There are a number of ways you can make your PC gaming experience more immersive, and investing in a high-quality monitor is one of them. Samsung came out with the Odyssey Neo G9 mini-LED curved monitor last year for those who didn't want to spare any expense when building their rig. The 49-inch behemoth cost $2,500 at launch, but now it's $500 off again and back down to $2,000. That's a return to its Black Friday price, not to mention the lowest it's ever been.
Given this is a mini-LED panel, you're getting super high contrast ratios and extra bright HDR performance. Samsung says the monitor has a black level of 0.0004, and it can reach a peak brightness of 2,000 nits. The screen has a 5,120 x 1,440 resolution, plus a 240Hz refresh rate with a 1ms pixel response time and support for NVIDIA G-Sync and AMD FreeSync Premium Pro. As far as connectivity goes, you're getting two HDMI ports, a DisplayPort and two USB 3.0 ports, and you'll be able to position the monitor however you like thanks to its swivel, tilt and height adjustments.
This monitor was meant for serious gamers, and those are the people who will get the most use out of it. But if you like the Odyssey lineup but don't want to drop $2,000 on a single monitor, a few other models are on sale right now, too. The 34-inch Odyssey G5 ultra-wide curved monitor is $120 off and down to a record low of $430. This WQHD IPS monitor came out in 2020 and has a 165Hz refresh rate, plus support for HDR10 and AMD FreeSync. You can also get the 32-inch Odyssey G3 ultra-wide curved monitor for $250, or 24 percent off, and the 24-inch Odyssey G3 vertical gaming monitor for $150, or 40 percent off its normal price.
Google Chrome hasn't been the greatest password manager, in part because you couldn't add passwords yourself — you've had to wait until the browser offered to do it for you. You might soon have reasons to reconsider, though. Android Policenotes the latest stable version of Chrome includes a buried flag (chrome://flags/#add-passwords-in-settings) that lets you manually add passwords. If you know you'll frequently sign into a bank or favorite store, you can add the credentials without having to visit that site first.
Reddit user Leopeva64-2 first spotted the manual password feature in Canary builds of Chrome at the end of 2021. The feature is common in other password managers, but this should still be welcome if you'd prefer to use Google's built-in functionality instead of installing software and extensions.
More recently, that same user noticed a Chrome Canary 101 feature that lets you add notes for passwords. This again isn't new for password managers, but could be vital if you want to remember the last time you changed a password or want a clue for any security questions. While this and the manual password function might take a while to reach easily accessible settings, they should be worth the wait if you rely on Google's password tools.
DJI’s announcement of the Ronin 4D last year shook things up with features never seen on a cinema camera. It had a full-frame sensor, up to 8K RAW video, one of the first vertical stabilization arms and a LiDAR system that can handle not only focus but gimbal control.
However, things have changed a bit recently. Most crucially, the Ronin 4D is no longer available with Apple ProRes RAW video now that it has gone on sale. Because of that, DJI has also lowered the base price of the 6K model from $7,200 to $6,800.
The Ronin 4D is not without other flaws like excessive weight and rolling shutter, too. Still, there’s nothing else out there that can remotely rival its tech and design. DJI might be best known for drones, but is it actually the most innovative camera company in the world?
Design
Steve Dent/Engadget
The Ronin 4D is a complex product, so let’s take a look at the features and design. First up is the “Zenmuse X9” mirrorless camera designed exclusively for the R4D. I’m testing the 6K version, but DJI plans to release an 8K model later on.
It has a full-frame 24-megapixel sensor and choice of three mounts: DJI’s own DL mount, a Sony E-Mount, and the M-mount used for Leica rangefinder/mirrorless cameras.
DJI has three native lenses including 24mm, 35mm and 50mm models, all with f/2.8 maximum apertures. They’re all pretty lightweight at 180 grams each as they’re designed for gimbal use, and cost $1,199 each – very expensive for f/2.8 prime lenses.
You can also mount Sony and M-mount glass, but lenses have to be relatively small or you can’t balance them correctly. That’s not a huge limitation as it would be pretty unusual to use a telephoto lens on a gimbal.
You can even mount manual lenses and get autofocus via DJI’s optional focus module controlled by the LiDAR system. Finally, it has an incredible nine ND filter levels that give you maximum exposure control, letting you crank open the iris even in bright sunlight.
The main camera gimbal has three axes of movement with quick-release locks for swift balancing. The standout feature, though, is the Z-arm that gives it the “4D” name – one of the first on a gimbal, according to DJI. It uses an internal balancing system combined with multiple motion detection sensors on the front and buttons that help it smooth out walking, running or other jarring vertical movements.
On the right side of the body you’ll find HDMI, time code and DC power ports. On the left are switches to control power, recording, the main gimbal and the Z-axis, along with a multi-dial that controls focus by default. However, it can also be programmed for other functions like gimbal control.
Steve Dent/Engadget
For storage, you can use either a CF express card, external SSD over the USB-C port (much like recent Blackmagic cameras), or DJI’s ProSSD module. The latter is a paid $799 upgrade, but required for high video frame rates. It’s nice to have the three options, particularly the external SSD, but you can only record on one of those at a time – so there’s no way to create a backup while recording.
The Ronin 4D has multiple removable modules, starting with the strong top handle. It’s a good way to hold the camera if you want a low angle, so it’s equipped with a rocker switch to adjust the gimbal (height only) and a button to put it in “sport” mode for quick movements. What it really needs is a record button, though, so you don’t have to reach around to the side.
Attached to that handle is the 5.5-inch, 1,000 nit display that’s the primary way to change camera and gimbal settings. It’s easy to adjust the viewing angle thanks to the nice friction mount, and has a super-logical menu system similar to the one on Blackmagic’s cameras.
It can be operated either via touch or with the 14 manual buttons and dial. Camera settings like f-stop and shutter speed are found along the top and bottom of the display. Power, media, gimbal and other controls are on the left.
Steve Dent/Engadget
Next up are the camera grips. Both attach via a quick-release lever, and you can change the angle to adapt to your working style with another clever lever – even while you’re holding on to it.
The left grip has a joystick to move the main gimbal up and down or side to side, along with buttons for focus and gimbal tracking. The exposure button brings up the waveform, zebra and other tools depending on what you have selected, while the trigger button locks the gimbal or centers it with a double press. Finally, there’s another sport mode button on the inside of the handle.
The right handle has a large wheel that’s primarily used for focus, but also changes camera settings like the ND filter, shutter speed and iris when you hit the “mode” button. Doing that also ingeniously changes the wheel’s operation from smooth to “clicky” with distinct detents. It also has a focus assist button and AF lock button, while the trigger either locks the Z arm or activates/deactivates it with a double press.
Steve Dent/Engadget
You also have the option to mount an optional $399 transmitter at the back that relays video to the High-Bright 7-inch, 1,500 nit remote monitor that’s also optional ($1,699). It lets you not only view video but control many camera and gimbal functions from up to 20,000 away. To do that, you can remove the left and right grips normally used on the camera and attach them to the screen.
It can also record proxy video at up to 1080/60p via the built-in microSD card slot, though that function was not enabled in my review unit. However, I was able to record video to an Atomos Ninja V recorder via the HDMI port.
Also at back is the battery plate that uses DJI’s TB-50 batteries. Those deliver 1-2 hours on a charge depending on operation, according to DJI, but I usually found they were good for just over an hour with active gimbal use.
Finally, the LiDAR focus module is attached above the camera and connected via a locking USB cable. With supported lenses, you get both autofocus and tracking – more on that shortly.
Operation
Steve Dent/Engadget
I was pretty intimidated by all these features to start with, thinking it would be a bear to learn the Ronin 4D. However, it was surprisingly easy to pick up the basic operation and then gradually learn the more granular controls.
Balancing the camera is easier than on any gimbal I’ve tried, as everything is right there in front of you. You just unlock each axis one at a time, unlock it using the quick release controls and slide the gimbal until it’s balanced. Once that’s set, DJI’s “autotune” feature takes care of the fine balance.
You can then turn on the 4D Z-arm for walking or other situations where the gimbal may bounce, but it’s by no means required for simple handheld operation. If you don’t need it, keeping it shut off will save you some battery life. If you do use it, you’ll need to balance for the smoothest operation, but that’s easily done via an on-screen guide.
The gimbal can be set so that it always points the same way or (“locked”) or set in “follow” mode to smoothly follow the operator’s movement. In the latter mode, can set it follow only pan, pan and tilt, or pan, tilt and roll (FPV). The camera can be manually tilted or panned using the joystick, then centered using the C1 button or double pressing the left trigger.
The Z-arm has similar lock and follow modes, with “lock” keeping the camera in the same position. If you move the camera more than the arm’s range of movement, though, you risk smacking the arm against its top or bottom stops. “Follow,” again, allows the Z-arm to smoothly follow your movements.
Steve Dent/Engadget
The LiDAR focus system is impressive, and could be something we’ll see on future cameras if they can shrink it down small enough. It works at a distance of around 33 feet by generating a real-time 3D point cloud.
You can choose between either manual focus, autofocus or assisted manual focus. AMF uses autofocus but also moves the manual focus dial. That way, you can take control by just grabbing the wheel, and give control back by releasing it.
There are three focus areas, or regions of interest as DJI calls them. The first is spot focus, the second is a wide box and the third is “smart” that detects faces or lets you draw a box to track objects.
Focus needs to be calibrated for each supported lens, but once set up, it’s very accurate. Unlike standard autofocus systems, it can work in the dark. The biggest drawback compared to phase or contrast detect AF is that it focuses on the front of a scene, so someone’s nose might be in focus but not their eyes.
You can even set up LiDAR autofocus with manual focus lenses using the LiDAR motor kit. That would normally require a geared cinema lens, but the kit comes with a geared belt you can wrap around other lenses that don’t have that. I tested it briefly with a Sony 28mm f/2.0 lens (with the AF turned off) and found it was reasonably accurate, though it required multiple calibrations.
Steve Dent/Engadget
DJI has plenty of tools for manual focus, too, like peaking. But the best one is the LiDAR focus waveform that shows an object’s shape and distance. After some practice, I was wondering how I ever managed to do manual focus without it.
One of the coolest features enabled by the LiDAR module is ActiveTrack Pro, similar to that found on DJI’s Mavic 3 and other drones. That lets you lock onto a subject and have the gimbal track it while also maintaining autofocus. It automatically detects faces when in “smart” mode, and from there, you just press the track button on the right handle. That turns the yellow box into a green box, indicating that ActiveTrack is alive. You can track other types of subjects simply by drawing a box on them.
The feature works very well, keeping your subject framed exactly as you set it up. It tracks human subjects well even if you move behind or to the side of them. If something goes wrong, the framing can also be tweaked manually using the left trigger. It can get thrown if your subject moves too fast, though, as the camera can only pivot and tilt so quickly.
On the whole, the Ronin 4D delivers smoother footage than any comparable product I’ve tried – even over challenging terrain. The ActiveTrack Pro feature is particularly welcome, as it allowed me to take my eyes off the subject to see where I was going while still maintaining the desired framing.
ProRes RAW is not supported at launch
Steve Dent/Engadget
Finally, let’s look at the video specs and quality. Originally, the Ronin 4D was announced with ProRes RAW along with ProRes HQ and H.264 10-bit recording. However, DJI announced that the RAW option would not be available at launch, even though it worked perfectly when I tested it. The company didn’t say why, but the cinema camera company RED has a patent on that technology that all users must license.
Instead, it’s shipping with Apple ProRes 4444 XQ. That’s a very high quality codec, but it doesn’t offer the advantages of ProRes RAW – particularly the ability to keep the original, pristine sensor data.
Both ProRes options do deliver good quality, but also gobble up storage quickly. The H.264 10-bit option is more efficient, but not very edit friendly – so it would be nice to have something in between those.
You can record up to 6K at 48 fps or 4K at 96 fps using the full width of the sensor, in all codecs. Anything above that, including 6K at up to 60 fps and 4K at 120 fps will introduce a Super 35 crop.
The Ronin 4D’s 24.1-megapixel sensor has dual native ISOs at ISO 800 and 5000, with a claimed 14 stops of dynamic range. Image quality is right up there with other cameras I’ve tested lately, like the Panasonic S1H, Sony A7S III and Canon EOS R3.
Steve Dent/Engadget
In RAW mode with Log settings enabled, it delivers crisp, color accurate video that’s easy to adjust in post. It’s not quite as good in low-light as the EOS R3 or other recent mirrorless cameras, but video is usable up to around ISO 6400, up to ISO 12,800 if you’re careful with exposure. Beyond that, noise can get excessive, particularly with highly saturated reds and blues.
The biggest drawback with the sensor is rolling shutter. While it’s not worse than models with similar sensors like Panasonic’s S1, it’s excessive for a camera that’s designed for movement. Another current issue is audio, as the 3.5mm mic jack isn’t up to snuff for production needs. However, DJI is addressing that with an upcoming module with more production-friendly XLR inputs.
Considering that the Zenmuse X9 is DJI’s first full-frame camera, the image quality is shockingly good overall. It might even make sense for DJI to release the camera separately in some form, as the Ronin 4D form factor isn’t practical for non-gimbal shooting. That way, productions could more easily match up footage.
Wrap-up
Steve Dent/Engadget
In sum, the Ronin 4D is an impressive piece of technology that could change the way producers think about handheld shooting. DJI has created a new product class and invented technology like LiDAR-powered ActiveTrack Pro and assisted manual focus. At the same time, it delivers full-frame image quality with no compromises, apart from the rolling shutter.
So is DJI the most innovative camera company right now? I haven’t seen anything else that can match the level of technical innovation on the Ronin 4D. It’s even hard to compare the Ronin 4D to other products, because it essentially has no peers. And for a first-generation product, the design and build quality is astonishingly good.
With a $6,800 price tag (and more like at least $8,000 properly kitted out), the Ronin 4D is a pretty niche product – though it’s easily worth that price. Even if it doesn’t sell widely, though, it’s a technical tour de force that has put other camera manufacturers, cinema and otherwise, on notice. If DJI keeps innovating at its current pace, that sleepy world could get a lot more interesting.
Spotify's Car Thing, a dedicated player for the streaming service, first debuted last April after breaking from cover nearly two years prior. Back then, you needed to be part of a select few to get one. In October, the company expanded its invite list for all users in the US, but there was still a queue to wait in. Today, Spotify announced that the Car Thing is available for anyone in the States to purchase directly from the company. The device is $89.99 and requires a Premium subscription for you to be able to use it in your car, but you no longer need an invite to buy it.
As a refresher, Car Thing essentially a Spotify box for most cars — so long as you have an aux jack or Bluetooth connectivity. You'll also need easy access to a power source for the player. Car Thing then connects to your phone via Bluetooth and acts as a touch-screen controller for the Spotify app, just in a more car-friendly form.
There are plenty of easy to navigate menus, all of your favorites and a slew of convenient controls — including programmable preset buttons, a rotating dial and the company's own voice assistant. Think of it as one of those satellite radio receivers from the early aughts, only designed for the streaming age. It's built for die-hard users of the service, and it frees up your phone screen to stay on Waze or Google Maps even when you're scrolling over to another podcast.
A man who unknowingly sold his Bored Ape NFT for a pittance is suing OpenSea, claiming it knew about a flaw in its platform that allowed hackers to buy unlisted NFTs at a fraction of the market price, decrypt has reported. Timothy McKimmy alleged in a complaint that he didn't even list his Bored Ape #3475 for sale, but a hacker managed to buy it for just .01 ETH ($26) and turn around and sell it for 99 ETH ($250,000 at current prices).
The Ape is one of 10,000 limited edition Bored Ape Yacht Club primate NFTs, and supposedly in the top 14th percentile in terms of value, McKimmy said in the lawsuit. He noted that it's significantly rarer than one recently purchased by Justin Bieber for $1.3 million. Thus, he's seeking "the return of the Bored Ape... and/or damages over $1 million."
Moreover, he claims that OpenSea knew about the bug that was widely reported in the media, but refused to halt trading. "Instead of shutting down its platform to address and rectify these security issues, Defendant continued to operate," he said in the complaint.
McKimmy was a victim of the "inactive listing" exploit on OpenSea that saw multiple users lose up to $1.8 million in NFTs. OpenSea has reportedly been approaching some victims to settle, offering them a lower price than their NFT may be worth, according to decrypt.
The lawsuit may not be the last it faces over the inactive listing hack, as a law firm is reportedly soliciting complaints from other OpenSea users. The platform is also facing a separate phishing campaign that resulted in theft of NFTs, but OpenSea said that that didn't arise from any platform vulnerability.
Sony has today showed off the full and finished design for the PlayStation VR2 headset as well as the VR2 Sense controller. In a blog post, PlayStation SVP Hidekai Nishino detailed the matching design of both devices, which represents the 360-degree view of the virtual world. He added that the look and feel was crafted to feel more congruent with the PlayStation 5’s overall vibe.
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There's won't be a big revival for BlackBerry phones anytime soon. OnwardMobility, the Austin-based startup that announced its plans to release a 5G BlackBerry device with a physical keyboard back in 2020, is shutting down. The company posted a notice of its closure on its website, making it clear that it won't be proceeding with the development of the smartphone. This comes a month after it responded to people asking about the status of the project with a blog post entitled "contrary to popular belief, we are not dead."
While OnwardMobility didn't expound on the reason behind its closure, Android Police reported a few days ago that its license to use the BlackBerry name had been canceled. Apparently, BlackBerry wants to distance itself from its past as a smartphone manufacturer after it sold off its remaining mobile patents for $600 million in the beginning of February. OnwardMobility reportedly decided not to push through with the development of a new smartphone without the BlackBerry name, especially since it won't be easy entering the market with an ongoing global component shortage.
OnwardMobility was never able to release images of the phone it was developing, but it was reportedly going to take design cues from the BlackBerry Priv. As Android Police notes, the Priv was BlackBerry's first Android phone and the only one it designed in-house before it outsourced the production of its mobile devices to TCL. If BlackBerry, in its current form, truly does want to distance itself from its past, then we might never see a new BlackBerry-branded phone again.
Welcome back! The US Copyright Office (USCO) is again refusing to grant copyright for a work of art that was created by an artificial intelligence system. Dr. Stephen Thaler attempted to copyright a piece of art titled A Recent Entrance to Paradise, claiming in a second request for reconsideration of a 2019 ruling that the USCO's “human authorship” requirement was unconstitutional.
Current copyright law only offers protections to "the fruits of intellectual labor” that “are founded in the creative powers of the [human] mind,’ according to the USCO. For now, AI has the same access to copyrighting as monkeys – that’s to say, none at all.
Capcom has announced the development of Street Fighter 6, revealing a teaser trailer featuring Ryu and Luke, a key DLC character appearing at the end of Street Fighter V. The game was announced following Capcom's Pro Tour fighting game exhibition , but there’s not much more to report at this moment. Check out the teaser – all forty seconds of it.
Donald Trump’s Twitter-like social media platform has launched on the Apple App Store. The launch will mark the former president’s return to social media. Twitter and Facebook banned Trump following the January 6th attack on the US Capitol.
People can use the network to post “Truths,” the platform’s equivalent to tweets, and it's possible to reshare posts on one's timeline to expand their reach. The executive who answered questions from beta users said the company was working on a verification policy that it would publish “in the coming weeks.”
Don't panic if you couldn’t play The Joe Rogan Experience over the last few days on Spotify. The streaming service has confirmed to Engadget that a "technical issue" prevented users from playing a number of Spotify podcasts, including Joe Rogan's and The Ringer shows like The Bill Simmons Podcast. It’s bad timing, following controversy over misinformation in Spotify's podcasts like Rogan’s, which has been accused of spreading and tolerating false claims about COVID-19 vaccines. The company has now addressed the technical problem and the episodes are back online.
With less than a week before Elden Ring’s February 25th release date, publisher Bandai Namco has shared a new “Overview” trailer detailing the many systems of FromSoftware’s latest action RPG. The clip features nearly six minutes of edited gameplay footage that appears thankfully spoiler-free. In case you haven’t been paying attention, George R. R. Martin (author of Game of Thrones) helped Dark Souls and Bloodborne mastermind Hidetaka Miyazaki create the world of the game.
Amazon's Lost Ark free-to-play MMO exploded in popularity as soon as it was released in Europe and the Americas earlier this month. It became Steam's most-played MMO ever merely a week after its launch, and players in Europe have had to deal with lengthy queues even earlier than that. In an attempt to solve the problem, Smilegate (the game's developer) and Amazon have created "Europe West." It's a completely new server region meant for new players, however, and those already playing in "Europe Central" might have to keep struggling with long wait times.
"The Europe Central region is at capacity and unfortunately there is no way to increase the number of players per world in Europe Central," the company's latest announcement about the situation said. It's apparently not possible to add more servers in the region "based on the complexity of all the systems that need to work together." Amazon and the developer are positioning Europe West as an appealing option for those who haven't made much progress in Central yet, because it's not possible to transfer server regions at the moment.
The server transfer function has just rolled out in Korea, where the game was first released back in 2019, and it requires the developer to process transfers in weekly batches. It also doesn't support region transfers yet and won't do European players any good in its current form, but the companies said they "will not rest until [they've] exhausted all options."
While unfortunate for European players, it's a nice problem to have for Amazon. In 2020, it pulled the plug on Crucible, the free-to-play shooter it had been developing since 2016, after evaluating the feedback it got from a closed beta. Its New World MMO became a hit in 2021, but the reception for the older game wasn't quite as intense as Lost Ark's.
Virgin Hyperloop has fired 111 of its employees as it abandons the idea of making its system ready for passenger use. The Financial Times is reporting that the company is exclusively focusing on moving cargo, and has slashed almost half of its total workforce. A spokesperson confirmed to the paper that the shift in business was taking place, with supply chain issues and COVID contributing to the change.
Since its inception, the company has been developing its vacuum-tube system to carry both passengers and freight. One of the earliest concepts VH floated was an “inland port,” in which cargo vessels would put containers onto capsules that are shot inland before they’re processed. That way, the main logistics hub wouldn’t need to be beside the sea, and could instead be at the heart of a transit hub closer to customers.
It’s something that encouraged DP World, the Dubai-owned ports and logistics giant, to invest in the technology. It currently holds a majority stake in Virgin Hyperloop and in 2018 launched "Cargospeed," as a sub-brand dedicated to moving cargo. VH has, however, been in something of a spin for the last few months after former head Josh Giegel, one of two people to actually travel in a pod, quit the company.
