assets and film footage had been scanned and edited for standard definition. The bankruptcy of Foundation Imaging, which took place shortly after the film was released, also dashed hopes for any higher-definition re-releases. However, as Memory Alpha lists, producer David C. Fein confirmed in 2017 that the digital material necessary to facilitate a 4K remastering still exists.

Given how TMP’s reputation has been slowly rehabilitated over the last three decades, a 4K version of the film is very welcome. If only because, as well as a smart and interesting vision of the future, the model work and score are so good that they deserve to be seen in the best possible resolution. We can’t wait to experience this in 4K when it arrives at some point between December and next March.