Ableton’s simply-named Push MIDI controller, which is actually the Push 3 for those keeping count, is on sale for 20 percent off straight from the manufacturer, bringing the cost down to $1,600 from that eye-watering MSRP of $2,000. This deal’s for the standalone version of the hardware, so you can make beats wherever you want.
Ableton doesn’t do hardware sales too often, so this is worth considering if you’ve been on the fence about the Push controller. To sweeten the deal, the company’s also selling its DAW, Live 11, for 20 percent off, bringing the price down to $350 for the standard version and $600 for the complete Suite version with 70+ gigs of additional content. There’s also a bare-bones version for $80, down from $100.
If you’re an Ableton-head, you probably know that Live 12 just got announced with a release date of early next year. Don’t worry. Buying Live 11 now with today’s discount ensures a free upgrade to Live 12 when it arrives.
The latest and greatest Push controller is a hybrid device that works as a standalone groovebox or connected to the computer, similar to the Native Instruments Maschine+. We admired the Push controller when we used it, calling out the usefulness of the 64 MPE enabled pads and the power of the integrated 11th Core i3 processor with 8GB of RAM.
We were impressed by the decreased latency during use, noting that playing with the controller in standalone mode actually featured less lag than when working tethered to a computer. This makes it a fantastic device for live performances. The battery life isn’t the greatest, but that’s to be expected with all of that juice. The price is also exorbitant, which has been mitigated a bit by this sale.
This article originally appeared on Engadget at https://www.engadget.com/abletons-push-standalone-midi-controller-is-20-percent-off-in-early-black-friday-deal-161429042.html?src=rss
iRobot's Roomba Combo j5+ robot vacuum is $300 off in an early Black Friday deal via Wellbots. This is a record-low for the appliance, dropping the price to $500 instead of the MSRP of $800. In the past, discounts for the j5+ stalled at around $200 off. As typical with Wellbots deals, there’s a promo code. Just enter “ENGBF300” at checkout and you’ll be good to go.
The Roomba Combo j5+, as the name suggests, is a combination unit that includes both a vacuum and a mopping feature. It can pinpoint no-mop zones, so you don’t have to worry about the robot spraying fluid all over your brand-new carpet. The j5+ can also avoid more than 80 common floor obstacles. As a matter of fact, iRobot will replace the unit for free if it doesn’t avoid pet waste, as part of the company’s “P.O.O.P.” pledge. No, we didn’t make that up. It stands for “Pet Owner Official Promise.”
This is a well-regarded robovac with one obvious downside when compared to pricier models like the Roomba j7+ and the flagship j9+. Despite the combo functionality, you have to manually swap out the bins when switching between vacuuming and mopping. The more expensive robots do this automatically. Still, the j9+ costs $900 and the j5+ is currently on sale for $400. You’ll have to decide if that automation feature is worth the price difference.
This article originally appeared on Engadget at https://www.engadget.com/irobots-roomba-combo-j5-is-300-off-in-an-early-black-friday-deal-150047886.html?src=rss
Google’s Pixel Buds Pro earbuds are on sale for $117 via Wellbots. This matches a record-low for the well-regarded device and represents a savings of $83. Just pop the earbuds in your cart and put in the code “ENGPIXBF” at checkout. These earbuds drop to $117 every once in a while, but they don’t ever go lower than that.
We called these earbuds Google's best effort to date in our official review, praising the useful touch controls and wireless charging options. We also liked the deep and punchy bass offered by the buds and the fact that they ship with active noise cancellation technology, a first for this line. There’s a reason, after all, why the Pixel Buds Pro made our list of the best wireless earbuds for 2023.
The battery gets 11 hours per charge from the earbuds, but up to 31 hours with the included charging case. They are also IPX4 water-resistant and offer multipoint connection options. These are earbuds designed by Google, however, so Android users get some bonuses, like the company’s Translate Conversation Mode. If you’re tied into the Apple ecosystem, these may not be the best fit.
This isn’t the only Google product on sale via Wellbots. You can also snag a Nest Hub Max smart display for $124 with the promo code “ENGMAXBF.” This represents a savings of over $100 for the 10-inch touchscreen-enabled device.
This article originally appeared on Engadget at https://www.engadget.com/googles-pixel-buds-pro-fall-to-record-low-price-of-117-in-early-black-friday-deal-140030014.html?src=rss
Starting today, Venmo is rolling out what it says is one of its most-requested features: the ability to manage and settle up shared expenses in groups. The aptly-named Groups feature seeks to make it easy for users to figure out how much money each person owes to someone else in the group, and then take care of the payments all in one app.
Venmo says it's easy for anyone in the group to add expenses and it will automatically figure out the amounts due. The feature is designed to be ongoing, so if you often go to dinner with the same bunch of friends or travel with your family every year, you'll be able to manage expenses within the same group for the long haul.
To create a group, go to the Me page, then the Groups tab. The feature will be enabled for some users in the latest version of the Venmo iOS and Android app. It will be available more broadly in the coming weeks.
Managing and settling up shared expenses in a single app could spell trouble for other services that only support the former. Casual users of apps like Splitwise (which has more in-depth features like receipt scanning for paid members) and even Facebook Messenger's bill-splitting tool may prefer to handle everything in Venmo instead.
This article originally appeared on Engadget at https://www.engadget.com/venmos-groups-feature-could-spell-trouble-for-bill-splitting-apps-140045240.html?src=rss
It’s the year 2023 and going to the office for work is no longer the norm for a lot of people. You probably know at least one person in your life who’s remote either part-time or full-time. Working from home has its perks – not having a commute being chief among them – but it’s not without challenges. Household disturbances are big ones, as well as poor lighting or simply the lack of professional-level equipment that they might have access to only in-office. That’s why we recommend giving them a gift or two that will help with those shortcomings. From noise-canceling headphones to an ergonomic footrest, here’s a list of things that’s sure to make their WFH life a lot easier.
Mooas Multi-Cube Timer
Logitech Lift Vertical mouse
Ember Tumbler
Sony WH-1000XM5
Logitech Brio 500
Echo Dot with Clock
Native Union Snap 3-in-1 Magnetic Wireless Charger
Grovemade Desk Shelf
Moft Sit-Stand Laptop Desk
Lepow Z1 Portable Monitor
BenQ Screenbar
Otterbox Fast Charge power bank
Keychron V3
Creative Pebble Pro
TickTick Premium
Armstrong Heart Leaf Philodendron
This article originally appeared on Engadget at https://www.engadget.com/best-work-from-home-gifts-wfh-140037231.html?src=rss
As computer accessories go, the humble webcam doesn’t get a ton of attention. Two or three brands tend to dominate the market and almost everything looks, well, webcamy? Opal entered the scene in 2021 with its C1 model. The idea was simple, to sexy-up the humble old webcam with a high quality sensor, a slick design and (for mac users at least) companion software that didn’t feel like a grind to use. Today, the company unveils its second camera, the Tadpole, and it’s something quite different.
Just one glance at the Tadpole and obviously it's a big change from the C1 or really almost any other webcam out there. For starters it’s designed for laptops, which is evidenced in the tiny form-factor. This idea, the company claims, was inspired by the discovery that over 40 percent of people buying the C1, were using it with a laptop. Macbooks and most PC laptops come with a webcam built-in, but as the pandemic forced many more people to work from home, the shortcomings of those soon became very apparent.
In terms of design, the Tadpole is reminiscent of the last generation iPod Shuffle, clip included. The functional design extends to the built-in cable which hides a capacitive mute button in the USB-C connector — so you won’t have to hunt for the one on screen in Zoom. The Tadpole’s focus on portability extends to it having its own hard carry case — though that’s an additional purchase.
Photo by James Trew / Engadget
As for the actual camera, it’s using a 48-megapixel Sony IMX582 Exmor RS sensor set to deliver 1080p video with an f/1.8 aperture. Despite the smaller form-factor, this puts the Tadpole above its bigger, older (and more expensive) sibling in terms of optics. Opal told Engadget that the camera actually shoots in 4K but scales down to 1080p for compatibility with most video calling software. There are some controls in the companion software for adjusting the image settings and other preferences but currently that’s Mac-only. Company representatives also told Engadget that they wanted this camera to be as friction-free as possible with minimal need to dive into settings anyway.
Sure enough, the image that the Tadpole outputs is visibly clearer and more detailed than whatever you’re going to have in your laptop. Side-by-side with the 4K Logitech Brio, the Tadpole looked a little darker and in my initial tests, background details seems a little softer, through apps like Zoom and Google Meet at least. Viewing the image through Opal’s own software and things look sharper again.
It’s on the audio side where things get a little more interesting. Opal claims the Tadpole is the first webcam with a directional microphone. What’s for sure is that the Tadpole certainly picks up less ambient noise than a Macbook’s internal mic or the one on the Logitech Brio. I happened to test the Brio and the Tadpole side by side with a noisy washing machine running in the background and you can hear it on the Brio but not on the Tadpole. What’s more, the omni-directional microphone on most webcams tends to sound very “roomy.” Whereas voices on the Tadpole feel much more centered and with less environmental reverb.
Opal even goes as far to claim that the microphone is directional enough that if it’s not in shot, you won’t hear it. While it’s true that the mic is a lot more focused on what’s in front of it, it’s still possible for sounds out of shot to be present, albeit far less so than in rival products. In the test recordings embedded in this story you can hear something like birds outside clearly on the Brio’s audio. They’re still present on the Tadpole audio, but significantly less so. Either way, this more focused audio is likely going to be very much appreciated by your colleagues if you’re taking video meetings in an office environment.
One thing’s for sure, the webcam market has remained fairly stuffy and without much originality for too long. We’re not expecting boutique devices in the same vein as mechanical keyboards, but there’s clearly a space for more products with interesting, practical designs, even with a focus on specific use cases, like the Tadpole.
Photo by James Trew / Engadget
Opal’s biggest feat might well be proving that webcams don’t have to be large or dull, black blobs on top of our screens. The choice of either white or black here with the braided cable and the smart capacitive button on the USB connection show that it’s possible to make a better webcam without inflating the price. The C1 was $300 at launch ($250 now), and the Tadpole launches today, with a better sensor, improved autofocus and that directional microphone for $175, a little over half the price.
This article originally appeared on Engadget at https://www.engadget.com/opal-tadpole-webcam-140025595.html?src=rss
YouTube has announced new steps to combat AI misuse and misinformation that will roll out over the coming months. The new policies address transparency in videos made using AI and the rampant issue of deepfakes. YouTube is making it "possible to request the removal of AI-generated or other synthetic or altered content that simulates an identifiable individual, including their face or voice."
Individuals can submit calls for removal through YouTube's privacy request process, but the company will weigh the decision based on whether it's satire or if the person can be uniquely recognized — such as a public figure. Similarly, musicians or their representatives can also request the removal of any content using AI to mimic their voice. The policies come at a time when deepfakes are being widely pushed and shared, such as Civitai, which is encouraging sexualized recreations of influential women.
On top of streamlining removal, YouTube will also make sure any altered or synthetic content is labeled as such. Creators will see new options to disclose this information and, if they don't, could face post removal, a YouTube Partner Program suspension and other repercussions. YouTube claims it will connect with creators about using this new tool before it rolls out. On the viewer side, this will lead to a big banner in the description stating the content is "altered or synthetic," with the option to learn more. Regardless of proper labeling, YouTube might still take down AI-created videos if they contain purposely disturbing content.
This article originally appeared on Engadget at https://www.engadget.com/youtube-will-let-musicians-and-actors-request-takedowns-of-their-deepfakes-131533866.html?src=rss
In the history of modern gaming handhelds, Sony was there in the fairly early days with the PSP and Vita. Both were well regarded, if flawed, living and dying long before the age of the Switch and the Steam Deck. So it would be reasonable to expect the new PlayStation Portal, which marks Sony’s return to handhelds, would be a triumph. Yeah. About that.
Portal is a $200 handheld that can only stream from your own PlayStation 5, either at home or when you’re on the go. There are no local titles, or any bells and whistles for that matter, it’s just a way to play on your own PS5 when the TV isn’t available. Devindra Hardawar has been testing one for a while and the obvious flaws remain obvious.
If your internet connection isn’t rock-solid, then the Portal isn’t very useful, especially when you can pick up a mobile handheld dock for a lot less cash. It doesn’t help that Sony’s not the best at perfectly integrating its hardware and software, so things you might expect to be seamless are anything but. Click to read Devindra’s full review, but if you’re a Sony diehard, it might be best to hide behind your hands while you do so.
— Dan Cooper
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It’s common knowledge that Google pays Apple a king’s ransom to be the default search engine on Safari. What is less well known is Google also hands over a 36 percent commission on the revenue generated by those searches. The news accidentally let slip during a recent hearing, despite both companies’ insistence the figure remain strictly confidential. Oops.
Volvo’s first fully electric minivan, the EM90, which it describes as a “living room on the move,” has been announced for the Chinese market. Based on the Zeekr 009, it includes plush reclining chairs, air suspension and external noise cancellation. The range is no slouch, either, with a promised 450 miles on a single charge, if you can believe those sorts of promises.
There are plenty of words a respectable newsletter writer can’t use when describing how people behave online. You’ll just have to imagine how I’d like to describe the operators and members of an AI marketplace encouraging its users to create the most realistic-looking deepfakes of real people. It’s not just creepy requests for celebrities, which would be bad enough, either, since reporters also found requests for fakes of private citizens.
According to our testing, Amazon's Fire TV Stick Lite is the best budget streaming device you can buy. And thanks to an early Black Friday deal at Amazon, it's down to just $16. That's a 46 percent discount off the $30 list price (though it often goes for $20) and only $2 more than its all-time low. If you're looking for a way to turn any screen with an HDMI port into a smart TV, this is one of the most affordable ways to do it, particularly now that it's on sale.
The Fire TV Stick Lite doesn't stream content in 4K and can't control the TV's volume or on/off functions, but it will give you access to all major streaming platforms through Amazon's Fire TV interface. You can also use it to access free ad-supported TV like Amazon's Freevee and PlutoTV. We found the Fire TV interface easy enough to figure out, though we note that it does tend to favor and promote it's own Prime content. The Alexa remote is particularly helpful, letting you launch apps just with your voice. It'll also handle standard requests like weather forecasts and answering questions. If you've got Alexa-enabled smart home devices like a camera or doorbell, the Fire TV Sticks can also send live feeds to your TV, turning it into a smart display of sorts.
This article originally appeared on Engadget at https://www.engadget.com/the-amazon-fire-tv-stick-lite-drops-to-16-in-an-early-black-friday-deal-140047555.html?src=rss
It was almost exactly three years ago that we were celebrating the relatively quick arrival of Ableton Live 11. Today, the company is unveiling Live 12, the next version of its popular digital audio workstation (DAW). In terms of release cycles, this is the shortest time between versions in recent memory, and it brings with it some exciting new features. The less fun news is that you won’t actually be able to get your hands on Live 12 until early next year, but there’s plenty to get excited about in the meantime.
Usually, the first thing people want to know is if there are any new instruments, and the answer is yes. Live 12 Suite comes with “Meld” which the company describes as a macro oscillator synth, and there’s also a new distortion effect called Roar. Other updates include a feature where Live 12 will create MIDI arrangements or transform existing ones via new tools in Live’s Clip view. There’s also an option to track the scale and key of what you’re working on so that any effects or edits will automatically be in that key (if you wish). On the other hand, if you want to create music in non-western tones and scales, there’s full support for a wide range of musical tunings now baked right into Live. Most of the above is also MPE ready where applicable. There’s a lot more, which we’ll go through below but those are the headline features.
Meld synthesizer
Ableton
The newest instrument to join the Ableton Live family is going to be a lot of fun. At first glance, the two oscillator setup seems pretty straightforward. But this “macro oscillator” synth has a lot of interesting waveforms to play with. Everything from classic sine/saw/square shapes through to more noise type formations like “rain” and “bubble” mean Meld can really create some unique textures. If you’re a fan of moog-style big pulsing sounds, the “swarm” waveforms are for you. Both oscillators have a modulation matrix that makes it super easy to bend and shape the sound to your liking. From some quick experimentation, Meld looks perfect for sound design and creating big, gritty leads as well as abstract pads and real-word sounding textures.
Roar distortion effect
Live already has a decent selection of distortion effects, but Roar is possibly the most comprehensive yet. The range of tone shapes available range from light, pedal-style crunchiness through to aggressive hard digital clipping and everything in between. The power with Roar lies in the amount of controls you have throughout the chain. Right from dialing in the perfect amount of distortion through the filter to the modulation options, again, controlled by a matrix setup. It’s perhaps not quite as comprehensive as Arturia’s ColdFire, but it’s close. Live’s primary distortion tools, Saturator and Overdrive, often worked best together. Meld offers the power of both of those tools and adds complex signal bending tools for good measure.
Generative MIDI tools
When it comes to songwriting, Live 12 offers some exciting tools to get you started or to help push you through a creative block. Specifically, Live 12 will generate random MIDI clips for you according to certain parameters (length, note density and so on). Alternatively, if you already have a clip with a MIDI sequence that you like, the “transform” tab in the Clip view will create endless variations on it depending on your requirements.
On the generative side of things, there are options for more rhythmic patterns, melodic arrangements or even chords. The created MIDI can be almost any length, but shorter clips tend to have more success. Every time you change a parameter — length, pitch and so on — Live will create a new pattern and you can keep cycling through variations until you find one you like. Here is where Live 12’s new “scale aware” feature really shines, as when activated, this will ensure any generated MIDI matches the key and scale of what you are working on.
Ableton
The transform tool is ideal for when you have a progression you already like but want to create some variations on it. This could be something simple like arpeggiation or velocity adjustments through to more detail-oriented tweaks such as how the notes flow into each other or creating a humanized “strum” effect on chords. Despite their power, both the transform and generate tools are neatly tucked away as tabs in the Clip view and mostly have straightforward controls, though some experimentation is encouraged. It’s pretty easy to get lost in a rabbit hole, testing out different settings and parameters until you end up with something barely recognizable. Which, to be fair, is sometimes exactly what you want.
Tunings
An addition to the main library in Live 12 is the Tunings tab. Simply put, here you’ll find a collection of tunings outside of the conventional western 12 note scale. So if Turkish Makam is your thing or you’re a fan of Just Intonation, there are several options here that can be activated and adapted as you prefer. The scales library consists of .ascl files meaning you can add to your library of scales from third-party or user-created files also.
UI improvements
If you’ve used Live for any amount of time, you likely have Tab and Shift+Tab muscle memory so deeply ingrained you can switch views blindfolded. In this update, you’ll no longer have to jump over to Session view to access the mixer as finally it’s available in Arrangement view also. The same is true for the Device and Clip view windows, meaning you can see the MIDI/audio at the same time as the synth/effects chain without having to jump between them constantly. Things can get a bit busy if you have all three panels open at the same time, but this is a solid quality of life enhancement that’s long overdue.
Library management
Organizing and navigating your sample library in Live 12 comes with a number of improvements. Notably, the ability to tag MIDI clips, plugins and audio at a granular level. Tag categories include everything from Type (Loop/MIDI clip and so on) to musical key, groove and many other categories. You can, of course, also add your own custom tags.
Ableton
If your library is quite large and disorganized, the initial tagging might take a while, but you can select multiple items at once and tag them at the same time. Right now, it doesn’t appear that you can tag at the folder level, which would be handy for large sample collections but it’s a useful tool nonetheless.
A much neater trick is Live 12’s ability to find “similar” sounds. For example, if you have a kick drum sample and know you have others like it in other sample packs/folders, but don’t remember where, clicking the new “Show Similar Files” radio button will pull up all the samples you have that Live has deemed to be, well, similar. In testing, it does a good job for percussive sounds matching length, sound style and so on. Searching on melodies, leads and even vocals also does a decent job of bringing up related samples, but it’s perhaps more open to interpretation here as the timbre can be quite different with the length, shape and gain of the sound seeming to have more weight on what’s a match. Either way, both new features will be a boost to those of us that only got as far as organizing their library alphabetically.
There are other enhancements to the general user experience that go far beyond creative functionality. For one, Live 12 is optimized for screen readers and almost everything can be controlled with the keyboard which is a big plus for accessibility. As always there are updates across the board including the included core library of sounds and modulation parameters. Likewise, some Live 11 sounds and instruments — such as Analog and Tension synths — are available in the Standard edition of 12 whereas before they were exclusive to the more expensive Suite edition.
As for availability, Ableton hasn’t confirmed a date, but you should expect Live 12 to launch around late February or March next year. The Standard edition will cost $439 (€279) which features most of the above minus Meld and Roar. Live 12 Suite edition, which features all the above plus the Operator synth and Granulator effect among other perks will retail for $749 (€599).
This article originally appeared on Engadget at https://www.engadget.com/ableton-live-12-whats-new-meld-roar-094528196.html?src=rss
