Most Twitter users can only create videos up to 140 seconds in length, but even so, some people apparently still don't have time for that. Luckily, Twitter has announced that it's testing playback speeds varying from .25x to 2x on Android or the web, similar to what you can do on YouTube, Netflix and other platforms.

Folks like myself (in France, on Android) with access to the feature will see a gear at the top of a video, next to the closed caption option. Selecting that allowed me to choose from a fairly granular range of speeds with sound pitch adjusted so you don't get the "Chipmunks" effect. It could be useful to folks with short attention spans or if you need to slow down a video to hear a word, to name a couple of potential use cases.

Variable playback speeds will work for "tweet videos, amplify videos, voice tweets, videos in DMs and video live replays, depending on their platform," Twitter spokesperson Joseph Nunez told The Verge. Twitter plans to expand the feature to iOS down the road. It's now in testing for select users, but there's no word on when Twitter might roll it out more widely. 

Douglas Trumbull, the visual effects mastermind behind Blade Runner, Close Encounter of the Third Kind, 2001: A Space Odyssey and numerous others, died on Monday at age 79. His daughter Amy Trumbull announced the news on Facebook, writing that her father’s death followed a “two-year battle” with cancer, a brain tumor and stroke.

Trumbull was born on April 8, 1942 in Los Angeles, the son of a mechanical engineer and artist. His father worked on the special effects for films including The Wizard of Oz and Star Wars: A New Hope. The younger Trumbull worked as an illustrator and airbrush artist in Hollywood for many years. His career really took off after he cold-called Stanley Kubrick, a conversation which led to a job working on 2001: A Space Odyssey.

One of his most significant contributions to 2001 was creating the film’s Star Gate, a ground-breaking scene where astronaut Dave Bowman hurtles through an illuminated tunnel transcending space and time. In order to meet Kubrick’s high aesthetic standards for the shot, Trumbull essentially designed a way to turn the film camera inside-out. Trumbull’s ad hoc technique “was completely breaking the concept of what a camera is supposed to do,” he said during a lecture at TIFF.

Trumbull earned visual effects Oscar nominations for his work on Close Encounters, Star Trek: The Motion Picture and Blade Runner. He also received the President's Award from the American Society of Cinematographers in 1996.

Later in his career, Trumbull voiced distaste over the impact of computers on visual effects, decrying the cheapening and flattening impact of the new era of CGI. “Today, the motion picture visual effects industry has almost entirely given way to computer graphics. We’re able to do things that were absolutely inconceivable in the old days like water effects, fire, explosions, smoke. But, almost everything in the visual effects industry today is created on computers. There’s a certain commoditization that has resulted that I’m not comfortable with myself. I like miniatures and physical effects and what I call organic effects,” said Trumbull in a 2018 interview for The Hollywood Reporter.

He spent the last years of his life working on a new super-immersive film format he dubbed MAGI, which he believed would improve the experience of watching a film in theaters. But Trumbull struggled to draw the interest of today’s film industry. “What interests me is being able to create profound personal experiences for audiences,” Trumbull toldMIT Technology Review in 2016. “Whatever it is, I want you to feel like what’s happening on the screen is actually happening in real-time, to you, in this theater.”

Disney+ dipped its toes into the world of livestreaming for the first time in the US with a broadcast of this year's Oscar nominations, offering a glimpse of a possible direction for the platform. "We performed a test for livestreaming capabilities on Disney+ in the US with this morning’s Academy Award nominations," a Disney+ spokesperson told Engadget in a statement. "We are pleased with the results and will continue to test as part of our ongoing and iterative approach to deliver the best user experiences to consumers.”

The nominations were broadcast on multiple platforms, including Hulu, Good Morning America, ABC News Live and the Oscars website. Given Disney+ was not the only option for awards aficionados to watch the nominations, it was a smart way for Disney to test the platform's livestreaming capacity without placing too much strain on the infrastructure. Notably, Disney owns ABC, the network that broadcasts the Academy Awards ceremony each year.

Disney+ does offer some livestreaming options in other countries, including sports in India and WWE events in Indonesia. Of course, Disney has other platforms with livestreaming options in the US, including Hulu + Live TV and ESPN+. So, it's not impossible to imagine Disney+ streaming live sports, the Oscars ceremony or other events in the future — something that could help it stand out from rivals like Netflix, which has largely steered clear of livestreaming.

This year’s Academy Awards nominations have been revealed, and Apple TV+ execs will surely be pleased. The service’s films received six Oscar nods overall, up from two last year. Most significantly, Apple has broken through in the Best Picture category. CODA is the first Apple Original movie to receive a nomination for the top prize.

It’s the first film with a principally deaf cast to be nominated for Best Picture. It’s been 35 years since a deaf performer was nominated, and Troy Kotsur is now the first male actor to ever receive a nod, as he’s up for Best Supporting Actor.

Writer and director Sian Heder is nominated for Best Adapted Screenplay — CODA is a remake of a French film called La Famille Bélier. Apple paid a Sundance record of $25 million to acquire the rights to the film, which won the Grand Jury Prize for Drama and the Audience Award at last year’s festival.

The other Apple movie that received nominations this year was Joel Coen’s The Tragedy of Macbeth. It earned nods for Best Actor for Denzel Washington, Best Cinematography and Best Production Design.

Elsewhere, Netflix continued the run of awards success it has had over the last few years with a whopping 35 nominations across the board. Star-studded climate change satire Don’t Look Up and Western The Power of the Dog are both nominated for Best Picture. The latter leads the pack overall with 12 nominations. Jane Campion, who received writing and directing nods, is the first woman to land two Best Director nominations. Other nominated Netflix films include The Lost Daughter, The Hand of God, Tick, Tick… Boom and the fantastic The Mitchells vs. The Machines.

Elsewhere, Dune has 10 nominations and Best Picture frontrunner Belfast received seven. Amazon’s Being the Ricardos landed three acting nods, while No Time To Die, which marks Daniel Craig's final outing as James Bond, was nominated for Original Song, Sound and Visual Effects. Meanwhile, Japanese drama Drive My Car broke through in the Best Picture and directing races for four nominations in total.

The 94th Academy Awards ceremony will take place on March 27th.

The co-producer of The Matrix Resurrections, in a new lawsuit, is blaming the film’s lackluster box office numbers on a same-day streaming release. According to The Wall Street Journal, Village Roadshow Entertainment Group filed a lawsuit today against Warner Bros., the owner of streaming platform HBO Max. The suit alleges that both the same-day release of The Matrix Resurrections and pushing up the film’s release date was a breach of contract. The suit also claims that moving the movie’s release date from 2022 to 2021 was a bid by Warner Bros. to drive up subscriptions to HBO Max.

Last year’s decision by Warner Bros. to release an entire slate of new films concurrently on HBO Max and in theaters raised many eyebrows. In addition to The Matrix, the 16 other films in Warner Bros’ simultaneous release strategy included Dune, Godzilla vs. Kong, Mortal Kombat, King Arthur, and others. The experiment likely doomed their box office fates, as The Wrapnoted. Only two of the 17 films made more than $100 million in domestic box office sales.

The Matrix Resurrections, which was released in December, normally a peak time for box office earnings, has grossed over $37.2 million in domestic box office sales, according to BoxOfficeMojo. This is a noticeable decline compared to a number of other blockbusters with theater-only releases from last winter, such as Spider-Man:No Way Home, which has made more than $748 million in the domestic box office and the James Bond film No Time To Die, which has earned more than $160 million in the domestic box office.

Village Roadshow also alleges that Warner Bros. is attempting to keep the company out of future movie and TV deals. “WB has also been devising various schemes to deprive Village Roadshow of its continuing rights to co-own and co-invest in the derivative works from the films it co-owns,” the suit alleged.

The Matrix lawsuit is the latest conflict between Hollywood studios and the media companies that own the streaming platforms. Black Widow actress Scarlett Johansson last year sued Disney over the film’s simultaneous release strategy, which she claimed harmed its box office prospects and her own earnings. Johansson subsequently received an undisclosed settlement from Disney last fall.

Hulu has dropped the first trailer for The Dropout, a miniseries about the failed blood-testing startup Theranos. Amanda Seyfried stars as its embattled former CEO, Elizabeth Holmes. The two-and-a-half-minute preview shows Holmes dropping out of Stanford to found Theranos. It includes snippets of the company's high points (it raised more than $700 million in investments) and hints at its very public demise, as well as Holmes developing her infamously deep voice.

The trailer is full of familiar faces, including Naveen Andrews (Lost) as Sunny Balwani, the former president and chief operating officer of Theranos and Holmes' ex-boyfriend. Stephen Fry, William H. Macy, Laurie Metcalf and Sam Waterston also appear.

Theranos claimed to offer rapid blood tests that required only a finger prick. However, multiple reports claimed the tests weren't effective. The SEC charged Holmes and Theranos with fraud in March 2018 and the company collapsed later that year.

The Dropout will premiere two months after Holmes was convicted of defrauding investors. She faces up to 20 years in prison and will be sentenced in September. With Holmes' trial fresh in the memory, some folks might be curious to learn more about the story behind her and Theranos. The trailer, which is edited in the style of a thriller, might draw some more attention to the show too.

The first three episodes of The Dropout will hit Hulu on March 3rd. Other installments will arrive on a weekly basis. Meanwhile, Adam McKay and Jennifer Lawrence are working on a movie about Holmes and Theranos for Apple.

Apple has shared the first trailer for its upcoming TV+ exclusive Shining Girls. Starring Elisabeth Moss of Mad Men and The Handmaid’s Tale fame as a Chicago reporter in search of the man who assaulted her, the series will debut on April 29th with the first three episodes of the series available to stream that same day. Subsequent episodes will follow every Friday for the next five weeks.

Based on the best-selling novel of the same name, Shining Girls also stars Hamilton actor Phillipa Soo and Wagner Moura, best known for portraying Pablo Escobar in Netflix's Narcos, as the villain of the story. The story centers around a man named Harper Curtis, a Depression-era drifter who finds a house in Chicago with doors to other time periods. Curtis uses that power to kill young women with bright potential. The protagonist of the tale, Kirby Mazrachi, survives her encounter with Curtis and then turns the tables on him.

HitPiece may have already shut down its website after several artists spoke up about their work being used without their permission, but the Recording Industry Association of America (RIAA) isn't letting it off the hook. The organization has sent the attorney representing HitPiece a letter demanding the website and its founders to stop infringing on music IPs, to provide a complete list of site activities and to account for all NFTs that had been auctioned off. It also wants to know how much the website earned. HitPiece founder Rory Felton previously said that artists will get paid for sold digital goods that are associated with them, but the artists who spoke up are skeptical that they'll get anything.

In the letter, the group repeatedly called HitPiece a scam operation designed to exploit fans. RIAA's Chief Legal Officer Ken Doroshow said it used "buzzwords and jargon" to hide the fact that it didn't obtain the rights it needs and to make fans believe they were purchasing an article genuinely associated with an artist. Doroshow added: "While the operators appear to have taken the main HitPiece site offline for now, this move was necessary to ensure a fair accounting for the harm HitPiece and its operators have already done and to ensure that this site or copycats don't simply resume their scams under another name."

Although HitPiece branded itself as a platform for music NFTs, its founders claimed that it didn't actually sell any sound files. The RIAA argues, however, that it still used artists' name, images and copyrighted album art. Further, if it truly didn't sell any sound files, the RIAA says that "likely amounts to yet another form of fraud." 

Spotify has been removing Joe Rogan Experience (JRE) episodes since Friday, and as of this writing, the service has pulled down a total of 113. When Gizmodo noticed that some of the podcast's episodes could no longer be found, only 70 had disappeared from the platform. Now, based on the website dedicated to monitoring which of the show's episodes aren't available on the service, an additional 40 had been removed. However, the episodes don't seem to be connected with the COVID-19 controversy surrounding the show and the service right now.

Several artists have exited Spotify recently because of Rogan's COVID-19-related episodes. An open letter addressed to the host from doctors and scientists pointed out that he had made several misleading claims about the virus in the past and promoted the use of ivermectin to treat it. They take the most issue with one specific episode in particular: Episode #1757 with guest Dr. Robert Malone, who claimed that people only believe COVID-19 vaccines are effective due to "mass formation psychosis." That episode is still available. 

Spotify doesn't seem to be deleting episodes in order, though the newest one in the bunch is #1458 with actor Chris D’Elia as guest. It's also unclear what policies the episodes broke to warrant being deleted. Spotify head of global communications Dustee Jenkins reportedly told employees on Slack before that a team reviewed multiple controversial JRE episodes and found that they didn't meet the threshold for removal. Jenkins also said that what Spotify hasn't done is share its policies externally, according to a report by The Verge, which also posted a copy of the service's pretty narrow COVID-19 guidelines. 

The company's CEO admitted that its content policy should've been public before now when he reported Spotify's earnings for the fourth quarter of 2021. As for Rogan, he apologized for the backlash and said he'll do his best "best to try to balance out these more controversial viewpoints."

Just like it did last year, Netflix will release at least one movie a week in 2022. There are currently more than 70 films on the docket for this year, and the company offered a peek at some of them in a teaser.

The three-minute sizzle reel is packed with footage from upcoming films, including a first glimpse at Knives Out 2, the sequel to Rian Johnson's terrific 2019 comedy-mystery movie. There are looks at Enola Holmes 2, Jason Momoa as a half-man/half-beast in fantasy flick Slumberland and a stop-motion take on Pinocchio from Guillermo del Toro. You can also get your first peek at The Gray Man, a big-budget thriller from Avengers: Endgame directors Joe and Anthony Russo.

Expect to see projects from filmmakers including Judd Apatow, Noah Baumbach, Niki Caro, Sally El Hosaini, Louis Leterrier, Richard Linklater and Tyler Perry, as well as Dev Patel's directorial debut. Among the other films in Netflix's pipeline are sci-fi movies starring Halle Berry (The Mothership) and Adam Sandler (Spaceman) and a new version of Matilda. There is, as always, a broad range of offerings on this year's slate, including action, comedy, drama, horror and family movies. So, there should be something for everyone as Netflix seeks to make sure subscribers are getting their money's worth from its increasingly expensive plans.