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American officials are taking further steps to set rules for AI systems like ChatGPT. The National Telecommunications and Information Administration (NTIA) is asking for public comments on possible regulations that hold AI creators accountable. The measures will ideally help the Biden administration ensure that these models work as promised "without causing harm," the NTIA says.

While the request is open-ended, the NTIA suggests input on areas like incentives for trustworthy AI, safety testing methods and the amount of data access needed to assess systems. The agency is also wondering if different strategies might be necessary for certain fields, such as healthcare.

Comments are open on the AI accountability measure until June 10th. The NTIA sees rulemaking as potentially vital. There's already a "growing number of incidents" where AI has done damage, the overseer says. Rules could not only prevent repeats of those incidents, but minimize the risks from threats that might only be theoretical.

ChatGPT and similar generative AI models have already been tied to sensitive data leaks and copyright violations, and have prompted fears of automated disinformation and malware campaigns. There are also basic concerns about accuracy and bias. While developers are tackling these issues with more advanced systems, researchers and tech leaders have been worried enough to call for a six-month pause on AI development to improve safety and address ethical questions.

The Biden administration hasn't taken a definitive stance on the risks associated with AI. President Biden discussed the topic with advisors last week, but said it was too soon to know if the technology was dangerous. With the NTIA move, the government is closer to a firm position — whether or not it believes AI is a major problem.

A federal judge denied Holmes’s motion for release on Monday as she appealed her conviction on four counts of fraud and conspiracy, as reported by The Guardian. As a result, the Theranos founder is scheduled to report to prison on April 27th.

Holmes has appealed her conviction to the federal ninth circuit court of appeals based on questions about the “accuracy and reliability” of evidentiary and procedural issues in the trial. However, US district court judge Edward Davila ruled Monday that the appeals didn’t meet the burden of a “substantial” questioning of facts or law. According to the judge, the request didn’t address the conviction’s underlying wire-fraud issues against investors. Therefore, it wouldn’t warrant a reversal or new trial (the legal standard for remaining free pending appeal) even if the appeals court agreed with her assertions.

However, the judge ruled against prosecutors hoping to brand Holmes as a flight risk after learning that her partner bought her a one-way ticket for a flight to Mexico. Although the judge described the ticket purchase (and failure to cancel it post-conviction) as a “bold move” and “perilously careless oversight,” he gave her the benefit of the doubt, ruling she was “not likely to flee or pose a danger” to the public.

Last November, the Theranos founder was sentenced to over 11 years in prison for defrauding investors after a jury found her guilty last January. Founded in 2003, Theranos claimed to produce a long list of revealing health results using only a single drop of a patient’s blood. The company raised hundreds of millions of dollars from high-profile investors before internal whistleblowers sourced a 2015 Wall Street Journal story revealing that the startup’s underlying technology was bogus. The story has since become a cautionary tale, with podcasts, books and a recent Hulu miniseries cashing in on the one-time Silicon Valley golden child’s downfall.

Universal Audio only got into the hardware guitar effects game about two years ago with the Golden Reverberator, Starlight Echo Station and Astra Modulation Machine. It quickly capitalized on its initial success by introducing three amp simulators in pedalboard-friendly formats. And now the company is adding three more units to the lineup: the Del-Verb Ambience Companion, Galaxy ‘74 Tape Echo & Reverb and Max Dual Preamp & Compressor.

These $349 pedals aim to capture the sound of several classic effects with powerful digital emulation. The form factor is the same as the rest of the UAFX pedals — so you get two foot switches, six knobs and stereo ins and outs, enclosed in a beefy aluminum enclosure. The only immediate difference between the new members of the family and the original six is the price. Universal Audio is one of the few companies actually lowering prices. The company says some minor changes were made to the knobs and packaging, and that the feature set is actually slightly simpler than past pedals, which allowed it to shave $50 off the price.

The Del-Verb Ambience Companion combines delay and reverb into a single pedal. One half of the pedal lets you pick between a spring reverb modeled on a "60s American guitar amp" (presumably a Fender Deluxe), a vintage German plate reverb or a late 70s digital reverb. The other side houses a tape echo emulation, an analog bucket brigade delay (BBM) and clean digital delay.

Galaxy on the other hand, goes all in on specifically modeling the Roland Space Echo. That includes its much loved preamp and spring reverb effect. There's even a tape age parameter for dialing in just the right amount of lo-fi grit. UA claims it's "the most authentic emulation of the classic mid-'70s Roland Space Echo hardware", but I'm sure Roland would beg to disagree. 

Lastly the Max combines emulations of several iconic compressors with a recreation of Universal Audio's own 610 preamp. You can choose between the UA 1176, Teletronix LA-2A and DynaComp compressors, which cover everything from gentle tube squeeze to lo-fi crush. Multiple compression algorithms can even be stacked with the UA preamp to get some truly wild tones and textures. 

It has no effect on the sound quality, but these are also probably the best looking of the UAFX pedals yet. The combo of baby blue and rich brown on the Del-Verb is delightful, and the single bright-red knob plus deep blue inset on the Max has a lovely vintage charm. The Del-Verb Ambience Companion, Galaxy ‘74 Tape Echo & Reverb and Max Dual Preamp & Compressor are available now through all of the usual retailers for $349. 

Bastl Instruments is no stranger to quirky takes on musical instruments and now they're adding a portable stereo mixer to the lineup. The company just announced Bestie, a tiny mixer with plenty of vintage vibes and control options. This 5-channel stereo mixer boasts individual channel mutes and gain boosts up to +20 dB, so it should integrate nicely with a diverse array of instruments, from guitars to synthesizers and beyond.

This is a Bastl product, though, so innovation comes in the form of a built-in stereo distortion and saturation tool. Low-noise preamps accompany each channel, shining a spotlight on any saturation effects you apply. The effects go from subtle to absolute destruction with the twist of a dial. The company says that it will create a “distinct tremolo-like effect” when pushed to the maximum.

Design-wise, the Bestie takes many cues from its cousin, the Dude monophonic mixer. The form factor is portable and it is powered by a USB-C connection or four AA batteries. There are five stereo channels, translating to five audio sources, but there is a slight caveat. Just like many ultra-portable mixers like Teenage Engineering’s TX-6, the Bestie features tiny 3.5mm input jacks.

These jacks offer instant integration with gadget-like instruments, such as Korg Volcas and the like, but you will need an adapter (or five) to connect to professional-grade synthesizers, guitars and just about anything else. Unlike Teenage Engineering’s mixer, however, it looks like there is enough room in the back of the Bestie to accommodate 3.5mm to ¼-inch stereo jack adapters.

Bastl Instruments

There is one other point of mention to separate Bastl’s new mixer from the pack. At $200, this thing is extremely budget-friendly. Compare that to the TX-6’s mammoth price tag of $1,200 and you can see the appeal. There are other mass-market portable mixers at this price range, but none with this kind of unique audio pedigree. The Bastl Bestie stereo mixer is available to demo at this week’s NAMM 2023 conference and is currently available for preorder, with products shipping out in the coming weeks.

After a day-long absence, Lofi Girl has returned. If you missed yesterday’s news, she went missing as part of an elaborate marketing campaign that saw the Lofi Girl team promise a “surprise” that would take the channel to “new heights.” In the end, that surprise turned out to be a new 24-hour livestream dedicated to synthwave music, a subgenre of electronic music that seeks to emulate the sound and feel of classic sci-fi and horror soundtracks from the '80s. 

Naturally, the new channel has its own mascot, a character the community has taken to calling Lofi Boy. As far as we know, he doesn’t have a name, but like any good synth-loving fan, he has a mechanical keyboard, a retro beige PC with CRT monitor and what looks like a Sony Walkman for the rare moments when he gets to leave his room.

As with the original Lofi Girl YouTube channel, you can find playlists featuring tracks from the Synthwave Radio station on Spotify and other music streaming platforms.

YouTube has revealed the initial pricing for its first season of NFL Sunday Ticket packages. There are a range of pricing options that depend on when you make your purchase and if you have a YouTube TV plan.

A Sunday Ticket package will be cheaper if you're a YouTube TV subscriber. It will start at $249 for the base plan if you sign up during the presale, which ends on June 6th. This will cover out-of-market games for the season, though other games will still air on YouTube TV. Adding NFL RedZone takes the price up to $289 during the presale. If you miss out on the presale, you'll pay $349 for the base plan and $389 for a Sunday Ticket and RedZone bundle.

If you don't have YouTube TV (which now costs $73 per month), you'll need to add $100 to each of those prices. YouTube TV subscribers will also have the option to subscribe to only RedZone for $11 per month if they prefer. There's no option as yet to buy a package for an individual team or even a single game, but those options are said to be on the way.

All of these options are more expensive than what DirecTV charged for NFL Sunday Ticket for the 2022 season before it lost the rights to the package. DirecTV's base Sunday Ticket plan cost $294 last year. Sunday Ticket was no longer viable for DirecTV, which was said to be losing $500 million a year on the package. 

YouTube is believed to have beaten out Apple and other potential suitors for Sunday Ticket. According to reports, Google has a seven-year deal with the NFL and is paying $2 billion per annum for the right to sell the packages. Naturally, the company will be looking to make that money back through Sunday Ticket sales and YouTube TV subscriptions.

YouTube notes that fans will be able to watch Sunday Ticket games on the web, TVs, phones and tablets without the need for a satellite dish. It notes that Sunday Ticket subscribers will have access to features such as multiview streaming and the option to check out key plays. YouTube TV members will also have unlimited DVR storage, real-time stats, NFL Fantasy data and the ability to hide spoilers.

Google TV is becoming more like basic cable. The company announced today it’s adding content from several new providers to make browsing ad-supported live TV channels a central part of the platform. The news comes several months after the company was reportedly negotiating with media companies to add similar content to YouTube.

Starting today, Google TV is adding Free Ad-Supported Streaming Television (FAST) channels from Tubi, Plex and Haystack News to its existing FAST content from Pluto TV. In addition, Google is adding “built-in channels from Google TV that you can watch without even downloading or launching an app.” The company says the service now aggregates over 800 free channels.

FAST is the industry term for ad-supported “linear streaming content,” meaning it’s broadcast at specific times like traditional television. (Think standard afternoon programming on TNT or TBS.) Already embraced by competitors like Roku, FAST channels turn streaming into an experience akin to channel-surfing in the old days — further proving that live TV streaming has essentially become cable sent through a different pipe.

Google says the content will include shows like Westworld (which Warner Bros. Discovery removed from HBO Max), Law & Order: SVU and The Walking Dead. Additionally, it includes news content from NBC, ABC, CBS and Fox. It also has international programming in more than 10 languages, including Spanish, Japanese and Hindi. In addition, the programming is organized in an updated TV guide, which Google says makes browsing easier and faster. The Google TV Live tab will also include content from YouTube TV or Sling TV (if you subscribe), putting all your live TV content in one spot.

Although the Google TV changes arrive beginning today, the company says it will roll it out “over the coming weeks,” (a Google classic) so you may have to wait a bit before trying it. First, of course, you’ll need a Google TV device like Chromecast with Google TV or a television from Sony, TCL, Hisense and Philips with Google TV built-in. The company says the feature will trickle down to Android TV devices later this year.

Substack has officially launched Notes for all users. The new product takes a lot of cues from Twitter and joins the long list of services looking to lure away users from Elon Musk’s beleaguered social network. At first (and second) glance, Substack Notes looks a whole lot like Twitter. Instead of tweets, you have notes. Instead of retweets, you get restacks. You can post external links, images, videos and anything else that strikes your fancy.

Substack

Your feed is broken up into two groups. The "Home" tab is the extended network comprised of creators you subscribe to, other users these creators recommend and anyone you follow. The "Subscribed" tab is reserved for content creators, prioritizing notes and activity from creators you actually subscribe to. 

"Historically, having worthy posts get shared widely is one of the major ways that writers find growth on Substack,” the company writes. “Notes will help posts find a valuable audience of writers and readers who are already invested in the Substack ecosystem and are just one click away from a subscription.”

Substack Notes already caused a fair bit of controversy straight from its first announcement last week. Upon that announcement, Twitter began blocking engagement with Substack-related tweets, though the social media giant has paused its whole bully routine. This is definitely a year of growth for Substack, with the platform attracting high-profile creators and adding a chat feature to further cement the service as a pseudo-social network.

While Notes comes pre-seeded with influencers who have large Substack followings, the company clarified to Engadget that "anyone can use Notes just like writers can." It's not clear in practice whether regular folks will want to turn Notes into a second Twitter or just a place to maintain a connection with their favorite newsletter creators. 

Substack says this is still an early version of the product, so users should expect “bumps, bugs and imperfections,” though it encourages them to take to Notes to issue feedback. The company also says this is just a small piece of a larger puzzle intended to bring more revenue and exposure to content creators.

Apogee is back with a new version of its Jam adapter that you can use to hook a musical instrument up to your computer or tablet. The JamX is the latest iteration of the peripheral, which the company debuted in 2010. The biggest change this time around is the introduction of a built-in analog compressor.

It comes with three presets with varying levels of compression to help you shape your tone. Apogee says the compressor will add sustain and balance out your dynamics. Although you likely won't be able to remove the compression after recording, Jam devices aren't exactly geared toward professional use. They're more about helping you practice or lay down ideas quickly. The analog compression should aid with that while keeping the volume of your track relatively stable.

Apogee is also touting JamX's Blend mode. It says this will allow enthusiasts to record tracks with zero latency. If you prefer not to use the mode, you'll be able to switch Blend off easily enough. Moreover, the company claims that JamX boosts audio playback, thanks to sample rates of up to 96 kHz.

The JamX comes with Ableton Live Lite and it works with guitars, keyboards, synths and any acoustic instrument that has pickups. You can connect it to a Windows PC, Mac or iOS device. The interface is compatible with any audio recording app, Apogee says.

The JamX is available starting today at Apogee dealers. It costs $199, which is $20 more than the previous model, Jam+.

Twitter faces yet another lawsuit over unpaid bills. As first reported by The New York Times, three former executives sued the company on Monday. In a complaint filed with the Delaware Chancery Court, former CEO Parag Agrawal, former CFO Ned Segal and former chief legal officer Vijaya Gadde allege Twitter owes them more than $1 million in unreimbursed legal fees.

Elon Musk fired all three execs after taking control of the company last fall. The former executives allege Twitter spent months ignoring letters they sent asking it to honor a reimbursement agreement they had in place before their termination. According to the complaint, Twitter finally acknowledged the letters last month but did little else. As of Monday, the trio was still waiting on the company to repay the fees.

The former execs say they incurred the legal fees responding to shareholder lawsuits and several government investigations, including one involving the US Department of Justice. The complaint states federal officials began sending requests to Agrawal and Segal last July. Then, late last year, the Justice Department contacted Agrawal and Segal’s lawyers to discuss multiple investigations into Twitter. As CNN notes, the Justice Department has not previously disclosed an investigation into Twitter.

The lawsuit highlights Twitter’s ongoing financial challenges. At the end of last year, the owner of the building that houses Twitter’s San Francisco headquarters sued the company for failing to pay rent. Musk has eliminated more than 75 percent of the approximately 7,500-person workforce Twitter employed under Agrawal. Last month, Musk said Twitter saw a 50 percent decline in ad revenue.