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The Federal Trade Commission has been unsuccessful in its last-ditch effort to pump the brakes on Microsoft completing its $68.7 billion purchase of Activision Blizzard. The Ninth Circuit Court of Appeals declined to grant the agency an emergency stay of a ruling that allowed the deal to proceed in the US.

A temporary restraining order was put in place last month to prevent Microsoft and Activision from closing the acquisition until Judge Jacqueline Scott Corley ruled on the FTC's request for preliminary injunction. When Corley rejected the FTC's injunction request this week, she ruled that the agency had until 11:59PM PT on July 14th to obtain an emergency stay from the appeals court. Otherwise, Microsoft and Activision would be free to close the deal in the US after that time.

Corley determined the FTC didn't prove its arguments that the merger would harm consumers. The FTC on Wednesday filed a notice that it planned to appeal Corley's decision. On Thursday, it asked the district court that ruled on the preliminary injunction in the first place to block the merger pending a decision from the appeals court. Hours later, Corley denied that motion.

Back in December, the FTC sued to block the deal on the grounds that it would harm competition. An administrative hearing is set for early August. The agency sought a preliminary injunction to prevent the companies from closing the merger until the antitrust trial takes place. However, the merger deadline is July 18th.

Microsoft and Activision Blizzard are evidently confident of closing the deal by their Tuesday deadline. Activision’s stock will be delisted from the Nasdaq-100 index before the stock market opens on Monday, so the companies may finally seal the deal around that time. 

Microsoft and Activision have yet to resolve issues with a UK regulator, which had blocked the deal over cloud gaming concerns. The companies and the Competition and Markets Authority agreed to put their legal battle on hold to try and resolve the regulator's concerns. The CMA said Microsoft and Activision were welcome to restructure the deal but warned that move may trigger a fresh merger investigation.

This story is developing, refresh for updates.

Larry Hryb, better known as “Major Nelson” in Xbox circles, tweeted today that he’s leaving Microsoft. Hryb spent many years as one of the most prominent public faces of the brand as Director of Programming for Xbox Live. He didn’t state his reasons for leaving the company but said he plans to step back and work on his career’s next chapter. The move comes as Microsoft tries to close its $68 billion purchase of Activision. “As I take a moment and think about all we have done together, I want to thank the millions of gamers around the world who have included me as part of their lives,” Hryb said.

Hryb spent over two decades with Microsoft, joining the company as editor-in-chief of MSN Music in 2001. But in 2003, when he joined the Xbox division, he found his identity with the company. His public role was a combination of official employee and super fan. His blog posts, podcasts, interviews, unboxings and other various updates straddled the line between a marketing executive and a trusted “gamer’s gamer,” helping fans feel like they had one of their own on the inside at the gaming behemoth.

Xbox had used him less as a face of the company in recent years, but from at least the mid-2000s to the mid-2010s, “Major Nelson” was practically synonymous with the platform. He says he got his gamer handle and public nickname from Larry Hagman’s character in the 1960s sitcom I Dream of Jeannie — after his TiVo recommended it.

Hryb hasn’t yet detailed what his next career chapter is. However, he did note that The Official Xbox Podcast, which he hosted, will take a hiatus this summer and return later “in a new format.”

If you have fond memories of chatting with Reddit friends, you might want to check your archives. Reddit has confirmed userreports that it's removing all chats and messages from before 2023. As the social site explained in June, it's moving to a new chat architecture and believes pulling older messages will enable a "smooth and quick transition" to the new architecture. The change took effect June 30th, but many users only noticed days later.

There may be a way to recover some of those messages, Mashablesays. You can request account data from Reddit through an online form, and the archive might include conversations from before 2023. While it won't be as easy to revisit a priceless chat, it won't necessarily be gone forever.

Users still aren't thrilled, however. While Reddit disclosed the cutoff in a changelog, it didn't notify community members directly. That left some to discover the company's plans only after their message logs disappeared, preventing them from backing up their histories on their own terms.

The move also comes as Reddit is facing a broader backlash. Numerous subreddits conducted a days-long blackout to protest new policies that made it impractical for third-party apps like Apollo to remain active. Since then, users and moderators have taken various actions (such as focusing subreddits on John Oliver photos) to fight back.

More recently, Reddit said it would phase out the existing coin system used to recognize exceptional contributors. You can no longer buy new coins, and all awards and coins will go away after September 12th. The existing approach leads to "clutter" and provides content that some don't believe is all that valuable, Reddit says. While there will be a replacement system, it's expected to be simpler and more direct. That may not thrill longtime fans used to Reddit's sometimes very specific awards and medals.

Hayao Miyazaki’s first film in ten years (and supposedly his last) premiered in Japan today — without any lead-up marketing from Studio Ghibli. Soon after, Gkids announced that it had acquired the animated movie’s North American rights. Called Kimitachi wa Do Ikiruka (translated as “How Do You Live”) in Japan, the international release will use the title The Boy and the Heron. Gkids says it will arrive in North America “later this year.”

Little is known about the new movie, but Gkids describes the hand-drawn animated feature as “an original story written and directed by Hayao Miyazaki.” Studio Ghibli co-founder Toshio Suzuki produces it with a musical score from Joe Hisaishi. It was previously announced that Miyazaki’s next film would have an IMAX release (as well as Dolby Atmos, Dolby Cinema and DTS:X) in Japan. However, it isn’t clear if it will screen in IMAX in the US.

When the film arrives stateside, don’t expect to see any more promotion than it got in Japan. Gkids says it will follow Studio Ghibli’s “unprecedented decision” to premiere the film in Japan without any marketing images, trailers, synopses ads — or any information — ahead of its surprise premiere today. Suzuki attributes the decision to honoring another era while hoping to spark imagination. “A poster and a title — that’s all we got when we were children. I enjoyed trying to imagine what a movie was about, and I wanted to bring that feeling back,” Suzuki reportedly told Japanese broadcaster NHK via The Japan Times and Deadline.

Gkids has distributed the North American versions of previous Miyazaki films, including The Tale of The Princess Kaguya, When Marnie Was There and From Up on Poppy Hill (among others). The 15-year-old producer and distributor has 12 Best Animated Feature Oscar nominations in its short history. “Hayao Miyazaki is a living legend in filmmaking, as evidenced by his Academy Award win for Spirited Away and his two Oscar nominations for Howl’s Moving Castle and The Wind Rises,’” David Jesteadt, president of Gkids, wrote in a press release today. “It’s been ten years since the world has seen a new film from Miyazaki-san, and Gkids is so proud and honored to unveil his latest, highly anticipated masterpiece in North America.”

For almost three decades in the Mission: Impossible franchise, Tom Cruise's Ethan Hunt has gone head to head in high-speed motorcycle battles, climbed Dubai's Burj Khalifa, and hung from the side of a plane during takeoff. Oh, and he also died at one point (following an extended free dive into an underwater data bank). But in the latest film, Dead Reckoning Part 1, Ethan Hunt faces his toughest opponent yet: an omnipotent AI that could reshape geopolitics as we know it. After defying the laws of physics, it only makes sense that he has to defeat a god.

As ludicrous as that may sound, it also fits perfectly within the Mission: Impossible series, a universe where Ethan Hunt has been described as the "living manifestation of destiny," and everyone is well aware that the "Impossible Mission Force" sounds like something pulled out of a comic book. At this point, it's a franchise that exists for Tom Cruise and his collaborators — most recently, writer/director Christopher McQuarrie — to go wild with spy gadgets and death-defying stunt sequences. It's made by spy movie geeks, for spy movie geeks.

That's been true of the series from the start. The original TV show centered on grounded spy craft, albeit in a world where people could easily impersonate others with realistic face masks. Brian de Palma's 1996 film was a throwback to paranoid '70s spy thrillers, but it also made room for gadgets like glasses that wirelessly transmitted crystal clear video. And, of course, there's the nail-bitingly tense infiltration of a CIA server room, a scene that infiltrated pop culture for years.

John Woo's Mission: Impossible 2 is far less cerebral, but it also leans heavily into his operatic Hong Kong action style. It's not a great movie, I'll admit, but as a fan of Woo's action films, I can't help but be thrilled by the car chase meet cute, and the balletic finale which morphs from a motorcycle chase into a hand-to-hand fight on a beach.

Paramount Pictures and Skydance

After a slight hiatus, JJ Abrams rebooted the franchise in 2006 with Mission: Impossible 3, a film that built upon the spy shenanigans from his TV series, Alias. Since then, the franchise has been on a constant quest to one-up itself. 2011's Ghost Protocol goes full on Buster Keaton with every set piece (director Brad Bird essentially turns Ethan Hunt into a character from The Incredibles), culminating in the scene where Cruise himself actually scaled the Burj Khalifa.

Arriving amid Daniel Craig's James Bond run (which is filled with movies I either love or absolutely hate), and the end of the original Jason Bourne trilogy, Ghost Protocol felt like a throwback to everything that made the Mission: ImpossibleTV show so addictive. There's a loyal and highly-skilled team, a nefarious villain and tons of gadgets on display. But crucially, things don't always work out as Hunt and crew expect, which makes the franchise more relatable to all of us with failing gadgets. (Every time my iPhone crashes, I can't help but be grateful I'm not climbing the Burj Khalifa with only a single high-tech gecko glove.)

With the arrival of Christopher McQuarrie, who directed 2015's Rogue Nation and its sequels, Mission: Impossible found a groove that differentiated it from most other modern franchises. Almost like action film jazz, McQuarrie and Cruise frequently came up with ideas for set pieces and built movies around them. Scripts were reworked on the fly. Normally this would spell disaster, but McQuarrie ended up thriving in the chaos. Together with stunt coordinator Scott Eastwood, he also managed to push the series into astounding new practical set pieces (see: Ethan Hunt hanging out of a plane in Rogue Nation, or the extended skydiving sequence in Fallout).

Paramount Pictures and Skydance

Dead Reckoning Part 1 builds on McQuarrie's previous entries. This time, Hunt and a new companion (Hayley Atwell's Grace) are chased through Rome's narrow streets while driving a souped-up, tiny Fiat. He base-jumps off of a mountain using a motorcycle. He fights on a real train speeding along at 60MPH. All the while, he's trying to stop the villainous AI, known only as The Entity.

On the face of it, Dead Reckoning shares plenty with Mrs. Davis, the latest show co-created by Damon Lindelof which also features a tough protagonist against an all-powerful AI. The film also dabbles in similar themes: Surely an omnipotent artificial intelligence would also inspire near-religious devotion. In Dead Reckoning, that's embodied by Gabriel, the angelically named sociopath played by Esai Morales.

While the film rarely slows down to explore the true impact of AI, Hunt and his team — Simon Pegg's Benji, Ving Rhames' Luther — instantly grasp the larger implications. Whoever can control the AI could basically control the world — not merely through physical force, but by defining truth and reality itself. An AI could erase a person from surveillance footage, or turn them into someone else entirely. Nothing can be trusted. As we grapple with the impact of ChatGPT and generative AI in real life, it’s hard not to feel like we’re on a similar path. (It's also funny to see in the midst of the WGA and SAG-AFTRA strikes, which are directly tied to complaints about studios taking advantage of creatives with AI.)

As much as I love other action film franchises – like John Wick’s increasingly elaborate choreography, or the sheer ridiculousness of the Fast and the Furious –Mission: Impossible remains uniquely enjoyable. It’s committed to delivering astonishing practical stunt work. It’s self-aware just enough to poke fun at itself. And a part of me hopes that somehow, a team of geeks can also fight back against the excesses of AI.

Let’s end the week with a bit of good news for our future as a species on this floating ball of dirt. Brimstone, a major player in the industrial decarbonization field, just announced that its decarbonized cement has passed a crucial third-party strength test, bringing the dream of net-zero construction one step closer to reality.

The company’s proprietary portland cement met the American Society for Testing and Materials' (ASTM) C150 standards for building products, indicating that it can do everything traditionally-made portland cement can do with regard to construction projects. This is a big deal, as portland cement is not some niche product, as it comprises 95 percent of all cement produced in the United States. Chances are, if you are in a building made from cement, you’re surrounded by ordinary portland cement (OPC).

Brimstone says the carbon-negative cement is identical in “all respects” to OPC, including performance, safety, and overall chemical composition. The only difference is that it wasn't manufactured using the conventional, carbon-intensive methods. The company also notes that its “strength, workability, durability, and compatibility with steel and other materials” make it an ideal choice to “build structures safely and efficiently.”

There are plenty of other alternative building materials out there, but this is actual portland cement, so adopting Brimstone’s product won’t force “millions of construction workers to get retrained to use a new material,” according to CEO Cody Finke. He also touts that the product will be “equal or lower cost to other options” and will “slash carbon emissions.”

Being as this is the same industry-standard portland cement used for over 150 years, the company won’t have to jump the usual regulatory hurdles when developing a new building material, with the company boasting “the same buildings, bridges and roads being built today can be built tomorrow without carbon.”

How did it manage such a feat? Conventional cement production involves heating limestone to ultra-high temperatures, which releases large quantities of CO2 embedded in the rock. Brimstone went with carbon-free calcium silicate rock, so there’s no CO2 to release. As a matter of fact, the process generates trace magnesium compounds that absorb pre-existing CO2 from the air, making this concrete carbon-negative.

It’s no secret that traditional cement is a major contributor to the world’s climate problem, as cement production accounts for 7.5 percent of global CO2 emissions and 5.5 percent of total greenhouse gas emissions. All told, the construction and real estate industries account for 40 percent of global carbon emissions, so this step toward net-zero construction could drastically reduce that number.

Of course, this is a brand-new manufacturing process and Brimstone’s cement has yet to be widely adopted by the industry. The company hopes to scale up production so they can sell its portland cement for the same price as conventionally-made materials. Brimstone’s constructing a manufacturing plant in Reno, Nevada and has already started negotiating with construction companies, real estate companies and various corporate partners. 

LiveWire, the company spun out of Harley-Davidson’s electric division, has announced the specs of its S2 Del Mar e-motorcycle. The upcoming bike, which we already knew would cost $15,499, can go from zero to 60 mph in 3.0 seconds, has a top speed of 103 mph and 84 horsepower (63 kW).

The company announced preliminary S2 Del Mar specs earlier this year, but the official details slightly surpass some expectations. For example, LiveWire had said the bike would have a 110-mile city range, but it’s now rated for 113 miles of urban riding on a single charge. Its 3.0-second acceleration from zero to 60 mph is slightly faster than the originally advertised 3.1 seconds. In addition, its previously stated 184-pound-foot torque rating is now 194 ft-lb.

On the other hand, the S2 Del Mar is a bit heavier than expected: It’s now listed as 436 lbs in running order, as opposed to the 431 lbs LiveWire announced in April. Level 2 charging (for juicing its battery from 20 percent to 80 percent) is now listed at 78 minutes vs. the initial 75 minutes. The bike still doesn’t support fast charging and is limited to Level 1 and Level 2 capabilities. Of course, the S2 Del Mar is built as more of a commuter motorcycle than something you’d rely on for long distances: It’s only rated for 43 miles of sustained highway driving at 70 mph and a combined (highway / city) 70-mph range of 62 miles. If you drop it down to 55mph, it’s rated for 70 miles on the highway and 86 miles combined.

LiveWire

The bike supports OTA updates. “Now your motorcycle can receive updates and improvements as we develop them — keeping things easy, and keeping you riding,” the company’s website states. The bike has a four-inch round screen, connects to phones through USB-C and supports app-based navigation.

The S2 Del Mar still has the previously advertised $15,499 MSRP. Although we don’t yet know its release date, LiveWire earlier targeted a July US launch; with specs in hand, perhaps its official arrival isn’t far behind.

Did you ever feel that your Assassin's Creed experience wasn't personal enough? Maybe not, but Ubisoft is betting that you'd like to give it a try regardless. The company has teamed up with OWO to release an Assassin's Creed Mirage edition haptic feedback shirt. Put it on and you'll feel parkour, impacts and "exclusive sensations never felt before" — yes, really. You might want to close the door while you're playing, from the sound of it.

OWO's shirt includes haptic points at on your chest, stomach, lower back and arms. The trick is an algorithm that adjusts nine wave parameters to simulate interactions ranging from the wind to a dagger. You can use a mobile app to calibrate sensations in specific games or replace them with your own. Compatible games frequently rely on mods (such as Fortnite and Beat Saber), but there are already a handful of native games like Crisis Brigade 2 Reloaded and Drone War. This is the first major collaboration.

Details of pricing and a release date are yet to come, but the haptic apparel will work with PS4, PS4, Xbox One, Xbox Series X/S and PC. The game will be released October 12th, and the OWO shirt will include a game code. OWO's Founder Edition shirt sold for €499 ($560), but it was also part of a 2,000-unit batch and won't necessarily reflect the final price.

Wearable haptics for games aren't new, but they tend to be experimental efforts. See Sony's Rez Infinite synesthesia suit from 2017 as an example. The Assassin's Creed collaboration won't necessarily take that tech into the mainstream, but it's coming right as the next generation of mixed reality headsets is coming to market. Don't be surprised if haptics gain some traction as immersion becomes more important in AR and VR games.

If you've had your eye on the new Echo Show 5 but weren't able to grab one on Prime Day, the diminutive smart display is back on sale for $50. While we saw the device go for $5 less during Amazon's sales event, that deal was exclusive to Prime members. This $40 discount is open to everyone and marks the second-lowest price we've seen since the display arrived in May. The Kids version of the display is also on sale for $60, though that's $10 more it was on Prime Day.

Though we haven't reviewed this third-gen version of the Echo Show 5, the device is a largely iterative update over its predecessor, which was a pick in our guide to the best smart displays. The new version should still function best as a smart alarm clock, as its 5.5-inch panel is a more natural fit on a bedside table than the larger Echo Show models. Its ambient light sensor automatically lowers the screen's brightness when it's dark, while a tap-to-snooze function lets you smack the top of the device for a few more minutes of rest. It's still an Echo, so it can also stream music, pull up weather info, control smart home devices and do other Alexa-related tasks. And while no device like this is ideal for the privacy-conscious, there's at least a physical camera shutter and a mic mute button here. 

The new Echo Show 5 slightly improves the processor and speaker system, though it still won't be as fast or full-sounding as the Echo Show 8, our chief recommendation for those who want an Alexa smart display. (That 8-inch display is now available for $75, which is $15 more than its Prime Day price.) Likewise, the 2-megapixel camera is mediocre for video calls, and the 960 x 480 resolution display is far from luxurious for viewing photos. Still, if you regularly use Alexa, have limited space and want to pay as little as possible for a competent display, the Echo Show 5 makes sense at this price.

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Don't try to sign up for Threads through a virtual private network (VPN) if you live in Europe. Meta has confirmed that it's blocking European Union users from accessing the new social network through a VPN. As consultant Matt Navarra explains, content, notifications and profiles won't load properly. Some users say they can use Threads without a VPN if they'd previously signed up with one, but you may not want to count on that loophole working.

In a statement, Meta says it's taking "further measures" to stop people from accessing Threads in European countries where the app is unavailable. The company nonetheless says Europe remains a "very important market" and that it hopes to expand availability in the future. The firm doesn't provide a timeline for more rollouts, but the app is currently rough and missing important features like hashtags.

Threads is available for users in over 100 countries, including the US and UK, but not in the EU. The Union considers Meta a technology "gatekeeper" in the region, and the company reportedly wants to be sure Threads' data sharing approach complies with the upcoming Digital Markets Act. Threads is built on Instagram's infrastructure and may import data from that platform. The EU also ruled that Meta has to get permission to show personalized ads, potentially adding more complications.

There's pressure for Meta to expand. Threads racked up 100 million users in less than a week, and is already considered Twitter's greatest threat. Chief executive Mark Zuckerberg notes that growth so far has largely been "organic," without advertising or other familiar promotional tactics. While it's unclear if usage will hold up in the long term, an expansion to the EU could sustain that momentum. Outside analysts believe Twitter traffic is already dropping as a result of users trying or switching to Threads.