It was just another day in South Park. The kids were making fun of each other on the playground, while the parents were all doing their best to maintain their sanity in the small Colorado town. And then there was me, a tech journalist going door-to-door warning about the impending AI apocalypse. No, I wasn't actually guest starring on the long-running TV series — I was thrust into an episode entirely produced by the Showrunner AI model from The Simulation, the next iteration of the VR studio Fable.

All it took was some audio of my voice (recorded during a call with The Simulation's CEO Edward Saatchi), a picture and a two-sentence prompt to produce the episode. And while it wasn't the best South Park episode I've seen, I was shocked by how watchable it was. It begins with my AI character popping into Sharon and Randy Marsh's house in the morning, warning them about the AI uprising. Randy is intrigued, but Sharon is annoyed by my arrival (both of which were set up in one sentence of the initial prompt).

"They're [AI] infiltrating every aspect of our lives," my AI character says. "They're in our cars, our phones... even our toasters."

"Our toasters, really? I always knew that little bastard was up to something," Randy replies.

Sure, that's not exactly a tightly crafted joke, but it was enough to make me chuckle. And again, it didn't take much for Showrunner AI to piece that conversation together. Watching this episode made it clear that generative AI can actually produce watchable content (certainly more so than that AI Seinfeld project), but it also made me even more worried about the role of AI in media.

At this moment, writers in the WGA and performers in the SAG-AFTRA unions are striking for better residual pay and protections against potential AI exploitation. A tool like Showrunner AI, which can produce decent content without much effort, threatens creatives everywhere. The WGA strike and the fears around AI-generated content is also the main plot line in the demo South Park episode, "Westland Chronicles."

The Simulation

"Maybe it's a mistake to release it, I'm not sure," Saatchi said over email, when I asked if it's really the best time to launch Showrunner AI. "If our focus was becoming 'the AI TV studio' and gloating that we can make shows with no staff I'd feel very queasy — but we're trying to build a simulation and we need infinite story to make that work."

He added: "Now is the moment, in the biggest strike in 60 years, before AI has achieved takeoff, to negotiate the most aggressive protections possible for writers and actors from producers' use of AI — negotiations now so that these tools are in the hands of artists and creators only and not the hands of producers trying to become Griffin Mill Robert Altman's The Player."

(That character famously said, "I was just thinking what an interesting concept it is to eliminate the writer from the artistic process. If we could just get rid of these actors and directors, maybe we've got something here.")

The idea of building intelligent characters isn't new for Saatchi. In 2018, we discussed Fable Studio's VR adaptation of Neil Gaiman's The Wolves in the Wall, which centered on an interactive character named Lucy. Even then, he thought AI-powered beings were more intriguing than the notion of VR storytelling. Now, thanks to the proliferation of generative AI models, he can finally make that happen.

The Simulation

His goal with The Simulation is right there in the name: He wants to create simulations of characters living their lives in specific environments, similar to The Truman Show. That content could be cut down into episodic summaries with Showrunner AI. Like so many in the AI field, Saatchi eventually wants to build AGI, or Artificial General Intelligence, "an AI that reaches and surpasses human intelligence and is, ultimately, a new lifeform."

While many AI experts remain skeptical about the viability of AGI, Showrunner could still end up being a powerful tool. But of course, like any tool, it could end up being used for good or evil. Saatchi envisions it being helpful for creators to build their own shows without a huge budget, but he also admits it could be used by studios to "undermine artistic expression."

The Simulation

After watching myself starring in a South Park episode, though, I'm more worried than hopeful. The tech isn't perfect yet — my voice sometimes sounds overly robotic, and characters pronounce my name differently almost every time — but it's close enough. Saatchi and his team, including the AI research Philipp Maas, who developed the South Park simulation, still preview every episode to ensure they make sense. But with no end in strike for the Hollywood union strikes, it's hard not to imagine some studio looking at this tool as a potential savior.

“We aren’t releasing the Showrunner commercially and aren’t in talks with the South Park people (though we are with several studios about their IP, as well as creators to make original IP) but we used South Park only so that people have a comparison point between a super high quality human show and an AI show," Saatchi said. "If the showrunner was ever released with the permission of an IP (letting fans create their own episodes) we believe all the revenue should go to the IP holders — these are just remixes after all!"

Currently, The Simulation is developing showrunners around other animated concepts, like a space exploration series, and a Silicon Valley satire dubbed "Exit Valley." The technology can't produce live action content yet. The company is also releasing a research paper explaining how its showrunner AI technology works, with the hopes of encouraging more AI workers to build on it.

The most striking thing about my South Park episode is that it actually feels like an episode of the show. Over the course of five minutes, I visited the local school, where all of the kids proceeded to make fun of me. One wisely lectured me about overhyping claims about the AI apocalypse, while I was also warning them to watch out for clickbait. By the end, I was eager to see more. And that was the most worrying thing of all.

The Academy of Television Arts and Sciences has announced this year's Emmy nominations and there's lots of good news for the team behind The Last of Us. HBO's massively successful series scored 24 nominations, more than any other show this year except Succession (27). The White Lotus (23) and Apple TV+ comedy Ted Lasso (21) followed closely behind.

The Last of Us is the first live-action video game adaptation for film or TV to make a serious dent at a major awards ceremony (League of Legends series Arcanewon the Emmy for Outstanding Animated Program last year). It's up for Outstanding Drama Series alongside Andor, Better Call Saul, House of the Dragon, Succession, The White Lotus and Yellowjackets.

Pedro Pascal (who has three nods in total this year) and Bella Ramsay picked up nominations for their lead roles in The Last of Us. So did guest stars Melanie Lynskey, Storm Reid, Anna Torv, Murray Bartlett, Lamar Johnson, Nick Offerman and Keivonn Montreal Woodard. Craig Mazin, the show's co-creator, and Peter Hoar are, respectively, nominated for writing and directing the show's stellar third episode, "Long, Long Time."

Elsewhere, reigning champ Ted Lasso will compete against Abbott Elementary, Barry, The Bear, Jury Duty, The Marvelous Mrs. Maisel, Only Murders In The Building and Wednesday in the Outstanding Comedy Series category. On the Star Wars front, Andor scooped up eight nominations and The Mandalorian got nine. Obi-Wan Kenobi snagged five, including one for Outstanding Limited or Anthology Series.

Disney+ film Hocus Pocus 2 (three nominations in total) and Roku's Weird: The Al Yankovic Story (eight nods overall) are up for Outstanding Television Movie. Amazon's big-budget The Lord Of The Rings: The Rings Of Power landed six nominations, mostly in technical categories. 

Stranger Things, which isn't eligible for top honors this year, also has six nods in down-the-line categories. Meanwhile, Peacock's Poker Face snagged four nominatons, Star Trek: Picard has two in makeup categories and Netflix's brilliant I Think You Should Leave With Tim Robinson snagged a pair of nods.

Perhaps unsurprisingly given how many nominations Succession, The Last of Us and The White Lotus racked up, HBO leads the pack this year with 127 nominations overall. According to Deadline's tally, Netflix has the most of any streaming-only network with 103, followed by Apple (52), Amazon (46 between Prime Video and Freevee), Hulu (42 or 64 if you include FX shows), Disney+ (40), Peacock (eight) and Paramount+ (seven). By contrast, broadcast networks earned 86 nods between them.

This year's Emmy Awards ceremony is scheduled to take place on September 18th. However, amid the WGA writers' strike and pending action by the actors' union, reports suggest it may be delayed until November or even January.

Late last month, Apple uploaded the debut episode of Silo to Twitter to promote the show's season one finale. Now it's doing the same with its other tentpole sci-fi series. Starting Monday, you can watch Foundation's first episode on YouTube ahead of season two'sJuly 14th premiere.

Apple's live-action adaptation of Issac Asimov's classic novel series of the same name premiered in 2021 following a pandemic-related production delay. As 9to5Mac notes, you can already watch the first episode of the series for free on Apple TV, but that requires access to the app and not everyone might want to install Apple's streaming service on their smart TV. Season two of Foundation sees some of season one's original cast, including Lee Pace and Jared Harris, return. Filming of season three is rumored to be already underway. In the meantime, you can watch the show's first episode on Monday at 2PM ET, followed by a live Q&A with showrunner David Goyer.

Apple is borrowing a marketing tactic from Twitter pirates. The company made the unusual move of uploading the entire first episode of its series Silo to the social platform, allowing anyone there to watch the opening installment for free. The gambit follows Twitter’s move to allow longer video uploads for subscribers. The free episode may be worth checking out: Engadget found the Apple TV+ original series to be “simply transcendent sci-fi TV.”

Silo is based on the science fiction novel Wool by American author Hugh Howey. It takes place on a post-apocalyptic version of Earth, where what remains of humanity is confined to the Silo, a 144-story underground bunker that serves as a self-sufficient underground community. The citizens are told that the world outside the Silo is perilous, but questions arise about what truly lies beyond. It’s a clever premise that allows showrunner Graham Yost to explore the book’s themes about truth vs. fiction and information as power. Apple has reportedly renewed the series for a second season.

Rebecca Ferguson (Dune) stars as Juliette Nichols, an engineer who uncovers a web of secrets after her lover, George (Ferdinand Kingsley), is murdered. The series also stars Rashida Jones, David Oyelowo, Common, Tim Robbins and Harriet Walter.

Episodes one through nine of Silo are available to stream now on Apple TV+. The season finale (titled “Outside”) premieres this Friday.

If you’re a Star Trek fan and haven’t watched Prodigy yet, you may want to do so before next week. According to The Hollywood Reporter (via io9), Paramount+ has canceled the series alongside a handful of other shows, including Grease: Rise of the Pink Ladies and The Game. Taking a page from Disney and Max owner Warner Bros. Discovery, Paramount Global is also removing Star Trek: Prodigy, and the other shows it canceled on Friday, from Paramount+ in exchange for a tax writeoff. Fans have until sometime next week to watch the series before its fate becomes uncertain.

“As we prepare to combine Paramount+ and Showtime later this month in the US, we are refining our content offering to deliver the best streaming experience for subscribers,” a Paramount+ spokesperson told The Hollywood Reporter. “This is consistent with our content strategy since launch and across our business, which ensures we make smart, efficient choices, informed by audience data and insights. We are removing select programming as we look to optimize Showtime’s robust slate of premium originals.”

The cancelation comes after Paramount+ previously greenlit a second season of Star Trek: Prodigy. The show could find another home. The Hollywood Reporter notes Prodigy producer CBS Studios plans to complete postproduction on season two and shop both seasons to a new streaming platform. The announcement won’t affect other Star Trek series, with Paramount+ set to remain the home of ongoing entries like Strange New Worlds.

Following a sneak peek and a teaser, Apple TV+ has finally released the official trailer for season two of Foundation — set 100 years ahead of season one's finale. The show, based on Isaac Asimov's book series, will introduce viewers to a second crisis: war with the Empire. Season two also follows the Cleons unraveling, "a vengeful Queen" plotting to destroy the Empire and the Foundation in its religious phase. As Dr. Gaal Dornick (Lou Llobell) reveals in the trailer, it will bring "Despair, death, destruction. This is even bigger than the last crisis." Whatever happens will decide the fate of all humanity — no big deal.

The ten new episodes come almost two years after season one first premiered and keep some of the original cast, including Lee Pace and Jared Harris. Its new season debuts Friday, July 14, on Apple TV+, with new episodes premiering weekly. In the meantime, enjoy the official trailer and have solace in knowing that filming for season three is already underway. 

The four-year wait is almost over. Netflix has set a June 15th premiere date for the sixth season of sci-fi anthology series Black Mirror. This latest season has been in the works for at least a year and creator Charlie Brooker has stated the new episodes would “keep things fresh” by tackling sci-fi tropes the series had previously avoided, calling it the “most unpredictable season” he’s been involved with.

The cast list is strong with this one. The upcoming sixth season stars Aaron Paul (Breaking Bad), Annie Murphy (Schitt’s Creek), Ben Barnes (Shadow and Bone), Himesh Patel (Station Eleven), Josh Hartnett (Black Hawk Down), Kate Mara (House of Cards), Rory Culkin (Columbus), Salma Hayek Pinault (Frida) and so many more. As always, this is an anthology series so each actor will likely just appear in one episode, but you never know.

To celebrate the premiere, Netflix has also dropped a brand-new trailer filled with intriguing shots. Brooker has said in the past that the newest season would be more cinematic in scope and this trailer certainly abides by that statement.

Black Mirror’s early seasons were a terrifying look at near-future possibilities, but now that we’re actually living in one, the show has lost a bit of its satirical edge. Let’s hope season six cranks it up a notch. All five episodes drop on June 15th.

Hulu has a bit of "good news" for Futurama fans. The streaming provider announced on Twitter today that Bender and the gang (yes, John DiMaggio will be reprising his role as Bender) will return for season eight on July 24th. After the eighth season’s announcement in early 2022, DiMaggio said in a tweet that he would not be returning to the show after a pay disagreement with Disney and Hulu, though he quickly changed course. Series creator Matt Groening and producer David X. Cohen are returning to lead Futurama once again.

As reported by Variety, the eighth season will consist of two parts, with an initial run of 10 episodes. The new season airs on Mondays, on a weekly basis on Hulu. Notably, this is the second time (or fourth time, depending on who’s asking) the show has been brought back, and the first time the show will be airing first on a streaming platform. Hulu did not announce an air date for part two, which will include an additional 10 episodes.

Futurama originally debuted in 1999, with the first four seasons airing on Fox. The show then had a new home on Comedy Central, which aired seasons six and seven, which ended in 2013. The so-called "fifth season", which was also under Comedy Central, was a series of four movies that were eventually split into short-length episodes. Now, after being canceled and renewed several times by several cable networks, the next season lives on in the streaming world nearly 10 years after the last season had aired.

Folks looking for more sci-fi to sink their teeth into on Apple TV+ after getting hooked on Silo won’t have too much longer to wait. The streaming service has revealed that the second season of Foundation will premiere on July 14th. The show, which is based on a series of Isaac Asimov novels, will return with one episode on that day, and more will follow on a weekly basis.

The season runs for 10 episodes and it's set over a century after the first season's finale. It features "a vengeful queen" who aims to destroy the Galactic Empire from within, Apple said. The Foundation, meanwhile, has moved into its religious phase. It's promoting the Church of Seldon throughout the Outer Reach and bringing about the second crisis — in other words, war with the Empire. Alongside the release date, Apple TV+ has released another visually dazzling trailer:

Hulu is adding a full spate of PBS channels to its Live TV subscription service. This includes a wide variety of local PBS affiliates and PBS Kids offerings, giving viewers the chance to watch stuff like Antiques Roadshow, Frontline, Masterpiece and a whole lot of Ken Burns documentaries.

This is live TV so you’ll be tied to your local affiliate and will have to (gasp) sit down and watch something at the appointed time. Some titles are available on-demand, however, and Hulu+ Live TV offers cloud storage DVR recording options. PBS Kids is also part of this deal, so you can park the little ones in front of the screen to watch Curious George, Arthur, Clifford the Big Red Dog and other anthropomorphic animals. Sesame Street airs on PBS Kids, but only after first running on Warner’s confusingly-named streaming serviceHBO GoHBO Max Max.

Beyond PBS, Hulu+ Live TV is adding the Magnolia Network, a destination for thousands of hours of home improvement and cooking shows like Fixer Upper and Family Restaurant. Additionally, many programs will be available for on-demand viewing, such as Magnolia Table with Joanna Gaines, Maine Cabin Masters, Silos Baking Competition and many more.

PBS arrives on the service “in the coming months," but Magnolia Network shows up on May 25th. Hulu+ Live TV subscriptions start at $65 each month for an ad-based tier, ballooning up to $80 per month for an ad-free experience with plenty of cloud storage and access to premium channels like ESPN.