Apple Music Classical is now available for download globally with more than 5 million tracks. Offered as part of an Apple Music subscription, it's designed to make it easier to find things unique to classical music, including orchestras, conductors, musicians and more. 

The app sprung from Primephonic, the streaming service Apple acquired in 2021. It was originally slated to be released at the end of 2022, but earlier this month, Apple revealed a firm release date of March 28th. 

The app is available on iPhones running iOS 15.4 or later, with an Android version "coming soon." As you'd hope, it offers 192KHz/24-bit high-resolution lossless audio quality, with "thousands" of recordings offered in spatial audio as well. It also lets classical enthusiasts browse composer biographies, descriptions of key works, "deep-dive" guides and more. The search feature has been rewritten for classical music queries and lets you choose from over 700 curated playlists. 

There are few things missing from the main Apple Music app, though. Apple Music Voice Plan subscribers can't use Classical, there's no native iPad app yet and you can't download music for offline listening. The navigation bar has just four buttons (Listen Now, Browse, Library and Search), as there's no Radio shortcut. Apart from that, it should appeal to classical music lovers seeking things specific to the genre, especially those hard-to-locate performances. 

When Rode released the original Wireless GO, it was an instant success. The ease of use, audio quality and reasonable price made wireless microphones much more accessible. In fact it was so successful that it spawned a number of copycat products from rivals. After releasing the Wireless GO II ($299) with dual mics, the company is back with a more affordable option - the $149 Wireless ME. There’s also a new video app called Rode Capture aimed at creators which offers tight integration with the Wireless ME and other products from the company.

If you’re thinking “more affordable” means fewer features, then you’d be right. But also you might be surprised. Even though there initially appears to be just one transmitter (mic) and one receiver, the latter also has a mic built-in so you can still record two speakers at the same time with their own separate audio files. That said, Rode is calling the second mic the “ME mic” and describes it as a “narrator” microphone because you can’t use it wirelessly (it’s the one that plugs into your recording device) so it can only really be used by someone off camera. That obviously is no problem if you’re not recording video, but worth knowing if you are.

There are, of course, other minor compromises. For one, the receiver doesn’t have any type of display, so visual feedback for connectivity is limited to a pair of LEDs. There doesn’t appear to be any feedback for gain levels at all. There’s also no onboard storage for recording away from a camera, computer or a phone. This also means there’s no option to record a safety track at a lower gain level which, given the lack of a way to see levels means you’ll have to really be sure you have everything set right up front. As a reminder, though, the ME is half the price of the GO II.

Photo by James Trew / Engadget

There are tools to help, though. The Wireless ME comes with a feature called GainAssist which internally monitors the signal and sets levels automatically depending on your environment and the volume of the subject. This definitely helps keep things from clipping, but you can still go into the red with it. It appears to be using either a limiter or compression (or both) but you can still make it go into the red. There’s a “dynamic” mode too for when recording things with a more consistent volume than speech.

In terms of range, you can expect about 100 meters / 328 feet (line of sight) but in practice this can vary a little in either direction depending on the conditions. This is a shorter range than the Wireless GO II (200 meters / 656 feet) and DJI’s Mic (250 meters / 820 feet) but likely ample for most scenarios. As for battery life, it’s a respectable seven hours but there’s no charging case as with DJI or Anker’s solutions.

With no way to change settings directly on the device, you’ll want to get familiar with the Rode Central app. It’s here where you’ll be able to turn the receiver’s microphone on or off if you want to use it, change whether it records to one or two separate files (if using both mics) and adjust the gain settings. There are versions for both desktop and mobile (Android/iOS) so you can change modes on the go, even if it’s a bit more involved than doing it on the receiver as with DJI and Anker’s products.

Given that the narrator-guest setup isn’t ideal for recording two speakers on camera at the same time it's a shame that the receiver doesn't have the option to plug an external 3.5mm lav mic into it. This would mean you could theoretically run one with a longer cable and have two on camera hosts. You can still use 3.5mm mics with the main transmitter though. Alternatively, if you have access to another transmitter, such as a Wireless GO II, you can pair it with the ME’s receiver and record up to three people at the same time – though two of them will have to share an audio channel in case having separate files for all speakers is important to you.

Rode

The interoperability between the Wireless GO II and the ME shows that Rode is thinking about how these products can work together, meaning creators can collaborate seamlessly with their own gear or continue using older products even as new ones come around. Expect to see more interoperability with other wireless devices in the future.

Along with the new microphone kit is the aforementioned Capture app. It’s a dedicated video app with a twist: direct access to the settings of compatible Rode microphones. Most video apps don’t even let you know what mic you’re using which can cause anxiety when you’re not sure it’s working with the one you plugged in. Having this assurance alone is useful and the direct access to microphone settings is always going to be a welcome bonus for creators. The app is entirely free and doesn’t require a Rode product to work but will need one of Rode's compatible products if you wish to access its settings.

The Wireless ME is available for $149 starting today.

If you own an Apple device, check your notifications: Apple has officially released updates for each of its major Platforms. The MacOS 13.3, and iOS / iPadOS 16.4 and WatchOS 9.4 updates include 21 new emoji, improved voice isolation for calls and a smattering of minor bug fixes.

To start, the emoji keyboard is five new animals, two new hand gestures, three new colored hearts and a handful of household objects such as a folding fan, a flute and maracas. When you're not spamming friends with the new goose emoji, you'll be enjoying the benefits of the more subtle updates. Cellular calls now have Voice Isolation, designed to block out ambient noise. The Duplicates album in Photos will now cross check with images stored in the iCloud Shared Photo Library to keep your albums clean. There's even a new accessibility feature that helpfully dims the screen when it detects flashing lights or strobe effects in video content — all on top of a series of bug fixes that address issues with content management for parents, accidental alarm muting and more.

Apple is also reintroducing the new HomeKit architecture it pulled from iOS 16.2 and MacOS Ventura 13.1 last year. At the time, users were reporting that certain Siri commands weren't working correctly and that smart home devices weren't showing up correctly in the Home App. Not only have those issues apparently been addressed, but Apple also notes that a pairing issue with Matter-compatible has also been resolved.

Ready to send some new Emoji? You can try the latest OS for yourself by navigating to your device's settings app to update.

There's a vast gulf between the dreamy notion of glasses-free 3D – extra visual depth without any clunky eye-wear! – and the reality: fuzzy imagery, buggy execution, and headaches. Oh, the headaches. So it goes with Acer's Predator Helios 300 SpatialLabs Edition, equipped with the company's glasses-free 3D screen. It's meant to unlock an entirely new dimension of gameplay in titles like God of War and Forza Horizon 5 – and it does, to a degree. But it's also obscenely expensive, starting at $3,499, and its 3D functionality isn't worth losing the higher refresh rates and better quality screens you find on most other gaming laptops.

When I've demoed glasses-free 3D in the past, it's always seemed like a potentially useful feature for deep-pocketed professionals, people who may want to check out their 3D models without slapping on a VR headset. That could very well be true, but the Helios 300 SpatialLabs Edition convinced me that it serves practically no purpose in the gaming world, where players are often aiming to inject as many frames in their eyeballs as possible.

That's just not possible with this computer, since it's limited to a 15.6-inch 4K panel (which scales down to 1080p per eye in 3D mode) running at 60Hz. So at best, this gaming laptop is restricted to 60fps at a time when even budget machines can deliver enough power to fill 120Hz and 144Hz screens. The tradeoff for glasses-free 3D, ultimately, is responsiveness while gaming. The higher the refresh rate, the more silky smooth a game can appear. And when it comes to fast-paced shooters, it could make all the difference between a clutch headshot and digital oblivion.

Now if Acer's 3D technology was truly groundbreaking, perhaps that wouldn't matter so much. But while it can look good, it's a mere curiosity. Acer's TrueGame app lets you play a select handful of games in two different modes: 3D+, which shifts depth buffer pixels to deliver a vague depth effect, and 3D Ultra, which uses a virtual second camera to create a far more immersive sense of space. Eye tracking sensors above the screen help to direct two different sets of images to your eyes, a technique that's typical for glasses-free 3D displays, but that also means only one person can actually use the 3D feature. As for game support, there are only 9 games using 3D Ultra at the moment, including God of War, Psychonauts 2 and A Plague Tale: Innocence. Acer says around 65 titles, mostly older games, work with 3D+.

Competitive online shooters aren't supported at all – Acer claims their anti-cheat software prevents its 3D technology from being applied. That's a shame if you were hoping a bit of depth would make your Warzone or Apex Legends matches more rewarding. Honestly, you wouldn't want to play those in 3D either, as the technology generally makes games look less sharp. You can blame the slightly lower resolution for that, as well as the inherent haziness from having your eyes adjust to a 3D screen on the fly.

Playing Forza Horizon 5 in 3D+ was almost like looking at a Magic Eye puzzle – I had to be in just the right spot to detect any depth. And if my eyes shifted a bit, I would sometimes lose the effect entirely. God of War fared better in 3D Ultra Mode, with a convincing sense of immersion similar to what you'd expect from a 3D film. Throwing Kratos's axe had the uncanny effect of going beyond the screen in my office, and at times the Helios 300 SL felt like a portal into another world.

Still, playing God of War in 3D almost instantly made my eyes tired. 3D Ultra relies on your brain constantly making sense of two different camera views. I sometimes felt motion sick while I was walking around the game, especially if I glanced over to my unmoving, clutter-filled desk. It was almost like playing the game in VR, sans the bulky headset. I found myself resting my eyes every 30 minutes or so, just like I do with VR headsets.

You could, of course, play any PC title in 2D on the Helios 300 SL, but why would you buy a $3,500 glass-free 3D laptop for that? Our review unit was equipped with an RTX 3080 and Intel Core i9-12900H CPU (an updated model with a 40-series GPU is coming in a few months). It was certainly beefy enough for any game I threw at it, especially since the display is limited to 60Hz. But playing Halo Infinite or Overwatch 2 just didn't feel nearly as smooth as it did on the Acer Predator Triton 500 SE I reviewed last year. That $2,300 machine featured a gorgeous 240Hz 1,440p screen, which helped me line up sniper shots with ease.

Beyond its unique screen, the Predator Helios 300 SL looks like a typical Acer gaming laptop. Its matte metal case feels sturdy, and aside from a small lightbar up front, and per-key RGB lighting, there's none of the obnoxious bling we've seen on some high-end gaming PC. There's almost every port imaginable spread around the machine: Two USB 3.2 Type-A connections on the right side; with another Type A USB-port on the left side, beside a gigabit Ethernet and a headphone jack. On the rear, there's a USB-C Thunderbolt 4 connection, MiniDisplayport, HDMI and a DC power port.

Acer probably just wanted to keep the Helios 300 SL low-key, but with a unique feature like glasses-free 3D, it would have been nice to set its design apart from the sea of other black gaming laptops out there. It's also clear that the screen was the major priority: Its keyboard feels a bit too mushy for extended typing (though I appreciated the wide layout), and the trackpad isn't very responsive. I often had to click on icons several times before the trackpad responded.

If it had a better keyboard and trackpad, as well as a higher refresh rate screen, the Helios 300 SL could have been a potential option for professionals working with 3D models. Unfortunately, it's focused on gamers, and it's not nearly compelling enough for that crowd. Its mediocre battery life – 6 hours and 15 minutes, according to PCMark 10's office productivity benchmark – didn't help matters much either.

Photo by Devindra Hardawar/Engadget

If, for some reason, glasses-free 3D is still compelling to you, there are few other options. Acer also sells a standalone 15.6-inch SpatialLabs screen for $1,100 – but I don't need to tell you that's a bad idea. The company's ConceptD 7 laptop also had that screen, but it’s no longer available. There's also ASUS's upcoming spin on glasses-free 3D with its ProArt StudioBook 16, which looked compelling during our CES preview.

Barring a miraculous advancement in holographics sometime soon, I'm ready to give up on the entire notion of glasses-free 3D. It just doesn’t make sense to spend $3,500 on the Helios 300 SpatialLabs Edition. While there's a chance the technology could eventually help a certain subsection of professionals, those folks would likely be served better with VR headsets, and potentially AR devices like the Magic Leap 2 in the future. Either option would deliver a better dose of 3D without the headaches of glasses-free tech.

Microsoft is overhauling Teams to make it faster and easier to use. In a blog post published Monday, the company said Teams users can look forward to a redesigned app that is up to two times faster than the current release, with tasks like launching the program and joining video calls taking half as much time. The overhauled app also offers smoother scrolling while avoiding the use of placeholder assets. At the same time, Microsoft says the new Teams uses 50 percent less memory.

Separately, the company has redesigned the interface to reduce the number of clicks it takes to do things like manage your notifications, search for information and organize channels. It has also added more robust authentication, synchronization and notification systems to make jumping between different accounts and tenants easier.

Naturally, the new Teams will support AI features, starting with the intelligent recap and Copilot ones Microsoft announced earlier this year, and with more to come in the future. “We will use AI to take the work out of working together by getting you up to speed on what happened before you joined a meeting or chat and answering your questions all in the flow of the discussion,” the company said. “We’re only just beginning to see the potential of AI inside of Teams, and we will have lots more to share in the future.” 

Not mentioned in Microsoft's blog post are the 3D avatars the company has been testing for more than a year. The company recently said it anticipates those will become publicly available sometime in May, so expect them to be part of the new Teams experience too. 

A public preview of the new Teams is rolling out on Windows today, with general availability to follow sometime later this year. A Mac preview should arrive before the end of 2023 as well. If your organization uses Teams, your IT department will need to enroll you in the preview before you can try out the new experience. Notably, the redesigned app will ship with a toggle at the top that will allow you to switch between the two versions of Teams. 

You didn't have to wait long for Samsung's latest phones to receive steep discounts. Amazon is running a sale on the Galaxy S23 series that brings the flagship devices to record-low prices. Most notably, the Galaxy S23 Ultra with 512GB of storage and 12GB of RAM is down to $1,200 (normally $1,380). You can roll the savings into wireless earbuds, a case and other accessories.

You're still poised to save money if the Ultra is more than you need. The Galaxy S23+ 512GB is on sale for $1,000 (normally $1,200), while the standard S23 with 256GB is available for $800 (usually $860). You don't have to skimp on capacity just to get one of the more affordable models.

The Galaxy S23 Ultra is our favorite Android phone, and for good reason. While it's an iterative upgrade to last year's model, it delivers improvements where they matter most: better cameras, longer battery life and faster performance. So long as you're okay with a large screen, this is a versatile device that can handle just about any situation.

Not that the other models are slouches. We liked the Galaxy S23+ for its exceptionally long battery life, vivid display and speedy chip, and the base model won't be far behind. While the low-light photography isn't quite as strong as with other high-end phones, this is a straightforward pick if you're either upgrading from an earlier Samsung phone or want more power than the Pixel 7 line can deliver.

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If you pay attention to the music industry, you’ve probably heard about spatial audio. The promise is that music will envelop the user from all directions without needing a room full of speakers to achieve the effect. Apple has pushed it a lot in the last few years, in Apple Music, its line of AirPods headphones and the latest HomePod speaker. Amazon’s streaming service also offers spatial audio, and its Echo Studio speaker can play back compatible tracks.

Sonos has been paying attention, as well – its recent Arc and Beam soundbars support Dolby Atmos for movies, and now the company is releasing its first music speaker designed for spatial audio, the Era 300. This beast is large and has an unusual shape to accommodate all the drivers needed for achieving these room-filling effects. At $450, you’d expect this speaker to sound excellent, regardless of whether it’s playing back spatial audio or not, but support for this new format is what sets it apart from other speakers. As such, the big question on my mind is whether this feature is a game changer, a gimmick, or somewhere in between?

Photo by Nathan Ingraham / Engadget

Design

There’s nothing in the Sonos lineup to compare the Era 300 to. From a size and weight perspective, it’s a large speaker, similar to the Sonos Five, but its unusual shape immediately sets it apart. Seen from the front its oval reminds me of a race track, but any other angle reveals a distinctive footprint. If you look at it from the top, it’s thinner near the middle than it is on the ends; the best way I can describe it is a knocked-over hourglass.

This is to accommodate the complex driver array inside the Era 300. There’s one tweeter pushing out from dead center, and two more sending audio out the left and right sides. Finally, there’s a fourth tweeter inside a directional horn pointed upwards; Sonos says that it’s at a specific angle optimized for spatial audio. Two woofers, again on either side of the speaker, complete the array.

The Era 300 reminds me of most other recent Sonos products. It is well-built, exceedingly sturdy and generally feels like a product that justifies its high price tag. That said, its physical appearance is definitely more unusual than the company’s other speakers. I recognize that it’s functional, but the combo of its size and strange tapering make it stand out more than you might like.

Photo by Nathan Ingraham / Engadget

A lot of new features and changes in the Era 100 are also found in the Era 300. This includes a redesigned set of touch controls on the top panel, a USB-C port for line-in and ethernet (provided you shell out for the optional adapters), a Bluetooth toggle and a switch to physically disconnect the microphone on the back. For more on these features, I’ll point you to the relevant section of my Era 100 review. Most everything I said there applies. That said, for $450, it’s a little disappointing that Sonos requires an adapter for line in or Ethernet. The $550 Sonos Five has both of those built right in. I’m sure the company has the data showing that a small percentage of owners use those features, so I’m glad they haven’t been removed completely, but it would definitely be nice if they didn’t require an adapter.

Setup

Setting up the Era 300 is pretty simple, even if you don’t already have a Sonos system. You’ll need to download the Sonos app to your phone and set up an account; from there, the app will look and see if there are any speakers to add. You’ll also need to log in to your audio services of choice – if you want to try spatial audio, you’ll need either Apple Music or Amazon Music Unlimited. You can search for and play music through the Sonos app, but there are also a bunch of options if you’d rather stick with the music apps you’re used to. You can use AirPlay 2 to shoot audio from Apple Music and other services on the iPhone directly to the Era 300, or use Spotify Connect without needing to go through the Sonos app. That said, it’s worth noting that if you want to play back tracks in spatial audio, you’re required to use the Sonos app.

There are a few optional but useful things you can do while you’re setting up the Era 300. The first is Trueplay, a feature that tunes your speaker’s output based upon where it’s placed in your room. Trueplay has been around since 2015, but in the past it required you to have an iPhone. You’d have to walk around your room slowly raising and lowering the phone while the speaker played a test tone. The Era 300, though, can use its built-in microphones to listen and optimize its output – that process is much simpler and faster than the old technique, and Android users aren’t left out either.

I’ve been extremely happy with Trueplay’s results in the past, so I’d recommend that everyone try this out. That said, I did find that the old, manual tuning process yielded slightly better results. So while I appreciate the ease of use in the new Trueplay system, I’ll probably still walk around my room waving my phone – but I won’t judge you if you take the easier route.

If you like using voice controls, you can also add a voice assistant to the Era 300. Amazon’s Alexa has been supported since the One launched back in 2017, and last year Sonos added its own music-focused assistant. Setting up the Sonos assistant is a little easier than Alexa, because you don’t need to go linking your Amazon account, but both are pretty straightforward at this point. One thing to note: past Sonos speakers with microphones also worked with Google Assistant, but that’s no longer the case. The Era 100 only works with Alexa and the Sonos assistant, likely due to the ongoing patent battles between Google and Sonos. I personally prefer Google Assistant over Alexa, so this is a bit of a bummer. But I also mostly just talk to my speaker to play music, so the Sonos option works well enough.

Audio quality and the spatial experience

Putting aside the potential of spatial audio for a moment, the Era 300 sounds excellent – as it should, given its price. It doesn’t quite match the stunning detail and bass presence of the Sonos Five, which remains the most impressive audio-focused speaker Sonos sells. But for $100 less, you’re getting a premium experience that far surpasses the Era 100 and other speakers like Apple’s HomePod. I was very impressed with the Era 100, but playing the speakers back side-by-side shows just how much better the Era 300 is at making each separate component of a song shine. Bass, vocals and instrumentation are all reproduced in excellent detail that smaller speakers simply can’t match.

But the real question with the Era 300 is the value of spatial audio – does it really provide a new and worthwhile listening experience? For me, the answer is a big “sometimes.” Right now, I think that the trick of spatial audio, to a large extent, remains just that: a trick. I spent a lot of time bouncing between Atmos versions of songs on Apple Music and Amazon, comparing them to the standard versions on Spotify. I could always tell there was a difference, but I also didn’t always feel that it was an improvement. Broadly speaking, spatial audio tracks did feel less like they were coming out of a single point in space. But a lot of times, the immediacy of the song’s original mix was lost and the vocals felt drenched in reverb rather than being right up close.

In some cases, especially when I listened to older albums that were remixed for spatial audio, the results were simply worse. The excellent guitarwork and vocals on the Alice in Chains classic “Down in a Hole” from 1992’s Dirt sounded a million miles away. I had high hopes for the multi-layered doom rock of “Rain When I Die,” but again the mix felt mushy and poorly defined. Alice in Chains’ 1990 debut Facelift was also released in Atmos recently, and it sounds far better than Dirt, so it’s clear that older albums and spatial audio aren’t inherently incompatible. Pearl Jam’s 1991 debut Ten didn’t sound bad, but there was still a lack of definition to too much of the mix. By contrast, the recently-released Atmos mix of 1998’s Yield was an enjoyable listen, but I’m not convinced it’s better than the original. For the record, this isn’t a fault of the speaker, but rather a fault of these mixes – I noticed the same issues when listening through Apple’s HomePod or AirPods Max.

Photo by Nathan Ingraham / Engadget

Newer songs and albums that are likely recorded, produced, and mastered with spatial audio, in mind sounded better. The acoustic guitar and hushed vocals of Billie Eiish’s “Billie Bossa Nova” felt wonderfully close, and the club beats of Dua Lipa’s Future Nostalgia were lively and impressive. In most cases, though, the mixes that sounded best to me were only slightly different than the originals, and I still often felt like the Atmos versions put too much reverb into the mix. This was particularly true on Carly Rae Jepsen’s latest album The Loneliest Time. Instrumentation sounded lush and vibrant, but the vocals lacked impact. In a best case scenario, with a single Era 300, the difference between the best spatial audio and standard mixes is often going to be fairly subtle.

I will admit that when I simply put on a playlist of new songs (many of which were in spatial audio) and stopped thinking about it, I enjoyed myself a lot more. It helps that newly-released songs generally sound much better in Atmos than the remixes of older albums I’ve come across. When I wasn’t obsessively comparing the new mixes to old versions of songs I knew inside and out, it was easier to appreciate the Era 300 for the great-sounding speaker it is. But that’s the case whether you’re listening to an Atmos version of a song or the standard mix, so spatial audio shouldn’t be the main reason to buy the Era 300.

Like basically all Sonos speakers, you can pair two Era 300s together for stereo playback, though I’m not sure “stereo” is the right word when we’re talking about spatial audio. The fact that you can’t adjust the left / right balance between them kinda proves that point. Regardless of what you call it, two Era 300s provide an absolutely massive experience that does a better job of delivering on the promise of spatial audio. With two speakers, there’s no real sweet spot; instead, music sounds consistently excellent regardless of where you are relative to the speakers. And if you want to get really wild, you can use a pair of Era 300s as rear speakers along with a Sonos Arc or second-gen Beam soundbar to get Dolby Atmos home theater playback. I don’t have the right living room or soundbar setup to make this work, but I can say it was impressive in a demo Sonos gave the press last month. Of course, considering how much an Arc and two Era 300s costs, it had better be.

Wrap-up

The Era 300 is in a slightly strange place in the Sonos portfolio. Its higher price means it’s not going to be as broadly appealing as the $250 Era 100. It’s closer to the $550 Sonos Five, which is probably a superior speaker despite lacking spatial audio capabilities. But, for $100 less, the Era 300 still provides a premium audio experience and has a handful of improvements over the Five, including built-in microphones and automatic Trueplay tuning. For $500, you could also buy a pair of Era 100 speakers and run them in stereo – those speakers sound great, and you’ll get excellent coverage with two of them working together.

And, of course, there’s the messy potential for spatial audio. After spending a lot of time listening to the Era 300, I don’t think it’s a game-changer yet. In the best cases, it provides a different listening experience, but it’s not always better – in fact, I’ve been surprised at how often it has been worse. While lots of new music is being released in spatial audio, most older music is only available in good old stereo, so the catalog of songs available in the new format is comparatively small.

Fortunately, the Era 300 is a great speaker, whether or not it is playing songs in Dolby Atmos. It’s crisp, loud, detailed and has lively bass – and when I’ve stopped thinking about spatial audio, it has been a joy to listen to. Spatial audio is a potentially interesting feature, especially if more and more musicians and producers embrace it, but I’d recommend that you not buy the Era 300 with only that in mind. Buy it if you’re really interested in a premium speaker that does a great job filling a room with sound, whether it’s an Atmos mix or not.

Of the two speakers Sonos announced earlier this month, the Era 100 is much easier to sum up: it’s a replacement for the Sonos One, which was first introduced in 2017. Unlike the Era 300, there’s no need to ponder the value of spatial audio; the Era 100 is a relatively straightforward mono speaker, just like the One and the Play:1 before it. Don’t let that simple description deceive you, though – the $250 Era 100 is a complete redesign, inside and out, and the end result is a worthy upgrade and a very versatile speaker.

Design

At first glance, the Era 100 looks quite similar to the One, but upon further examination you’ll notice a number of small but meaningful changes. That starts with the vertically-oriented Sonos logo that you’ll find on most of their other speakers like the Roam and, naturally, the Era 300. The Era 100 is slightly taller and deeper than the One; it’s also slightly deeper than it is wide. But it should fit basically anywhere the older speaker did.

The most significant external change is on top of the speaker. There, you’ll find a redesigned set of touch controls, including dedicated track forward and back buttons for the first time. Those surround the play / pause button instead of the volume controls that you’ll find on the One. Volume has been moved to a touch slider in the center of the touch panel. Tapping either side of it raises or lowers the volume, or you can slide your finger left and right. Using the slider takes a little practice, and it’s far too easy to go from silent to deafening, but there’s no doubt it’s better for rapid adjustments than tapping a button repeatedly. There’s also a spot to mute the mic, just like on the One.

There are also some major changes on the Era 100’s back. There’s no more ethernet jack or setup button. Instead, there’s a USB-C port you can use to plug in the $20 line-in adapter or the $40 combo line-in / ethernet adapter. On the one hand, it’s annoying to have to shell out extra cash for these adapters – but this is the first time Sonos has offered line-in at all on a speaker in this price range, so it’s not a total bummer.

Aside from the USB-C port, you’ll find another switch for muting the mic. Unlike the top button, which just mutes it with software, this physically disconnects the mic for additional privacy. Finally, there’s a Bluetooth button that puts the speaker in pairing mode.

As with most Sonos products, the company has done a good job here marrying clean, attractive design without compromising on functionality. Yes, the loss of the Ethernet jack will rankle a small number of users, but for the most part these changes are improvements. I wish that they just put a line-in right on the speaker instead of requiring a dongle, but I’m more glad that the feature is here at all than I am annoyed at needing to buy an extra piece of plastic.

Photo by Nathan Ingraham / Engadget

Setup

Getting the Era 100 up and running is pretty simple, even if you don’t already have a Sonos system. You’ll need to download the Sonos app to your phone and set up an account; from there, the app will look and see if there are any speakers plugged in it can add. You’ll also need to log in to your audio services of choice, but after that you should be good to go. Obviously you can search for and play music through the Sonos app, but there are also options if you’d rather stick with the music apps you’re used to, like AirPlay 2 and Spotify Connect.

There are a few optional but useful things you can do while you’re setting up the Era 100, though. The first is Trueplay, a feature that tunes your speaker’s audio output based upon where it’s placed in your room. Trueplay has been around since 2015, but in the past it required you to have an iPhone. You’d have to walk around your room slowly raising and lowering the phone while the speaker played a test tone.

The Era 100, though, can use its built-in microphones to listen and optimize its output – that process is much simpler and faster than the old technique, and Android users aren’t left out either. I’ve been extremely happy with Trueplay’s results in the past, so I’d recommend that everyone try this out. That said, I did find that the old, manual tuning process yielded slightly better results.

You can also add a voice assistant to the Era 100. Amazon’s Alexa has been supported since the One launched back in 2017, and last year Sonos added its own music-focused assistant. Setting up the Sonos assistant is a little easier than Alexa, because you don’t need to link your Amazon account, but both are pretty straightforward at this point. Sadly, where past Sonos speakers supported Google Assistant the Era 100 does not. This is likely due to the ongoing patent battles between Google and Sonos. I personally prefer Google Assistant to Alexa, so this is a bit of a bummer.

Photo by Nathan Ingraham / Engadget

Audio quality

While new features like easier Trueplay and new controls are important, what I really wanted to find out was how the Era 100 compares to the One it replaces. (I’ve also been comparing it to Apple’s latest HomePod as well as the Era 300.) So far, I’ve been extremely impressed. It’s immediately obvious that the Era 100 is a notable upgrade over the One.

First off, the Era 100 is loud. Surprisingly so – it’s significantly louder than the One and the HomePod, and the Era 300 isn’t that much louder. Even a single Era 100 should provide enough volume for just about any room in your house. If you have a large open floor plan, you’ll probably want a couple speakers to cover the space rather than cranking a single, relatively small speaker to its limit. But in the vast majority of use cases one Era 100 should be sufficient.

Obviously, there’s a lot more to good sound than just volume. The Era 100 has significantly improved bass performance when compared to the One, again exceeding what I’d expect from a compact speaker. Bass-heavy tracks like Dua Lipa’s “Levitating” and Dragonette’s “T-shirt” had a solid thump without being overwhelming, especially at higher volumes. It doesn’t match the Era 300 or HomePod, both of which have more dynamic bass performance, but Sonos is getting a lot out of the Era 100.

Photo by Nathan Ingraham / Engadget

While I’m glad the bass has improved, I’m more impressed with the speaker’s overall clarity. The two tweeters definitely help make higher frequencies more defined. The sound profile is crisper and more dynamic than that of the One. The nuance and sheen of “California” by Chvrches and Metric’s “Formentera” came through wonderfully, while standard four-piece rock or metal like Metallica’s self-titled classic and Tool’s AEnima sounded lively and powerful. I also checked out my go-to film and game scores from Lord of the Rings and The Last of Us, and the intricate compositions were full and well-balanced. The One now sounds somewhat muddy by comparison, with both the highs and lows less distinct. The Era 300 sounds clearer still, thanks to the many drivers it has on board, but the 100 again is doing a lot with its comparatively limited speaker array.

If you have a larger space or just want increased volume and detail, I recommend getting two Era 100s and pairing them in stereo. While the Era 100 technically has left and right tweeters, the small size means there’s no real stereo separation to speak of. Putting two of them together naturally yields a much wider soundstage and brings out lots of details that get erased when you squish a stereo mix down to one channel.

A pair of Era 100s can also be used as rear surround speakers in a setup with one of Sonos’ soundbars. I didn’t test this, as I don’t have a great living room setup and I was more interested in the music performance, but it’s worth mentioning this feature. Sonos has long offered the option to use basically any of its music speakers as rear surrounds, and I’m glad they’ve continued with that here.

The Era 100 (and 300) are the first non-portable speakers that include Bluetooth connectivity. It’s exceedingly simple: just hold the Bluetooth button on the back of the speaker to put it in pairing mode and it should show up for your phone or other device to connect to it. I had no reason to use Bluetooth, but the fast setup and pairing process could be useful if you have a friend who quickly wants to play a tune over your speaker, for example. It’s not essential, but having more options never hurts.

Wrap-up

Sonos made a lot of smart decisions with the Era 100. The improvements it offers over the One are immediately obvious, both in sound quality and new features like line-in, Bluetooth and easier Trueplay setup. I don’t think Sonos One owners should necessarily run out and replace their speakers, but Sonos is now offering a better product at a $30 price increase, one that I think is justified for what you get.

Of course, Sonos makes things a little complicated because there are two generations of the One; they’re identical in terms of audio components, but the gen 2 model has more memory and a faster processor. If you have the One from 2017 or 2018, replacing it with an Era 100 will provide better sound and more future-proof internals.

The Era 100 isn’t the most exciting speaker I’ve listened to – I still have fond memories of being blown away by the Sonos Play:5 (now just called the Five) in 2015, and the Era 300 is also a delight. But when you take into consideration what most people will need from a speaker, the Era 100 provides impressive performance at a reasonable price.

It's the end of an era as Nintendo is shutting down its Wii U and 3DS eShops today (March 27th) at 5PM PST (8PM EST). After that, you'll no longer be able to purchase new games for those consoles, though you'll still be able to redownload titles you've already purchased for the time being. 

The company first warned of the eShop closures back in February 2022, and barred users from adding funds to their accounts on August 29th. Nintendo wrote at the time that that the move was "part of the natural lifecycle for any product line as it becomes less used by consumers over time."

That may be true, but a trove of over 1,000 digital games will be lost in the shutdown, including Dr. Luigi, Mini Mario & Friends: Amiibo Challenge, and Pokémon Picross, to name but a few. In total, 450 digital-only Wii U games, 600 digital-only 3DS games and 530 virtual console games will disappear, VGC reported. Of the latter, 335 aren't currently available on Nintendo Switch Online. 

That means the only option for folks who want to play these classic games will be physical copies, which have soared in value. Many other download-exclusive games, meanwhile, will disappear for good. 

It's Friday, which means it's time for another roundup of notable discounts on good tech. Among the highlights, Apple's AirPods Pro are back down to $200, tying the best price we've seen for the iPhone-friendly noise-cancelling earphones. Amazon has dropped the Kindle Paperwhite down to $100, which is $5 above that e-reader's all-time low, while Samsung is running another sale on various storage devices. We're also seeing discounts on Anker USB-C chargers, Asus' ROG Zephyrus G14 gaming laptop and Apple's AirTags, among others. Here are the best tech deals from this week that you can still get today.

Apple AirPods Pro

Apple's AirPods Pro are once again down to $200, which is a deal we've seen a few times before but still matches the lowest price we've tracked. We gave these noise-canceling earphones a review score of 88 last year and they're currently the "best for iOS" pick in our guide to the best wireless earbuds. While their battery life and call quality could be better, the AirPods Pro still deliver a good, mostly neutral sound profile, impressive noise cancellation and a host of features that make them easy to use with other Apple devices.

Amazon Kindle Paperwhite

Amazon's Kindle Paperwhite is back down to $100, which is $5 more than the e-reader's all-time low but still $40 off its typical going rate. The Paperwhite itself remains a strong value, with a sharp and relatively spacious 6.8-inch e-ink display, a light and waterproof design with a USB-C port, a smooth front lighting system that keeps the screen easy on the eyes and access to Amazon's massive e-book library. 

We gave the "Signature Edition" of the Paperwhite a review score of 97 in late 2021. That model includes more storage space (32GB instead of 8GB), Qi wireless charging support and a slightly improved front light, but it's otherwise identical to the Paperwhite, and its upgrades probably aren't worth the extra cost for most.

It might be worth paying a little bit extra for the Kindle Paperwhite Kids, however, which is currently on sale for $110. That variant is marketed towards children, but it comes with the same hardware, plus a case and a longer two-year warranty. If you are buying for a kid, it also includes a year of Amazon's Kids+ content service. This model is about $45 off its typical street price as of this writing.

Anker 715 USB-C Charger

While not an all-time low, this deal brings Anker's highly compact 715 Charger about $10 below its usual street price. This is a travel-friendly USB-C charger capable of delivering 65W of power, which is enough to charge many phones, tablets and even smaller laptops at full speed. Just note that it only has one port; if you often need to charge multiple devices at once, consider Anker's 736 Charger, a three-port, 100W charger that's currently down to a new low of $52.49. 

Samsung Evo Select

A range of Samsung storage gear is on sale this week. For one, Samsung's Evo Select is a U3- and V30-rated microSD card that's plenty quick for most casual needs, be it handling 4K video or expanding a Nintendo Switch's storage. It's backed by a 10-year limited warranty as well. The 128GB and 512GB models are down to $12.49 and $40, respectively, both of which represent all-time lows.  

Samsung 980 Pro SSD

Next up, the 980 Pro is a speedy PCIe 4.0 SSD that's suitable for a modern gaming PC or expanding the storage of a PlayStation 5. Its 1TB model is on sale for $80, which is an all-time low. If you need a higher capacity, the 2TB model is a couple dollars above its lowest price at $160. 

If you're buying for a PS5 specifically, note that you'll have to pair the drive with a heatsink. For those willing to pay a bit extra for a simpler setup, Samsung sells a version of the 980 Pro with an integrated heatsink, the 1TB model of which is currently down to $100. Either way, it's worth making sure the drive's firmware is up-to-date, as some users previously reported issues with certain Samsung drives that have since been fixed.

Although the 980 Pro is technically an older model in Samsung's lineup, not everyone needs the speed increase of a PCIe 4.0 drive for everyday PC use. For those people, SK Hynix's Gold P31 is a well-reviewed, power-efficient option among PCIe 3.0 drives, and its 1TB model is about $35 off its usual going rate at $72. For those upgrading an older PC from a slow HDD, meanwhile, Crucial's MX500 is a 2.5-inch SATA drive we recommend; that one's 4TB model is currently down to an all-time low of $215.

Samsung T7 Shield

Finally, Samsung's T7 Shield is a more ruggedized version of the top portable drive pick in our guide to the best SSDs. It's not the absolute fastest portable drive you can buy, with read/write speeds rated up to 1,050/1,000 MB/s, but it should be fast enough for most needs, and its rubberized, IP65-rated exterior should help it survive frequent travel. Both the 1TB and 2TB models are down to all-time lows at $80 and $140, respectively.

WD My Passport Portable SSD

If you don't specifically need a ruggedized portable SSD, WD's My Passport drive will get you slightly faster read and write speeds, plus a longer five-year warranty. (The T7 Shield comes with a three-year warranty.) This drive's 1TB and 2TB variants are both down to all-time lows, at $85 and $138, respectively. If those happen to run out of stock, SanDisk's Extreme Portable SSD is a very similar performer; it's down to a low of $90 for a 1TB model and $140 for a 2TB model.

Apple iPad

Apple's 10.2-inch iPad is back down to $250 at Target, which matches the tablet's all-time low and represents a roughly $25 discount from its usual street price. This is the budget pick in our guide to the best iPads, and we gave it a review score of 86 back in 2021. Its thick bezels, non-laminated display and lack of a USB-C port give a much more dated look than other iPads, but for casual use, it's still quick and comfortable enough. As a bonus, it's also the last iPad to have a headphone jack. 

If you want a more modern design, the 10.9-inch iPad is also back to an all-time low of $400. That one still lacks a laminated display and support for Apple's best keyboard and Pencil stylus, but it feels much more like an iPad Air, and its landscape-oriented webcam is far more convenient for video calls. We gave this model a review score of 85 last October.

Amazon Echo Show 8

Amazon's Echo Show 8 is on sale for $75, which is $5 more than the all-time low we saw during the holiday season but still about $20 less than the 8-inch smart display's usual street price. We gave the Echo Show 8 a review score of 87 when in launched in 2021, and we currently recommend it as the best smart display for Alexa users in our guide to the best smart home gadgets. If you have a bunch of smart home devices that make use of Amazon's voice assistant, this is still the best blend of size, price and performance in the Echo Show lineup. If you aren't beholden to Alexa, though, note that Google's Nest Hub will naturally play better with Google services like Gmail, Google Calendar and YouTube.

Apple Watch SE

The Apple Watch SE is a stripped-down but less expensive variant of the Apple Watch Series 8, the top pick in our guide to the best smartwatches. We gave the latest model a review score of 89 last September, calling it "the best smartwatch $250 can buy," but right now the 40mm variant is on sale for $220, which is within a dollar of the device's all-time low. 

Compared to the Series 8, the SE has a slightly smaller display that isn't always-on, and it lacks premium features like an ECG monitor, skin temperature sensor and blood oxygen sensor. It runs on the same processor, however, and it can still do all the core functions expected of an Apple Watch, including heart-rate monitoring, notifications and fall detection. If you're buying a smartwatch for the first time, or if you're upgrading from an older Apple Watch and want to save some cash, the SE is a superb value. Just remember that this is an iPhone-only affair.

Apple Mac Mini M2

A configuration of Apple's recently refreshed Mac Mini with an M2 chip, 8GB of RAM and a 512GB SSD is on sale for $700, which is $100 off Apple's list price and an all-time low. We gave the variant with a beefier M2 Pro chip a review score of 86 in January; this model won't be as powerful as that, but it's still a good buy for those who only need a macOS desktop for everyday web browsing and lighter work. The Mac Mini itself is still compact and quiet, while this model gets you two Thunderbolt 4 ports, two USB-A ports, an HDMI port, an Ethernet jack and a headphone jack. As always, you can't upgrade the Mac Mini's internals after you buy it, so it's likely worth buying a model with more RAM, storage or that M2 Pro chip if you plan on doing development work or heavy media editing and must have this smaller form factor.

Asus ROG Zephyrus G14

Asus' ROG Zephyrus G14 is the top pick in our guide to the best gaming laptops, and a configuration with a Ryzen 9 6900HS CPU, Radeon RX 6700S GPU, 14-inch 120Hz display, 1TB SSD and 16GB of RAM and is currently down to $1,100 at Best Buy. That matches the lowest price we've seen. 

This 2022 iteration of the G14 will be on the way out in the coming months, but at this price, last year's model is still a good value for playing modern games in a QHD resolution at a solid frame rate. Like prior G14s, this is a gaming laptop that stands out for not sacrificing the "laptop" part of the equation: Its keyboard and trackpad are comfortable, it has ample ports, its battery can last around 10 hours when you aren't gaming, and at 3.6 pounds, it won't feel like a total anchor in a backpack. We gave the notebook a review score of 85 last year.

Google Pixel 7

Google's Pixel 7 remains one of the better values on the Android phone market, and right now an unlocked 128GB model is on sale for $449, which is the lowest price we've seen. We gave this 6.3-inch handset a review score of 90 last October. While there are faster flagships out there, the Pixel 7 still offers a top-tier camera, pleasing build quality, a crisp OLED display and a clean version of Android that's still due two more years of OS updates and four more years of security updates. 

Google is expected to launch a Pixel 7a phone in the next couple of months that may be very similar to this, but at this price, the Pixel 7 remains a strong value. The excellent Pixel 7 Pro, which has a larger screen and even better camera system, is also on sale for $749, though that's a price we've seen several times in recent months.

If you're looking for a Google smartwatch, meanwhile, the company's Pixel Watch is down to $299, a $40 discount that matches the lowest price we've tracked. That one has a particularly stylish design and useful health tracking features, but be warned that its battery life is lacking compared to other top wearables.

Apple AirTag (4-pack)

A four-pack of Apple's AirTag trackers is on sale for $90, which isn't an all-time low but still comes out to a $10 discount and marks the best price we've seen since the holidays. The AirTag is the "best for iPhones" pick in our guide to the best Bluetooth trackers, as it leverages Apple's extensive Find My crowd-sourcing network and ultra-wideband wireless tech to locate lost items accurately. 

Unlike similar devices from Tile or Chipolo, an AirTag annoyingly lacks a built-in adhesive or key ring hole, but there are various accessories you can buy to address that gap. It's also worth noting that bad actors have used AirTags to track people without their content, though Apple has made at least some strides toward addressing those concerns. If you use the device for its intended purpose, it should be effective. 

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