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Taylor Swift’s music has returned to TikTok after a ten-week hiatus, according to a report by Variety. Her tunes left the platform after negotiations broke down between the social media app and Swift’s label, Universal Music Group.

It’s unclear what kind of deal Swift struck with TikTok to allow her to return to the platform, but we know one thing. The deal did not include provisions for fellow UMG artists, so Billie Eilish, The Weeknd and Drake, among others, are still missing from TikTok. Taylor Swift, being the most popular musician on the planet, likely worked some magic here. 

She’s not alone in her return to TikTok. Some songs by other UMG artists have begun appearing on the platform, ready for use in short-form videos. These artists include Ariana Grande and Camila Cabello. Variety suggests that their music was put up either by fans or representatives from the artists. We don’t know if they struck their own deals like Swift may have.

The return could also be a promotional move for her upcoming album. The Tortured Poets Department comes out on April 19 and will likely have plenty of tracks that will be perfect for TikTok singalongs. It’s worth noting that she partnered with the platform to promote Midnights, her last album of all-new material.

This all started when UMG threatened to pull songs from the platform after contract negotiations fell apart, with the label writing in an open letter that TikTok wanted to pay a “fraction” of the rate paid by other social media sites. "As our negotiations continued, TikTok attempted to bully us into accepting a deal worth less than the previous deal, far less than fair market value and not reflective of their exponential growth,” the company wrote. “TikTok is trying to build a music-based business, without paying fair value for the music.”

TikTok went full “fake news” in response, writing that “despite Universal's false narrative and rhetoric, the fact is they have chosen to walk away from the powerful support of a platform with well over a billion users that serves as a free promotional and discovery vehicle for their talent.” It’s worth noting that TikTok’s rebuttal did not mention artist payments, but did say that it has been able to reach agreements with other musicians and publishers.

Whatever the reason for Swift’s return, the nation’s teens are no doubt rejoicing at once again being able to lip sync to "Cruel Summer" and "You Belong With Me." UMG and TikTok, however, are still battling it out, so this is likely not the last we’ll hear about all of this.

Instagram’s status update feature, Notes, will soon be more prominent in the app. Up until now, Notes have only been visible from Instagram’s inbox, but the brief updates will soon also be visible directly on users’ profiles.

The change should increase the visibility of the feature and give people a new place to interact with their friends’ updates. (Instagram added reply functionality to Notes back in December.) The app is also experimenting with “prompts” for Notes, which will allow users to share questions for their friends to answer in their updates, much like the collaborative “add yours” templates for Stories.

Notes are similar to Stories in that the updates only stick around for 24 hours, though they are only visible to mutual followers, so they aren’t meant to be as widely shared as a typical grid or Stories post. The latest updates are another sign of how Meta has used the feature, first introduced in 2022, to encourage users to post more often for smaller, more curated groups of friends.

Separately, the app is also adding a new “cutouts” feature, which allows users to make stickers out of objects in their photos, much like the iOS sticker feature. On Instagram, these stickers can be shared in Stories or in a Reel. Cutouts can also be made from other users’ public posts, effectively giving people a new way to remix content from others (Instagram’s help page notes that users can disable this feature if they prefer for their content to not be reused.)

It's only been five months since Apple released the first M3-powered Macs, but we may not have to wait long to see laptops and desktops with M4 chipsets. According to Bloomberg, Macs with M4 processors could start arriving later this year (which isn't necessarily a massive surprise given the cadence of Apple silicon chips so far). While the M3 lineup didn't offer a massive upgrade from M2 chipsets, the M4 series could be a gamechanger since Apple is said to be placing far more onus on artificial intelligence this time around.

There will be at least three main versions of the M4, according to the report, and Apple is expected to update every model of the Mac with one of those chips. As things stand, Bloomberg says Apple will release iMacs, an entry-level 14-inch MacBook Pro, more powerful 14-inch and 16-inch MacBook Pros and Mac minis with M4 chips by early 2025.

Versions of the 13-inch and 15-inch MacBook Air with M4 chips could arrive by the spring, with an M4 Mac Studio to follow around the middle of 2025 and a Mac Pro to come later in the year. However, the publication notes that plans may change.

The Mac mini upgrade will be quite a long time coming, as Apple hasn't upgraded that device since January 2023. The Mac Studio and Mac Pro got M2 upgrades in mid-2023. M3-powered iMacs and MacBook Pros arrived in October (remember the Scary Fast event?). The MacBook Air, meanwhile, got an M3 upgrade just last month.

With the higher-end Mac desktops, Apple may include support for up to 512GB of memory. The latest Mac Studio and Mac Pro max out at 192GB of RAM, but previous Intel-powered systems supported up to 1.5TB of memory using off-the-shelf components. Apple integrates memory more deeply into its own chipsets, so upgrading the RAM on silicon-based systems is more difficult.

That said, Apple's major focus for the M4 lineup is said to be artificial intelligence as it aims to catch up (at least in terms of public perception) with the likes of Microsoft and Google. Bloomberg suggests that Apple will highlight how on-device AI processing capabilities of the M4 chipsets will integrate with the hardware and the latest version of macOS, which will debut at the Worldwide Developers Conference in June.

The company is also said to be planning AI-focused upgrades to the processors used in this year's iPhones. Previous reports suggested that Apple wants to integrate Google's Gemini AI into iPhones while it works on its own generative AI models.

Apple just dropped a trailer for another of its never-ending cavalcade of sci-fi shows. Dark Matter stars Joel Edgerton and Jennifer Connelly. It also happens to be based on a fantastic book by author Blake Crouch, which we recommended in 2021 after publication. The show premieres on May 8 with two episodes.

I’ve read the book, and love it, but there will be no real spoilers here. Dark Matter follows a physicist as he gets involved with some serious sci-fi shenanigans. The trailer gives a bit of the plot away, enough to understand that these particular sci-fi shenanigans are of the multiversal variety. Again, the book is a rip-roaring page turner, so the show should follow suit. The rest of the cast includes Jimmi Simpson, Alice Braga, Dayo Okeniyi and Oakes Fegley.

Crouch is actually the showrunner here, which is a first for the author. This isn’t, however, the first TV show based on one of his books. Wayward Pines ran on Fox for two seasons and was based on a series of novels. Good Behavior, also pulled from a book series, aired on TNT back in 2016. The writer has penned a bunch of novels that haven’t been turned into TV shows. We heartily recommend Upgrade, which made our list of the best books of 2022.

Dark Matter joins an absolutely stacked collection of sci-fi shows on Apple TV+. There are the heavy hitters like Severance, For All Mankind and Silo, but also a bunch of lesser-known programs like Invasion and the recently-released Constellation. I’m not done. Monarch: Legacy of Monsters put Kurt Russell up against Godzilla and Hello Tomorrow is set in a retro-future wonderland. I’m still not done. See, Schmigadoon and The Last Days of Ptolemy Grey all have sci-fi elements. Finally, there’s that fantasy show about an American college football coach who somehow becomes a soccer sensation in the UK without actually knowing anything about the sport.

Yale is making it easier to go key-free with a smart lock system that can be retrofitted onto most existing deadbolts. You won't need to replace existing hardware with the Yale Approach Lock with Wi-Fi. It's an interior-only smart lock that Yale says takes just 10 minutes or so to install and you'll only need a screwdriver to help you get the job done. It also has a fairly slim profile as it will sit just 1.6 inches off the door.

Once the smart lock is installed, you'll be able to use features like Auto-Lock and Auto-Unlock. If you're away from home and want to let in a friend to water the plants or check on your pets, you can unlock the door remotely via the Yale Access app. What's more, the Yale Approach is renter-friendly. It sits on the back of most standard deadbolts and you (and your landlord) can keep using the same keys. In addition, Yale Approach works with Amazon Alexa, Google Home, Philips Hue and Samsung SmartThings. Matter support will be added later.

Also new is the Yale Keypad, which is compatible with the Yale Approach, several of the company's other products and many August smart locks. Using the one-touch locking feature, you can lock the door and unlock it with a personalized code. You can provide guests with unique access codes. The backlit keypad is also IPX5-rated for weather resistance and you can place it anywhere within the lock's Bluetooth range. Yale plans to release a version later this year that will let you unlock the door with your fingerprint.

Both items are available now in the US from Yale's and August's websites. The Yale Approach, which is available in black suede or silver, costs $130, while the Yale Keypad is $70. A bundle is available for $180. The devices will hit Amazon and other retailers soon. They'll also be available in Canada through Amazon.

The Fire TV Stick 4K Max streaming device is on sale for $40. That’s a record low for Amazon’s top-of-the-line streaming stick, which usually costs $60.

The Amazon Fire TV Stick 4K Max plugs into your TV’s HDMI port to access all the top streaming services, including (among many others) Netflix, Hulu, Disney+, Max, Apple TV+ and, of course, Amazon’s Prime Video.

The streaming stick has a 2GHz quad-core processor to help make navigation zippy and smooth. The device’s 16GB of storage is double that of Amazon’s cheaper models so that you can download plenty of apps and offline content without worries.

The 4K Max supports Dolby Vision, HDR10+ and Dolby Atmos audio for a dynamic viewing experience and more immersive audio (with compatible TVs and speakers). It also supports Wi-Fi 6E for smoother streaming with fewer hiccups if your router also supports it.

It includes Amazon’s latest Alexa Voice Remote. The accessory has four pre-programmed shortcut buttons (for apps like Netflix and Prime Video). It supports Alexa, so you can use it to control the Fire TV Stick 4K Max and other Alexa-compatible smart home devices from your couch.

If you’d prefer to save money over having Amazon’s highest-end model, the Fire TV Stick Lite is also on sale. It’s Engadget’s pick for the best budget streaming stick. The device doesn’t support 4K, so this is only a good option if your television’s resolution is 1080p or lower. (However, it does support HDR.) Usually $30, you can get the entry-level model today for $20.

For those who want an upgraded audio setup, the Fire TV Soundbar is $20 off. It supports virtual surround sound with DTS Virtual:X and Dolby Audio. It hooks up to your TV’s HDMI port and only takes up 24 inches (with a 2.5-inch height) on your entertainment center. The device works with anything connected to your TV, not only the devices in Amazon’s streaming devices. As an alternative, you can connect it to other devices via Bluetooth. Typically $120, the Fire TV Soundbar is available today for $100.

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One of our favorite Anker USB-C hubs is on sale for $40 via Amazon. The Anker 555 is typically $50, so this is a discount of 20 percent. This is one of the best hubs money can buy, even at its original price. It made our list of the best MacBook accessories, but it’s a mighty fine addition to any PC.

The Anker 555 USB-C hub gives you eight ports to connect just about anything under the sun. There’s two USB-A ports, one HDMI port, SD and microSD card slots, one Ethernet jack and two USB-C ports. One of the USB-C ports provides 85W of power to charge various devices, including laptop computers.

It can handle up to 10 Gbps file transfers and can connect to a 4K/60Hz monitor via the HDMI slot. It’s also extremely portable, making it easy to just throw in a bag until you need it. To that end, it ships with a nice little travel pouch. We wrote that the Anker 555 “has enough power and versatility to be the only laptop hub you need.”

The sale extends to other Anker hubs, if the 555 doesn’t do it for you. The simply-named Anker USB C Hub also costs $40, which is a discount of 15 percent. It comes with 10 ports, including 4K HDMI, 1080p VGA, USB-C, USB-A, Ethernet and a 100W USB-C charging port. There’s also a slot for SD cards. The transfer speed is a bit slower here, however, at 5 Gbps.

Finally, there’s the Anker 565. This hub costs $59 as part of this sale, which is a massive discount of 41 percent. It kicks things up a notch, with 11 available ports. These include a 10 Gbps USB-C data port, a 10 Gbps USB-A data port, a 4K HDMI port, a 4K DisplayPort, a 100W USB-C input port for charging devices, two 480 Mbps USB-A data ports, an Ethernet port, an AUX port and microSD card slots. It also allows for multi-monitor setups, thanks to the aforementioned DisplayPort and HDMI port options.

Follow @EngadgetDeals on Twitter and subscribe to the Engadget Deals newsletter for the latest tech deals and buying advice.

Sony just announced a trio of new speakers in a new line of audio products called the ULT Power Series. This is an attempt by the company to reduce some of the clutter involved with its naming conventions, so say goodbye to the Extra Bass and XE-Series products. Both lines are being wrapped up into the ULT Power Series branding. To suit this new branding, each of the following speakers include something called the ULT button, which provides a bass boost.

The ULT Field 1 is your standard portable Bluetooth speaker. It’s compact and comes in a variety of colors, including black, white, gray and orange. The battery lasts around 12 hours per charge and the casing is IP67 water resistant, dustproof and shockproof. Like many of these ultra-portable Bluetooth speakers, the design lets users stand it on its end or lay it on its side, to make use of space. There’s also a built-in mic for hands-free calling. This speaker costs $130 and will be available later this spring at major retail outlets.

Sony

The ULT Field 7 is basically a beefier version of the Field 1. It’s bigger, though still portable, and includes two dedicated ULT buttons. One provides deeper bass in the lower frequency range and the other brings a powerful, punchy bass. There’s also plenty of ambient LED lighting that synchronizes with the music.

The battery lasts 30 hours, which is a fantastic metric, and includes quick-charging capabilities. It’s also being advertised as a karaoke machine, thanks to the built-in microphone port. Finally, Sony says people can string together up to 100 of these things to make a cacophony of noise that’ll really annoy the pants off of their neighbors. Those neighbors, however, are likely to live in a glorious mansion, as just one Field 7 costs $500. They go on sale later this spring.

Sony

The ULT Tower 10 is, as the name suggests, a Bluetooth tower speaker intended for living spaces. This speaker wirelessly connects to stereo systems and TVs for enhanced audio and includes the same two ULT bass boost buttons found with the Field 7. There’s also a sound optimization feature that detects local noise and adjusts the settings to accommodate the surroundings.

The speaker boasts omni-directional synchronized lighting, which Sony says “makes listeners feel like they are at a music festival.” There are two microphone inputs for belting out karaoke duets and the speaker actually ships with one wireless mic. Listeners can also connect up to 100 compatible speakers at once, including the Field 7. This is one expensive tower speaker, however, so it’ll set you back $1,200 when it releases later in the season.

Sony’s Extra Bass line of headphones has given listeners an added dose of low-end tone for years, and was generally cheaper than its high-end 1000X cans. The company is still keen on offering brain-rattling bass to those who want it, but the Extra Bass moniker and its confusing alpha-numeric product names are gone (more to come on that change). Today, Sony is introducing ULT Power Sound, a feature it’s calling the “ultimate step into the evolution” of its portable audio gear. 

ULT Power Sound will also be available on Bluetooth speakers of various sizes, but the first headphones to feature the new audio direction are the ULT Wear ($200). A direct replacement for the WH-B910, the ULT Wear contains 40mm drivers that Sony says are specifically designed for deeper bass. If the stock tuning isn’t enough, there’s a ULT button for two more levels of low-end boost. Plus, the company crammed in some of its best features from more-expensive headphones: the V1 audio chip, 30-hour battery life, Quick Attention mode, 360 Reality Audio with head tracking and more.

The first thing I noticed about the ULT Wear is its design. These headphones don’t immediately strike me as less-than-premium cans. The matte white finish on my review unit helps mask the mostly plastic construction which looked cheap on previous products like the WH-CH720N. It’s definitely a more refined aesthetic than the WH-XB910 that’s being replaced. There are certainly some nods to the premium 1000X line in a few areas, like the curves of the ear cups and headband.

Sony decided on a mix of physical and touch controls for the ULT Wear, which is another way it’s bridging the gap between its most affordable and most expensive headphones. On the edge of the left ear cup is a power/pairing button and a control for cycling between active noise cancellation (ANC) and ambient sound modes. Further up along the bottom is a third button for ULT bass boost. This item switches between off, ULT 1 (deep bass) and ULT 2 (more powerful sound with deep bass). Over on the right, the outside of the ear cup has a touch panel that you can tap and swipe on for playback controls, volume adjustments and calls.

As the ULT Wear sits in the middle of Sony’s headphone lineup, it has a few of the handy features from the 1000X line that the company’s cheaper options don’t employ. For example, placing your open hand over the right ear cup activates Quick Attention mode that lowers the volume so you can respond to a co-worker or grab your cortado without pausing your tunes. Adaptive Sound Control is here as well: Sony’s long-standing tool that automatically adjusts the headphone’s settings based on your activity or location. General niceties like multipoint Bluetooth and wear detection are present too. The convenient Speak-to-Chat function from more-recent 1000X headphones isn’t available though, which is a considerable omission in terms of overall utility.

Photo by Billy Steele/Engadget

Bass reigns supreme for the ULT Wear’s tuning and you certainly get a heavy dose of it. Those new specifically tuned drivers muster a lot of low-end thump before you even start exploring the ULT boosts. The out-of-the-box level was good enough for me for most genres, although the overall sound can get muddy with more chaotic styles like metal and some synth-heavy electronic tracks. For the most part though, the stock bass provides depth and range that complements full mids and cutting highs.

On Bayside’s There Are Worse Things Than Being Alive, there’s a thundering kick drum to drive the punk-tinged indie rock tunes, but the texture of the crunchy distorted guitars stands out and vocals cut through clearly. Plus, you can add Sony’s DSEE upscaling through its app, a software trick that’s designed to recover sonic elements lost to compression. And if you have access to 360 Reality Audio content, the ULT Wear supports head-tracking so that sounds stay put when you move. This offers a more realistic experience since the immersive audio in this format would otherwise move with your head.

When you hop into the ULT boost modes, things are a mixed bag. Sony has done bass boost better than most other companies here, as songs are still actually listenable across musical styles rather than just becoming a muffled mess. ULT 1, the option for deeper bass, is the best in my opinion. You don’t lose much detail using it and things like kick drums are still punchy throughout. Hip-hop tracks are a better canvas, with songs like Killer Mike’s “Down By Law” blasting bombastic, yet finessed, amplified bass. His album Michael is one of the better-sounding selections I tested with ULT 1 enabled.

ULT 2, a setting for more powerful sound alongside even deeper bass, isn’t great. During my tests, I didn’t find a single track where I thought it sounded good across driving low-end styles like hip-hop and EDM. It sounds like you’re standing in front of the subwoofer at a concert where bass is most prominent and everything else gets drowned out. And while I’m sure some people enjoy that extent of brain rattling, it’s not what I’m looking for.

Photo by Billy Steele/Engadget

Sony improved ANC from the WH-XB910 by installing its V1 audio processor from the 1000X series in the ULT Wear. The result is noticeably improved noise-canceling performance for a set of $200 headphones, but you shouldn’t expect distraction-blocking as robust as what the WH-1000XM5 offers. It’s good in most situations, but in some scenarios it simply dulls the roar. The ULT Wear does, however, do a decent job with human voices – much better than the Sennheiser Accentum Plus I recently reviewed.

The company didn’t go out of its way to discuss call quality on the ULT Wear, but the performance here is slightly above average. It’s not pristine, but it also doesn’t have the obvious speaker phone sound most headphones do. Low-to-mid-volume background noise is also dealt with nicely. Ambient sound mode on the ULT Wear is more natural that what most headphones offer, save for the AirPods Max. You can hear a good amount of your own voice, so you’re free to speak at a normal volume during calls. And any sounds from your surroundings come through clear, so you don’t have to worry about not hearing alerts or announcements.

Sony says you can expect up to 30 hours of battery life with ANC on or up to 50 hours with it off. The company doesn’t specify if either of the ULT modes impact longevity, and I didn’t have them on long enough to tell. After 20 hours of use with mostly ANC and several instances of ambient sound for calls, both used at around 50-60 percent volume (trust me that’s plenty loud here), Sony’s app was showing 44 percent battery left. This is more efficient than the stated figure, but I’ll update this review when the full rundown is complete.

If you crave a deep bassy thump that most headphones haven't been able to deliver, the ULT Wear does a much better job boosting low-end tone than Sony’s previous efforts. The sound out of the box is certainly boomy, but not at the cost of any detail, and the company gives you the option to add two more servings of bass when you crave it. These won’t be for everyone as a lot of people will prefer the more even-handed tuning of Sennheiser’s Accentum Plus in the $200 range. However, Sony has done well to dress up a more affordable set of headphones as a premium product, in terms of both looks and features.

The ULT Wear headphones are available in black, white and green color options for $200. Sony says they'll start shipping sometime this spring. 

Substack shows are now on Spotify. The partnership lets Substack podcast creators add Spotify distribution for their programs with only “a few clicks.” The move could boost the streamer’s library after scaling back its exclusive podcast ambitions last year in favor of broader distribution — including a non-exclusive contract renewal with noted vaccine aficionado Joe Rogan.

When listening on Spotify, you’ll see a padlock (or “Paid” tag, where applicable) next to Substack podcasts. You’ll need to link your Substack account before you can begin listening.

Some Substack podcasts are free, and you can listen to those immediately after linking accounts. For paid programs, you’ll still need to pony up for those on Substack before you can hear them on Spotify. (The move is less about giving you freebies and more about expanding Substack’s audience.) But you don’t need Spotify Premium; you can listen to the same Substack content whether you’re on a free or paid Spotify plan.

Spotify says podcast creators retain complete control of their content, subscriber bases and revenue. When setting it up, podcast makers need to choose an option to sync with Spotify in their Creator Account settings. That will instantly make all of their current and future programming available on the streaming platform.

The partnership is built on the Spotify Open Access API, which publishers like Calm, The Economist, Freakonomics Radio, Patreon, Dateline NBC and The Wall Street Journal also use to tap into the music platform’s listener base. It’s easy to see the appeal for creators: Spotify reported 602 million monthly active users and 236 million premium subscribers at the end of 2023.