For all the conveniences of streaming, there’s still something to be said about venturing out to see a film at a movie theater. Sure, there isn’t an endless amount of choice, and you can’t pause when something else requires your attention but seeing a compelling film on the silver screen is its own treat.

On September 3rd, US cinemas will make it more affordable to enjoy that experience. As part of a newly announced National Cinema Day, more than 3,000 theaters across the US, including chains like AMC, will offer discounted $3 tickets. With all major film studios and more than 30,000 screens involved, there’s a good chance a theater near you is participating.  

“After this summer’s record-breaking return to cinemas, we wanted to do something to celebrate moviegoing,” said Cinema Foundation president Jackie Brenneman. “We’re doing it by offering a ‘thank you’ to the moviegoers that made this summer happen, and by offering an extra enticement for those who haven’t made it back yet.”

While people are returning to theaters to see films like Dune and Top Gun: Maverick, the promotion comes at a time when the industry is still dealing with the aftermath of COVID-19. The pandemic saw movie studios like Universal significantly shorten theatrical windows, and many chains, including Regal Cinemas, struggled to stay open amid strict lockdown measures in the US and other parts of the world.

Back in February, Netflix announced it was working with 2K and Take-Two Interactive for a live-action movie based on the BioShock series. The project has taken an important step forward, as it now has a writer and director on board. Michael Green (Logan, Blade Runner 2049 and American Gods) is on script duties, while Francis Lawrence will be keeping the director's chair warm.

Along with I Am Legend, Lawrence has directed four of the five Hunger Games movies as well as some episodes of the Apple TV+ series See. He's currently shooting The Hunger Games: The Ballad of Songbirds and Snakes, so don't expect a trailer for the BioShock movie anytime soon.

It appears as though the film will in fact be an adaptation of the first game. Netflix's Tudum site explains a few basics of the original BioShock and notes that Lawrence will presumably "strap into a Big Daddy suit and get ready to brave the flooded corridors of Rapture soon enough." For the sake of clarity, there's only one question truly worth asking: Netflix, would you kindly reveal more details about the movie?

Sony revealed a few months back that a Netflix show based on Horizon Zero Dawnwas in development and now we have a few more details. Steve Blackman, the creator and showrunner of The Umbrella Academy, has re-upped his deal with Netflix and is working on the adaptation.

Blackman said the game's protagonist, Aloy, will be a main character in the show. This is also the first confirmation from Netflix that the series will be based on Horizon Zero Dawn, instead of a show that's set in the same universe. Rumors previously indicated it would be set in 2047, before the fall of humanity and nearly a thousand years before Aloy was born. Still, the show may still depict some of the events that led to animal-like robot organisms reigning over Earth.  

"Horizon Zero Dawn is an exceptionally well-crafted game with wonderful characters not often seen in the rank-and-file of the gaming world. Guerrilla Games has created an incredibly lush and vivid world of man and machine who find themselves on a collision course to oblivion," Blackman told Netflix's Tudum site. "Their salvation comes in the form of a young female warrior named Aloy, who has no idea she's the key to saving the world. My writing partner on this, Michelle Lovretta, and I are thrilled to be able to expand this remarkable IP into a series for all types of viewers."

The latest update on the Horizon Zero Dawn project came as Netflix renewed The Umbrella Academy for its fourth and final season. The other show Blackman is currently developing is an intriguing-sounding thriller called Orbital, which is set on the International Space Station.

"From a character- and world-building perspective, there's a clear throughline: I gravitate to characters who are grounded and relatable but exist on the fringe," Blackman said about his projects. "Outliers who struggle to find their place in a world of conformity and structure. All my stories strive to subvert expectation and find a new way of looking into the worlds we think we know." Aloy fits that description perfectly.

Netflix is working on the Horizon Zero Dawn series with PlayStation Productions, which has a ton of other shows and movies based on Sony's games in the pipeline. Among them are HBO's The Last of Us, a Gran Turismo film, a God of War series for Amazon Prime Video and the Peacock show Twisted Metal. Recent reports suggested that movies based on Days Gone and Gravity Rush are in development too.

For a while, BlackBerry phones were the phones to have, used corporate bigwigs and heads of state to answer emails and do tasks they couldn't normally do on other cell phones. Those days are long gone. Now, film studios want relive the rise and fall of the company from the time it was still known as Research in Motion until it lost its fight against Google and Apple in a new movie. According to Variety, the upcoming film that's simply entitled BlackBerry is directed by Operation Avalanche director Matt Johnson and has recently wrapped production. 

It stars Jay Baruchel (This Is The End) and Glenn Howerton (It’s Always Sunny in Philadelphia), Variety says. And though it's not confirmed, they're likely playing the company's founders and co-CEOs Mike Lazaridis and Jim Balsillie. The screenplay is based on the book Losing the Signal: The Untold Story Behind the Extraordinary Rise and Spectacular Fall of BlackBerry by The Globe and Mail reporters Jacquie McNish and Sean Silcoff. Since the book was published in 2015, the movie likely won't include all the failed attempts to revive the brand that happened in the years thereafter. 

In 2019, TCL manufactured new BlackBerry phones until the company decided not to renew its contract and stopped selling the devices merely a year later. Security startup OnwardMobility then announced that it was planning to release a 5G BlackBerry smartphone with a physical keyboard in 2021 for North America and Europe. In the end, however, those plans never came to fruition. OnwardMobility reportedly lost its license to use the BlackBerry name and ultimately shut down the company in February this year.

Sony seems determined to turn every gaming property it has ever laid a finger on into a movie or TV show. PlayStation Productions has a whole heap of projects in the works and the latest, according to Deadline, is a Gravity Rush film.

The movie will be based on the 2012 PlayStation Vita game of the same name from Japan Studio's Team Gravity (the title was later remastered for PlayStation 4). You play as Kat, an amnesiac who can manipulate gravity to traverse an open world in a novel way. Kat uses her powers to protect the people of Hekseville from gravity storms and monsters. A sequel arrived on PS4 in 2017.

Ridley Scott's production company Scott Free Productions is reportedly working on the movie. Emily Jerome, the writer of upcoming thriller Panopticon, is working on the script. Anna Mastro, who helmed Disney+ film Secret Society of Second Born Royals and episodes of many notable TV shows, is onboard as director.

The Gravity Rush project underlines just how serious Sony is about expanding its gaming IP into the realms of film and television. It finally released an Uncharted movie earlier this year and over the weekend, it emerged that a Days Gone film is in development. That's on top of shows based on Twisted Metal,God of War and the Horizon games, as well as upcoming Gran Turismo and Ghost of Tsushima movies.

Last, but by no means least, a show based on The Last of Us is coming to HBO next year. The network released the first footage from the series in a sizzle reel on Sunday. With The Last of Us Day fast approaching, we likely won't have to wait long for a full trailer.

Companies already use The Game Awards to pitch related movies and shows, but now the event will officially recognize those productions. Organizers have revealed that the 2022 Game Awards will take place December 8th with a new Best Adaptation category. Companies will receive statuettes for any project that translates games to "popular media," including movies, TV series, podcasts and books.

The event will not only retain an in-person component, but extend that to theaters. The Game Awards will offer a live "IMAX Experience" in cities worldwide. While more details are due in the months ahead, it's safe to presume you'll get a richer audiovisual presentation as you watch ceremonies and game trailers.

The creation of an adaptation category isn't surprising. This year has had a flurry of game-inspired media, including the long-in-the-making Halo TV series, a well-received Sonic the Hedgehog 2 movie and an anticipated (if unspectacular) Uncharted film. This gives The Game Awards a chance to capitalize on the trend, of course, but it could also reward those studios that do justice to favorite gaming franchises.

Jurassic World Dominion will begin streaming on September 2nd, Peacock announced on Friday. The service will host two versions of the film. In addition to the original theatrical cut, fans can watch an extended edition that is 14 minutes longer and includes an alternate opening. If you weren’t a fan of the latest movie, Peacock is also adding Jurassic Park, The Lost World and Jurassic Park 3. All three films will arrive on September 1st.

As The Verge points out, Dominion’s move to Peacock isn’t a surprise. At the end of last year, NBCUniversal said the “majority” of its films would appear on the streaming service, with most making the jump as little as 45 days after their theatrical debut. By September 2nd, it will have been 84 days since Dominion debuted in theaters. The longer wait probably has something to do with Dominion being the year's second highest-grossing film.

Ahead of Andor’s debut on September 21st, Disney will bring Rogue One: A Star Wars Story back to theaters. The 2016 film will return to IMAX screens in the US on August 26th, along with an “exclusive look” at the upcoming Disney+ series. Details on the preview are sparse, but it’s likely to expand on the most recent Andor trailer Disney shared on August 1st. Either way, Rogue One’s rerelease will give Star Wars fans a chance to rewatch the film before Diego Luna reprises his role as Cassian Andor.

Set five years before the events of Rogue One, itself a prequel to A New Hope, Andor tells the story of how the rebellion began. Disney is billing the series as a spy thriller. With Andor, Diego Luna isn’t the only actor returning to the franchise. Genevieve O’Reilly and Forest Whitaker reprise their roles as Mon Mothma and Saw Gerrera. The series was originally scheduled to debut on August 31st, but Disney pushed it back to give more time for She-Hulk: Attorney at Law to find an audience. The first three episodes of Andor will debut simultaneously, with subsequent episodes to follow every Wednesday.

Rogue One is widely considered one of the better films to come out of the Disney Star Wars era. The movie made more than $1 billion during its original box office run and even earned two Academy Awards. If you don’t live near a theater with an IMAX projector, you can watch the film on Disney+.

Bandai Namco is developing a live-action Pac-Man film, according to The Hollywood Reporter. The Japanese publisher has reportedly tapped Wayfarer Studios, best known for its work on 2019’s Five Feet Apart, to produce the project. According to The Hollywood Reporter, the film was pitched by Sonic the Hedgehog producer Chuck Williams.

The movie does not have a release date yet and Bandai Namco could decide not to move forward with the project. That said, the involvement of Williams says a lot about the company’s aspirations. In 2020, Sonic the Hedgehogbroke the record for a US video game movie debut after earning $57 million at the domestic box office during its opening weekend. Despite the pandemic, the film went on to earn $319 million. Two years later, Sonic 2 beat the previous high watermark set by its predecessor with a $71 million US debut. Clearly, Bandai Namco wants a similar outcome. Here’s hoping Pac-Man doesn’t have to go through an ugly CGI phase to get there.

Netflix will have to shell out a hefty sum in a fight over screenwriter pay. As Deadlinereports, the Writers Guild of America has won an arbitration ruling that will have Netflix pay 216 theatrical movie writers an extra $42 million in unpaid residuals. The WGA is also seeking another $13.5 million in interest for late payment.

The WGA accused Netflix of "self-dealing" that helped it skimp on writer pay. Residuals for theatrical releases are supposed to be paid on revenues earned in a given market, according to the guild, and licenses like Netflix's (where it's both the producer and distributor) demand fees based on more conventional relationships — a Sony movie licensed to Netflix, for example. Netflix, however, reportedly negotiated deals with the Directors Guild of America and Screen Actors Guild (SAG-AFTRA) that let it pay residuals on its own movies for "significantly less" than the cost of the film.

The win was helped by an earlier victory over the Sandra Bullock movie Bird Box, the WGA claimed. An arbitrator found that Netflix significantly underpaid a screenwriter using a formula like that from the most recent dispute. The officiator told Netflix to pay the writer $1.2 million in residuals and interest.

We've asked Netflix for comment. The WGA wasn't shy about its criticism, however. It characterized Netflix as one of the "worst violators" of the guild's basic agreements for residuals, and saw the arbitration as a pushback against media companies trying to "depress" pay through streaming services. Don't be surprised if there are more battles like this across the industry.