If you have a personal WhatsApp account and a business one — or two accounts of the same nature — you'll soon no longer have to carry two phones to be able to access them both. WhatsApp will finally let you add two accounts to one device, as long as you have a second phone number or a phone that supports eSIM or dual/multiple SIMs. 

You won't even need to log out of one account to be able to access the other. To have simultaneous access to two accounts, go to the app's Settings page and click on the arrow next to your name to find the "Add account" option. Each account has its own privacy and notification settings, so you can choose to receive alerts from one and not the other, which sounds incredibly useful if you're on vacation and don't want to hear from your work or business for a while. 

The new feature follows an update earlier this year that gave you the capability to access your account on multiple devices. WhatsApp used to be very strict when it comes to account access and limited you to having one account on one phone. It started exploring multi-device functionality in 2021, though, and rolled out the ability to sync one account across up to four phones in April. This upcoming update, which could make it easier to juggle different aspects of your life while maintaining boundaries, is rolling out for Android devices in the coming weeks. 

Back in February, Meta launched a Telegram-like feature for Instagram called "broadcast channels," which introduced a one-way messaging feature to the app. It gave creators a way to update their followers without having to post on their main page. Now, the company is expanding broadcast channels' availability and is also bringing it to Facebook and Messenger. Creators and public figures with Facebook pages will now be able to send messages, including photos, videos and voice notes, to their community. 

It's still a one-way messaging tool, which means only Page administrators can send messages in the channel, but participants can react to them and vote in polls. Admins can launch a channel directly from their page, and Facebook will send their followers a one-time notification to join after they send their first message. Based on the screenshots shared by Meta chief Mark Zuckerberg, broadcast channels will show up in users' Messenger chats under a tab aptly labeled "Channels." Participants will get notifications every time the page owner sends an update, but they can mute the channel anytime. Presumably, those who chose not to participate the first time can still access the channel from the page's profile like people can on Instagram. 

Meta says any page admin where the feature is now accessible can start a channel if they want. The feature still isn't available everywhere, though, and those who can't find the option to open a broadcast channel yet can join the waitlist for now. 

Virtual private networks (VPNs) have become an essential tool for many web surfers, for a wide variety of reasons, and one of the most popular services is offering a great deal to entice new customers. NordVPN is selling two-year subscription plans for up to 69 percent off, depending on which tier you choose. You also get three free months of service when you sign up, which is always a nice bonus. This is actually a slightly better deal than last month’s 68 percent discount on two-year subscription plans.

Here’s how it all breaks down. The company’s flagship Complete plan is 69 percent off when you buy into two years of service, totaling $5 per month or $135. The Plus plan is 62 percent off, coming in at $4 per month or $108 for two years. The Standard plan is likely the best option for average consumers, offering a secure VPN, tracker blockers, ad blockers and malware protection. This plan is 63 percent off, totaling $3 per month or $80 for the whole shebang. Each and every one of these deals includes three free months of service, totaling 27 months. The one-year plans are also discounted and come with the same three free months of use.

There are even discounts for the company’s proprietary password management software, NordPass. Two-year Premium plans are 58 percent off and also offer three free months upon signing up. Enterprise users actually get six free months to try everything out.

We have praised NordVPN’s feature set and general ease-of-use, but balked at the original price tag. As a matter of fact, the cost was a primary reason why Nord’s offering narrowly missed our list of the best VPNs. So these discounts go a long way to making this an extremely attractive option for those looking for a speedy and useful virtual private network.

It’s worth noting that all of these plans are being advertised as Black Friday discounts, but you can actually make use of the sale beginning today. It all ends on November 29, so set a calendar reminder if you want some time to think things over.

If you aren’t even sure what VPNs are for, they are actually quite useful for those who spend a lot of time on ye olde internet. These services are nearly-mandatory when accessing public Wi-Fi, as they prevent cyber criminals from accessing your computer. The software also blocks malicious sites, protects sensitive data and lets you skirt geo-restrictions when surfing.

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Google is expanding a feature that allows Android users to add their state ID or driver’s license to Wallet. Starting today, folks in Arizona, Colorado and Georgia can store a digital version of their ID in the app. Google first enabled the option in Maryland in June. Apple also allows folks in certain locales to add a digital copy of their ID to Apple Wallet.

For now, you'll be able to use a digital ID stored in Google Wallet at TSA PreCheck lines at select airports. Google plans to enable more ways to use the digital version of your ID later this year, such as for renting a car through an app. The idea is that the app will only gain access to necessary information, such as your name and driving eligibility.

Digital IDs that are added to Google Wallet are encrypted, so no one will have access to personal information stored there unless you choose to share it. Authentication such as a fingerprint unlock is needed to access the ID. You'll also be able to select which information fields you share when you present your digital ID.

To add an ID issued by Arizona, Colorado, Georgia or Maryland to Google Wallet, your device will need to be running Android 8 or newer. First, open the Google Wallet app, tap the Add to Wallet button, select the ID Card option and choose the state that issued the ID. Then you'll need to scan the ID and take a quick selfie video to verify that you're the person to whom the ID belongs. Google will then authenticate your ID with the issuer.

If you lose your phone or someone steals it, you can delete your digital ID remotely via your Google account settings. You can also ask your state's DMV to remove the ID from Google Wallet.

Meanwhile, it's now possible to create a digital pass in Google Wallet by taking a photo or screenshot of any barcode or QR code. The aim is to let you add passes that Wallet doesn't natively support, such as your library card or gym membership, to the app. 

Qualcomm is working with Google to develop a RISC-V platform that can power Wear OS devices. RISC-V is an open standard instruction set architecture (ISA), which Arm describes as "part of the abstract model of a computer that defines how the CPU is controlled by the software." Since it's open standard, it could lead to open-source chip designs and could lower the costs for companies that want to build their own chips. That means more companies entering the industry and more devices on the market, which could foster innovation and give rise to more affordable options. 

Google came out in support of RISC-V earlier this year in hopes that it could compete on equal footing with Arm one day. However, the technology still has a long way to go to reach that status. According to Ars Technica, Qualcomm's could be the first mass-market RISC-V Android chip ever, if all goes according to plan. As the publication notes, a RISC-V platform represents a big threat to Arm, whose CPU architecture dominates the smartphone industry. Things had been pretty unsteady for Arm over the past couple of years, with its parent company Softbank trying to sell it to NVIDIA until regulators stepped in and prevented the acquisition from happening. The company ended up registering for a US IPO instead and raised $4.87 billion in September.

In its announcement, the chipmaker said its RISC-V Snapdragon Wear platform will power the next generation of Wear OS devices. It's planning to commercialize the technology for wearable products meant for global release, but it doesn't have a launch date yet. Qualcomm said it has already started the new chip's development and will be sharing more information about its timeline at a later date. 

Intro

Panasonic’s 25.2-megapixel Lumix G9 II arrived with a lot of fanfare, as it’s the company’s very first Micro Four Thirds camera with hybrid phase-detect autofocus. And from the first day of launch, Panasonic promoted it as the ultimate small-sensor wildlife and action camera, thanks to the hyper-fast 60 fps shooting speeds and relatively high resolution.

However, I (and others) noticed that it held a lot of promise for content creators, too. The superior hybrid AF is also better for video than past models and it offers up to 5.8K 60p video, 4K at 120p, incredible stabilization and even SSD ProRes capture. On paper, it’s superior to the company’s vlogging-dedicated GH6, though it lacks the latter’s fan and a few other minor features.

That gives the G9 II a bit of an identity crisis. Is it the ultimate content creator camera, an action shooter’s dream or the ultimate hybrid camera? To find out, I’ve got a retail camera with the final production firmware and RAW photo support.

Body

Physically, the G9 II is more like the full-frame S5 II than the six-year-old G9. Gone is the softer, rounded G9 design, in its place a more angular, hard-edged body. It’s relatively large for a Micro Four Thirds camera, weighing 658 grams (OM system’s OM-1 weighs 599 grams), though it has exactly the same heft as the original G9.

The design is more businesslike than pretty, but I like the practicality of it. The ridged grip is secure, and it has every control you need, including a joystick, front, back and rear control dials, a setting dial, shooting dial and numerous buttons. A few things have changed from the G9, as the dual dial on the left is now just a single shooting dial, the on/off switch is in a better location and it has a front shooting dial. This is now a template for Panasonic cameras, so if you’re used to models like the GH5, you’ll adapt quickly.

The menus are easy to use as well, but I wish it had a dedicated photo/video switch with separate controls. For instance, if you set V-log on video, that setting carries over to photos too – and you definitely don’t want that. To keep photos and video apart, you’ll need to employ one of the custom “C” dial settings.

The 1,840K dot LCD display fully articulates for vloggers and self-shooters, of course, and most controls are available by the touchscreen. It comes with a decent 3,680K dot OLED viewfinder that’s on par with other cameras in this price range, like Fujifilm’s X-T5. I’d prefer a little more EVF resolution on a flagship camera, particularly for bird shooting, but it’s not bad.

The G9 II uses the same battery as the S5 II, allowing for a middling 390 shots on a charge. Video endurance is better than the GH6, though, lasting nearly 100 minutes at 4K 60p.

A feature I didn’t expect is SSD recording. That lets you record high-bandwidth ProRes files to an external drive via the USB-C port. It does require some rigging, but is an amazing time saver, as you can edit the files directly with no transcoding needed. It also has a pair of SD UHS-II card slots, but no support for CFexpress like the GH6.

There’s a nice full-sized HDMI port, but the G9 II doesn’t yet support RAW video recording. You also get microphone and headphone jacks, along with a USB-C port that supports 10Gbps transfer speeds and fast PD charging.

Performance

Steve Dent for Engadget

With a new sensor and processor, the G9 II is a speed demon – but this is Panasonic’s first crack at phase-detect autofocus. That does show at times, via issues like occasional lag and an AI feature set lacking compared to rivals.

It can shoot RAW plus JPEG bursts with the mechanical shutter at up to 10 fps, or 60 fps in the SH60 electronic shutter mode with continuous autofocus. If you don’t need that kind of speed (and don’t want to fill the buffer up too rapidly), it also offers 20 fps bursts in electronic mode. Panasonic also introduced a pre-burst mode, which continuously cycles bursts through 1.5 seconds before you fully press the shutter – helping you catch a shot even if you’re a bit slow.

It has a large buffer that allows for over three second bursts at 60 fps and non-stop shooting with the mechanical shutter. However, it takes longer than other cameras to clear the buffer – up to a minute in some cases – due in part to the slowish SD ports. This can be quite annoying, as the camera effectively stops working while the buffer clears.

Steve Dent for Engadget

Still, that kind of speed is impressive – provided the autofocus can keep up. Luckily, the new phase-detect system on the G9 II is mostly up to the task. Shooting at 60fps with eye-detection enabled, the large majority of my shots were in focus with a subject running toward the camera.

It wasn’t quite as reliable for more distant subjects when using Panasonic’s new 200-800mm equivalent telephoto, and didn’t initially lock in as fast as I’d like. The eye detect autofocus, however, was generally reliable for both human and animal subjects. It lacks a specific setting for birds, but the system does seem to automatically switch between birds and deer, for instance, if you’re shooting in the woods.

It can also track motorcycles and cars, and though I didn’t test it on the former, it does a good job tracking vehicles. There’s no “auto” setting either like you’ll find on Canon’s latest models, so you have to go in and switch focus modes manually if you’re shooting a pet and its owner.

Steve Dent for Engadget

In other words, Panasonic is off to a good start but has a way to go to catch up to Sony’s ultra-reliable and more intelligent AF. I expect that to improve over time, though.

If you’re concerned about rolling shutter in electronic mode, don’t be. Readout speeds are fast for a non-stacked sensor, so skew and other issues aren’t an issue except in extreme situations like airplane propellers.

Panasonic has included the same in-body stabilization system as the GH6, so it can reduce shake by up to 8 stops, or 7.5 stops with ultra telephoto lenses. It’s very effective for shooting handheld, letting you grab photos at a quarter second or less with no blur.

Image quality

The G9 II has the same 25.2-megapixel resolution dual gain sensor as the GH6 but image quality for photos is better, with less noise at lower ISO levels.

With five extra megapixels over the original G9, it takes sharper shots and provides some extra detail over rivals like the OM-1 – letting you crop in a bit more. JPEG colors straight out of the camera look great and require little retouching.

The dual-gain sensor also makes it good in low light for a Micro Four Thirds Camera. Very little noise is visible up to ISO 1600, and it’s well managed beyond that up to about ISO 12,800, as long as you expose correctly. That said, it’s always better to have more light with a small-sensor camera, as noise levels can quickly get out of control, particularly with underexposed shots.

RAW files are relatively easy to edit and give you room to dial down highlights or bring up detail in shadows. Again, the small sensor puts it at a disadvantage to full-frame cameras in that regard, however, as more noise will appear at higher ISOs.

The G9 II now has a dynamic range boost function applied automatically. It uses both the high- and low-gain circuits, and combines them into one photo, HDR style. That helps boost dynamic range in bright sunlight and other tricky situations.

The handheld high-resolution mode, meanwhile, combines multiple images into a single 100-megapixel shot, with no tripod required. It works surprisingly well for shots like landscapes with limited movement, drastically boosting resolution. I did notice that the high-resolution JPEG files have an artificial look when you zoom in though, as if the camera is trying to add non-existent detail. For that reason, I’d suggest enabling RAW when using the feature.

Finally, Panasonic took a page from Fujifilm with a new black and white color profile called Leica Monochrome. It was developed in partnership with Leica, obviously, and features brighter highlights and more contrast. It’s easily the nicest photo “look” setting I’ve seen on any Panasonic camera (it’s great for black and white video, too).

Video

Steve Dent for Engadget

Panasonic might not want to hear this, but if I was a content creator looking for a Micro Four Thirds camera, I’d purchase this model over the like-priced GH6.

Yes, the GH6 has a few advantages. It can capture ProRes video directly to CFexpress cards, while you need to rig up an SSD to do the same on the G9 II. It also has a fan that allows unlimited video recording, so it is better for event videographers. Finally, you can output RAW video to an external recorder.

Aside from that, the G9 holds its own. Both can capture 5.7K at up to 60fps, or 120p 4K, and the G9 II supports 10-bit V-Log recording and 4K internal capture with high data rates and easy-to-edit I-frame files, exactly like the GH6. And you can do high-bandwidth ProRes recording via the USB-C port – again, just like the GH6.

The lack of a fan limits the G9 II’s recording times, but not substantially. 4K and 5.7K recording times are effectively unlimited at 30 and 60 fps. Even 4K at 120fps can go over 20 minutes, and few users would ever need that.

And the G9 II does things the GH6 can’t. The phase-detect AF is clearly superior for video, eliminating wobble and focusing much quicker (though the same AF caveats for photography apply). It also has a lower 500 ISO floor for dynamic range-boosted V-log recording, compared to ISO 2,000 for the GH6. That makes it more practical to shoot in sunlight, where the benefits of log and dual-gain are greatest.

Steve Dent for Engadget

As with the GH6, stabilization is excellent for video, though Sony’s ZV-E1 is a touch better. Boost Mode provides near-tripod levels of smoothness for static shots only. Turning on E-Stabilization eliminates the need for a gimbal in some cases (though the electronic IBS on Sony's ZV-E1 is a hair better). That mode also corrects warping at the edges with wide-angle lenses, a first for mirrorless cameras. As a content creator myself, the stabilization alone would make me reach for the G9 II instead of potentially more capable cameras like Canon’s R6 II – because I know I can capture great footage without a tripod.

4K video is oversampled and thus very sharp, though the cropped 4K 120p is a bit softer. Dynamic range is outstanding in V-log mode, so it’s easy to adjust later, especially at the base ISO 500. Colors are natural, and low-light capability is solid for a small-sensor camera thanks to the dual gain system. So video quality-wise, I have no complaints.

That said, there are a few handy content creator features found on Sony and Canon cameras missing here, like Sony’s dedicated product showcase and focus breathing compensation.

Wrap-up

Steve Dent for Engadget

With all that, the $1,900 G9 II is one of the most capable hybrid cameras I’ve seen. The handling, speed and improved autofocus make it a compelling option for wildlife photographers. But the excellent video capabilities and quality makes it a great choice for content creators as well.

Panasonic’s main competition on the photography side is the $2,000 OM-1. The G9 II has more resolution, but the OM-1 has a faster stacked sensor. For photos, either is a good choice, depending on what you need. However, the G9 II is far superior for video.

On the content creation side, Sony’s $2,200 ZV-E1 is a clear rival, and is a touch better for vloggers. Panasonic’s own GH6, currently discounted to $1,700, is another option. However, neither of those models can touch the G9 II on the photography side. Perhaps the best fully hybrid alternative would be Fujifilm’s X-H2, as it offers both speed and video chops, but it costs $600 more. All told, if you’re someone who tends to do both photography and video, the G9 II is a great choice.

Politicians and awkward SNL hosts have long-relied on the humble teleprompter to get their lines out, and now there’s a device that lets the rest of us get in on the mealy-mouthed fun. The Elgato Prompter is basically a shrunken-down teleprompter, complete with a scrolling display, side hoods to minimize unwanted ambient lighting and simple connectors that attach to an external camera, built-in webcam or just about anywhere else.

Unlike other prompters on the market, you don’t need your own tablet or phone, thanks to a built-in screen and the company’s proprietary Camera Hub software. Once activated, the device not only displays video scripts, but also mirrors any window or app via a simple drag and drop. This lets you see both the script and live feeds from chat participants at the same time, all while looking directly into the camera. It’s a bona-fide cornucopia of human social cues.

Of course, you aren’t relegated to live feeds from fellow chat participants. You can drag and drop anything to the Prompter, with Elgato suggesting that users place a window of “the big match” so people can sneak glances during those endless work meetings. We would never, however, recommend such a blatant display of truancy.

The Prompter is an Elgato product, so it offers some deep integration with the recently-discounted Stream Deck. There’s a plugin for the device that offers control and adjustment options at the touch of a button, all of which should come in handy for livestreamers and YouTubers looking for that perfect take. To that end, Elgato says it built the device to be the “true all-in-one solution for content creators.”

Elgato, which is owned by noted peripheral manufacturer Corsair, says the Prompter integrates with more webcams, cameras and smartphones than any other similar device on the market, so you likely won’t need to buy additional hardware to use it. If you’re worried, there’s a list of supported cameras and devices right here.

Setup seems simple enough, with included attachment clips and a stand, interchangeable backplates and a single USB connection to both power the device and transfer data. The Elgato Prompter is available right now and costs $280.

On Tuesday, Microsoft announced a slew of accessibility updates for Xbox players on consoles and PCs. These include keyboard key remapping using controllers, easier-to-get-to accessibility shortcuts and a new section in the Microsoft Store. In a reminder that inclusive design can help everyone, one of the new features will let anyone set up a new controller without getting up to press a pair button on the console.

Wireless controller pairing no longer requires direct console contact. “From the comfort of a couch, wheelchair, hospital bed, etc., players can now put their console into pairing mode using an Xbox media remote, digital assistant voice command, or previously paired controller to connect a new controller to their console,” the company wrote today in a blog post. An official online support document walks you through the setup steps.

Microsoft also announced that “almost 90 keyboard keys” will soon be remappable to the Xbox Adaptive Controller and Elite Series 2 controllers. The idea is to make it easier for people with disabilities to play games that only support mouse / keyboard input. One example the company provides is reprogramming the left bumper to Ctrl+C for copying text.

In addition, the company is simplifying the steps to view options from the Xbox Accessibility menu. Beginning on October 19, the Xbox Game Bar on Windows will let you jump to accessibility settings via widgets. “In the updated Xbox widgets, you’ll find both visual and audio-related accessibility controls to customize your PC gaming experience according to your preferences and needs,” Microsoft wrote. Once the feature launches, you’ll get to the accessibility options via the settings button for “any of the new Xbox widgets in Game Bar.”

Finding accessibility-friendly games is about to get easier, too. The Xbox store now has a channel devoted to Accessibility in Games, featuring every title with corresponding feature tags. The labeling feature launched in 2021 and spread to the Windows app and web store earlier this year.

Finally, Microsoft shared the video below highlighting how the Adaptive Gaming program at Craig Hospital in Englewood, CO, is empowering players with disabilities to rekindle their love of gaming.

Austrian Audio is not exactly a household name. It was formed in 2017 following the closure of AKG's offices in Vienna. And it's mostly stuck to higher-end microphones and headphones. Now the company is dipping its toes into more consumer-friendly territory with the $199 MiCreator Studio, a combination condenser microphone and USB-C audio interface in an incredibly portable package. 

At 155 x 60 x 37 mm the MiCreator Studio is quite small, but I'd say a touch shy of pocketable. It's also surprisingly dense. 13 ounces isn't exactly heavy, but it's more than I expected the MiCreator to weigh just by looking at it. The heft makes it feel like a durable and well-made device. The only exception to this is the swappable faceplates. My review sample came with black and red plates, they look nice but feel a little flimsy. And the magnets that attach them to the sides are a little weak and I could see them easily coming off if tossed in bag. At least it comes with a soft pouch you can put it in so everything will stay in one place even if it does get jostled around. 

Terrence O'Brien / Engadget

There are a pair of rubber feet on the bottom that allow the MiCreator to sit comfortably on almost any surface with little concern it'll get jostled around. And the mic capsule is suspended by rubber shock absorbers, so vibration shouldn't prove too much of a concern. If the tiltable head doesn't give you enough flexibility, there is screw mount underneath for attaching to a mic stand.

Controls on the unit itself are relatively spartan. On the front is a switch that changes the mic from high gain, to low gain or mutes it. And there's a knob for controlling monitoring levels or the balance between two sources when you have something plugged into the 3.5mm in/out jack on the back. Below that dual-purpose jack is a dedicated 3.5mm headphone output, and above it is a switch that allows you to set the input level of the additional input.

The switches for changing the input level are probably my biggest gripe with the MiCreator. The difference between the high and low settings are pretty massive. Yes, obviously you can tweak the levels in your DAW and most people will have no issue doing that. But personally I like getting my levels as close to right as possible without touching the gain in my DAW for maximum flexibility. 

Terrence O'Brien / Engadget

I also found that the high gain setting still required me to get pretty close to the mic while speaking which resulted in a lot of breath and mouth noises. Probably exactly what you want when recording some ASMR videos, but it wasn't ideal for podcasting. Again, a lot of this is easily rectified with a decent pop filter. But that's one more thing to carry and slightly undercuts the portability factor.

Those minor nitpicks aside, the mic sounds great. They're highly directional so, despite the fact that they're fairly sensitive condenser mics, background noise is rarely a problem. And they capture a healthy amount of midrange and low end. That's essential for micing up, say, a guitar amp, and it tends to treat my lower vocal register well. But many will want to toss a low cut on their voice in post production.

That lack of tweakability on the gain is an issue again when you plug an instrument directly into the second input. Something like a synth with a master volume that doesn't alter tone is fine. But going direct in with my guitar was a little hit or miss. The most reliable way was to go through my pedal board and one of UA's amp sim pedals to give me better control over volume and tone, rather than relying on amp plugins in a DAW. Austrian Audio gets a ton of credit though for including an instrument cable in the box though that's standard 1/4-inch TS on one side and 3.5mm TRRS on the other side for plugging into the MiCreator. It might seem like a small thing, but it saves you from having to track down and order a rather unusual cable on your own.

Terrence O'Brien / Engadget

The company also sent over one of its MiCreator Satellites. This is a second mic, without an interface, designed to pair with the MiCreator. It costs $99 but adds a lot of flexibility. For one, it's the exact same mic as the MiCreator, so you can use them as a stereo pair or for two people in a simplified podcast setup. But the included cable is also long enough for you to put one mic right up against an amp while capturing some room tone with the other. Or, you could mic an acoustic guitar with one and sing into the other. And the Satellite is truly tiny. This is one of, if not the, smallest full-fledged podcast studio you can can get. 

If there's one feature I would have loved to see, it's a standalone operating mode. If the MiCreator had a small battery and a microSD card slot so it could double as a field recorder, or capture an interview when hooking up your laptop or iPad is not really feasible, I could see it carving out a permanent spot in my day bag.

Still, for $199, or $299 when bundled with a Satellite, the MiCreator offers a surprising amount of value. Frankly it's better than it has any right being at that price. It's an excellent condenser USB microphone and a solid (if simple) audio interface in a small, rugged package. It can be a high-quality go-anywhere podcast studio. Or be the primary way a band records new material while they're out on tour. 

Google has revealed a string of accessibility updates it's rolling out for Maps, Search and Assistant, as well as greater availability of some camera-based Pixel features. One of the main focus areas this time around is wheelchair accessibility. A new option that's gradually becoming available on iOS and Android will allow Maps users to request stair-free walking routes. This feature — which Google says will benefit those traveling with luggage and strollers as well — will be available globally, as long as the company has sufficient data for the region.

Google notes that if you have the wheelchair-accessible option enabled in your transit preferences, this will automatically be applied to walking routes too. Otherwise, when you request a walking route, you can access stair-free directions by tapping the three dots at the top of the screen and enabling the "wheelchair-accessible" option.

On a related note, wheelchair-accessible information will be available across more Google products, namely on Maps for Android Auto and cars with Google built in. When you search for a place and tap on it, a wheelchair icon will appear if the location has a step-free entrance, accessible restrooms, parking or seating.

It should be easier to find and support businesses owned by people with disabilities in Maps and Search too. If a business chooses to identify itself as "disabled-owned," this will be mentioned in Maps and Search listings. Google previously rolled out similar Asian-owned, Black-owned, Latino-owned, LGBTQ+ owned, veteran-owned and women-owned business labels.

Elsewhere, Google is enabling screen reader capabilities in Lens in Maps (which was previously called Search with Live View), an augmented reality tool that's designed to help you find things like ATMs, restrooms and restaurants with the help of your handset's camera. When you're in a perhaps unfamiliar place, you can tap the camera icon in the search bar and point your phone at the world around you.

"If your screen reader is enabled, you’ll receive auditory feedback of the places around you with helpful information like the name and category of a place and how far away it is," Eve Andersson, senior director on Google's Products for All team, wrote in a blog post. This Lens in Maps feature, which is geared toward blind and low-vision folks, will be available on iOS starting today and Android later this year.

On Pixel devices, the Magnifier app uses your camera to help you zoom in on real-world details from afar or to make text on menus and documents easier to read with the help of color filters, brightness and contrast settings. The app is available for Pixel 5 and later devices, but not the Pixel Fold.

Google also notes that the latest version of Guided Frame that arrived on Pixel 8 and Pixel 8 Pro earlier this month recognizes pets, dishes and documents in addition to faces to help people who are blind or have low-vision take good-quality photos. The Guided Frame update is coming to Pixel 6 and Pixel 7 devices later this year.

Meanwhile, Google is offering more customizable Assistant Routines. The company says you'll be able to add a Routine to your home screen as a shortcut, determine the size of it and customize it with your own images. "Research has shown that this personalization can be particularly helpful for people with cognitive differences and disabilities and we hope it will bring the helpfulness of Assistant Routines to even more people," Andersson wrote. Google developers took inspiration from Action Blocks for this feature.

Last but not least, Google earlier this year added a feature to the desktop Chrome address bar to detect typos and suggest websites based on what the app reckons you meant. The feature will be available on Chrome on iOS and Android starting today. The idea is to help folks with dyslexia, language learners and those who make typos more easily find what they're seeking.