Meta might offer a Twitter alternative like Mastodon in the future, according MoneyControl and Platformer. The social networking giant is reportedly in the early stages of developing an app codenamed P92 that would let users post text-based updates, and it's going to support Mastodon's social networking protocol called ActivityPub. Meta confirmed that a decentralized social network is in the works at the company and told the publications:

"We're exploring a standalone decentralized social network for sharing text updates. We believe there's an opportunity for a separate space where creators and public figures can share timely updates about their interests."

P92 will carry Instagram's branding and will let users register and log in using their Instagram credentials, according to the sources. It will populate users' profile with their Instagram account details if they use their login on the photo-sharing app. But based on the product brief MoneyControl saw, "data sharing from Instagram to P92 will be minimal, if not none" after the initial sign up. 

Since the app is decentralized, that means users can set up their own servers and set their own rules for content moderation. A source told MoneyControl that the app will allow users to broadcast their posts to those on other servers, but it remains to be seen whether they will be able to follow each other, as well. If the app supports ActivityPub, though, people will likely expect it to be somewhat interoperable with Mastodon and other decentralized apps that use the protocol. 

Meta has a list of features it definitely wants the app to have, including tappable links for posts with previews, shareable images and videos, as well as verification badges. The sources didn't say whether the company will be charging a fee for its badges as well, but it's worth noting that Meta launched a $12-a-month paid verification service for Facebook and Instagram back in February. Users will have the ability to leave comments and send private messages, but they might not be available in the first version of the app. And at this point, Meta is unsure whether to give people the ability to reshare posts like they can on Twitter. 

MoneyControl says it's not quite quite clear whether the company has already started building the app, or if it's still in the planning period of development. By the time it launches, it's bound to have several more competitors to contend with, since Twitter rivals have been popping up to offer users an alternative after Elon Musk took over last year. 

Surprise, Discord is partnering with OpenAI to integrate ChatGPT throughout the app. There’s a chatbot, obviously, but the company also plans to use machine learning in a handful of more novel and potentially useful ways. Starting next week, the company will begin rolling out a public experiment that will augment Clyde, the built-in bot Discord employs to notify users of errors and respond to their slash commands, with conversational capabilities. Judging from the demo it showed off, Discord envisions people turning to Clyde for information they would have obtained from Google in the past. For instance, you might ask the chatbot for the local time in the place where someone on your server lives to decide if it would be appropriate to message them. You can invoke Clyde at any time, including in private conversations among your friends, by typing @Clyde.

Discord

Discord is quick to note Clyde is programmed not to bother you and your friends. Admins can also disable the chatbot if they don’t want to use the feature on their server. The first time you activate Clyde, Discord will display an opt-in prompt. For users worried about privacy, Anjney Midha, Discord’s head of platform ecosystem, told Engadget the company is not sharing user data with OpenAI to assist the startup in training its machine learning models.

Separate from Clyde, Discord is using OpenAI’s technology to enhance AutoMod, the automated content moderation tool the company introduced last June. As a refresher, server admins and moderators can configure AutoMod to automatically detect and block inappropriate messages before they’re posted by creating a list of words and phrases they don’t want to see. In the nine months since it began rolling out AutoMod, Discord says the feature has blocked more than 45 million unwanted messages.

Moving forward, the tool will use large language models to interpret and apply server rules. In practice, this should make AutoMod capable of spotting and taking action against people who attempt to go against a community’s norms and expectations. In one demo, Discord showed AutoMod taking action against someone who tried to skirt a server rule against self-promotion by writing their message in a different language. In that instance, AutoMod wasn’t preprogrammed to watch for a specific word or phrase, but it was able to use context to infer that there was a potential infraction.

Discord

According to Midha, Discord has been exploring how machine learning can improve user safety for a while. While he didn’t have early data to share on AutoMod’s new capabilities, he said the early results are “super promising,” adding he has “never seen anything like it.” The new and improved AutoMod is rolling out to select servers starting today.

If you’re the type of person who uses Discord mostly to chat with friends, chances are the upgrades to Clyde and AutoMod won’t dramatically change your experience of the app, particularly since plenty of other apps already offer ChatGPT integration. But Discord is also using OpenAI tech to power a feature that everyone should find useful: Conversation Summaries. If you’ve ever joined a large server only to immediately feel like you can’t keep up with some of its more active members, this feature promises to solve one of Discord’s longstanding pain points. When it arrives in a limited number of servers next week, the feature will begin creating bundles designed to provide you with an overview of chats you may have missed while away from the app. Each bundle will include a title, a summary of what was said and any images that were shared, as well as a log of who took part. You won’t need to endlessly scroll to try and piece together something you missed.

It can feel like Discord is just another tech firm up in the generative AI craze, but Midha wants users to know machine learning has been part of the Discord identity for a while. Every month, more than 30 million people use AI applications through the platform, and almost 3 million servers include at least one AI experience. On GitHub, many machine learning projects feature links to Discord servers, a fact Midha attributes to Discord being a natural place for those conversations to start. With its emphasis on bringing friends and communities together, the company believes it has a leg up on the competition.

One of the most compelling aspects of DJI's Mini 3 drone, a stripped-down version of the Pro model, is the price, which was already fairly reasonable. It usually costs $559, but if you've had your eye on the drone, now might be the time to snap it up. The price has dropped to $469, which is $90 off.

The Mini 3 has the same Type 1/1.3 (9.6 x 7.2 mm) f/1.7 sensor as the Mini 3 Pro. While you'll still be able to take 12MP still photos, video is restricted to 30 frames per second at 4K instead of 60 frames per second at the same resolution on the higher-end model. As for 2.7K and full HD recordings, those are limited to 60fps. Still, there's a neat trick as the camera can flip 90 degrees to capture vertical video for the likes of TikTok and Snapchat.

DJI says you'll get up to 38 minutes of flight time in ideal conditions with the foldable Mini 3. It also weighs less than 249 grams, which means you won't need to secure a dedicated permit to fly it in certain territories (it's always worth checking local drone regulations before buying one, though). Despite the small size, DJI claims the Mini 3 is resistant to winds of 38 KPH (23.6 miles per hour).

An automated video feature called QuickShots sees the drone fly automatically on certain paths, such as moving around a subject. There are some features that could come in handy for novice flyers, such as automatic takeoff and functions that bring the drone back to its departure point in certain circumstances, such as when the battery is running low or the signal cuts out. On the downside, unlike on the Mini 3 Pro, there are no forward and rear obstacle detection sensors, which could particularly become an issue when the return to home function is engaged when the drone's out of your line of sight.

For those who'd prefer to take charge of the Mini 3 with a controller that has a built-in 5.5-inch screen (rather than the regular RC-N1 one that you'd likely have to use in combination with your smartphone), it's worth noting that the RC model is on sale as well. That version is also $90 off at $609.

Meanwhile, bundles with two additional Intelligent Flight Batteries, a two-way charging hub and a shoulder bag have been discounted. The Fly More Combo for the Mini 3 with the RC-N1 controller has dropped from $718 to $758. The bundle with the RC controller is down from $858 to $798.

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The last few months in the camera world have been tumultuous, to say the least. Since our previous guide, we’ve seen numerous new models from Sony, Canon, Fujifilm, Nikon and Panasonic with better shooting speeds, autofocus and video. That’s exciting if you’re after the latest cameras, but it also means that deals can be found on great older models, as well.

If you’re confused about which models have the best AF capabilities, stabilization or other features, we’re here to clear things up. Our 2023 guide will catch you up on all the latest models and deals, so you can select the best camera whether you’re a vlogger, sports shooter or wildlife photographer.

What to look for in a mirrorless camera

To learn more about mirrorless tech and why it’s taken over the camera world, check out our previous camera guide for an explanation, or watch our Upscaled video on the subject for an even deeper dive.

Why get a camera when my smartphone takes great photos, you may ask? In a word, physics. The larger sensors in mirrorless cameras let more light in, and you have a wide choice of lenses with far superior optics. Where smartphones have one f/stop, cameras have many, which gives you more exposure control. You also get natural and not AI-generated bokeh, quicker shooting, a physical shutter, more professional video results, and so on. Smartphones do have impressive AI skills that help make photography easier, but that’s about it.

With that settled, mirrorless is the best way to go if you’re shopping for a new camera. Both Canon and Nikon recently announced they’re discontinuing development of new DSLRs, simply because most of the advantages of that category are gone, as I detailed in a recent video. With putting all their R&D in mirrorless, that’s where you’ll find the most up-to-date tech.

Steve Dent/Engadget

Compact cameras still exist as a category, but barely. Panasonic has built a number of good models in the past, but recently said it would focus only on video-centric mirrorless models going forward. And we haven’t seen any new ones from Canon or Nikon lately, either. Only Sony and Fujifilm are still carrying the compact torch, the latter with its $1,400 X100V model, which has become famously hard to find. Most of Sony’s recently compact models, like the ZV-1F, are designed for vloggers.

Now, let’s talk about features you need in a mirrorless camera. The one that affects your photography (and budget) the most is sensor size. The largest is medium format, but that’s only used on niche and expensive cameras from Hasselblad, Fujifilm and Leica, so we’ll skip over those for this article. (See my Fujifilm GFX 100S and Hasselblad X2D reviews for more.)

The most expensive category we’ll be discussing here is full-frame, largely used by pros and serious amateurs. Models are available from all the major brands except Fujifilm, including Sony, Canon, Nikon and Panasonic. That format offers the best image quality, low-light capability and depth of field, with prices starting around $1,000. With the right lenses, you can get beautifully blurred backgrounds, but autofocus is more critical. Lenses are also more expensive.

Down one size are APS-C cameras, offered on Fujifilm, Sony, Nikon and Canon models. Cameras and lenses are cheaper than full-frame, but you still get nice blurred “bokeh,” decent low-light shooting capability and relatively high resolution. With a sensor size equivalent to 35mm movie film, it's ideal for shooting video.

Steve Dent/Engadget

Micro Four Thirds, used by Panasonic and Olympus, is the smallest mainstream sensor size for mirrorless cameras. It offers less dramatic bokeh and light-gathering capability than APS-C, but allows for smaller and lighter cameras and lenses. For video, it’s harder to blur the background to isolate your subject, but focus is easier to control.

The next thing to consider is sensor resolution. High-res cameras like Sony’s 61-megapixel full-frame A7R V or Fujifilm’s 40-megapixel APS-C X-H2 deliver detailed images – but the small pixels mean they’re not ideal for video or low-light shooting. Lower-resolution models like Panasonic’s 10.3-megapixel GH5s or Sony’s 12.1-megapixel A7S III excel at video and high-ISO shooting, but lack detail for photos.

Image quality is subjective, but different cameras do produce slightly different results. Some photographers prefer the skin tones from Canon while others like Fujifilm’s colors, for example. It’s best to check sample photos to see which model best suits your style.

What about handling? The Fujifilm X-T5 has lots of manual dials to access shooting controls, while Sony’s A6600 relies more on menus. The choice often depends on personal preferences, but manual dials and buttons can help you find settings more easily and shoot quicker. For heavy lenses, you need a camera with a big grip.

Video is more important than ever. Most cameras deliver at least 4K at 30 frames per second, but some models now offer 4K at up to 120p, with 6K and even 8K resolution. If you need professional-looking results, choose a camera with 10-bit or even RAW capability, along with log profiles to maximize dynamic range.

In-body stabilization, which keeps the camera steady even if you move, is another important option for video and low-light photography. You’ll also want to consider the electronic viewfinder (EVF) specs. High resolutions and refresh rates make judging shots easier, particularly in sunny environments.

Other important features include displays that flip up or around for vlogging or selfie shots, along with things like battery life, the number and type of memory card slots, the ports and wireless connectivity. Lens selection is also key, as some brands like Sony have more choice than others. For most of our picks, keep in mind that you’ll need to buy at least one lens.

Now, let’s take a look at our top camera picks for 2023. We’ve divided the selection into four budget categories: under $800, under $1,500, under $2,500 and over $2,500. We chose those price categories because many recent cameras slot neatly into them. Manufacturers have largely abandoned the low end of the market, so there are very few mirrorless models under $500.

Best mirrorless cameras under $800

My top pick in the budget category is Canon’s brand new $680 24.2-megapixel R50, an impressive model considering the price. It can shoot bursts at up to 15 fps in electronic shutter mode, and offers 4K 10-bit at up to 30p with supersampling and no crop. It has a fully articulating display, and unlike other cameras in this category, an electronic viewfinder. It uses Canon’s Dual Pixel AF with subject recognition mode, and even has a popup flash. The only drawback is the lack of decent quality lens that’s as affordable as the camera itself. Pre-orders are open with delivery set for spring.

Your next best option is an older model, the 20.7-megapixel Olympus OM-D E-M10 Mark IV, as it offers the best mix of photography and video features. You get up to 15 fps shooting speeds, 4K 30p or HD 120p video, and it’s one of the few cameras in this price category with built-in five-axis stabilization. It’s portable and lightweight for travel, and the lenses are compact and affordable. The drawbacks are an autofocus system that’s not as fast or accurate as the competition, and a small sensor size.

If you’re a creator, Sony’s 24.2-megapixel ZV-E10 is a strong budget option. It can shoot sharp, downsampled 4K video at up to 30 fps with a 1.23x crop (or 1080p at 120 fps) and uses Sony’s fantastic AI-powered autofocus system with face and eye detection. It also has a few creator-specific features like Product Showcase and a bokeh switch that makes the background as blurry as possible so your subject stands out. Another nice feature is the high-quality microphone that lets you vlog without the need to buy an external mic. The main drawbacks are the lack of an EVF and rolling shutter.

Another good creator option that’s better for photography is Panasonic’s Lumix G100, on sale right now with a 12-32mm lens. As with the ZV-E10, it can shoot 4K video at 30 fps (cropped 1.47x), though 1080p is limited to 60 fps. Unlike its Sony rival, though, the G100 has a 3.68-million dot EVF and 10 fps shooting speeds. Other features include a fully-articulating display, and 5-axis hybrid image stabilization.

Honorable mentions go to two models, starting with Nikon’s 20.9-megapixel APS-C Z30, another mirrorless camera designed for vloggers and creators. It offers 4K using the full width of the sensor, 120fps slow mo at 1080p, a flip-out display and AI powered hybrid phase-detect AF. The drawbacks are the lack of an EVF and autofocus that’s not up to Sony’s standards. And finally, another good budget option is the Canon EOS M50 Mark II, a mildly refreshed version of the M50 with features like a flip-out screen, tap-to-record and focus, plus 4K video with a 1.5x crop.

Best mirrorless cameras under $1,500

Your best option overall in this category is Canon’s 32.5-megapixel APS-C EOS R7. It offers very fast shooting speeds up to 30 fps using the electronic shutter, high-resolution images that complement skin tones, and excellent autofocus. It also delivers sharp 4K video with 10 bits of color depth, marred only by excessive rolling shutter. Other features include 5-axis in-body stabilization, dual high-speed card slots, good battery life and more.

Full-frame cameras generally used to start at $2,000 and up, but now there are two new models at $1,500. The best by far is Canon’s brand new EOS R8 – basically an R6-II lite. It has Canon’s excellent Dual Pixel AF with subject recognition AI, and can shoot bursts at up to 40 fps. It's equally strong with video, supporting oversampled 10-bit 4K at up to 60 fps. The R8 also offers a flip-out display, making it great for vloggers. The main drawback is a lack of in-body stabilization. It’s now on pre-order with delivery set for spring.

A better choice for video is Panasonic’s Micro Four Thirds GH5 II. It’s one of the least expensive models with 10-bit, high data rate 4K 60p video. It also offers effective image stabilization, pro inputs, dual high-speed card slots and a flip-out screen. Negative points are the small Micro Four Thirds sensor and relatively low 20-megapixel photo resolution.

Several cameras are worthy of honorable mention in this category, including Canon’s 30.3-megapixel EOS R, still a great budget option for 4K video and particularly photography despite being released over four years ago. Other good choices include the fast and pretty Olympus OM-D E-M5 III and Sony’s A6600, which offers very fast shooting speeds and the best autofocus in its class. Finally, Nikon’s 24.3-megapixel Z5 is another good choice for a full-frame camera in this price category, particularly for photography, as it deliver outstanding image quality.

Best mirrorless cameras under $2,500

This category currently has the most choices, with the Sony A7 IV leading the charge. Resolution is up considerably from the 24-megapixel A7 III to 33 megapixels, with image quality much improved overall. Video is now up to par with rivals with 4K at up to 60p with 10 bit 4:2:2 quality. Autofocus is incredible for both video and stills, and the in-body stabilization does a good job. The biggest drawbacks are rolling shutter that limits the use of the electronic shutter, plus the relatively high price.

The next best option is the EOS R6 II, Canon’s new mainstream hybrid mirrorless camera that offers a great mix of photography and video features. The 24.2-megapixel sensor delivers more detail than the previous model, and you can now shoot RAW stills at up to 40 fps in electronic shutter mode. Video specs are equally solid, with full sensor 4K supersampled from 6K at up to 60 fps. Autofocus is quick and more versatile than ever thanks to expanded subject detection. It’s still not quite up to Sony’s standards, though, and the microHDMI and lack of a CFexpress slot isn’t ideal.

If you’re OK with a smaller APS-C sensor, check out the Fujifilm X-H2S. It has an incredibly fast stacked, backside-illuminated 26.1-megapixel sensor that allows for rapid burst shooting speeds of 40 fps, along with 4K 120p video with minimal rolling shutter. It can capture ProRes 10-bit video internally, has 7 stops of in-body stabilization and a class-leading EVF. Yes, it’s expensive for an APS-C camera at $2,500, but on the other hand, it’s the cheapest stacked sensor camera out there. The other downside is AF that’s not quite up to Canon and Sony’s level.

Video shooters should look at Panasonic’s full-frame S5 II. It’s the company’s first camera with hybrid phase-detect AF designed to make focus "wobble" and other issues a thing of the past. You can shoot sharp 4K 30p video downsampled from the full sensor width, or 4K 60p from an APS-C cropped size, all in 10-bit color. It even offers 5.9K 30p capture, along with RAW 5.9K external output to an Atomos recorder. You also get a flip-out screen for vlogging and updated five-axis in-body stabilization that’s the best in the industry. Photo quality is also good thanks to the dual-gain 24-megapixel sensor. The main drawback is the slowish burst speeds.

The best value in a new camera is the Fujifilm X-T5. It offers a 40-megapixel APS-C sensor, 6.2K video at 30p/4K 60p 10-bit video, 7-stop image stabilization, and shooting speeds up to 20 fps. It’s full of mechanical dials and buttons with Fujifilm’s traditional layout. The downsides are a tilt-only display and autofocus system that can’t keep up with Sony and Canon systems. If you want better video specs for a bit more money, Fuji’s X-H2 has the same sensor as the X-T5 but offers 8K 30p video and a flip out display.

Honorable mentions in this category go to the $2,000 Nikon Z6 II, which offers excellent image quality, solid video specs and great handling. For budget options, take a look at Sony’s compact full-frame A7C, along with Fujifilm’s older, but still great X-T4.

Best mirrorless cameras over $2,500

Finally, here are the best cameras if the sky’s the limit in terms of pricing. At the apex is Sony’s 50-megapixel stacked sensor A1, a stunning camera with a stunning $6,500 price. It rules in performance, with 30 fps shooting speeds and equally quick autofocus that rarely misses a shot. It backs that up with 8K and 4K 120p video shooting, built-in stabilization and the fastest, highest-resolution EVF on the market. The only real drawbacks are the lack of a flip-out screen and, of course, that price.

For a bit less money, the Nikon Z9 packs a 45.7-megapixel stacked sensor that’s so fast, it doesn’t even have a mechanical shutter. It has Nikon’s best autofocus system by far, and delivers outstanding image quality. Video is top notch as well, with 8K 30p internally and 8K 60p RAW via the HDMI port. The main drawbacks are the lack of an articulating display and high price, but it’s a great option if you need speed, resolution and high-end video capabilities.

Tied for the next positions are Sony’s A7S III and A7R V. With a 61-megapixel sensor, the A7R V shoots sharp and beautiful images at a very respectable speed for such a high-resolution model (10 fps). It has equally fast and reliable autofocus, the sharpest viewfinder on the market and in-body stabilization that’s much improved over the A7R IV. Video has even improved, with 8K and 10-bit options now on tap, albeit with significant rolling shutter. If you don’t need the video, however, Sony’s A7R IVa does mostly the same job, photo-wise, and costs a few hundred dollars less.

The 12-megapixel A7S III, meanwhile, is the best dedicated video camera, with outstanding 4K video quality at up to 120 fps, a flip-out display and category leading autofocus. It also offers 5-axis in-body stabilization, a relatively compact size and great handling. While the 12-megapixel sensor doesn’t deliver a lot of photo detail, it’s the best camera for low-light shooting, period.

And if you want a mirrorless sports camera, check out Canon’s 24-megapixel EOS R3. It can shoot bursts at up to 30 fps with autofocus enabled, making it great for any fast-moving action. It’s a very solid option for video too, offering 6K at up to 60 fps in Canon’s RAW LTE mode, or 4K at 120 fps. Canon’s Dual Pixel autofocus is excellent, and it offers 8 stops of shake reduction, a flip-out display and even eye detection autofocus. The biggest drawback for the average buyer is the $6,000 price, so it’s really aimed at professionals as a replacement for the 1DX Mark III DSLR.

Honorable mention goes to Canon’s 45 megapixel EOS R5. For a lot less money, it nearly keeps pace with the A1, thanks to the 20 fps shooting speeds and lightning fast autofocus. It also offers 8K and 4K 120p video, while besting Sony with internal RAW recording. The big drawback is overheating, as you can’t shoot 8K longer than 20 minutes and it takes a while before it cools down enough so that you can start shooting again. Another solid option is Panasonic’s S1H, a Netflix-approved mirrorless camera that can handle 6K video and RAW shooting.

You’re now caught up, new models have been arriving thick and fast, including potential rumored APS-C models from Canon. Another known model coming in May is Panasonic's S5 IIx, which offers the same features of the S5 II plus internal SSD recording and live streaming for just $200 more. We’ll have full coverage of those when they arrive, so stay glued to Engadget.com for the latest updates.

Apple said it was building a standalone app for classical music when it purchased, and subsequently shut down, the Primephonic streaming service. That was 2021, and until now, we haven't known when the new software would be available. The company announced today that Apple Music Classical will be available on March 28th as part of an existing Apple Music subscription. Users on the individual, student, family or Apple One plans will get access, but customers on the Apple Music Voice Plan won't be able to use the new app. 

At launch, Apple Music Classical will be available on all iPhones that run iOS 15.4 or later. Apple says a version of the app for Android is "coming soon." The catalog includes over five million tracks spanning new releases to "celebrated masterpieces." Apple says you'll be able to stream up to192 kHz/24 bit high-resolution lossless audio quality and "thousands" of recordings are available in spatial audio. The company also explains that a portion of its classical library is "thousands" of exclusive albums. 

In addition to the music, you can expect to browse written content like composer biographies, descriptions of key works and "deep-dive guides." Apple also says it rebuilt the app's search feature specifically for classical music queries and the app will serve up over 700 curated playlists. Overall, the app carries much of the same design as the main Apple Music software, although one key change is the company has swapped out the modern sans serif font for a serif for the main titles and section headings. The navigation bar is just four buttons in Apple Music Classical — Listen Now, Browse, Library and Search — as the Radio shortcut has been removed. Lastly, the music note on the app icon has been replaced with a treble clef.

Apple is letting eager listeners "pre-order" the app starting today in the App Store. Once you do, Apple Music Classical will automatically download on launch day as long as you have Auto Update selected in iOS settings. 

Following a beta that saw just 5,000 people get a chance to use the software, Aimi’s iOS and Android app is now available to all. The release brings the company’s generative music platform to mobile, where it was not available previously. Engadget’s James Trew has been using the app since January. Since then, Aimi has made a few user interface tweaks.

What hasn’t changed is the premise of the app. As before, Aimi is built around continuous music “experiences” you can subtly tweak by interacting with a handful of interface elements. If you're familiar with platforms like Endel and Brain.fm, you probably know what you're getting into. As a free user, you can tap the thumbs-up and down buttons to guide Aimi’s algorithm. There’s also a shuffle button if a section comes on that you don’t like at all. With today’s release, Aimi will also prompt you to indicate if you want to hear a section more or less frequently, as well as for longer or shorter periods of time.

Users who pay $10 per month gain access to additional controls. First, a “Section” view allows you to isolate individual elements of a musical composition, including parts like the harmony and melody, and adjust the gain and tell Aimi whether you like what you’re hearing. An additional “Composition” interface allows you to shape what you’re hearing by adjusting a set of four sliders. For instance, by moving the “Progression” slider, you can instruct Aimi to modify the experience you’re listening to more or less often. Meanwhile, the “Intensity” and “Texture” sliders allow you to control the number of effects Aimi employs and whether a composition sounds organic or synthetic. Last but not least, there’s a self-explanatory Vocals slider.

The release of a mobile app is part of a broader plan by Aimi to bring more people into the world of generative music. Later this year, the company plans to release Aimi Studio, which will allow users to take a more hands-on approach to craft their own compositions. “One of the strengths of generative music is that we can use it to attract casual listeners with continuous music experiences and then introduce them to interactive music by letting them take ownership of their music experience,” Aimi CEO Edward Balassanian told Engadget at the start of the year. 

Roku wants you to rediscover local news. The company’s upcoming OS 12 update will add a Local News hub, which lets you watch live news channels near you or in major US cities. Additionally, the update adds expanded sports coverage, easier premium subscription discovery and an improved “Continue Watching” section.

The local news feature builds on Roku’s Live TV channel guide, which aggregates streams for over 350 broadcast television channels. The company says its AI-powered news recommendations offer a curated discovery experience. After installing the update, you’ll find local news in the operating system’s Live TV Zone or by searching for “local news.” Additionally, the update will make it easier to discover and sign up for premium Live TV channels you haven’t subscribed to.

Roku is beefing up its sports section, which launched last year. It’s adding golf and more soccer programming, including Spanish-language coverage for some leagues. The software will soon display a more personalized sports section based on your “location, favorite team, go-to sport and viewing habits.” In addition, it’s adding CBS Sports, MLB.TV, the NBA app and NBC Sports to the channels displayed in the Roku OS sports hub.

Roku

The update also adds Continue Watching, making jumping in where you left off easier. Roku says the section will display content to pick up content nearly instantly “from supported channels,” including Discovery+ and Prime Video. (BET+, Freevee, Frndly TV and Starz are set to arrive later.)

The Roku mobile app is also seeing some improvements. It will have “a more refined, elevated, and visually immersive interface” with expanded account settings and a new sign-up and sign-in process. In addition, the company says the app’s Home tab will have a simpler interface with dedicated Sports and Continue Watching sections. Finally, it will soon add the Live TV channel guide to the smartphone app.

Roku says OS 12 will roll out “in the coming weeks.” Some features, like channel partners, content expansion and mobile-app upgrades, will arrive within the coming months.

Grammarly announced today that it’s (unsurprisingly) diving into the generative AI fray. GrammarlyGo is an upcoming set of auto-composition features to help the AI proofreading software keep up with the many companies adding the ChatGPT API (or different generative AI backends) to their products.

GrammarlyGo can use context like voice, style, purpose and where you’re writing to determine its approach. So, for example, it can spit out email replies, shorten passages, rewrite them for tone and clarity, brainstorm or choose from one-click prompts — all while adhering to your company’s voice or other provided context. In addition, since Grammarly’s desktop service can pop up in any text field on your computer, its generative writing could be slightly more convenient than competitors (like Notion or Gmail’s Smart Compose) that require you to visit an app or website. The company says GrammarlyGo will be enabled by default for individuals, and you can toggle it in settings.

Grammarly justifies the feature’s existence by saying most people’s writing can be better and faster. “Individuals today spend too much time trying to communicate in the right way, while poor communication is draining business productivity and performance,” the company wrote in an announcement post. “GrammarlyGO will address this problem by quickly generating highly relevant text with an understanding of personal voice and brand style, context, and intent — saving people and businesses time while accounting for their unique needs.” I’m unsure what to make of a world where nobody writes anything but prompts for machines, but that increasingly appears to be where we’re headed.

GrammarlyGo will be included with the Grammarly service at no extra cost. The company says it will soon add the AI writing feature to its Premium, Business, Education and Developer plans — and free plans “in select markets.” The GrammarlyGo beta will begin rolling out in April.

At CES, Roku announced that it'll finally be building its own Roku TVs, in addition to working with partners like TCL and Hisense. Starting today, you can pick up one of those sets at Best Buy's stores and website. Roku is offering two series of TVs, both of which are powered by its streaming platform: Roku Select sets ranging from 24 to 75-inches, and Roku Plus televisions coming in at 55-, 65-, and 75-inches.

We're still waiting for a full pricing breakdown, but Roku says Select TVs will start at $149 (with a potential drop to $120 this summer), and the Plus models will start below $500. That's in-line with similar offerings from TCL and other partners. At CES, Roku's VP of retail strategy, Chris Larson, said the company is aiming to deliver features partners don't always include, like voice-enabled remotes, as well as automatic brightness adjustment (on the Premiere sets).

Roku isn't saying much about its Select TVs, perhaps because there's not much to say. They'll include HD and 4K models (there's no need to go 4K on very small TVs, after all), as well as its standard voice remote. Like most bargain TVs, they'll also rely on edge dimming backlights — so expect to see gray-like blacks and spotty lighting. The Roku Plus sets are far more advanced: They'll include QLED panels, local backlight dimming for better contrast, 4K Dolby Vision and Dolby Atmos-approved speakers. They'll also get Roku's rechargeable voice remote.

While Roku told us that it's not trying to compete with its longtime partners, it'll be interesting to see how those companies respond. By making voice remotes standard, perhaps TCL and others will follow suit. The company also unveiled a Roku OS update today, which will include local news and support for premium subscriptions on Roku's live channel guide.

If you want to change the appearance of subtitles and closed captions on Netflix — perhaps to switch font sizes or to add a shadow that would make them more readable — you'd have to access your account on a browser. The process is a lot more complicated than it needs to be if you primarily stream on TV. In fact, I've never changed what mine looks like all these years, even if I had previously wanted to. Now, according to TechCrunch, the streaming giant has finally started rolling out the capability to customize subtitle and closed caption text within the TV app itself.

Based on the publication's report, the feature looks and works similar to Amazon Prime Video TV app's subtitle adjuster. It allows you to choose between small, medium and large text, as well as between four styles with and without drop shadows. One option is yellow text on a black background for greater contrast if you need it. On the service's updated help page, it said you can access those controls by going to Settings at the bottom of the screen while a show is playing and then choosing subtitle Size and Style. Take note that it's not possible to change text appearance for Arabic, Hebrew, Japanese, Korean, Romanian, Thai and Traditional Chinese at the moment. 

More and more people are using subtitles in recent years to hear dialogue when sounds are unbalanced and voices seem to be lower in volume than the background, or to watch shows in a foreign language. It's not just viewers with hard of hearing that use them anymore. And while the controls for the TV app offer fewer customization options than Netflix's website, they make changing up subtitles' appearance a lot more accessible.