Meta isn't the only tech heavyweight making tools to help root out terrorist content. The Financial Times has learned Google's Jigsaw is developing a free tool to help smaller websites detect and remove extremist material. The project, built with the help of the UN-supported Tech Against Terrorism, makes it easier for moderator teams to deal with potentially illegal content. The effort has the assistance of the Global Internet Forum to Counter Terrorism (founded by Google, Meta, Microsoft and Twitter), which offers a cross-service database of terrorist items. Two unnamed sites will test the code later this year.
As with Meta's open source utility, Google's tool is meant to assist sites that can't afford to develop AI detection algorithms or hire a large moderation staff. That may be critical when the European Union's Digital Services Act and the UK's looming Online Safety bill will both require that site operators pull extremist content to avoid penalties.
Both Google and Tech Against Terrorism see their project as necessary to close a gap in countering online terrorist activity. Extremists and misinformation peddlers kicked off mainstream platforms frequently turn to smaller outlets that can't always adequately police users. Ideally, this reduces the chances of terrorists finding safe havens.
There are limitations. Some social platforms have been reluctant to moderate content even when app store operators say it incites violence — Google's tool won't be very useful on websites that don't want it. It also won't stop terrorists from sharing material over well-encrypted messaging services or the Dark Web, where providers can't easily snoop on data traffic. This might, however, make it harder to jump to online alternatives.
There’s never really been a shortage of reasons to spend less time on Twitter. Even before Elon Musk’s chaotic takeover, the platform was long plagued by misinformation, hate speech, harassment and other ills that made it less than welcoming.
There’s never been a better time to quit Twitter. The Elon Musk-induced chaos at the company has breathed new life into a crop of alternative platforms, and has inspired a new wave of competing efforts to win over disillusioned Twitter users.
Competition emerges
Of all the alternatives out there, none have benefited as much as Mastodon. The open-source service was created in 2016, and first gained notoriety in 2017, when some Twitter users were upset with changes the company had made to the functionality of @-replies. At that time though, it didn’t gain much traction outside a small base of hardcore enthusiasts.
Mel Melcon via Getty Images
That all changed from the second Musk announced he wanted to buy Twitter. Mastodon saw an immediate spike back in April and the momentum has only increased, according to the nonprofit. “Mastodon has recently exploded in popularity, jumping from approx. 300K monthly active users to 2.5M between the months of October and November, with more and more journalists, political figures, writers, actors and organizations moving over,” founder Eugen Rochko wrote in a recent blog post.
The service isn’t a perfect analog to Twitter. Its platform, which runs on thousands of servers, can make signing up a bit confusing. And a couple of the platform’s most popular servers, like mastodon.social, have at times halted new sign-ups due to surging demand.
But, as Rochko points out, the decentralized platform has become one of the top platforms of choice for some of Twitter’s most influential — and most followed — users. Tellingly, when Musk briefly imposed a ban on accounts promoting alternative social networks, Mastodon’s official Twitter account was the only social app to be suspended.
Mastodon is far from the only previously-niche app to get a boost from turmoil at Twitter. Other apps like CounterSocial, which has a Tweetdeck-like interface, and Tribel, which describes itself as a “pro-democracy Twitter alternative” have also seen an uptick in sign-ups.
There’s also a wave of competition from fresh upstarts. Post News, a new service from former Waze CEO Noam Bardin has also tried to capitalize on Twitter’s dysfunction. The service, which is currently invitation-only, rushed to launch an early version of its beta in November in hopes of drawing away disillusioned Twitter users. Post, which bills itself as a place “to discover, read, watch, discuss and share premium news content without subscriptions or ads,” has more than 610,000 people on its waitlist, according to Bardin.
The Washington Post via Getty Images
Another app that’s emerged, seemingly out of nowhere, is Hive Social, an image-centric platform with a feed that looks more like Instagram than Twitter. The service was founded in 2019, and hit 1.5 million users in November, according to the company. The site has had some notable security issues, which it claims to have fixed, but has still managed to make an impression with Gen Z Twitter users.
Legacy platforms are also trying to seize the opportunity created by growing apathy for Twitter. Tumblr claimed to see a surge in new and returning users, according to Matt Mullenweg, CEO of parent company Automattic. The site has also made a habit of trolling Musk and his new policies for Twitter, including with the addition of a $7.99 “Important Blue Internet Checkmark” for users’ blogs. Mullenweg has also said Tumblr will adopt ActivityPub, the protocol powering Mastodon, to make the two services interoperable.
Meta is also keen to challenge its longtime rival. The company recently launched a new “Notes” feature within Instagram that allows users to share status updates at the top of their inbox. At 60 characters, it's hardly a full-fledged Twitter alternative, but it might not be the last such feature we see from Meta. The New York Timesreports that the company has discussed several ideas to go after Twitter’s “bread and butter.”
The future for Twitter Quitters
It’s hardly the first time that unpopular decisions within Twitter have sparked an interest in alternatives. But in the past, surges to outside platforms have been relatively short lived. And most would-be competitors are still only a fraction of the size of Twitter.
Even with an influx of new users, Mastodon, Post News, Hive Social and Tumblr are still substantially smaller than Twitter. And, as unpopular and autocratic and Musk’s policy decisions seem, the idea of starting over on a new platform can feel daunting. Not everyone can easily rebuild their social graphs on alternative sites, and some may find the growing crop of Twitter clones to also be unwelcoming (this is especially true if you rely on accessibility features, as many of the newer platforms haven’t invested much in these features.)
Still, this particular moment feels different than other times when Twitter has struggled to keep disgruntled users around. For one, there are more choices than ever before for those looking for a reason to leave. But it’s also unique because there are more people actually active on these alternatives than ever before.
Thousands of Twitter users reported having issues accessing the website tonight on Downdetector. Based on people's reports, the outage started just before 7PM Eastern time and reached its peak at around 7:44PM. We haven't had any issues from our end, but reports continued well into the night and is still ongoing for some users. Downdetector reports also indicate that most people have had issues accessing the website itself — only a fraction had problems loading the social network through its apps.
According to The Guardian, users who couldn't access the website were met with a message that read "something went wrong, but don't fret — it's not your fault." Twitter has yet to issue an official statement for the outage. The Twitter Support account hasn't tweeted about it, and when some users posted about Twitter being broken, Elon Musk responded that he wasn't having any trouble loading the social network.
On Christmas Eve, Musk revealed that he had disconnected one of Twitter's more sensitive server racks, but that the social network still works. Musk famously purchased Twitter for $44 billion in October, months after initiating the acquisition and trying to back out of the deal. The company had laid off around half of the workforce and thousands of contractors since then, and one former employee told The Washington Post in November that they knew of six critical systems that "no longer have any engineers."
Isik Mater, the director of research at internet monitoring service NetBlocks, told The New York Times that "the problems with Twitter exhibit in multiple countries and are widespread." Mater also said that the "platform API is affected, which serves the mobile app as well as many aspects of the desktop site."
Today is Stan Lee's 100th birthday and Marvel marked the occasion by revealing that a documentary about his life will hit Disney+ next year. Lee, who died in 2018, is a critical part of Marvel’s legacy. The many, many characters he’s credited with co-creating include Spider-Man, Iron Man, Black Panther, Ant-Man, X-Men, The Fantastic Four and The Incredible Hulk.
Marvel didn’t reveal many details about the project, though it did release a teaser containing some of Lee’s cameos in Marvel Cinematic Universe movies. It’s unclear whether the documentary will take a warts-and-all look at Lee’s complex life or who will be involved in telling his story.
What a year for gaming. While 2022 may not have enjoyed as many AAA releases as in past years, the ones that weren’t delayed into 2023 were stellar and the indie development scene more than made up for the lack of big-budget titles. Some of our favorite releases this year came from small, ambitious teams that delivered fresh ideas. As is tradition, the Engadget team came together to extol the virtues of our favorite releases from the past 12 months.
Bayonetta 3 is a delicious amplification of the series’ most ridiculous themes. It indulges in absurdity without disrupting the rapid-fire combat or Bayonetta’s unrivaled sense of fashion and wit. Bayonetta 3 is joyful, mechanically rich and full of action, plus it allows players to transform into a literal hell train in order to take down massive beasts bent on destroying the multiverse. Bayonetta elegantly dances her way through battles, dropping one-liners and shooting enemies with her gun shoes in one moment, and turning into a giant spider creature the next.
The Bayonetta series just keeps getting weirder, but that doesn’t mean it’s losing its sense of satisfying gameplay along the way. In the franchise’s third installment, Bayonetta is powerful, confident and funny; she’s a drag queen in a universe loosely held together by witchcraft, and the chaos of this combination is truly magical. – Jessica Conditt, Senior Reporter
Sure, you’ve played Animal Crossing, Stardew Valley, Hades and The Binding of Isaac – but what if you could play all of them at once, in a single adorable demonic package? That’s Cult of the Lamb, baby.
Cult of the Lamb is part social and farming simulator, part dungeon-crawling roguelike and all-around fantastic. After being sacrificed and resurrected, you’re instructed by a grand, dark deity to start your own cult, managing worship services, agriculture, cooking, marriages, deaths and much more. You must also venture into the wilderness to battle demons and recruit more followers. Keep in mind that you’re a lamb, which makes all of this exceptionally cute.
Cult of the Lamb is a brilliant balance of satanic dungeon crawling and cult simulation, offering more action than Animal Crossing and more casual farming mechanics than Hades. Cult of the Lamb is incredibly satisfying, and it’s rich in gameplay, story and environments. Most of all, it’s cute as hell. – J.C.
There was never going to be a version of this post that did not include Elden Ring, FromSoftware's big push into open-world Berserk-inspired sword and sorcery.
Yes, there's something to be said about the earlier, more linear Souls games forcing players down a path of increasing gloom and difficulty (cue the hallmark rasping laugh of an NPC who seems to know precisely how screwed you are), how the inevitability of that experience allowed the devs to craft a bespoke gameplay loop of apprehension, frustration, discovery and the eventual reward of mastery. I love that stuff! But Elden Ring tried something new, effectively playing a shell game with those four player states, and making discovery the new initial draw.
My big "aha!" moments in Dark Souls 3 or Bloodborne arrived when I'd finally spotted a shortcut or sussed out a boss's hidden weakness. Elden Ring retained that. But what really made the good brain chemicals flow was just… roaming around. Reaching the top of some lava-ridden mesa. Or finding a way onto some seemingly inaccessible islet. The grandeur of the settings and knowledge FromSoft wouldn't make me work for a slice of geography devoid of treasures to loot and dudes to hack apart made the effort worthwhile.
Some fans adore the limited palate of Sekiro which essentially tells players, "git gud or quit." Call me a bad gamer (accurate) but I prefer the maximalism and flexibility that Elden Ring brought to the table. Want to grind until every boss is trivial? How about a hitless all-remembrances run? Either, and anything in between, is valid. Allowing for challenge and accessibility makes Elden Ring a beautifully executed twist on the formula FromSoft has been honing for nearly 30 years. – Avery Menegus, Senior News Editor
Sometimes, games you were once really looking forward to playing just sneak past you at launch. That’s totally true of Ghostwire: Tokyo, a game from Tango Gameworks, which also created the underrated horror game The Evil Within and its sequel.
Ghostwire: Tokyo is different to those, though. It’s often… funny. Sure, there are grotesque Japanese folklore monsters and creepy faceless men-in-suits to hurl magic at, but there are also ghosts trapped in toilet cubicles that need a few extra rolls of toilet paper, or park trees that need to be magically cleansed for nearby spirits to feel at ease. You play through a first-person perspective, using elemental attacks, charms and a spiritual bow and arrow set to take down an array of spirits that have invaded a substantial patch of central Tokyo. If you’ve heard the game described as Yakuza, but with ghosts, well, it’s a completely different kind of game. But the beautifully rendered buildings, interiors and streets definitely hit similar notes. Due to a supernatural attack on the city, you won’t bump into any other humans, pretty much through the entire campaign, which adds an eerie air to the entire game. It’s either ghouls trying to kill you, or spirits that need your help to move on.
The main game is short but punchy enough. It feels like a game that was banking on DLC to round out a lot of the more ambiguous plot questions players might have, but it’s uncertain whether that will ever happen. It’s still a fun supernatural game that takes a different approach to horror, with some mind-bending set pieces that bring some of the more imaginative parts of games like Control into the neon-lit streets of Tokyo. And who doesn’t want to be stalked by hundreds of paper eyeballs? – Mat Smith, UK Bureau Chief
When I was first introduced to Kratos, the God of War, he was on my PS2, taking a stroll along a Cretan wharf, casually tearing a few Minotaurs in half. Things only went downhill from there. For a full three mythos-crushing game installments, things only went downhill from there. I mean, by the end of GoW III you had to dig pretty far down the Pantheon talent list to find a surviving deity.
But when we were reintroduced to Kratos on the PS4, we were not given back the pale ball of vengeful fury and barely-contained ultraviolence that we had grown to know and love. This new one was, well, not softer but at least not quite so hard-edged as before. This was a Kratos with bad knees who old-man grunted when he stood; a Kratos with a son he struggled to connect with but still reared in a dangerous and unforgiving world, demi-god or not. This was a more relatable Kratos, one that had aged alongside the gamers that inhabit his form in the intervening console years, with concerns and motivation beyond most efficiently chain slashing his way through enemy hordes.
I think a big part of what made God of War the Game of the Year in 2018 was that progression away from thinly-veiled plot points serving as excuses for more blood, boobs and button smashing; and towards a more mature, measured examination, not just of Kratos’ relationship with Atreus, but the larger theme of how to process familial loss, its accompanying grief, and to move forward from the pain.
Ragnarok is both an affirmation of Kratos’ reformation and a lodestar for the future of the God of War franchise. I’m not going to spoil the rich and nuanced multi-arc-with-just-a-hint-of-time-travel storyline for those who have not yet played but it, in my opinion at least, is the best written of the series. This is a game with cutscenes you’ll want to sit through. Combine that with well-paced skill-adjustable action, huge maps packed with treasures and secrets, an expansive supporting cast and star-studded voice acting – not to mention a menagerie-worth of mystical wildlife just begging to be torn limb from limb – and you’ve got yourself one of the best games of 2022. — Andrew Tarantola, Senior Reporter
Sony’s first-party studios have generally done sequelsright, and Horizon Forbidden Westis no exception. The first game had one of my favorite narratives, as protagonist Aloy learned what happened a thousand years prior to bring about the mysterious world she (and the player) inhabit – one where mankind lives in relatively primitive tribes trying to stay safe from giant animal-like machines run amok.
Forbidden West delivers even more of what worked in Horizon Zero Dawn. Aloy remains a steadfast, righteous and occasionally stubborn protagonist who continues to grow as she uncovers more secrets about the world around her while fighting a totally unexpected force bent on destroying Earth as she knows it. The twists of Forbidden West don’t quite match the first game’s reveal of how the world we know evolved into the world Aloy inhabits. But the narrative is still rich and complex, and the new parts of what was once the American southwest that you get to explore are rendered in stunning detail. It’s one of the most beautiful games I’ve ever played.
As with any good sequel, combat and traversal around the world have been refined – there are more weapons than ever, and you can customize them to match your play style or the particular enemies you’re facing. Melee combat against humans and machines alike has also been significantly upgraded, and new items like a grappling hook and hang glider make getting around quicker and more fun. And nearly all the machines from the first game return, along with some colossal new enemies that present a massive challenge, but also a massive bit of satisfaction as you figure out their weak spots and systematically take them down.
I think my favorite new thing of Forbidden West, though, is the relationships you build with your friends. In the first game, Aloy is mostly a lone wolf, occasionally partnering with people here and there but mostly doing things on her own. In Forbidden West, though, you establish a posse of capable and likable companions, some old and some new, all of whom bring something different to the table in your massive quest. Trying to fend off the end of the world feels just a little bit easier when you have friends by your side. – Nathan Ingraham, Deputy Editor
With Immortality, indie game director Sam Barlow has delivered a tribute to the surreal films of David Lynch, with a dose of Hitchcock for good measure. Similar to Her Story, it's also entirely about scrubbing through video clips, except this time it involves footage from three unreleased genre films spanning several decades. Your job? To figure out what happened to the actress Marissa Marcel.
Geared more towards cinephiles than mainstream gamers, Immortality can be frustrating if you're not operating on Barlow's wavelength. But if you're a fan of surreal cinema, and you enjoy diving into behind-the-scenes footage, it's a game with endless rewards. The mystery will get you started, but the spooky atmosphere and excellent performances will keep you hooked. – Devindra Hardawar, Senior Editor
After getting burnt out on Hearthstone a few years ago, and superhero movies more recently, the last thing I expected to hook me in 2022 was a comic book-themed collectible card game. But then the fine folks at Second Dinner released Marvel Snap and it quickly became my favorite time waster. Because a match lasts less than five minutes, you can easily play a round during commercials, while waiting for the train, or in the bathroom (I’m not judging). And while decks cap out at just 12 cards, there’s a surprising amount of depth with a huge variety of effects and counters. Meanwhile, thanks to appearances from lesser-known characters like Hell Cow, Devil Dinosaur and the Infinaut, the game has prompted me to learn more about Marvel lore than any of the movies ever did. So even though the game is a little barebones at the moment (the only mode is a basic ranked ladder but more features are on the way), Marvel Snap is sure to be a game I continue playing long after I’ve forgotten about whatever happened in the latest Spider-man movie. – Sam Rutherford, Senior Reporter
What do you do when you love speed running and score chasing, but you're generally not very good at it? You play Neon White.
Like all good games, Neon White is simple to learn, and difficult to master. The basic ask is that you vanquish every demon from a level and head to a finish marker. It plays like a fast-paced first-person shooter, with the complexity coming from your weapons, which are cards that can either fire or be spent for a special movement or attack ability. The real challenge comes from the scoring system, which grades you based on the time you took to complete a level.
There are just shy of 100 levels, all begging to be learned, repeated and perfected. Despite its first-person shooter visuals, it plays out more like a cross between Trackmania and a platformer. You'll quickly turn that bronze medal into a gold, and then an "ace" that is supposedly your ultimate target. Then you'll see the online leaderboards and realize you've left some seconds on the table. Then you'll randomly achieve the secret red medal on a level, say "oh jesus" and realize that there's a whole hidden tier of perfection for you to attain.
The trick is that everything feels smooth, and fast. From my first gold medal time up to the top-ten-in-the-world run I showed my pretending-to-be-interested friends, every time I turned on the game I felt like a master, inches away from perfection. There are multiple paths through each level, ridiculous shortcuts to discover, and near-infinite degrees of satisfaction waiting after every good run.
The main negative point, for me, is the story, which plays out like a visual novel. I love the genre, and had heard good things about the game's characters, but found the narrative overly slow and just generally dull. There is mercifully a "fast forward" button, and once you've played through everything, a level select screen that lets you jump right into the action.
Despite its storytelling, and a couple of overly long levels that had me gnashing my teeth, Neon White was easily the most fun I had with a game this year. I played on Switch and PC, but a couple of weeks ago it landed on PlayStation as well, and I imagine I'll be starting up a new campaign and playing it all over again soon.– Aaron Souppouris, Executive Editor
Most of the time, single-player narrative-driven games are where I spend most of my gaming time. But once a year, I come across a game like OlliOlli World that I can play for minutes or hours at a time because the gameplay is just so satisfying. The goal in OlliOlli World is simple: become a skateboarding god. You do that by progressing through five worlds, each of which has a dozen or more individual stages, each with a wildly unique course to traverse.
Unlike the earlier games in the OlliOlli series, World is a bit more forgiving at first. It’s much easier to pick up and start pulling off wild moves and combos than ever before. But it’s still fiendishly challenging – if you want to beat every challenge, you’ll need lightning-fast reflexes and the mental stamina to change up your tricks and moves constantly. But once you get fluent in the game’s mechanics, you can enter a flow state where you’re just making moves purely on instinct.
The level and character design in OlliOlli World only enhances this effect. Like the earlier games, each of the five biomes has its own unique characteristics, but in all cases the levels are extremely colorful and interactive, with tons of eye candy and bizarre creatures hanging out in the background. And you can customize your character with clothing and items you pick up for completing challenges, letting you express your personal style in a huge variety of ways. There are also competitive aspects, like the daily challenge where you compete against nine other skaters to post the top score in your group. And every time you visit a level, you’ll see a “rival” score to try and beat. There’s always something pushing you to skate even better in OlliOlli World. – N.I.
Overwatch is my second favorite game of all time. Despite sharper, faster-paced gameplay, some much-needed quality-of-life improvements and the free-to-play shift I've wanted for years, Overwatch 2 isn't quite at that level yet. It's too rough around the edges.
The monetization changes felt like a gut punch. In fairness, many of the high-end skins cost around the same as what you'd pay for outfits in other major free-to-play titles. But newcomers now need to pay up if they want cosmetics that have been in the game for six years – items that veteran players were able to earn for free only a few months ago. Players also need to pay for the premium battle pass, grind through the free tier or wait until it's easier to unlock new heroes in later seasons before getting access to the latest characters.
And yet, Overwatch 2 has a hold over me like no other game. It's still the best multiplayer title around, with a rich lore, a wonderful cast of characters and a colorful aesthetic that helps it stand out from many other games on the market. The ping system is an excellent addition for accessibility, and the four new heroes that have joined the lineup since launch are all a blast. Some of the major hero reworks, especially the Orisa one, have been a resounding success.
As much as I enjoy the game as it is now, Blizzard has laid the foundations for an even more exciting future. Next year will bring long-awaited, story-driven co-op missions to the franchise – until now, we've only had a taste of those during seasonal events. After getting a sneak peek at some of the stuff that's on the way to the PvP side in the next few seasons, including a new core game mode and the season four hero, I can't see myself putting this game down anytime soon. – Kris Holt, Contributing Reporter
Rollerdrome is lush. It’s incredibly stylish, taking cues from 1970s Hollywood sci-fi but with an attractive cel-shaded filter over every scene. Even better than its stunning visuals, Rollerdrome has smooth, precise mechanics that allow players to fall into a flow in every level. The game is all about gliding through the environments on rollerblades, picking up speed and doing tricks while dodging and shooting enemies, managing weapons and controlling time – and it all comes together in a thrilling dystopian bloodsport.
It’s a joy to dodge, dodge, dodge and then leap into the air, slow down time and take out the people shooting at you, refilling ammo and collecting health in the process. Meanwhile, an unsettling story of corporate greed unfolds naturally beneath the rollerblading bloodshed, keeping the stakes high. Rollerdrome was a sleeper hit of 2022, so if you’ve been napping on this one, now’s the time to wake up and play. – J.C.
When I fall in love with a game, it’s the setting that gets me, which maybe explains why I wandered around Fallout 76’s Appalachian wasteland long after most people had left – I wanted to live there. I want to live in the futuristic city where Stray takes place too, but since I’m neither cat nor robot, I wouldn’t be allowed. In the game, you play a standard orange tabby with no special abilities, apart from those given to most felines like agility and jumping prowess. Through a mishap, you find yourself trapped in a domed city populated exclusively by amiable humanoid robots, and you eventually team up with a small drone that lets you “talk” with those androids.
To find your way back to your cat family outside the city, you solve puzzles, fight mutant bacterial blobs and generally follow your curiosity. The cityscape is a gorgeous, multi-level cyberpunk playground that feels a little less hardcore than Cyberpunk 2077’s Night City, with plenty of woven rugs to scratch and pillows to nap on. In fact, scratching, napping and otherwise doing cat stuff not only unlocks achievements (I was particularly proud to earn the one for getting a paper bag stuck on my head) they’re also integral to the game.
As my colleague Jessica Conditt said in her review, Stray is “downright joyful.” By leaning into the cat premise, it creates a whole new gaming perspective – you can’t do stuff humans can do, but you can do stuff cats do, like shimmying through small holes and jumping on pipes and bookcases. Living 12 inches off the ground for the cumulative eight hours or so it took me to play the game, I finally understood why cats want to jump on top of everything. The view is just better up there. – Amy Skorheim, Commerce Writer
A ton has been said about how The Last of Us Part I is a remake of a game that was originally released for the PS3 and then remastered a year later for the PS4. (Oh, and it’s coming to PC in early 2023, too.) So, it’s not exactly an essential release if you’ve played it before. But for people who may have heard about the upcoming HBO show and want to know what all the fuss is about – or anyone who loved Joel and Ellie’s journey the first time – this PS5 version is the definitive way to experience this story.
The game has been entirely rebuilt from scratch, and it shows in everything from the ruined post-pandemic cities and surprisingly tranquil forests and mountains to the detail found in collectibles around the world. Most crucially, though, the facial animations are simply stunning. Everyone you encounter, whether a lead character or an NPC you only see once, looks amazingly detailed and realistic. Of course, that means the hordes of infected humans hunting you are even more disturbingly detailed than ever, as well.
The updates aren’t just skin deep, either. Enemies are smarter and more cunning than ever, thanks to developer Naughty Dog using the upgraded AI system they implemented in 2020’s The Last of Us Part II. Humans are more aggressive about flanking you and a lot easier to lose once they find you, while the Infected are even better at hearing you trying to sneak by. There are a host of other updates, big and small, perhaps the most important of which is a massive suite of accessibility features so that almost anyone can give this game a shot.
What hasn’t changed is the story and script – but that isn’t a problem, given that The Last of Us was already well-known for its outstanding performances and plotting. The debate on whether or not The Last of Us Part I was really “necessary” will likely continue, but don’t spend too much time thinking about it. If you’ve never played the game before, this is the way to do it. And if you’re like me and play it every year or two, this is the best way to do so. – N.I.
How do you write about a game that’s best experienced without expectations? That’s the challenge of saying something meaningful about Tunic. You can speak to its influences – primarily The Legend of Zelda: Link’s Awakening, with a dash of Soulslike combat – but that doesn’t do the game justice. Worse yet, it fails to capture its appeal. I could also mention its haunting soundtrack by Lifeformed and Janice Kwan or the austere beauty of its art style. But again that’s not quite what makes Tunic so special.
I’m being purposefully vague because to say more would be to rob the game of its magic. So I’ll leave you with this: It’s fitting Tunic casts you as a cutesy fox because the game has a knack of making you feel so clever anytime you work through one of its many mysteries. Do yourself a favor and try to play this one without turning to the internet if you run into a roadblock. On the other end is one of the most rewarding gaming experiences in recent memory. – Igor Bonifacic, Weekend Editor
As a longtime fan of the SRPG genre, no game in the last decade has managed to evoke classics like Final Fantasy Tactics and Tactics Ogre more than Triangle Strategy. I admit it’s a bit of a slow burn and it gets a bit text-heavy, but with multiple endings (including a New Game+ mode), a deep roster of characters and rewarding turn-based combat, this game has it all. And thanks to its art style, which masterfully blends old-school sprites with a modern 2.5D approach, this game looks and feels like a love letter to those all-time greats of the late 90s. If you’re a fan of tactics games, Triangle Strategy is a must-play. – S.R.
I had such good intentions for my Steam Deck. I swore I'd use it to get through my Steam backlog and stream a bunch of games from Xbox Cloud Gaming and Stadia (RIP). Sure, I do those things, but only on the rare occasion I can rip my attention away from Vampire Survivors.
It is a rudimentary-looking game with very basic controls. You'll face hordes of monsters, but because your weapons autofire, the only real control you have is using the thumbstick or touch controls to move your character. You'll need to carefully juke away from some enemies while getting close enough to kill others and pick up the experience gems they drop. After you collect enough gems and level up, you’re able to select another weapon or powerup.
This is where many of the game's intricacies come in. You'll get a random selection of weapons and power-ups to choose from at every level, as well as the ability to make your items more powerful. If you find the right pairings, you can evolve weapons into ultra-powerful forms. Vampire Survivors is the perfect distillation of the power fantasy. Flesh out the right build and you'll carve through bosses that once seemed unbeatable like a lightsaber through ice cream.
This game begs you to keep coming back. Since it debuted in early access last December, developer Poncle has frequently updated the game with more characters, weapons, items and levels. Part of the joy is in building different loadouts that can demolish enemies with ease. Vampire Survivors also shares some DNA with casinos. There's an explosion of color and some upbeat, tension-filled music whenever you open a treasure chest, along with a delightful chime whenever you grab a gem – you will hear that a lot. These aspects don't exactly make it easy to put the game down.
I love my Steam Deck. I love Vampire Survivors. Together, they have a toxic hold over my desire to play other games. I could simply uninstall Vampire Survivors from my Deck, but, really, what's the point when I can just play it on my phone now?– K.H.
For a while in 2022, a word game brought the world together. Because it’s the same puzzle for every single player each day, Wordle was a giant inside joke amongst solvers across international boundaries. At Engadget, for example, London-based Mat Smith could give me hints or laugh at my inability to guess a word he got.
I also loved sharing and seeing the little blocks that showed how many tries it took us to solve the word. It was a chance to both bond and brag – the perfect gaming experience. Plus, whenever a word was controversial, whether it was spelled in US or UK English, for example, I loved the inevitable debate that would result. In 2022, Wordle gave us an elevated form of watercooler conversation fodder, but for the entire world.
Although technically launched in 2021, Wordle found widespread popularity in 2022. It was born from software engineer Josh Wardle’s desire to make a word game for him and his partner Palak Shah to play together. But it was when the user base expanded beyond his family to encompass the entire globe that Wordle took on a life of its own.
Countless iterations were spawned, building on the format and name… which itself was based on Wardle’s last name. You may have seen examples like Heardle, Worldle, Squirdle, Absurdle and more, using the puzzle’s format for us to guess songs, countries and other subjects. As always happens with anything popular, hundreds of websites published guides to beating the game, while scores of clones popped up in the Android and iOS app stores, hoping to cash in on the fever. Wardle later sold the game to the New York Times for an undisclosed sum that was reported to be in the low seven digits, and soon, just as quickly as the fever started, the game’s popularity subsided. Thanks to Wordle, we all may be leaving 2022 just a little bit savvier about the most common letters and words in the English language. – Cherlynn Low, Deputy Editor
Getting into a new role-playing game series can be hard sometimes. This is especially true when you’ve allied yourself with a certain studio or series – and we are into double digits in the Trails series, not to mention the juggernaut that is Final Fantasy. It’s trickier to reorient yourself to completely new gameplay dynamics, series in-jokes that fly over your head and just, well, things being different.
That means I’m late to playing critically acclaimed RPGs – I have to be in the right mindset. So how did Xenoblade Chronicles 3weasel its way into my heart? I think it’s because I was told by several people, both gaming critics and friends, that it was a perfect entry into the series, regardless of whether you’d played its predecessors. They weren’t wrong.
It’s a nice game to approach with a blank slate because it goes through around three different tonal gear shifts before you entirely know exactly what the heck is going on. While I don’t want to ruin the anime-nodding plot twists, several of which you will see coming from a mile away, the game starts with a sci-fi, steam-punk high-concept scenario. Teen warriors on two factions are pitted against each other, waging wars with mechs, but also close-range weapons. It turns out direct kills are the only way to leech their enemy’s life force, building up a store in their base’s “flame clock” and ensuring a squad’s survival. They have to fight, to live.
Noah and two of his allies clash against Mio and her retinue, and after the battle ends in a draw – and I get to enjoy a slick, anime-styled battle movie between all six – the fates conspire to ensure this is your group of warriors, and only they can save the world.
With a wide range of classes to wield and master, as well as the ability to add a guest warrior to your squad pretty much any time throughout the game, battles initially seem chaotic, but I soon got attuned to the rhythm. Defenders will coax enemies into targeting them, allowing your heavy-hitting attackers to wail on them from the side or back – positioning is crucial. Meanwhile, your healers will ensure your defender doesn’t fall and amp up damage either with area-specific skills or targeted attacks on enemies. Also, your epic, charge-them-up-in-battle Interlink attacks are accompanied by such a high-energy soundtrack, it’s hard not to feel like a hero.
There are some big pacing problems in places, and when you get the ability to combine with your allies and form powerful Evangelion-esque avatars, you wonder exactly what can stop them at times. But it’s a vast adventure with several compelling side quests to fill out your time in Aionios. Annoyingly, it’s won me over – and I have since downloaded the original Xenoblade Chronicles (and its sequel) to play in 2023. – M.S.
If you need a break from the hustle and cheer of the holidays, there’s nothing better than the ultimate escapist genre: sci-fi. This year has been a good one for those who like their entertainment off-planet or otherwise removed from our reality. We finally got a Predator sequel that isn’t silly; the author of Station Eleven released her highly anticipated new book; Star Wars proved it’s ready to grow up; and the production company A24 brought us one of the most exhilarating movies in years. There are even a number of sci-fi podcasts that can keep you company while you wrap presents or decorate your home with tinsel and lights. Here are some of the best sci-fi movies, books and shows as of late that you can binge over the holidays.
TV
Resident Alien
Syfy
If you still miss Northern Exposure 27 years after its finale aired and thought Wash was the best part of Firefly, you’ll find something to appreciate in Syfy’s Resident Alien. Now in its second season on the Syfy app and Peacock, the show follows a doctor, new to a small, snowy town, who’s actually an alien that came to Earth to exterminate humanity – except he’s misplaced his world-killer device. The extraterrestrial, played with gusto by Alan Tudyk, pretends to be Harry the human while getting into plenty of sitcom-style hijinks with a roster of quirky characters.
Two subplots expand the fish-out-of-water story: one about the recent murder of the former town physician, the other involving a secret government organization that’s hunting down the alien and his ship. It’s spit-your-drink-out funny and expertly plays with the small-town TV tropes we know and love. It’s also occasionally touching, particularly in moments between Harry and Max, a 10-year-old boy who happens to be the only person who can see past Harry’s human disguise.
Severance
Apple
In my personal accounting, Apple TV+ wins the streaming war this year, and Severance is among the best of their offerings. That’s saying a lot, considering Slow Horses, Afterparty, Pachinko and Black Bird all debuted on the streaming service in 2022. Not to mention the intelligent and pitch-dark time traveling serial killer thriller, Shining Girls. Where that show was awash in visceral, back-alley terror, Severance occupies a cleaner, tech-washed version of reality, but one that’s no less nightmarish.
Weaponizing the ideals of modern working life against us – the minimalist, high-design office, a strict work-life balance – Severance tells the story of employees at Lumon. While we’re not sure what they do, we do know they’ve all undergone a surgical procedure to separate their work brains from their personal brains, effectively creating two different people. The delight lies in figuring out who these people really are (and what that even means), and sussing out what’s actually going on at Lumon. Gorgeous in a sterile, Apple Store kind of way, Severance is anchored by exacting performances from Adam Scott, Patricia Arquette, Christopher Walken and John Turturro. And yes, to keep us from rioting in the streets after season one’s cliffhanger, there will be a season two.
The Peripheral
Prime Video
With a William Gibson novel as source material and Westworld creators as producers, The Peripheral has a strong sci-fi pedigree. The assured performance by Chloë Grace Moretz and a particularly lush set design make Amazon Studios’ new production a treat for the eyes and ears – it gives your brain something to chew on, too.
Set both 10 years in the future in North Carolina and 77 years in the future in a post-apocalyptic, hologram-clad London, the show centers on Moretz’s Flynne, a woman trying to make enough money to care for her ailing mother by working her job at the local 3D print shop and by helping rich folks level up in VR games. When her brother lands a gig to try out a new headset, Flynne, being the better player, heads into the sim. Turns out, it’s not a sim, but a quantum tunnel into the future in which she controls perfectly rendered robots – the first one modeled after her brother, then one based on herself. Of course, putting on the headset ignites a world of troubles, some of which show up on Flynne’s doorstep.
There’s plenty of Gibson’s characteristic techno-cool terminology, and metaphysical and temporal intricacies that you’ll have to watch closely to figure out – you’ll get little hand-holding here – but the head-scratching opaqueness that obscured Westworld’s later seasons don’t really apply. Look for answers and you’ll find them, plus you’ll have a lot of cyberpunk-fueled fun along the way.
Andor
Lucasfilm/Disney
The scads of people who are calling Andor the best product in the Star Wars franchise aren’t wrong. Turning the camera away from the galaxy’s royal Skywalker family, the new Disney+ series follows Cassian Andor, who you may remember from Rogue One as the relative nobody in a band of nobodies who made sure the Death Star plans got into the hands of the Rebel Alliance so Luke could do his thing.
The series takes place five years before the events of Rogue One and replaces the melodrama of the saga and grandiosity of the Force with a human story on a human scale. It’s about a man who makes his own journey towards rebellion, instead of that rebellion being a predestined fact. Faced with an Empire that’s disturbingly bureaucratic in its repression, Cassian assists with a heist that prods the Empire to bring down its fist across the galaxy. Watching it gives you a detailed sense of the universe where Star Wars takes place, with fully realized worlds, mature storylines, and characters that don’t feel far, far away.
Movies
Prey
HULU
The 1987 sci-fi action classic Predator pits a band of heavily armed and macho soldiers against an extraterrestrial who likes to occasionally drop by Earth to hunt humans. Peak-form Arnold Schwarzenegger is the last man standing, and honestly looks pretty ragged in that final chopper ride out of the jungle. So how would a young Comanche woman in the early 1700s fare against a similar alien encounter? Pretty damn well, as it turns out.
Easily the best sequel in the Predator franchise, Hulu's Prey takes place on the Great Plains where Naru, played with steel by Amber Midthunder, dreams of proving herself as a hunter and warrior. With her dog by her side and a throwing axe in hand, Naru gets a chance to do just that as she faces off against predators of the animal kind (bears and mountain lions), the human variety (French fur trappers) and ultimately, one from another planet. Special attention was paid to historical fidelity with on-set Indiginous advisors and a largely Indigenous cast playing the Comanche tribe members, proving that when Hollywood makes an effort to get things right, everything only gets better.
Everything Everywhere All at Once
A24
We need films like Everything Everywhere All at Once to remind us of the pure joy movies can make us feel. Picture a mashup of multiverse tropes, Kung Fu action, family drama and absurdist comedy, and you’ll get a sense of what to expect from EEAAO. Michelle Yeoh plays Evelyn, a Chinese-American immigrant living in Simi Valley with her husband and daughter. The laundromat they run is being audited by an IRS examiner played by an uncharacteristically dowdy Jamie Lee Curtis. But before Evelyn makes it to her IRS appointment, she’s told she’s an important player in an inter-dimensional battle against a chaos-loving force known as Jobu Tupaki. Eveyln flits through parallel universes, gaining skills and perspectives as she does, ultimately braiding threads together to figure out what existence “means.”
The film comes from A24, a production and distribution company with an uncanny knack for fostering wholly original movies in a world awash in reboots and franchises. EEAAO is already racking up awards and nominations to match its overwhelming public acclaim. If you haven’t done so already, watch it and never see hot dogs, rocks or Ratatouille in the same way again.
Nope
Universal Pictures/Monkeypaw Productions
After the psychological terror of Get Out and grisly horror of Us, director Jordan Peele made Nope to prove he’s not out of ideas. Daniel Kaluuya plays the lead, as he did in Get Out, this time as a laconic cowboy in a trucker hat. Kaluuya’s OJ and Keke Palmer’s Emerald are a brother and sister team running a struggling ranch outside of Hollywood where they train horses for the movies. When nickels and house keys fall from the sky and the horses start running off, they see there’s something parked above the ranch, hiding in an immovable cloud – something that’s not from here, and definitely not friendly.
Like everything Peele makes, Nope has plenty of humor to shoot through the tension, and there’s a dose of abounding weirdness – particularly in a side plot about a sitcom chimpanzee. You also sense a clear love of movies coloring the film, with nods to classics like Jaws, Close Encounters of the Third Kind and Alien. In fact, the idea of movie making itself drives the team that comes together against the UFO. The need to get the shot, to document the alien, is just as, if not more, important than self-preservation.
Books
Sea of Tranquility
Alfred A. Knopf
If you caught the dreamy, post-apocalyptic miniseries Station Eleven on HBO last December and wondered if there were any more ideas where that came from, check out Emily St. John Mandel’s latest novel, Sea of Tranquility. St. John Mandel wrote the book upon which the HBO series was based, and this time around, she’s exploring what life on a colonized moon would look like while also considering the effects of a space-time anomaly that links together a British Columbian forest, an airship terminal in Oklahoma City and four points in time running from 1912 to 2195. A time traveling agent is sent back from 2401 to investigate, tying together the narrative threads.
As in Station Eleven, St. John Mandel pairs wondrous speculation about our future with deeply human stories. Even minor characters are layered and complex, and her philosophical explorations feel important without coming across as dry academic exercises. Also, her sentences are beautiful. Read it now and you’ll be ahead of the game when the adaptation, which is currently in development at HBO Max, comes out.
The Candy House
Simon & Schuster
Jennifer Egan won a Pulitzer Prize for her essentially perfect 2010 work, A Visit from the Goon Squad and this year’s The Candy House is the sequel. Like Goon Squad, this is a novel told in stories and shifting perspectives. But where the first book focused on music and Gen X aimlessness, this time we’re looking at the technology we willingly give all parts of ourselves to. It’s not hard science fiction, but it does what the genre does best: speculating on a probable future and seeing how we humans react.
In the near future, a tech giant named Bix (a fleetingly minor character in Goon Squad) creates the next big thing in social media, called the cube, into which you can upload your unconsciousness and share it. Needless to say, there are repercussions. But the effects of the cube aren’t the focus. Instead, technology slips into the lives of the characters, just like all the previously impossible-seeming tech we live with today. Egan is one of the most assured writers I’ve ever read, and the prose is top-form literary stuff. It's never ever boring, and, like the teeming memories of the cube, impossible to look away from.
Dead Silence
Tor Nightfire
Pulitzer Prize-level literature is great. But sometimes you just want a gripping sci-fi story with a missing luxury cruise-liner spaceship in which all the people inside have violently died. Written by S.A. Barnes, who previously wrote under a pen name in the YA space, Dead Silence is part shipwreck hunter, part Event Horizon horror, and part Newt from Aliens’ epilogue.
Taking us to the year 2149, the novel centers on Claire, the team lead on a repair crew responsible for maintaining communication beacons at the edge of the solar system. The team gets a faint distress signal from a Titanic-esque spaceship that disappeared decades ago, halfway into its maiden voyage. Naturally they investigate, and things get disturbing when they discover bodies upon bodies inside the ship. Claire also happens to be the sole survivor of a viral outbreak on a Mars outpost when she was eleven, an experience that has left her with PTSD and more than a little unreliability in the narration department. The book is creepy and scary and mind-trippy and reminds me of the twitchy gratification of reading Stephen King as a teenager (with the lights on).
Podcasts
Celeritas
Magnesium Film
The creators of Celeritas (available on Apple Podcasts, Spotify and others) bill it as a “cinematic podcast,” which doesn’t mean it’s about movies, but rather that listening to it feels as immersive as experiencing something with both sound and picture. And that description is correct. The narrative centers on an astronaut who pilots the first light-speed space flight, and ends up deep in the future after things go awry.
From episode one, Celeritas expands the possibilities of the aural medium, which you first notice in the thrilling and densely layered sound design. Then there’s the storytelling, which ditches the audiobook “once upon a time” formula for an approach that takes full advantage of radio-play dynamics. Instead of an astronaut on a space walk delivering exposition or narration to us, we instead hear him intersperse his communication with mission control with a message he records for his daughter as he takes care of mundane EVA procedures. The eighth of 12 planned episodes dropped in late November, and new episodes are released roughly every two months.
Flash Forward
Flash Forward
Initially called Meanwhile in the Future when it was launched back in 2015, Flash Forward (available on Apple Podcasts, Spotify and others) isn’t usually a sci-fi podcast but rather, one that takes a speculative notion – say, what if all the world’s volcanoes erupted at the same time? – and then talks with experts to try and answer the question.
It’s a fascinating show in its own right, but then in October of this year, 27 three- to six-minute episodes dropped all at once. They tell the story of Vanguard Estates, an AI-automated retirement home where “you” are deciding whether or not to leave your father. It’s a choose your own adventure podcast that cleverly brings up the increasingly entwined issues of aging, healthcare and robots. Afterwards, creator Rose Eveleth explores those issues in the usual Flash Forward style.
Escape Pod
Escape Artists
Throw a dart at any one of the 865 (and counting) episodes of Escape Pod (available on Apple Podcasts, Spotify, their website and more) and you’ll be transported elsewhere. Each weekly episode tells a new short sci-fi story, written by a roster of different writers and narrated by talented voice actors. The episodes range from around 20 minutes to an hour long and cover every sci-fi angle possible: cyberpunk, space exploration, time travel, post-apocalypse, AI and far more. It has amassed numerous awards for podcasting and short fiction and, while I wish each episode included a brief description to make it a little easier to pick and choose, grabbing an episode at random will rarely let you down.
Twitter Blue has enabled new perks for subscribers including "prioritized rankings in conversations" and video uploads up to 60 minutes in length, according to an updated feature list spotted by TechCrunch. Both features were promised by Elon Musk last month when he said Blue subscribers who pay $8 per month would get "priority in replies, mentions & search" and the ability to post long videos.
Reply priority is now in effect, with the support page stating that "this feature prioritizes your replies on Tweets that you interact with." That seems to be the case on severaltweets I looked at, with Twitter Blue subscribers (many with few followers) appearing as the top replies. It's not clear if users paying $8 per month will always appear at the top in replies, or whether or factors are also used.
soon, subscribers with the blue checkmark will get priority ranking in search, mentions, and replies to help lower the visibility of scams, spam and bots
Twitter support said earlier that priority rankings will "help lower the visibility of scams, spam and bots." However, some users have expressed concern that the new system will lower the experience for non-paying users, or that paid priority might help spammers, trolls and others amplify their messages.
The new video rules will boost length from 10 minutes and 512MB to 60 minutes and 2GB at up to 1080p resolution, though only on the web — the 10-minute rule still applies to Android and iOS users. Twitter also notes that it may "modify or adapt your original video for distribution, syndication, publication or broadcast by us and our partners" or change the bitrate/resolution depending on a viewer's internet speeds.
Musk said that Twitter will eventually pay creators for uploaded videos, noting that it might even exceed the 55 percent cut that YouTube offers. However, it hasn't said whether that will be done with ads or other means. It's also not clear how it may address piracy issues, given that much of its moderation team has been let go or quit.
Last week, Twitter banned Jack Sweeney's @ElonJet account that tracked Elon Musk's private jet, then unveiled a new policy against sharing live locations shortly afterward. Now, Sweeney is back with a new account called @ElonJetNexDay that still tracks Musk's aircraft, but adds a 24-hour delay to the location, TechCrunch has reported.
It appears to be Sweeney's effort conform to Twitter's new rules, which state that it's permissible to share "publicly available information after a reasonable time has elapsed, so that the individual is no longer at risk for physical harm." The account has only been online for a short time, however, so it remains to be seen whether Twitter will see it the same way
Sweeney and his @ElonJet account have been on Musk's radar for a while. In January, a few months before Musk announced a deal to buy Twitter, he offered Sweeney $5,000 to delete the account. Sweeney rejected the overture, instead asking for $50,000. As CNBCnotes, @ElonJet had more than half a million followers.
The ban came about after Elon Musk said a car carrying his son X Æ A-12 was followed by a stalker in Los Angeles. Twitter soon told Sweeney that his account "broke Twitter rules," though didn't specify which ones. Musk later said that "legal action" would be taken against Sweeney and "organizations who supported harm to my family."
Sweeney's @ElonJet tracker bot now has 67,000 followers on Mastadon and tracks jets belonging to Musk and others on Facebook and Instagram. The bans are part of a large amount of Twitter drama around Musk that recently culminated in one of Musk's famous Twitter polls, with a decisive number of users voting that he should step down as CEO of Twitter.
It’s never exactly easy to pull the plug on a social media account you’ve had for years. For many of us, our accounts are filled with years of photos, memories and memes that aren’t easy to part with ,even if we are ready to stop the daily scrolling habit. For Facebook, Instagram and other Meta-run services, deleting an account entirely isn’t necessarily straightforward, either.
And even though all the services are run by the same company, there isn’t one centralized way to delete all your Meta-associated accounts. The good news is that removing these accounts is in many cases a lot easier than it has been in the past, even if there are sometimes a few extra steps involved. Keep reading to find out exactly how to delete your Facebook, Instagram, Messenger, WhatsApp and Oculus accounts.
First, download your data
Regardless of your reasons for wanting to leave your accounts behind, it’s worth it to take the time to download all your data before you delete them for good. Downloading your data will ensure you have a record of your prior posts, messages, photos and other activity.
These data archives look a little different for each service, but in general they contain your previous posts, a record of what accounts you follow, your messages and even some of your past activity on the services. Some, like Facebook, will even provide a record of what the site’s advertisers know about you.
In other words: it’s a lot of data. And it may not seem like a lot of that is worth hanging onto, but if you’ve used an account for years it’s a good way to preserve a record of your past photos, videos and other posts. (Though you should also be prepared for it to surface some data you might not want to remember, like conversations with former partners or cringey college photos.)
On Facebook, you can access your archive from: Settings & Privacy -> Settings -> Your Facebook Information -> download your information -> request download.
On Instagram, it’s More -> Settings -> Privacy and Security -> Data download -> Request download.
On WhatsApp, it’s Settings -> Account -> Request account info. (Of note, WhatsApp’s reports don’t include the content of your actual messages. If you want to preserve a copy of your messages, you’ll need to export your chat history on each message thread you wish to hang onto.
On Messenger, downloads have to be initiated through the mobile app. On both Android and iOS, go to Account Settings (located in the “chats” tab) -> Your Facebook Information -> Download your information. You’ll then be able to specify a few aspects of the data, like the media quality, data format and date range you want the download to cover.
For Oculus and Meta Quest users, you can use the “download your information” tool linked here.
Once you have your data archives stashed away, you’ll be ready to permanently nuke your accounts. Though, like the data downloads, it can take up to several days for the process to be complete.
How to delete Facebook
Dado Ruvic / reuters
Before you permanently delete Facebook, a word of caution: nuking your account will also nuke third-party accounts where you’ve also used Facebook to log-in. In some cases, you might be able to recover them via the app’s support channels, but there’s no guarantee. Follow the steps here to review which apps and websites you use Facebook as a log in.
Likewise, if your Oculus account is linked to your Facebook identity, then deleting your Facebook will also permanently delete your Oculus account, including your past purchases. (Of note, Meta now allows VR users to create a separate “Meta account” that doesn’t rely on Facebook.)
Once you’re sure you’re ready to delete, you can find the option from Settings & Privacy -> Settings -> Your Facebook Information -> Deactivation and Deletion -> Delete Account -> Continue to account deletion -> Delete Account
However, even after you’ve smashed the final “delete” button, Facebook notes that it still takes around 30 days for your information to be purged entirely. That also means that if you do happen to change your mind within 30 days, you can cancel the request. According to the company, it can take up to 90 days for the deletion process to complete, though your profile and other info won’t be visible to others on Facebook during that time.
How to delete Instagram
Wachiwit via Getty Images
For Instagram, you need to go to the “delete your account” page, which can be found here. From there, you’ll have to select a reason from the drop-down menu, and enter your password.
As with Facebook, Instagram notes that it can take “up to 90 days from the beginning of the deletion process to delete all the things you've posted,” though posts won’t be visible to others on the platform during that time.
How to delete Facebook Messenger
If you delete a Facebook account, your Messenger account will also be permanently deleted so you don’t need to go through extra steps if you’ve already purged your Facebook presence. But it’s also worth noting that simply deactivating your Facebook won’t affect your ability to use Messenger or other users’ ability to find you on the app.
If, however, you happen to use Messenger without an associated Facebook account, you can delete your account via the app. On Both iOS and Android: Account Settings -> Delete Your Account and Information and enter your password.
How to delete WhatsApp
WhatsApp accounts can be deleted directly from the app via Settings -> Account -> Delete My Account. The app will then prompt you to enter your phone number. As with facebook and Instagram, the company says the full deletion process can take up to 90 days.
How to delete an Oculus or Meta account
Sam Rutherford/Engadget
As noted above, if you used Facebook to login to your Oculus account, then deleting Facebook will take care of it. If, however, your Oculus login was separate, you need to log in to your account on Oculus’ website from a browser, then navigate to My Profile -> Privacy Center -> Delete Your Oculus Account.
Of note, this process will only work until January 1, 2023, when Meta will force all Oculus accounts to migrate to the new Meta accounts mentioned above. For those newer Meta accounts, you can delete your presence by heading to auth.meta.com/settings, logging in, selecting “delete your account,” entering your password again and choosing “delete your data.”
Again, keep in mind this will prevent you from using your VR headset, and will remove any past purchases you’ve made.
This year was a bit of a reset for the entertainment industry, with more people returning to theaters and more must-watch TV shows hitting streaming networks. That's a fairly major change from 2021, when many movies hit services like HBO Max on the same day as theaters. But if you've gotten used to catching up on everything on your couch, don't worry — there's still plenty to watch over the holidays. (And be sure to check out our recommendations from last year, which are still good, I swear!)
Perhaps the best piece of media I've seen this year, Station Eleven is an adaptation of Emily St. John's novel about a society-collapsing swine flu epidemic. Wait, don't run away! While the series may evoke the worst of our COVID experience at first, it also transforms into a hopeful tale about the power of stories (and pop culture!) and human connection. It delivers something we could all use right now: Hope.
Tuca and Bertie Season 3
After being unceremoniously canceled by Netflix in 2020, the cartoon duo of Tuca and Bertie found a new home on Cartoon Network last year. The third and (unfortunately) final season of the series aired this year, and it remains a delight. Created by Lisa Hanawalt and executive produced by Raphael Bob-Waksberg (BoJack Horseman), it follows a pair of friends as they deal with life, love and simply existing in their '30s.
Also on HBO Max:
The White Lotus (Season 2): Mike White's series on the exploits of privileged resort guests, this time in Sicily instead of Hawaii, remains a delight.
Harley Quinn (Season 3): This show remains one of the best DC series currently airing. Tune in for a comedic and more adult spin on your Batman faves.
Yes, it's another Star Wars show, but Andor ended up being one of the biggest surprises of the year. Created by Tony Gilroy (who helped transform Rogue One into a stellar film), it centers on Cassian Andor (Diego Luna), a small-time thief with a healthy distrust for the Empire. The show follows his journey towards becoming a member of the rebels, and in doing so it also serves as a blueprint for taking down authoritarian systems.
Fire of Love
Katia and Maurice Krafft were a rare couple, two expert volcanologists who were also madly in love. They dedicated their lives to documenting active volcanoes, often by directly confronting lava flows, rock explosions and acid lakes. Fire of Love unearths their original footage to show just how far they went in the name of science. But it also paints a portrait of a truly rare couple, one whose contributions we still owe much to.
Also on Disney+:
Tales of the Jedi: A short animated series that gives us a bit more backstory on Ahsoka Tano and... Count Dooku? If you've been interested in the Star Wars cartoons, but don't want to slog through tons of old episodes, this is a good start.
Bluey: This remains the best kids show on TV. Bluey's latest season is as funny and poignant as ever. It's the rare show that can teach both kids and their parents.
Cyberpunk 2077 had a notoriously rocky game launch, but the setting of Night CIty was always compelling. Edgerunners is an anime spin on that universe, centering on a plucky street kid who finds himself equipped with a military-grade spine implant. You know, typical teenage stuff. Will his newfound power keep him on the wrong side of the law? And will he ever get revenge against the people who ruined his life? The show doesn't do much new, but it features genuinely compelling characters and some of the best animation in recent years.
The Midnight Club
Mike Flanagan can do no wrong. The talent behind Midnight Mass, Doctor Sleep, and the excellent “Haunting of…” horror shows on Netflix has now set his sights on a Christopher Pike adaptation, and the results are glorious. The show, co-created by Leah Fong, follows a group of terminally ill teenagers as they tell spooky stories and explore the supernatural mysteries of their hospice mansion. It's a meditation on the power of storytelling, but also yet another Flanagan exploration of the value of life.
Also on Netflix:
Wednesday: Come to see Tim Burton finally get his shot at The Addams Family, stay for Jenna Ortega's perfectly deadpan performance.
Can an award-winning chef truly come back home and save his family's beleaguered sandwich shop? Or is he just trying to work through the death of his brother the only way he knows? The Bear captures the energy and madness of kitchen life better than any TV show — forget all the glossy stuff you've seen on Chef's Table. But amid the insanity, it's the story of a found family banding together to mourn and save the place they all love.
The Dropout
What makes Elizabeth Holmes tick? This series, which stars Amanda Seyfried as the notorious Theranos founder, paints a more complete picture of Holmes than the 2019 HBO documentary The Inventor. We see Holmes' early life, as well as her initial connection with Sunny Balwani (Naveen Andrews, perhaps the best TV adaptation glow-up any South Asian man can hope for). After proving her smarts in college, she sets off to build the world's best blood testing machine with Theranos. We all know how that went. When the hype around Theranos starts to fall apart, The Dropout turns into a fascinating portrait of self-deception.
Also on Hulu:
Fleishman is in Trouble: Toby Fleishman is going through a divorce. But as he starts to rebuild his own identity, he also needs to deal with the wreckage of his marriage (and find his missing ex-wife).
Taking the idea of work/life balance a step too far, Severance follows a group of people who’ve received a procedure that completely splits their memories between home and office life. The result is two completely separate personalities within the same body, both trapped in their respective cages. Severance is a bit of a slow burn, but it’s a fascinating exploration of corporate control akin to Terry Gilliam’s Brazil. (Be sure to check out our interview with the creator of the show, Dan Erickson, on the Engadget Podcast.)
Pachinko
An adaptation of Min Jin Lee’s 2017 novel, Pachinko follows a Korean family across several generations starting in 1917 and reaching into the late ‘80s. We see a young fish seller fall in love and make her way to Japan as an outsider, while her grandson struggles to maintain his identity in the pressure-filled business world. Pachinko has almost everything you’d want in a family epic: Children struggling to live up to their parents’ standards, forbidden love and the constant threat of generational trauma. Also, it has one of the best opening sequences of the year.
Other things to watch
The Good Fight (Paramount+): Over its six-season span, The Good Fight tackled the insanity of our current social and political environment better than any other TV show. It’s first and foremost a legal procedural, but coming from the minds of Michelle and Robert King, it ends up being so much more.
Gangs of London (AMC+): Now on its second season, Gangs of London is one of the most brutal crime shows on TV. It’s part gangster epic, part martial arts smackdown (it comes from Gareth Evans, director of The Raid films). While the plot becomes increasingly ludicrous, it’s worth a watch just for the sheer ambition of its action sequences, many of which go far harder than anything we’ve seen in American films lately.
