ArduinoMania

The Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) has officially ended its strike, which lasted for 118 days, after reaching a tentative agreement with Hollywood studios. In its announcement, it said it was able to secure a contract "valued at over 1 billion dollars" and that it was able to negotiate "above-pattern" compensation increases, as well as "unprecedented provisions for consent and compensation that will protect members from the threat of AI."

The union will release more details about the agreement after its national board looks it over on Friday for "review and consideration." However, generative AI became the sticking point that prevented both parties from being able to strike a deal earlier than this. According to a previous report by The Hollywood Reporter, the Alliance of Motion Picture and Television Producers (AMPTP) wanted to make AI scans of Schedule F performers — union members earning more than $32,000 per TV episode or $60,000 per film — which they could then keep reusing without having to pay them again. Studios could even continue using the actors' likeness after they pass away without permission from the union or from their estate. Variety says AMPTP has agreed to adjust the language it used for AI in its proposal, which has presumably led to the tentative agreement. 

In September, the Writers Guild of America (WGA) also officially ended its strike after securing a deal with AI provisions it approved of. Under the terms of its new contract, studios can't use generative AI to write or rewrite literary material, and anything it produces cannot be considered source material. Studios can't force writers to use generative AI software unless they want to, and they have to disclose whether materials handed over to a writer include anything generated by AI. Finally, "exploitation of writers' material to train AI" is explicitly prohibited. 

The Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) has officially ended its strike, which lasted for 118 days, after reaching a tentative agreement with Hollywood studios. In its announcement, it said it was able to secure a contract "valued at over 1 billion dollars" and that it was able to negotiate "above-pattern" compensation increases, as well as "unprecedented provisions for consent and compensation that will protect members from the threat of AI."

The union will release more details about the agreement after its national board looks it over on Friday for "review and consideration." However, generative AI became the sticking point that prevented both parties from being able to strike a deal earlier than this. According to a previous report by The Hollywood Reporter, the Alliance of Motion Picture and Television Producers (AMPTP) wanted to make AI scans of Schedule F performers — union members earning more than $32,000 per TV episode or $60,000 per film — which they could then keep reusing without having to pay them again. Studios could even continue using the actors' likeness after they pass away without permission from the union or from their estate. Variety says AMPTP has agreed to adjust the language it used for AI in its proposal, which has presumably led to the tentative agreement. 

In September, the Writers Guild of America (WGA) also officially ended its strike after securing a deal with AI provisions it approved of. Under the terms of its new contract, studios can't use generative AI to write or rewrite literary material, and anything it produces cannot be considered source material. Studios can't force writers to use generative AI software unless they want to, and they have to disclose whether materials handed over to a writer include anything generated by AI. Finally, "exploitation of writers' material to train AI" is explicitly prohibited. 

The Ai Pin from Humane, a much-hyped startup founded by former Apple employees, will cost $699. That’a according to The Verge, which obtained documents about the device ahead of its official launch on November 9.

In addition, the Pin will reportedly have a monthly $24 subscription fee for access to T-Mobile’s cellular network and large language models from OpenAI and Microsoft to power its smarts.

The Ai Pin is a device that’s about the size of a large business card that clips on to your clothing magnetically and acts as a personalized assistant controlled via voice and touch. Notably, it doesn’t have a screen. Instead, it projects a barebones user interface onto the palm of your hand.

We expect to have more details about the Pin and confirmation of The Verge’s leak tomorrow once the device is officially released.

There's a moment, a little over a minute into the announce video, where Chroma Console finally starts to make sense. Up until that point it seems like a really excellent, but rather straightforward multi-effect pedal. And if you're familiar with Hologram Electronics at all, you know the company doesn't really do "straightforward."

It starts small. After introducing you to the four different effect modules — Character, Movement, Diffusion and Texture — a hand cranks a knob while someone plays the drums and this doubled phasing tape effect comes out of the speakers. Interesting. Then some text on the screen lets you know that, hey, you can rearrange the effect modules. So if you want everything to feed into the fuzz mode of Character, you can do that.

Then at the 1:37 mark of the video, we're introduced to Gestures. It's basically the same sort of motion controls and automation that you'll find on many modern synths, except this is a guitar pedal. Instead of having to be glued to an expression pedal or implement some complicated MIDI setup, you can just press a button and turn some knobs. This allows you to crank the distortion of only part of a riff, or have pitch shifted sparkles erupt at regular intervals. This sort of simplified automation is all but unheard of on a guitar pedal. 

The four modules themselves are pretty versatile, though. Each of them has five different modes, for a total of 20 effects. Character is where you'll find overdrive, fuzz, compression and swell effects to shape your tone. Movement, unsurprisingly, is where modulation like doubling, vibrato, phaser and tremolo live. Diffusion is for time based effects, like delay and echo, including some with that trademark Hologram glitchy weirdness. And Texture is like a dash of finishing salt on your tone, here are filters, compressors and tap emulators.

There's also a master Drift effect which introduces hints of randomness and instability. Plus Capture, which does dual (but very similar) roles as an infinite sustainer or a looper with up to 30 seconds of record time. 

Hologram Electronics made sure to outfit Chroma Console with all manner of useful features beyond the effects, too. It's got stereo ins and outs, MIDI over 5-pin DIN and USB-C, expression pedal input and 80 user presets. The two foot switches are also assignable, so you can turn off only specific effects without getting down on your knees. 

The whole thing seems like a unique take on what appears at first glance to be a pretty simple multi-effect pedal. Chroma Console is available now direct from Hologram Electronics for $399, though quantities are limited. 

You'll soon be able to use the one-app streaming experience Disney is creating between Disney+ and Hulu. On today's earnings call, CEO Bob Iger announced that the beta version of Hulu on Disney+ will be available in December. The full launch is expected in early spring, though Iger cautioned the company may not see the full benefits of the one-stop shop until 2025. The beta version will allow parents to setup profiles and content controls to ensure viewing remains age appropriate. Disney says a key reason for the beta is to give parents time to do this setup since the library of Hulu content significantly adds to the streaming options.

Disney announced in May that it planned to bring Hulu content into Disney+ before the end of 2023. The company has been clear that both apps will still be available as standalone options. What's more, Disney said it would purchase Comcast's remaining stake in Hulu last week, so the entertainment giant will be the sole owner of that service when the deal closes sometime next year. A one-app experience should be useful to bundle subscribers who are paying for both services in return for a discount on the monthly rate.

Disney added almost seven million Disney+ core subscribers is the fourth quarter of its 2023 fiscal year. The company says that streaming service now counts 112 million total customers. It increased the ad-free price in October and announced a crackdown on password sharing would begin in 2024. Given the higher margins, thanks in part to higher subscription fees across both Disney+ and ESPN+, Disney says it's still on track for its streaming business to be profitable by this time next year. 

YouTube is adding a new For You section to creator channels. The TikTok-like feature will be personalized to each visitor, recommending content from a channel based on each viewer’s watch history. The company’s support account on X posted (via The Verge) about the upcoming feature, which launches on November 20.

Creators can prepare for the For You section by confirming their options before its release date. You can toggle the feature’s availability and change its settings in YouTube Studio by selecting Customization > Layout and then checking each of the prompts under the For You section. It allows you to toggle whether full-length videos, shorts and livestreams are available for the feature.

The company had already teased the feature in a May video posted to its Creator Insider channel, a hub where YouTube employees have “direct conversations” with YouTubers. In that clip, product manager Ann Katrin Kuessner framed the feature as an alternative to the static home page. “You’re trying to find a configuration that is one-size-fits-all since the channel page looks the same today for every person that visits it,” Kuessner said, summarizing a problem creators face. She said the feature’s personalization “will be especially effective if your channel has multiple topics, languages, or content formats.”

DIY e-bikes are often easy to spot. If they’re not built out of something insane like an old washing machine motor, the more subtle kits that are generally used still stand out when compared to a non-assisted bike. The motors tend to be hub- or mid-drive systems with visible wires leading to a bulky battery, all of which stand out when you know what to look for. To get a stealthy ebike that looks basically the same as a standard bicycle is only possible with proprietary name-brand solutions that don’t lend themselves to owner repair or modification, but this one has at least been adapted for use with an open source motor controller.

The bike in use here is a model called the Curt from Estonian ebike builder Ampler, which is notable in that it looks indistinguishable from a regular bicycle with the exception of the small 36-volt, 350-watt hub motor somewhat hidden in the rear wheel. [BB8] decided based on no reason in particular to replace the proprietary motor controller with one based on VESC, an open-source electric motor controller for all kinds of motors even beyond ebikes. Installed on a tiny Arduino, it fits inside the bike’s downtube to keep the stealthy look and can get the bike comfortably up to around 35 kph. It’s also been programmed to turn on the bike’s lights if the pedals are spun backwards, and this method is also used to change the pedal assist level, meaning less buttons and other user-interface devices on the handlebars.

[BB8] has been working on this for a while, and although the bulk of a working ebike controller is there, it still doesn’t support the torque sensing pedals included with this bike. We’re presuming that this is still a work-in-progress as the Arduino and associated code easily interfaces with all the other sensors available on this bike. Hopefully this open-source motor controller finds its way into other proprietary systems as well, since a lot of these ebikes can turn into massive paperweights if the companies who originally built them go out of business or simply decide to stop supporting older models. Of course, you can avoid this issue entirely by building your own ebike from spare parts.

Thanks to [Arnoud] for the tip!

The Overwatch League (OWL) appears to be no more after six seasons. A Blizzard spokesperson told Engadget that "We are transitioning from the Overwatch League and evolving competitive Overwatch in a new direction." That's not to say the publisher is pulling out of Overwatch esports altogether. "We are grateful to everyone who made OWL possible and remain focused on building our vision of a revitalized esports program," the statement read. "We are excited to share details with you all in the near future."

In July, Activision Blizzard laid off around 50 esports staff and revealed that, after the 2023 season, OWL team owners would hold a vote to determine whether they'd continue with the league. Activision Blizzard said that if teams opted out, it would pay each of them a termination fee of $6 million. Blizzard has not said whether the vote has taken place and, if so, what the results were.

However, earlier on Wednesday, the owner of OWL team Toronto Defiant confirmed it was leaving the league. OverActive Media said it had ended its team participation agreement, and that it would receive a $6 million termination payment from Activision Blizzard. The company plans to stay involved in Overwatch esports.

"As we transition into the next phase of Overwatch esports, we look forward to the opportunities that lie ahead," Adam Adamou, cofounder and CEO of OverActive Media, said in a statement. "We are eager to share more about our vision for Toronto Defiant and our plans to return to Overwatch esports. We expect more information to come on this front soon.”

The Defiant are the second team to leave OWL. The Chengdu Hunters did not participate in the 2023 season after Overwatch 2 and other Blizzard games were shut down in China. The team confirmed partway through the year that it was departing from OWL.

Several other teams have been releasing players and others have suspended operations entirely amid OWL's uncertain future. All of the Florida Mayhem's players and staff went into free agency just 19 days after winning the 2023 OWL championship. On October 2, the day after the Grand Finals, Blizzard said it was "focusing on building our vision of a revitalized esports program."

The writing has been on the wall for OWL for some time as the original vision of a global home-and-away league format never panned out. The first two seasons of OWL matches were held almost exclusively in a studio in California. Weeks after Blizzard started on its grand plan to run matches in each team's city every week, it was forced to shift to an online-only format due to COVID-19 lockdowns. That prevented teams from pulling in much-sought-after live event revenue.

Viewership struggles, sponsors dropping out and the sexual harassment and discrimination scandal at Activision Blizzard may have played a factor in OWL's demise as well. Although OWL broadcasts and matches were polished and entertaining, there were just too many factors playing against it.

The future of the professional Overwatch scene is unclear, but reports suggest that a return to a more open format could be next. According to esports reporter Jacob Wolf, Activision Blizzard has been in talks with Saudi Arabian state-owned ESL FACEIT Group for the latter to run the 2024 pro Overwatch season. In the meantime, a Blizzard-backed Overwatch 2 tournament that features regional prize pools of $50,000 and veteran OWL players is getting underway this weekend.

The European Space Agency (ESA) has released the first images from its Euclid space telescope — a spacecraft peering 10 billion years into the past to create the largest 3D map of the universe yet. From the distinctive Horsehead Nebula (pictured above) to a “hidden” spiral galaxy that looks much like the Milky Way, Euclid is giving us the clearest look yet at both known and previously unseen objects speckling enormous swathes of the sky.

Euclid is investigating the “dark” universe, searching for signs of how dark energy and dark matter have influenced the evolution of the cosmos. It’ll observe one-third of the sky over the next six years, studying billions of galaxies with its 4-foot-wide telescope, visible-wavelength camera and near-infrared camera/spectrometer. Euclid launched in July 2023, and while its official science mission doesn't start until early 2024, it’s already blowing scientists away with its early observations.

ESA

Euclid’s observation of the Perseus Cluster (above), which sits 240 million light-years away, is the most detailed ever, showing not just the 1,000 galaxies in the cluster itself, but roughly 100,000 others that lay farther away, according to ESA. The space telescope also caught a look at a Milky-Way-like spiral galaxy dubbed IC 342 (below), or the “Hidden Galaxy,” nicknamed as such because it lies behind our own and is normally hard to see clearly.

ESA

Euclid is able to observe huge portions of the sky, and it's the only telescope in operation able to image certain objects like globular clusters in their entirety in just one shot, according to ESA. Globular clusters like NGC 6397, pictured below, contain hundreds of thousands of gravity-bound stars. Euclid's observation of the cluster is unmatched in its level of detail, ESA says.

The spacecraft is able to see objects that have been too faint for others to observe. Its detailed observation of the well-known Horsehead Nebula, a stellar nursery in the Orion constellation, for example, could reveal young stars and planets that have previously gone undetected.

ESA

ESA

Euclid also observed the dwarf galaxy, NGC 6822 (pictured above), which sits just 1.6 million light years away. This small, ancient galaxy could hold clues on how galaxies like our own came to be. It's only the beginning for Euclid, but it's already helping to unlock more information on the objects in our surrounding universe, both near and far. 

“We have never seen astronomical images like this before, containing so much detail,” said René Laureijs, ESA’s Euclid Project Scientist, of the first batch of images. “They are even more beautiful and sharp than we could have hoped for, showing us many previously unseen features in well-known areas of the nearby universe.”

Microsoft allegedly plans to bring Copilot, its generative-AI-powered personal assistant, to late adopters. Windows Central’s Zac Bowden reports the Copilot button and sidebar from Windows 11 will “soon” arrive in Windows 10. The AI assistant for Windows 11 launched in beta in August and officially in September.

Bowden says the Windows 10 Copilot will include plugins that work across both operating systems. “I understand the experience and capabilities of Copilot across Windows 10 and Windows 11 will be roughly the same, including plugin compatibility across both versions of the OS,” the editor reported.

The move would add significant numbers to Copilot’s user base, as Windows 10 still runs on around one billion monthly active devices. Meanwhile, Windows 11, launched over two years ago, has around 400 million monthly active devices. Bowden suspects the move will also help Microsoft nudge developers into making Copilot plugins: “Microsoft will also have an easier time selling developers on the idea that they should build plugins for Copilot when they can say Copilot is available on 1.4 billion devices, compared to just 400 million on Windows 11.”

Engadget contacted Microsoft for comment but didn’t immediately receive a response. We’ll update this article if we hear back.

Bowden’s report also mentions that Microsoft is revisiting its strategy of moving on quickly from Windows 10. The company reportedly plans to add “select new features and services” previously exclusive to Windows 11 to the older OS. Windows 10 support is set to expire in October 2025, but Bowden’s sources say the company is having ongoing internal discussions about possibly extending that.