Warner Bros Discover (WBD) has scored a coup by inking a "Pay-1" deal with indie darling A24 for priority streaming rights, the company announced. That means new releases from A24 like Iron Claw (above) will appear first on HBO, Max and Cinemax before streaming on any other platform. The deal also extends WBD's licensing for A24's film catalog, giving it access to titles like Uncut Gems, Everything Everywhere All At Once and others.

"Movies included in the pay-1 output agreement include Dicks: The Musical, Priscilla, Dream Scenario, The Zone of Interest, Stop Making Sense (2023), The Iron Claw, Love Lies Bleeding, Civil War, and more," Warner Bros Discovery wrote in a press release. "Between the existing and new library of A24 films, subscribers will have access to more than one hundred A24 titles over the term of the agreement." 

Typically films start in theaters, then go to digital purchase/rental before heading to streaming or OTA broadcast. Pay-1 gives streaming companies exclusive access to titles for a period of 12-18 months before they had to Pay-2 for general licensing and syndication. 

Paramount's Showtime has held the Pay-1 deal with A24 since 2019, but it expired in November 2022 (and was then extended a year), according to IndieWire. WBD only mentions having Pay-1 access to A24 movies released after the new deal, so anything released before that (Talk to Me, The Inspection and others) will likely remain Pay-1 on Showtime. 

In any case, the deal will be a boon for A24 and viewers in general. WBD's Max and Discovery+ have a combined 95.1 million subscribers, while Paramount+ has 63 million subs, and not all of those have the ad-free "with Showtime" tier. Around the end of 2022, HBO and HBO Max gained access to some of A24's older films, but they'll now have many more, over 100 in total.

Just ahead of the A24 deal, WBD was touting the improved tech and a updated UI of the Max streaming app. Other upcoming A24 films include Tuesday (2024, starring Julia Louis-Dreyfus) and Problemista (2024, Julio Torres, Tilda Swinton and RZA). 

Amid COVID-prompted lockdowns, many major movies skipped US theaters entirely and went straight to streaming services. Those included the Pixar films Soul, Luca and Turning Red, all of which debuted on Disney+. In 2024, though, you'll get the chance to see those animated films on the big screen. Soul will get a theatrical release on January 12, Turning Red will hit cinemas on February 9 and Luca will emerge on a silver screen near you on March 22.

Given that these movies have been around for as long as three years, it's unlikely that they'll set the box office charts alight. But the theatrical releases mean you'll have a chance to enjoy these films as originally intended.

They could also help pad out Disney's bottom line a bit during a rough spell for the company. Among other issues, Disney is slated to release just one Marvel movie next year, Deadpool 3. In addition, the three Pixar films will act as a lead up to the studio's next film and perhaps help get very young viewers accustomed to going to the movies. Inside Out 2 will arrive in theaters on June 14.

A YouTuber named RwanLink recreated Castle Town from The Legend of Zelda: Ocarina of Time as a Studio Ghibli film and released a digital short to show off their efforts. This is to celebrate the game’s 25th anniversary and the YouTuber made the environment and characters in Unreal Engine 5, putting in over 600 hours of work to complete the project. It was a one person job, aside from the music, as reported by Eurogamer.

It’s got a gorgeous opening cinematic in the style of, you guessed it, Studio Ghibli, which is followed up by gameplay in Castle Town. The gameplay recalls Wind Waker, obviously, and even newer cel-shaded Zelda titles like Tears of the Kingdom and Breath of the Wild. There are Gorons, Gerudo, Hylians aplenty and, oddly, some ladies who look pulled straight from the Renaissance. The big bad himself, Ganondorf, also shows up.

The gameplay looks a bit choppy, but it’s still extremely impressive. There are dozens upon dozens of NPCs just about everywhere, many more than would be present in an actual Zelda game. The music is on-point and it just looks, well, cute and fun to explore, like a Zelda title should.

This project comes just a couple of weeks after the official announcement of a live action Zelda movie. Some fans were a bit displeased with the whole idea of a live action film at all, as animation seems to be the best way to do the story and characters justice, particularly something that draws from Studio Ghibli. Still, we’ll see when the film releases if director Wes Ball, from the Maze Runner films, can pull a cucco out of a hat.

Netflix has given The Witcher fans their first look at a new animated film that's set to hit the streaming service in late 2024. The Witcher: Sirens of the Deep is based on A Little Sacrifice, a short story written by the universe's creator Andrzej Sapkowski. It will have Geralt of Rivia investigating a series of attacks in a seaside village in the midst of rising conflict between its human inhabitants and merpeople from the ocean. Netflix says the film is set between episodes 5 and 6 of the live-action series' first season, and it does show: The Geralt in the film resembles original Witcher actor Henry Cavill more than the Geralt in the games. 

The live action's stars Anya Chalotra and Joey Batey will also be reprising their roles as Yennefer of Vengerberg and Jaskier in the animated film. But Geralt will be voiced by Doug Cockle, who's known for voicing the White Wolf in the Witcher games. The movie is directed by Kang Hei Chul, who served as a storyboard artist for The Witcher: Nightmare of the Wolf, which featured the story of Vesemir before he became Geralt's mentor. It was also animated by Studio MIR, the same South Korean studio that worked on Nightmare of the Wolf. 

The film may be the last time those who were particularly fond of Cavill as Geralt can see, well, a version of him play the role. He left the live-action show after its third season and is set to be replaced by Liam Hemsworth. 

That Netflix subscription you're suddenly paying another couple of bucks for every month will soon give you a bit more value for money. The Super Mario Bros. Movie — the second highest-grossing film of the year so far after Barbie — is coming to Netflix on December 3. 

It's been a Peacock streaming exclusive since early August. Peacock has 28 million paid subscribers, while Netflix has around 74 million paying members in the US, so many more folks will be able to be able to legally watch the movie at home without renting or buying it. 

The Super Mario Bros. Movie is a fun, but predictably safe trip to the Mushroom Kingdom with a memorable turn from Jack Black as Bowser. A word of warning for anyone checking out the film on Netflix for the first time: good luck getting that "Peaches" song out of your head any time soon. Oh, and Chris Pratt is completely fine as Mario!

Although the Mario movie is the highest-grossing film adaptation of a video game franchise ever, Nintendo and its partners (Universal Pictures and Illumination) have yet to announce the inevitable sequel. However, it emerged this week that Nintendo is teaming up with Sony Pictures for a live-action take on The Legend of Zelda, which seems like a far riskier bet.

We all knew it was just a matter of time before one of the world’s richest and most controversial men would get the biopic treatment and now it’s happening. Elon Musk is getting his very own movie, helmed by acclaimed director Darron Aronofsky and produced by A24, as originally reported by the Variety.

The film’s going to be based on Walter Isaacson’s authorized biography, which has received its share of unfavorable reviews, with outlets like the Los Angeles Times suggesting the author “mostly accepts Musk’s confident prognostications as gospel” and The Guardian calling it an “insight-free doorstop.” Not all reviews were that dire, of course, but many point to Isaacson’s book as being a clear example of the perils of access journalism.

Isaacson also wrote a biography on Steve Jobs, which was adapted into the 2015 film starring Michael Fassbender and directed by Danny Boyle. This movie ended up being an incredibly loose adaptation of Isaacson’s book, so we’ll see what Aronofsky does with the material. If anyone can put their personal stamp on things, it’s the director behind Mother!, The Whale, Requiem for a Dream and Black Swan.

This film’s still in early development, so there’s no writer attached yet and there have been no casting announcements. In a recent Reddit thread, commenters' top-voted casting picks for Musk were Nicolas Cage, Rami Malek, Jesse Eisenberg and Robert Downey Jr, as collated by Variety.

Lego just unveiled another set based on the Marvel Cinematic Universe, and boy is it a doozy. The massive 5,200-piece Avengers Tower set measures nearly three feet tall and ships with 31 minifigures, including Marvel Studios head honcho Kevin Feige. It also includes several dioramas that let you create many of the important scenes that took place in Avengers Tower, from the Chitauri battle of the original film to the party scene from Age of Ultron and beyond.

The set releases on November 24 and will cost an eye-watering $500. Still, this is the 17th-largest collection the company has ever made and the one with the most minifigures. Beyond Feige, other figures include Captain America, Thor, Loki, some Ultron drones and just about every other major character that appeared in Avengers Tower throughout the films. There’s even an appropriately-scaled Hulk.

In addition to the tower itself, which actually opens to allow for interior sequences, the set ships with a Quinjet and a Chitauri invasion ship. You also get plenty of accessories to help pose the minifigures in a variety of action-packed scenarios. About the only thing missing is the shawarma shop down the street.

As previously mentioned, this isn’t Lego’s first MCU-adjacent set. The company has released a giant Hulkbuster suit from Age of Ultron, a battle scene based on Black Panther: Wakanda Forever and Iron Man’s armory, among others. It has also shipped some sets based on other Marvel properties, like a Miles Morales figure and a Daily Bugle collection. Beyond superheroes, Lego launched a nifty Pac-Man arcade console set this year and one based on the Xbox 360.

We Met in Virtual Reality, a documentary shot entirely inside VRChat (now available to stream on Max), was one of the highlight's of last year's Sundance Film Festival. It deftly showed how people can form genuine friendships and romantic connections inside of virtual worlds — something Mark Zuckerberg could only dream of with his failed metaverse concept. Now the director of that film, Joe Hunting, is making an even bigger bet on virtual reality: He's launching Painted Clouds, a production studio devoted to making films and series set within VR.

What's most striking about We Met in Virtual Reality, aside from the Furries and scantily-clad anime avatars, is that it looks like a traditional documentary. Hunting used VRCLens, a tool developed by the developer Hirabiki, to perform cinematic techniques like pulling focus, deliberate camera movements and executing aerial drone shots. Hunting says he aims to "build upon VRCLens to give it more scope and make it even more accessible to new filmmakers," as well as using it for his own productions.

Additionally, Hunting is launching "Painted Clouds Park," a world in VRChat that can be used for production settings and events. It's there that he also plans to run workshops and media events to teach people about the possibilities of virtual reality filmmaking.

His next project, which is set to begin pre-production next year, will be a dramedy focused on a group of online friends exploring an ongoing mystery. Notably, Hunting says it will also be shot with original avatars and production environments, not just cookie-cutter VRChat worlds. His aim is to make it look like a typical animated film — the only difference is that it'll be shot inside of VR. It's practically an evolution of the machinima concept, which involved shooting footage inside of game engines, using existing assets.

"Being present in a headset and being in the scene yourself, holding the camera and capturing the output, I find creates a much more immersive filmmaking experience for me, and a much more playful and joyful one, too," Hunting said. "I can look up and everyone is their characters. They're not wearing mo-cap [suits] to represent the characters. They just are embodying them. Obviously, that experience doesn't translate completely on screen as an audience member. But in terms of directing and the kind of relationship I can build with my actors and the team around me, I find that so fun."

Throughout all of his work, including We Met in Virtual Reality and earlier shorts, Hunting has been focused on capturing virtual worlds for playback on traditional 2D screens. But looking forward, he says he's interested in exploring 360-degree immersive VR projects as well. It could end up being part of behind-the-scenes footage for his next VR film, as a part of an experimental project in the future. In addition to his dramedy project, Hunting is also working on a short VR documentary, as well as a music video.

It's been rumored for years, but Nintendo still managed to surprise us with a late-day announcement: a live-action film based on The Legend of Zelda is in the works, directed by Wes Ball. Nintendo's Shigeru Miyamoto is producing the film along with Avi Arad, and the film is being co-financed by Nintendo and none other than Sony Pictures Entertainment. You know, part of the same company that owns PlayStation.

Developing...

Barbarian is one of the more memorable horror movies of the last few years. It tells a tale of a young woman who finds that someone is already staying at her rental home. She has little choice but to stay there since nearby hotels are all booked up. That alone is a nightmare scenario but the film goes into some truly wild directions from there. On the surface, it seems like an odd choice to turn into a video game, but that's exactly what's happening.

New Regency Pictures and Friday the 13th: The Game and Evil Dead: The Game developer Diversion3 Entertainment have teamed up to bring Barbarian to PC and consoles. Despite the multiplayer format of the studio's previous projects, this will be a single-player, narrative-focused title which will "expand on the settings, characters and creatures of Barbarian." There's no release timeframe as yet.

“We’re very excited to work with the team at New Regency to expand on the settings, characters and creatures of Barbarian,” Tim Hesse, an executive producer at Diversion3 Entertainment, told Variety in a statement. “The film did a magnificent job of not only scaring audiences with its unexpected and horrifying twists and turns, but also in establishing strong characters thrown into terrifying situations. We look forward to exploring these themes further in the game.”

A straight adaptation of the film's story probably wouldn't work as a game. But there's certainly potential for it to work as a tension-filled survival horror title given (mild spoilers) how much of the Barbarian takes place in terrifying underground tunnels.

For the uninitiated, here's the trailer for Barbarian. Happy Halloween.