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Fallout’s transition to TV starts with a bang (or three depending on how you’re counting). But even after the show emerges from the vault, the hits keep coming. That’s because unlike a lot of other video game adaptations that receive a thin veneer designed to appeal to fans of the source material, the essence of Fallout runs so deep throughout this series it could weather an atomic blast. Its characters are magnetic and its visuals are downright impressive. But most importantly, just like HBO’s The Last of Us, Fallout is more than just a video game adaptation. It’s a really good show in its own right – an apocalyptically good one at that.

The first thing that stands out about the show is just how good it looks. Every set and costume is packed with detail. The clean blues and yellow of vaultsuits are the perfect counterpoint to the dilapidated buildings and shaggy clothes of surface dwellers, which look so grimy you can almost feel the rads coming out of your screen. Meanwhile, Fallout’s Power Armor might be some of the best-looking live-action mech-suits this side of Pacific Rim. Locations are also incredibly diverse and fleshed out while still paying homage to the franchise that inspired them. The settlement of Filly looks almost exactly how I imagine Megaton might appear in real life, you know, aside from having a massive bomb in the middle of town. The show’s audio is also a treat, right down to the crunchy sounds of analog electronics and all the rockin’ oldies that wafting in the background (including an obligatory playing of the Inkspots’s “I don’t want to set the world on fire”).

Courtesy of Prime Video

I really liked how all the show’s easter eggs and references to the video game never felt forced. Iconic gadgets like the Pipboy help build the world while simultaneously pushing the plot forward. Even its cinematography makes callbacks to the game with slow-mo that evokes the V.A.T.S. mechanic during firefights. And all the little critters Fallout fans love and hate like rad roaches, irradiated bears and a very good canine companion make appearances that feel right at home.

Of course, all this would simply be window dressing without characters that bring the world to life. And once again the show doesn’t disappoint. As a vault dweller, Lucy MacLean (played Ella Purnelle) is the perfect foil to ease us into the world of Fallout. As she explores and adapts to the surface, we get to meet an incredible cast of characters who highlight the struggles and revel in the weirdness of a post-doomsday world. I also need to call out the casting of Walton Goggins as the Ghoul, which feels like an especially enlightened choice. This man was made for this role, and even considering some of his previous appearances in Justified and The Hateful Eight, this might be his most engaging performance yet.

Courtesy of Prime Video

The most impressive thing about the Fallout show is how it balances several different stories with grace and intrigue. So often when you have branching plotlines, one arc drags while the others shine. But in Fallout, they are woven together so well that even if one scene goes long, the show on the whole never bores. Now I will admit that those new to the franchise may need to be a bit more patient, as Maximus’ arc and the story surrounding the Brotherhood of Steel takes some time to get rolling.

Perhaps the biggest issue with Fallout is its brutality. This is not a series for the faint of heart. Warning: There is some animal cruelty and there’s so much gore that a regular bullet wound seems tame in comparison. It’s also important to mention that the jump from pixels to live action adds even more impact to this. But coming from a franchise that’s reveled in crass and crudeness since the beginning, it would feel weird any other way.

Courtesy of Prime Video

As a fan of the franchise, there’s always a little trepidation when a game tests the waters of a new medium. But Fallout has absolutely nailed it. And looking back, it probably shouldn’t have been a surprise, because unlike Street Fighter or Mortal Kombat whose stories always felt like afterthoughts, it was the world and the characters of Fallout that kept people coming back to the wasteland. While the game may have provided the blueprint to make the show a success, this adaptation can stand on its own.

The Fallout series is available to stream today starting at 9PM ET on Amazon Prime Video.

The debate over using copyrighted materials in AI training systems rages on — as does uncertainty over which works AI even pulls data from. US Congressman Adam Schiff is attempting to answer the latter, introducing the Generative AI Copyright Disclosure Act on April 9, Billboard reports. The bill would require AI companies to outline every copyrighted work in their datasets.

"AI has the disruptive potential of changing our economy, our political system, and our day-to-day lives. We must balance the immense potential of AI with the crucial need for ethical guidelines and protections." said Congressman Schiff in a statement. He added that the bill "champions innovation while safeguarding the rights and contributions of creators, ensuring they are aware when their work contributes to AI training datasets. This is about respecting creativity in the age of AI and marrying technological progress with fairness." Organizations such as the Recording Industry Association of America (RIAA), SAG-AFTRA and WGA have shown support for the bill.

If the Generative AI Copyright Disclosure Act passes, companies would need to file all relevant data use to the Register of Copyrights at least 30 days before introducing the AI tool to the public. They would also have to provide the same information retroactively for any existing tools and make updates if they considerably altered datasets. Failure to do so would result in the Copyright Office issuing a fine — the exact number would depend on a company's size and past infractions. To be clear, this wouldn't do anything to prevent AI creators from using copyrighted work, but it would provide transparency on which materials they've taken from. The ambiguity over use was on full display in a March Bloomberg interview with OpenAI CTO Mira Murati, who claimed she was unsure if the tool Sora took data from YouTube, Facebook or Instagram posts.

The bill could even give companies and artists a clearer picture when speaking out against or suing for copyright infringement — a fairly common occurrence. Take the New York Times, which sued OpenAI and Microsoft for using its articles to train chatbots without an agreement or compensation, or Sarah Silverman, who sued OpenAI (a frequent defendant) and Meta for using her books and other works to train their AI models.

The entertainment industry has also been leading calls for AI protections. AI regulation was a big sticking point in the SAG-AFTRA and WGA strikes last year, ending only when detailed policies around AI went into their contracts. SAG-AFTRA has recently voiced its support for California bills requiring consent from actors to use their avatars and from heirs to make AI versions of deceased individuals. It's no surprise that Congressman Schiff represents California's 30th district, which includes Hollywood, Burbank and Universal City.

Musicians are echoing their fellow creatives, with over 200 artists signing an open letter in April that calls for AI protections, the Guardian reported. "This assault on human creativity must be stopped," the letter, issued by the Artist Rights Alliance, states. "We must protect against the predatory use of AI to steal professional artists' voices and likenesses, violate creators' rights, and destroy the music ecosystem." Billie Eilish, Jon Bon Jovi and Pearm Jam were among the signatories. 

Cruise will start re-deploying its autonomous vehicles after a major upheaval last year that led to a pause in its operations, the loss of its CEO and the dismissal of a big chunk of its workforce, including several executives. In a blog post on its website, the GM subsidiary said it's resuming its manual driving activities in order to gather road information and create maps for its autonomous vehicles. The first fleet of Cruise vehicles to go out on the road again will be deployed in Phoenix, Arizona, though the company plans to expand to other cities as it continues to "engage with officials and community leaders."

If you'll recall, Cruise suspended all its driverless operations a few weeks after an incident in California, wherein one of its robotaxis ran over and dragged a pedestrian who was hurled onto its path after being hit by another vehicle. Both the California DMV and the California Public Utilities Commission revoked its licenses to operate in the state due to that incident and other safety-related issues. By November last year, Cruise also suspended manned robotaxi rides as part of an expanded safety probe conducted by an independent consulting firm. 

Kyle Vogt, the company's co-founder and CEO, resigned shortly after that. The company also dismissed nine key executives following an allegation by authorities that Cruise withheld a video showing the victim in the California incident pinned underneath its vehicle. In December, the robotaxi-maker laid off 24 percent of its workforce, which was around 900 personnel. The Intercept also reported last year that it saw internal safety assessment materials concluding that Cruise's vehicles had problems recognizing children. 

Cruise said in its post that it's been conducting testing on closed courses over the past few months as it works on rebuilding trust. All the robotaxis heading to Phoenix will be human-driven vehicles without autonomous systems engaged. Its ultimate goal, of course, is to deploy fully driverless vehicles again, but the company didn't say if it has a target date and didn't share a timeline if it does have one. 

Hey, you! Yes. you. Do you need some extra motivation to reach your goals or just to get your chores done? Then perhaps you could use some inspiring words from one of the most successful multisport athletes of all time, direct to your foldable telephone.

Boost Mobile will soon offer a limited-edition, Deion Sanders-themed Moto Razr. The phone has a black and gold finish (which kind of looks nice?), along with Sanders' "You Gotta Believe" mantra and his signature. If that's not enough to get you chasing after your dreams, you'll also receive weekly motivational messages from Sanders (aka Coach Prime).

Sanders played in the NFL and MLB simultaneously. He's the only athlete ever to play in a Super Bowl — which he won twice — and the World Series. If anyone knows a thing or two about success, it's this guy. 

So if you're looking for some words of wisdom to help you take the next step toward your life, love, work and/or fitness goals, having Sanders deliver them straight to your phone might be the way to go if you're so inclined. Boost hasn't revealed how much the phone will cost, but for a certain person, it may be simply priceless. For everyone else, there's YouTube.

Battery life always limits a drone’s ability to perform tasks and get anywhere. So why not let it slurp from nearby power lines? (Well, there are reasons.) 

Researchers at the University of Southern Denmark attached a gripper system to a Tarot 650 Sport drone, which they customized with an electric quadcopter propulsion system and an autopilot module. An inductive charger pulls current from the power line, enabling it to recharge five times over two hours during tests. The benefit here is that power lines already exist (duh), but there is the real concern that a drone could damage a line and knock out electricity for thousands.

— Mat Smith

The biggest stories you might have missed

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Kobo’s new ereaders include its first with color displays

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The owner of WordPress has bought Beeper, that brazen messaging app

It challenged Apple and lost almost immediately.

WordPress and Tumblr owner Automattic has bought Beeper, the maker of the Beeper Mini app, which challenged Apple with iMessage tricks on Android phones, late last year. Although it ultimately lost its only USP when Apple blocked the exploit — mere days later — the incident gave the DOJ more ammunition in its antitrust suit against Apple. Bloomberg reported on Tuesday that Automattic paid $125 million. It’s a lot of money, especially when Automattic already owns a messaging app, Texts. No, I hadn’t heard of it either.

Continue reading.

Starlink terminals are reportedly being used by Russian forces in Ukraine

There’s a thriving black market for satellite-based internet providers.

Reuters

According to a report by The Wall Street Journal, Russian forces in Ukraine are using Starlink satellite internet terminals to coordinate attacks in eastern Ukraine and Crimea as well as to control drones and other forms of military tech. The Starlink hardware is reaching Russian forces via a complex network of black-market sellers. After reports in February that Russian forces were using Starlink, US House Democrats demanded Musk act, noting Russian military use of the tech is “potentially in violation of US sanctions and export controls.” Starlink can disable individual terminals.

Continue reading.

Congress looks into blocking piracy sites in the US

The Motion Picture Association will work with politicians.

The Motion Picture Association chair and CEO Charles Rivkin has revealed a plan to make “sailing the digital seas,” so streaming or downloading pirated content, harder. Rivkin said the association is going to work with Congress to establish and enforce site-blocking legislation in the United States. He added that almost 60 countries use site-blocking as a tool against piracy.

Continue reading.

You can now lie down while using a Meta Quest 3 headset

Finally.

Shh, relax… And strap two screens to your face.

Relaaaaax.

You can now ensure that you're not going to be hit by hidden fees and taxes before you sign up with an internet service provider (ISP). Starting today, big ISPs with more than 100,000 subscribers will be required to display "nutrition labels" both in store and online under a new FCC rule. Those labels have to show the companies' plans, fees and any additional costs, such as activation fees and upfront or rental fees for modems and other equipment. 

They also have to show whether a particular amount that's being advertised is an introductory or a discounted rate and how long you can enjoy that lower rate. Plus, the labels have to indicate each particular plan's download and upload speeds, as well as any early termination fee associated with it. ISPs can't hide these labels behind multiple clicks or camouflage them with other elements that make them hard to see. They have to be accessible from your customer account portal, and ISPs should give you a copy if you ask. 

The FCC first floated the idea of nutrition labels for ISPs back in 2016, but it wasn't until 2022 that it formally introduced rules requiring them to be displayed at the companies' points of sale. As you can see in the image below, it resembles the nutrition labels for food and will (theoretically and hopefully) account for every dollar you pay for a wired or wireless plan. Back when the rule was announced, FCC Chairperson Jessica Rosenworcel explained that the agency chose to approve and implement it as part of its efforts to "end the kind of unexpected fees and junk costs that can get buried in long and mind-numbingly confusing statements of terms and conditions."

Based on the FCC's website, providers with less than 100,000 subscribers will be given a bit more time to comply and have until October 10. And in case you come across any ISP that isn't displaying any label even when they should or is showing inaccurate information, you can file a complaint with the commission through its official portal. 

FCC

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At CinemaCon this year, the Motion Picture Association Chairman and CEO Charles Rivkin has revealed a plan that would make "sailing the digital seas" under the Jolly Roger banner just a bit harder. Rivkin said the association is going to work with Congress to establish and enforce a site-blocking legislation in the United States. He added that almost 60 countries use site-blocking as a tool against piracy, "including leading democracies and many of America's closest allies." The only reason why the US isn't one of them, he continued, is the "lack of political will, paired with outdated understandings of what site-blocking actually is, how it functions, and who it affects."

With the rule in place, "film and television, music and book publishers, sports leagues and broadcasters" can ask the court to order ISPs to block websites that share stolen content. Rivkin, arguing in favor of site-blocking, explained that the practice doesn't impact legitimate businesses. He said legislation around the practice would require detailed evidence to prove that a certain entity is engaged in illegal activities and that alleged perpetrators can appear in court to defend themselves. 

Rivkin cited FMovies, an illegal film streamer, as an example of how site-blocking in the US would minimize traffic to piracy websites. Apparently, FMovies gets 160 million visits per month, a third of which comes from the US. If the rule also exists in the country, then the website's traffic would, theoretically, drop pretty drastically. The MPA's chairman also talked about previous efforts to enforce site-blocking in the US, which critics previously said would "break the internet" and could potentially stifle free speech. While he insisted that other countries' experiences since then had proven those predictions wrong, he promised that the organization takes those concerns seriously.

He ended his speech by asking for the support of theater owners in the country. "The MPA is leading this charge in Washington," he said. "And we need the voices of theater owners — your voices — right by our side. Because this action will be good for all of us: Content creators. Theaters. Our workforce. Our country."

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Rakuten has a trio of new Kobo ereaders, including the company’s first two with color displays. On Wednesday, the company revealed the $220 Kobo Libra Colour and $150 Clara Colour alongside the monochrome $130 Clara BW. You can preorder them today, ahead of their April 30 launch.

The Kobo Libra Colour has a seven-inch E Ink Kaleido 3 display, which should have a noticeable improvement with 16 levels of grayscale, 4,096 colors and 30 percent better color saturation than E Ink’s last-gen tech. The Libra Colour is the only one of Kobo’s new ereaders with stylus support for ebook annotations and highlighting. But you’ll need to add the $70 Kobo Stylus 2 (also compatible with the Elipsa 2E) to enjoy that.

The device has a curved, “ergonomic” design with page-turn buttons. It supports portrait and landscape reading and has 32GB of storage (good for around 24,000 ebooks or 150 audiobooks). Rakuten says its battery can last up to 40 days on a single charge, but that’s for reading for 30 minutes daily with the front light at 30 percent brightness and the wireless turned off. (Expect less if you read more than that or turn the brightness higher with wireless radios on.)

Rakuten Kobo

Meanwhile, the six-inch Kobo Clara Colour and Clara BW forgo the Libra Colour’s page-turn buttons and stylus support in favor of more accessible pricing. The Clara BW differs from the last-gen Clara 2 (Engadget’s pick for the best ereader) with a faster processor, more storage (16GB) and the latest E Ink Carta 1300 display tech.

Rakuten says the Clara Colour and Clara BW can last up to 53 days on a charge, but that’s with half an hour of reading per day, the brightness set at a mere 10 percent and WiFi / Bluetooth off.

All three devices have ComfortLightPro for automatic blue-light adjustment. They have an IPX8 water resistance rating, making them suitable for poolside or bathtime reading. The ereaders use recycled and ocean-bound plastics in their build materials, and Rakuten has partnered with iFixit for self-repairs.

You can buy separate covers (made from recycled materials) with built-in stands for all three new devices. The Libra Colour has a standard $30 SleepCover and a $40 NoteBook SleepCover with a magnetic stylus slot. The Clara Colour and Clara BW have $30 SleepCovers and a cheaper $20 Basic SleepCover.

You can preorder the new ereaders from Rakuten Kobo starting today. The Kobo Libra Colour costs $220, the Clara Colour is priced at $150 and the monochrome Clara BW runs $130. All three devices arrive on April 30.