We feature a lot of clocks here on Hackaday, and lately most of them seem to be Nixie clocks. Not that there’s anything wrong with that, but every once in a while it’s nice to see something different. And this electromechanical rack and pinion clock is certainly different.

[JON-A-TRON] calls his clock a “perpetual clock,” perhaps in a nod to perpetual calendars. But in our opinion, all clocks are perpetual, so we’ll stick with “linear clock.” Whatever you call it, it’s pretty neat. The hour and minute indicators are laser cut and engraved plywood, each riding on a rack and pinion. Two steppers advance each rack incrementally, so the resolution of the clock is five minutes. [JON-A-TRON] hints that this was a design decision, in part to slow the perceived pace of time, an idea we can get behind. But as a practical matter, it greatly simplified the gear train; it would have taken a horologist like [Chris] at ClickSpring to figure out how to gear this with only one prime mover.

In the end, we really like the look of this clock, and the selection of materials adds to the aesthetic. And if you’re going to do a Nixie clock build, do us a favor and at least make it levitate.

Ever since Jimi Hendrix brought guitar distortion to the forefront of rock and roll, pedals to control the distortion have been a standard piece of equipment for almost every guitarist. Now, there are individual analog pedals for each effect or even digital pedals that have banks of effects programmed in. Distortion is just one of many effects, and if you’ve built your own set of pedals for each of these, you might end up with something like [Brian]: a modular guitar pedal rack.

Taking inspiration from modular synthesizers, [Brian] built a rack out of wood to house the pedal modules. The rack uses 16U rack rails as a standard, with 3U Eurorack brackets. It looks like there’s space for 16 custom-built effects pedals to fit into the rack, and [Brian] can switch them out at will with a foot switch. Everything is tied together with MIDI and is programmed in Helix. The end result looks very polished, and helped [Brian] eliminate his rat’s nest of cables that was lying around before he built his effects rack.

MIDI is an extremely useful protocol for musicians and, despite being around since the ’80s, doesn’t show any signs of slowing down. If you want to get into it yourself, there are all kinds of ways that you can explore the studio space, even if you play an instrument that doesn’t typically use MIDI.