The internet has been buzzing the last couple of weeks with rumors that Microsoft will begin publishing Xbox first-party games on competing consoles. The company promised it would soon share more details about its “vision for the future of Xbox” and that looks to be coming on February 15. Phil Spencer will appear on the Official Xbox Podcast to share “updates on the Xbox business.”

The episode drops at 3PM ET and it’ll also feature Sarah Bond, President of Xbox, and Matt Booty, the head of Xbox Game Studios. Those are three big names, so this could be a real barnburner of a podcast episode.

We don’t know what the team has in store, but there have been all kinds of rumors flooding the web, from Hi-Fi Rush coming to the Nintendo Switch to Starfield and Indiana Jones and the Great Circle showing up on the PS5. It’s somewhat unusual for one of the big three to outsource first-party titles to competing platforms, but it’s not unheard of. Sony puts many of its biggest games on Steam and there are already some former Xbox exclusives on the Switch, like Ori and the Blind Forest and its sequel.

Many fans, however, have used these rumors to fuel wild speculations that Xbox is about to exit the console business entirely. This isn’t likely, even if the Xbox Series X and Series S consoles have underperformed when compared to the Switch and PS5. The company held an internal townhall last week and Spencer reportedly told employees that it has no plans to stop making consoles and that Xbox systems would continue to be a large part of its overall strategy, according to games reporter Shannon Liao.

Also, Game Pass is still a huge selling point for Xbox consoles, with a May 2023 survey indicating that 32 percent of gamers subscribe to the service. There were over 33 million subscribers back in 2022, and that number’s likely to have grown since then.

Microsoft isn’t exactly struggling, even when you factor in the games division. As a matter of fact, the company’s gaming revenue was up an impressive 49 percent for Q2 2024, due primarily to the Activision acquisition deal. A recent earnings report indicated company revenue of $62 billion (up 18 percent from last year) and profits of $21.9 billion.

Even with those numbers, however, Microsoft’s gaming division is still laying people off left and right. The company just slashed 1,900 jobs from its Xbox, Activision Blizzard and ZeniMax (aka Bethesda) teams. If it's looking for the constant growth that modern capitalism requires, dropping some of its more popular titles onto other consoles isn’t exactly the worst idea in the world. In any event, we’ll find out Thursday afternoon.

CRKD, makers of the beloved Nitro Deck controller for Nintendo Switch, launched a new gamepad on Thursday that resembles what a modern-day NES controller might look like. The wireless CRKD Neo S has Hall effect thumbsticks, swappable stick tops and a $50 retail price. It works with Switch, PCs, mobile devices, and smart TVs.

The Bluetooth gamepad carries over much of what made the Nitro Deck feel like the Switch’s “true and final form.” It includes two thumbsticks (both Hall effect-enabled with swappable tops), a D-pad, four action buttons, triggers, mappable back buttons and adjustable vibration.

The CRKD Neo S ships in various creative designs and colorways, several of which tap into Nintendo nostalgia. For example, the gold hue looks similar to Nintendo’s Game & Watch and original Famicom with a familiar red-and-gold color scheme. Meanwhile, the clear Neo S calls back to the transparent variants of the Nintendo 64 controller and Game Boy Color portable console.

Three variants (blossom, splatter, and junkyard) were designed by CRKD’s creative director, POPeART. His work is inspired by the traditional Japanese aesthetic wabi-sabi, which is based on the principles of imperfection, impermanence and incompletion. Or, as POPeArt puts it, “Nothing lasts, nothing is finished, and nothing is perfect.”

CRKD, which describes the controller as a “statement” and an “art piece,” hopes you’ll buy the Neo S not only for playing games but also as a collectible. In addition to the bold designs (nine will be available at launch), the company’s mobile app will track your registered products, provide digital proof of ownership and display the accessory’s “rarity rank.” As fetching as the designs may be, it remains to be seen how many gamers will go for a marketing tactic designed to get you to buy extra controllers as a hobby.

Each Neo S variant costs $50. At the time of publication, they’re slated to ship in April. The controller is available for pre-order on CRKD’s website.

Microsoft’s post-acquisition layoffs at Activision Blizzard have already caught the FTC’s eye. Now we know more about which subsidiary studios will take the hit. First reported by the San Francisco Chronicle (via Eurogamer), California WARN notices list 86 upcoming scheduled layoffs at Skylanders maker Toys for Bob and 76 cuts at Call of Duty: Vanguard developer Sledgehammer Games.

California requires companies to notify the state of upcoming layoffs, thanks to a 1988 law mandating 60 days’ notice about staffing cuts (if they reach specific thresholds). The latest WARN alerts for Activision Blizzard report 86 upcoming cuts at an address in Novato, CA — matching Toys for Bob’s offices — effective March 30. In addition, the San Francisco Chronicle reports on a California state filing indicating Toys for Bob’s offices will close.

Toys for Bob is known for spearheading the “toys-to-life” concept, which Nintendo later embraced with its Amiibos. The Activision Blizzard subsidiary’s most successful projects include the Spyro the Dragon series, Skylanders and Crash Bandicoot 4: It’s About Time. The Gamer reported in late January that Toys for Bob would cut 40 percent of its staff, which would have only been around 35 jobs.

In addition, another 76 Activision Blizzard employees will lose their jobs (also on March 30) at an address in San Mateo, CA, matching the headquarters of Sledgehammer Games. The studio has developed or contributed to several Call of Duty games, including CoD: Modern Warfare 3 (2011), CoD: Advanced Warfare (2014), CoD: WWII (2017) and CoD: Vanguard (2021). The studio was founded in 2009. Insider Gaming reported in January that Sledgehammer Games would close its offices and go fully remote.

In late January, Microsoft said it would slash 1,900 jobs across its Xbox, Activision Blizzard and ZeniMax (Bethesda) teams. The Federal Trade Commission (FTC) filed a complaint in a federal appeals court on Wednesday, arguing that the substantial round of layoffs “contradicts Microsoft’s representations in this proceeding.” The government agency asked for a temporary pause of Microsoft’s Activision Blizzard acquisition, which appeared all but locked up after the UK’s Competition and Markets Authority approved the $69 billion purchase in October.

An estimated 10,500 gaming industry workers fell victim to layoffs in 2023. We’ve already seen 6,000 more in 2024, only slightly over a month into the new year. It’s been part of a devastating year-plus of broader tech-industry layoffs.

Octopath Traveler developer Acquire has been purchased by FromSoftware’s parent company, the Kadokawa Corporation, for an undisclosed sum. The Japanese conglomerate announced the acquisition in a quarterly earnings report published today, as revealed by Gamesindustry.biz.

The purchase makes Acquire a sister company to FromSoftware and Spike Chunsoft, among others. For the uninitiated, FromSoftware is the developer behind little known games like Dark Souls, Elden Ring and Sekiro: Shadows Die Twice. Spike Chunsoft is also no slouch, as it's behind the Danganronpa and AI: The Somnium Files franchises.

Acquire has made many games beyond Octopath Traveler and its sequel, including No Heroes Allowed VR, Akiba's Beat and Akiba's Trip: Undead and Undressed. Kadokawa said the purchase should help the company “generate synergies” with its “existing game-related subsidiaries.” We don’t know what that means, but hopefully it refers to a bizarre Octopath Traveler and Elden Ring crossover title.

Kadokawa also says the move will enhance its “line-up of console games.” This is true, as the original Octopath Traveler sold over three million copies and the sequel sold a million copies in just three months. Those are big numbers for JRPGs with old-school mechanics. The company hasn’t announced whether it’ll still rely on Square Enix for publishing future entries in the Octopath franchise, but with those sales numbers it’s a fairly safe bet.

Last year’s Octopath Traveler 2 arrived to mostly positive reviews, though we dinged it for the same reason many people took umbrage with the original. The eight storylines don’t intersect enough, making the whole thing seem kind of random and disconnected. Still, the games are gorgeous and manage to capitalize on nostalgia for retro gameplay mechanics. They “feel” like classic Square Enix RPGs, even if they struggle with some of the execution.

Insomniac Games has long-promised a New Game+ mode for its hit superhero sim Marvel’s Spider-Man 2 and it’s arriving on March 7. The mode was supposed to drop at the tail-end of 2023, but was delayed until 2024. The forthcoming update won’t just be about New Game+, as Insomniac promises “new suits and more.”

We don’t exactly know what the mode will look like, as the developer urges players to keep an eye on its social media accounts “for a complete list of features closer to release.” However, we can glean some information from the New Game+ option that’s currently available for the original game. This mode lets players restart the story while holding on to items they found during the previous run. It’s possible the New Game+ for Spider-Man 2 will offer more than that, as the developer has advertised that “many more” features will soon arrive for the open-world web-slinging adventure.

The game also currently lacks audio descriptions, which is an accessibility feature intended for players who are blind or have low vision. This is coming, but we don’t know if it’ll be included with March’s update.

Marvel’s Spider-Man 2 lets you swap between protagonists Peter Parker and Miles Morales with the push of a button. It’s widely regarded as being the rare sequel that’s both bigger and better than the original. We admired the incredibly fun traversal mechanics, engaging open world and the game’s satisfying story. The PS5 exclusive quickly became the fastest-selling first-party title in PlayStation history, with more than 2.5 million copies sold in one day.

The production pipeline for mainstream video games has always been hectic. The AAA factory is powered by rigid marketing plans and periods of soul-sucking crunch, and while this process has resulted in incredible games over the years, it's also been detrimental to developers' mental health and long-term job stability. Layoffs have long been baked into the video game industry, but in recent months, this trend has been running in overdrive, and it's happening at studios of all sizes.

This week's stories

Kojima Films

Hideo Kojima is partnering with Sony to build a new game that’s actually more like a movie. Of course, you could say this about any of Kojima’s games since Snatcher, but this time around, he’s doing the Hollywood thing on purpose. The new project is codenamed PHYSINT., and it’s a return to Kojima’s action-espionage roots, but it’s definitely not Metal Gear. Apparently it’s going to blur the boundaries between film and games, and it’ll take advantage of Sony’s connections in movies and music. Kojima Productions will start working on the new IP after finishing Death Stranding 2, which is set to come out in 2025. Kojima is also building OD, an Xbox movie — sorry, game — made in collaboration with horror director Jordan Peele.

Xbox on other platforms

It looks like Xbox is preparing to release some of its exclusive titles on PlayStation and Nintendo platforms. A handful of reports rolled out this week suggesting Starfield, Indiana Jones and the Great Circle, Sea of Thieves and Gears of War are all slated to hit PS5 or Switch in the near future. Xbox head Phil Spencer neither confirmed nor denied the reports, and instead teased an event next week that should clarify the studio’s multiplatform plans.

Layoffs in 2024

Both Sony and Microsoft have delivered their first showcases of 2024, highlighting all of the big, shiny games coming out soon, like Hellblade 2, Avowed, the Silent Hill 2 remake and Stellar Blade. The trailers for these titles are as vibrant as ever and the marketing beats are just as breathless — but, man, it’s really hard to get excited about video games right now. Rampant layoffs have cast a shadow over the industry, and even if 2024 turns out to be a banner year for video game debuts, it still feels shitty.

In the first month of 2024, an estimated 6,000 people in the video game industry lost their jobs. This figure is steadily climbing and it’s building on a rash of layoffs in 2023, when an estimated 10,500 video game jobs were cut. I don’t want to just drop these numbers without context — 2022 saw about 8,500 layoffs and this was considered terrible. 2023 eclipsed this total and, just six weeks in, 2024 is on track to do the same.

Here are some stats from January alone: Riot Games laid off 530 people, or about 11 percent of its workforce, and closed down its experimental publishing label. Devolver Digital laid off 28 people at Artificer, a team it purchased in 2021. Dead by Daylight studio Behaviour Interactive lost 45 people. Sega of America fired 61 workers. Microsoft laid off nearly 2,000 employees across Activision Blizzard, ZeniMax, and Xbox the same week that it became a $3 trillion company. Unity plans to drop 1,800 employees by March, and this is on top of the 1,000 jobs that the studio eliminated in 2023. Embracer Group gutted the team behind Tiny Tina’s Wonderlands and laid off 97 people at Eidos Montreal, canceling a new Deus Ex game in the process. The holding company already terminated about 1,000 jobs in 2023 and its restructuring efforts are expected to last until March.

Recent layoffs have affected studios of all sizes, and they’re happening even as the industry’s leading companies grow financially. If it sounds like I’m repeating myself, that’s because I am — I reported on the layoffs crisis at the end of last year, and things have only become more concerning in the first weeks of 2024. The video game industry received an influx of attention and cash during the pandemic in 2020 and 2021, and today’s layoffs are a response to a period of unchecked growth and corporate consolidation.

All of this instability provides an unsettling backdrop for the hype coming out of the video game industry this year. It’s tough to get excited about Xbox’s Avowed when we know people lost their jobs during production, and it’s hard to enjoy Devolver’s next edgy showcase when it just downsized a studio it didn’t need to buy in the first place. 

At the same time, we’re seeing how unionization can help protect the people who make video games. Though dozens of people lost their jobs at Sega of America this year, the studio’s AEGIS-CWA union negotiated to save some roles and offer severance to temp workers. Unionization efforts have been on the rise since 2021, and the appeal of collective bargaining is only clarifying as the firing squads take aim.

Bonus Content

• The futuristic action-RPG Stellar Blade is coming out on April 26, exclusive to PS5.

• Dave the Diver, the pixelated non-indie game that somehow got nominated for Indie Game of the Year, is coming to PS4 and PS5 in April, and it’ll get Godzilla DLC in May.

• Johanna Faries has replaced Mike Ybarra as the president of Blizzard. Ybarra quit during Microsoft’s downsizing in January, and Faries was previously the head of Call of Duty under Activision.

Now Playing

Now that I can actually talk about it, I want to say that Persona 3 Reload is absolutely delicious. The Morning After host Mat Smith wrote our review, go give it a read if you’re a freak like us.

Just one more hand. Just one more attempt to win at the card game, Queen’s Blood. In my limited preview time with Final Fantasy 7 Rebirth, weeks before the game is due to be released, I may have spent a little too long learning the rules of this companion card game, introduced relatively early into the game. And I regret nothing. (For one, because I previewed most of the changes to the battle system a few months ago.)

This early addiction bodes well for the wider game. It’s a sign that the team behind this sequel-of-a-remake is making a world bigger and richer than the occasionally on-the-rails one in Remake. I’m hoping for a more open-world experience, now that the characters have finally escaped Midgar. (See: the plot of Final Fantasy 7 Remake) A change of location, too, shakes up the look of Rebirth. It has plants! Nature, everywhere! At least once you’re out of a satellite town called Kalm in Chapter 2.

Square Enix

First, I played through Chapter 1, which also acts as a tutorial. It’s a flashback to Nibelheim, which explains how protagonist Cloud and antagonist Sephiroth worked together before; well, the latter seemingly lost his mind and slaughtered everyone in town.

It’s a more story-weighted version of my earlier demo, but I could now explore the town that multiple party members grew up in. When Cloud explores his friend Tifa’s house – without her permission – it sets up some entertaining criticisms of his lack of boundaries. Still, it was all predicated on me choosing to be awful and barge into Tifa’s room, play her piano, and just be a bit of a creep.

The chapter also raises some unanswered questions around Cloud and his fuzzy memories of Nibelheim. Anyone who’s played the original knows where this is going, but given how some characters in the first third of the game didn’t die, I’m waiting to see how the developers further shake up the plot for new and old fans. There should be a significant death during this middle chapter of the game: Will they twist the knife?

Let’s go back to the new card game. Queen’s Blood follows on from Triple Triad, Tetra Master and that weird pinball-ish game in Final Fantasy XV that might best be forgotten. You’ll be able to customize your deck of cards, each with a different layout of tiles and occasional special effects. It’s almost Risk-like, aiming to dominate the board and rack up the highest score on three rows. Cards can reclaim territory, lower stats, and all the usual videogame card antics, and yes, I am struggling to explain it in words. But it’s fun. And I should have stopped playing to explore more of the grasslands than I did.

Square Enix

Once you’ve wrapped up your card games and stepped out from Kalm, I could explore in most directions. In the time I had leftover, I saw points of interest packed with treasure, unique monster packs, resources to collect, weapons with skills to master, chocobos to tame and race, chocobo stops to repair (which add fast-travel spots to the map); and the return of the terribly-named Chad with virtual battles and tasks for you to help unlock more materia for extra spells and abilities. I then ate dirt in a battle to unlock the summon spell for Titan.

I liked this pick-and-choose busy-ness, but some diversions felt like they were there for the sake of killing time, a la Assassin’s Creed. I hope the developers remember to pare down travel time where they can, because traversing an area can get boring, even when riding a giant bird.

Fortunately, getting from A to B is interrupted by entertaining, occasionally challenging, battles. One new addition to Rebirth is an enemy detection radar that shows enemies' aggression level, helping you avoid fights when you just want to get going.

Another new dynamic is the party’s bonds with each other, which are now integrated with your movesets and stats. This presented itself in dialogue choices and side quests, adding a popular social mechanic seen in so many JRPGs into this remake sequel. What’s notable is that the more you deepen this friendship, a separate skill tree improves characters’ stats and even unlocks new synergy attacks (which I elaborated on here) to use in battle. Square Enix teased that the level of bonds could affect the story too – but that could just reflect the theme park ‘date’ that Cloud goes on, later, in the original game. We’ll find out in a few weeks.

Final Fantasy VII Rebirth launches on the PS5 on February 29, 2024.

Tencent is in the midst of developing an Elden Ring game for mobile phones, according to Reuters. Apparently, if the Shenzhen-based tech company's plan pushes through, fans are getting a free-to-play title with in-app purchases, similar to the gacha game Genshin Impact. That's a complete departure from the original Elden Ring action RPG, which sells for $60 from the get-go and isn't loaded up with microtransactions. 

That's pretty much all the details Reuters has reported — according to the news organization's sources, progress on the project has been slow, so it may take a while before we see the game. That is, if the game even gets released: Tencent recently shut down the development of much-awaited Nier mobile game that had been in the works for two years. Tencent reportedly couldn't find a monetization model that would allow it to recoup what it cost the company to license the franchise from Square Enix, along with what it's going to spend to bring the project to completion. 

Tencent and Sony purchased a 30 percent share of FromSoftware, the Japanese developer behind Elden Ring, back in 2022. The Chinese company also acquired the licensing rights to develop the game back then and put together a team with a "few dozen people" to work on a prototype. Reuters says Tencent is hoping to give its aging library of games a boost with a new title, and one based on a wildly successful game like Elden Ring has the potential to become a hit. 

The popular MMO game Final Fantasy 14 is finally heading to Xbox Series X/S consoles, but there’s a major caveat. The full release will require an Xbox Game Pass Core or Ultimate subscription, according to publisher Square Enix. This will be in addition to the monthly fee to actually play the game.

Let’s break down the cost. A 30-day subscription to the game will set you back $15, while 90 days costs $42 and 180 days comes out to $78. Xbox Game Pass Core costs $10 per month or $60 for a year. Xbox Game Pass Ultimate costs $17 per month. So Xbox players will have to shell out a minimum of $18 each month and a maximum of $32 per month to travel the magical world of Eorzea. The download itself is free, for whatever that's worth.

This is slightly unusual for a couple of reasons. Back in April of 2021, Microsoft removed subscription requirements for free-to-play multiplayer games. Final Fantasy 14, however, is not quite free-to-play, though it’s free-to-download. Also, PlayStation players have long been able to adventure through the game without having to purchase a PlayStation Plus Subscription. To Sony, the game falls into the free-to-play category, but not for Microsoft.

It’s worth noting that the subscription requirement has been lifted for beta players. The open beta test for the Xbox Series X|S version of Final Fantasy 14 starts on February 21 at 12AM PT.

The full game will be released when the beta finishes up, but there’s no concrete information yet. It should be available by the time this summer’s Dawntrail expansion hits. The open beta’s reserved for new players, so you won’t be able to participate if you’ve already had access to a free trial or a license registered to your Square Enix account.

Microsoft's gaming division appears to be considering a significant shift in its strategy when it comes to major exclusives. Rumors have been swirling for a while that the company is bringing Hi-Fi Rush, a well-received game from last year, and Sea of Thieves to Nintendo Switch and PlayStation 5. But the company is said to be bringing some of its blockbuster Xbox exclusives to PS5 as well, which would mark a monumental change in policy.

Over the weekend, XboxEra reported that Microsoft will bring Bethesda's Starfield (its tentpole game for 2023) to PS5 later this year, sometime after the release of the Shattered Space expansion. The report suggests that Microsoft has acquired more PS5 dev kits to help port its games to Sony's console.

MachineGames' Indiana Jones and the Great Circle could be bound for PlayStation 5 as well. According to The Verge, the action-adventure game is slated to hit Sony's platform just a few months after it debuts on PC, Xbox and Game Pass later this year.

Amid the Federal Trade Commission's failed attempt to block Microsoft's acquisition of Activision Blizzard, then-Bethesda vice president Pete Hines confirmed in court last year that Indiana Jones and the Great Circle was initially going to be released on multiple consoles. However, after Microsoft purchased Bethesda parent ZeniMax Media, it changed the agreement to make the game an Xbox console exclusive. The FTC was also under the belief that fellow Bethesda titles Starfield and Redfall were at one point bound for PS5 before those versions of the games were canned.

There's really only one reason why Microsoft would even begin to consider bringing more of its exclusives to PlayStation: money. It may be the case that the Game Pass model can't really sustain multiple games with nine-figure budgets and Microsoft could feel as though it's leaving money on the table by not having certain titles on PS5, as XboxEra put it.

It's clear that Microsoft is looking to make its gaming division more profitable. It recently laid off around 1,900 workers in that unit, just a few months after closing the $68.7 billion Activision Blizzard takeover.

When Microsoft bought ZeniMax, Microsoft Gaming CEO Spencer said his team would decide platform availability on a case-by-case basis. However, he said that Starfield would only be available on Xbox, PC and Game Pass.

Some Xbox games are already available on PlayStation and Switch, such as Minecraft Dungeons. As part of its 10-year deal to release Call of Duty titles on Nintendo consoles, Microsoft suggested it would bring other Xbox games to Switch and/or its successor.

The change in strategy could call into question Xbox's place in the games industry. While console wars are by and large nonsense, some players may feel aggrieved that Starfield and the Indy game are seemingly bound for PS5, especially if they decided to make Xbox Series X/S their sole console. Certain gamers who might only be able to afford one of the flagship consoles and tend to trade in games may feel that they're missing out if they plumped for an Xbox but Microsoft's titles are hitting PS5 alongside the likes of Marvel's Spider-Man 2 and God of War Ragnarok.

It might not be too long until we learn more details about Microsoft's shift in multi-platform strategy. Hi-Fi Rush is reportedly coming to Switch and PlayStation this quarter, while the company is said to be preparing a public announcement about the new lay of the land for later this month.