Last year, Boss Team and Saber Interactive announced that Evil Dead: The Game with Bruce Campbell reprising his original movie role would arrive sometime in 2021. Now, the developers have tweeted out an update with a specific and slightly later release date: February 2022.
Evil Dead: The Game will be releasing in February 2022 Hey groovy gamers, we're targeting a new release date to give the team some extra time for polish and to ensure this is the ultimate Evil Dead experience you’re all waiting for! pic.twitter.com/c5I4OSQshA
The reason for the delay is to "give the team some extra time for polish and to ensure this is the ultimate Evil Dead experience you're all waiting for," the team tweeted. "This additional time is also allowing us to implement a single-player option that will let you enjoy the game when you are without your co-op compadres."
As we saw in the launch trailer in December, Campbell's Ash along with Kelly and crew have to work together to fight Deadites led by a powerful demon. You can think of it as a Dead by Daylight-style asymmetric title with a chainsaw hand and Bruce Campbell's clever catchphrases. It also comes with a big dollop of nostalgia with familiar characters, locales and plenty of gore in the form of blood-soaked zombies.
Evil Dead: The Game will offer "multiplayer co-op and PvP for PC, Xbox One, Xbox Series X/S, PlayStation 4, PlayStation 5, and Nintendo Switch," according to the developer's website. They advised that you stay tuned to their Twitter page "for more information about new character updates, pre-order availability, and the next gameplay video featuring Bruce Campbell."
Streaming services are embracing cheaper subscription plans in a bid to turn free users into paying customers. Following news of a YouTube Premium Lite offering yesterday, Spotify is the latest streamer to confirm a cheaper tier. The world's biggest music streaming service is testing a $0.99 monthly plan that retains the ads but gives you infinite skips per hour and lets you select specific songs on an album or playlist for playback. Spotify, which confirmed the test to The Verge, is hoping it can convince you to put up with ads in return for more control over the listening experience. In other words, it wants to have its cake and eat it, too.
Currently, free users can only skip six tracks per hour and have to listen to shuffled songs on albums and playlists. That's a bummer if you're sick of hearing Justin Bieber or just want to put that one new Billie Eillish track on repeat. Despite those incentives, getting people to pay for an ad-supported service, even if it is just $0.99 per month, is still a big ask. Especially when they're accustomed to getting it for free. Then again, video streamers like Hulu and HBO Max have either successfully done it or are trying to do it.
The risk is that it could eat into Spotify's existing premium user base, which make up 165 million of its 365 million subscribers. Turning those remaining 200 million users into paying members is clearly the goal here. It could be that the low $0.99 price helps to ease that transition. We'll know if the gamble has paid off if Spotify expands the plan to more users. In the past, the company has done just that with new plans, including its $12.99/month Duo tier aimed at discouraging password sharing and its upcoming Lossless "HiFi" offering.
If Gary Numan had heard a different sound the first time he encountered a synthesizer, we might not have had “Cars,” “Are 'Friends' Electric?” or even Gary Numan (he was born Gary Webb before adopting his stage name). The New Wave movement might have been little more than a ripple, Synth Pop may have never happened and, in a roundabout way, Calvin Harris might never have known what we came for.
But Numan did hear that all-important sound, the one that lit up his brain and switched him on to technology as a music-making tool, paving the way for electronic music to go mainstream. That’s just one of many accidentally influential moments to be found in Watch the Sound with Mark Ronson — a documentary jaunt through the cornerstones of music technology that’s streaming now on Apple TV+.
Ronson is, perhaps, best known for his work with Amy Winehouse — a decidedly analog, brassy affair. But his love of technology is abundantly clear as Watch the Sound serves up easily digestible bites of musical history around key technological themes: Sampling, drum machines, synths and beyond. Along the way, Ronson casually drops in on such luminaries as Paul McCartney, Quest Love and the aforementioned Numan, along with contemporary artists such as Charlie XCX and King Princess. If the series doesn’t inspire you to google around for a MIDI controller by the end of it then nothing ever will.
Apple TV+
Unlike Netflix’s fast-paced This is Pop, Watch the Sound leans more histrionic. Each episode starts with Ronson recounting his own first experience with whatever this episode is about (a sampler, distorted guitars and so on). He then spends time with artists that popularized that sound, asking pensive questions and generally nerding out about music as only someone with Ronson’s wide palette of influences really can.
This sense of a journey through Ronson’s musical interests gives Watch the Sound a more intimate feel than This is Pop’s more talking heads approach. “I think what's important is that there is a familiarity between the episodes, there is a kind of a guiding force. And that was always going to be Mark's personal experience,” executive producer Mark Monroe told Engadget.
This sense of “experience” is perhaps no more apparent when Ronson spends time with Sean Ono Lennon. Lennon talks candidly about his father’s own struggle with the sound of his voice. He then adroitly reinvents a recording of Lennon senior with Harmony Engine (that Ronson describes as “autotune on steroids”) in what turns out to be a surprisingly tender moment. Lennon junior is visibly moved by this brief yet intimate musical encounter.
Of course, the show is about the machines as much as the people that made them important. Watching DJ Premier’s absolute mastery of the MPC, for example, is as impressive as it is frustrating (at least to anyone else who’s had a go on one and could barely peck out a beat). Later on, watching Ronson take a box cutter to a speaker cone with David Grohl feels like it should have been an outtake until... goddammit, why is he somehow good at everything? (You’ll have to watch it to find out why they did this.)
Other humorous moments are, perhaps, less intentional. Ronson at one point finds himself in a full miner’s jumpsuit, and he’s never looked so uncomfortable. In episode one, we enjoy a rare, albeit slight crack in his golden touch as he struggles to make anything remotely musical with autotune (he rectifies that later, naturally).
If there were an enduring message in Watch the Sound (and many other series of its ilk) it’s that perfection and talent are rarely what creates something magical. Most of the technology featured was either misused, misunderstood or reappropriated through necessity. Legends were born thereof and this is just how we do things now.
It’s refreshing, if not invigorating to know that you don’t have to aspire to perfect pitch or even really have any formal musical training to be a pioneer. In fact, it’s easy to convince yourself that knowing your scales might even hold you back sometimes if you find yourself trying to only play by the rules.
This sentiment is solidified in the episode about synthesizers. Here, the cast of heroes is more at home with an oscilloscope than with an oboe. The band of misfits (and, let history show, many, many more women than are ever given credit) effectively reinvented what music could be from the ground up.
Apple TV+
Monroe said that was something that became apparent during filming, too. “Digging into synthesizer and really kind of understanding what a disruptor it was … what an opportunity for the people on the outside of the music business … and not just to gain a foothold, but to become, you know, legendary.”
Even if you don’t have an interest in how music is made, the show will have you jotting down the names of bands and songs you want to explore further and delight you with a sense of possibility. Or in my case, vindication. The episode on sampling recounts the abhorrent push-back that this new technology received. “That’s not real music” someone remembers being told. If, like me, you grew up listening to Fear of a Black Planet and the countless artists it inspired, it’s hard not to do a mental fist-pump to yourself for not being one of those jerks.
By the end of the show, you might find yourself motivated to dig out that guitar from the loft, or fire up your laptop. Apple, it seems, knew this might be the case. To coincide with the show’s launch, the company has created a “companion experience” for GarageBand via an exclusive Producer Pack.
That said, once you discover how the Beastie Boys achieved their iconic vocal sound on "So What’Cha Want" or how Sonic Youth creatively used drumsticks on their guitars, you might realize you don’t even need any fancy software to do something different.
Watch the Sound with Mark Ronson premieres on Apple TV+ today.
Yes, you can finally upgrade your SSD storage on the PS5 — a console that already demands pretty huge game file sizes. It’s a whole lot more complicated than plugging in a USB drive, however. First up, you have to be a PS5 beta user in the US, Canada and parts of Europe. Then, you need a PCIe Gen4 SSD for read speeds of 5,500MB/s or higher — there are options from Samsung, Western Digital and Seagate.
But that’s not the end of things. Sony notes in its guide to SSD upgrades that you also need to factor in the PS5's cooling mechanism. This means you might have to add a heatsink to your SSD or choose a compatible SSD with the cooling structure built-in.
Oh, it has to be the right-sized heatsink, too. And Sony suggests doing the whole installation in a well lit room, flashlight “optional.” It literally says that.
Did you buy a next-gen console so you didn’t have to think too much about these kinds of things? Well, sorry. It’s time to measure a heatsink. The feature will roll out to non-beta PS5 users later this year.
(TLDR: The Western Digital Black SN850 heatsink model should work if you want to upgrade your PS5 storage.)
Intel’s very own desktop PC series gets a little more compelling. The new NUC 11 Extreme, AKA Beast Canyon, is a lot like last year’s NUC 9 Extreme. But it's a bit cheaper and more flexible, thanks to its faster 11th-gen Intel CPU and support for full-sized GPUs. It’s bigger, yes, but that ability to work around full-sized GPUs makes it a genuine, if expensive, gaming PC desktop option. Devindra Hardawar puts it through its paces. Continue reading.
Finally, a game you play as a cat. After being teased in 2020, we finally get to see the game in action — and news it will arrive next year. Gameplay involves using physical abilities as a cat to navigate the environment and solve puzzles. You can also scratch furniture. Continue reading.
Nothing’s long-teased launch product is almost here. Its transparent-cased wireless earbuds look cool, ring in at $100 and, perhaps a little surprisingly, sound pretty good. The Ear 1s are a little temperamental with connectivity — and pricier headphones sound better — but Nothing has delivered some stylish buds that will come to the US next month. Mat Smith tests them out. Continue reading.
Black Widow star Scarlett Johansson is suing Disney over the company's decision to release the movie in theaters and on Disney+ simultaneously. Johansson claims this was a breach of contract. In the suit, Johansson says Black Widow was supposed to be released exclusively in theaters, per her deal with Marvel. A large portion of Johansson's salary was tied to its box office success.
The move to launch the film on Disney+ may have impacted Black Widow's performance in theaters. According to Variety, it’s on track to become one of the lowest-grossing Marvel movies to date, based on box office sales. Continue reading.
The Artful Escape is an idealized vision of everything the music industry could be, straight out of the brain of Australian rockstar Johnny Galvatron. In five years of development (at least), The Artful Escape has transformed into a psychedelic adventure game with a living soundtrack of original folk and rock music, a cast of ridiculous characters, otherworldly environments, and a roster A-list voice actors, including Jason Schwartzman, Lena Headey, Michael Johnston, Carl Weathers and Mark Strong.
The Artful Escape is set to hit Xbox One, Xbox Series X and S, and PC on September 9th, priced at $20. It'll hit Game Pass at the same time, and it's being published by indie hit-maker Annapurna Interactive.
Galvatron is the frontman of The Galvatrons, a high-energy Australian rock group that toured the continent and opened for bands like Def Leppard and Cheap Trick in the late 2000s. However, for the past few years, Galvatron has been a game developer first and foremost. In the 2010s, he used YouTube videos to teach himself how to create a game in Unreal, building off the 3D animation and coding courses he took back in college, right before Warner Music signed him. He then founded a studio, rented some office space, secured a deal with Annapurna, and somewhere along the way, he ended up in a recording booth with Jason Schwartzman.
"We just hung out and spoke about David Bowie and Bob Dylan and video games and stuff," Galvatron said. "And it was just like, it was a moment for me. He came into the studio and he had like a cape and he had a dressing gown and like an umbrella and a little tiny Korg synth. He brought all these things and he put them all around him and he would like, do the line with the cape and then he would throw the cape around another way, and then he would hold the umbrella and do the line. I was just on my feet the whole time."
Annapurna Interactive
In The Artful Escape, the main character, Francis Vendetti, goes on a multidimensional journey to discover his true stage persona — which seems to be a David Bowie-esque shred machine — while at the same time reckoning with the legacy of his late uncle, a Bob Dylan-style folk icon. He travels through strange and trippy worlds, playing music and hunting for his true sound.
To give a sense of the game's oddball vibe, Schwartzman plays a giant brain perched atop a pile of discarded fish parts.
"He’s a really funny comic support character," Galvatron said. "Like a very lofty British alien, like a brain floating in an aquarium on a flotilla of goldfish fins. It'll make sense when you see it."
For Galvatron, The Artful Escape is exactly that — an escape. His career as a mainstream rockstar was ultimately unfulfilling, filled with red tape, stagnant bureaucracy and awkward interactions. In between shows, he often found himself curled up in the corner of the tour bus, reading Dune or writing his own novel, watching the continent fly by.
As a game developer, he's building the industry he actually wanted to be a part of, one line of code at a time.
"It's kind of what I dreamed the music industry would be, this world of magical doors and these great experiences, instead of like drinking Melbourne Bitter at an RSL in Wollongong, trying not to get beaten up because you look like you're in Poison," Galvatron said. He laughed and, without missing a beat, added, "Can you use that quote in its entirety?"
Sure thing, Galvatron — but only because that sounds like a solid premise for a sequel to The Artful Escape.
GarageBand creators have a bunch more tools at their disposal as of today, including sound packs from Dua Lipa and Lady Gaga. You can learn how to remix Dua Lipa's "Break My Heart" and Lady Gaga's "Free Woman" in the app.
Along with videos of the artists telling the stories behind those songs, the Remix Sessions include step-by-step tutorials, which you can play picture-in-picture. An Apple Retail Creative Pro will give some pointers on how to remix the tunes using a GarageBand Live Loops version of each song. You can play around with isolated vocals, instrumental tracks and beats to create completely different versions of the hits.
Apple says these Remix Sessions build on the Today at Apple workshops that take place at its stores (and online over the past year or so). Big names like Alicia Keys, Billie Eilish and Taylor Swift have previously been featured at in-store Music Labs.
There are also seven new GarageBand producer packs created by Boys Noize, Mark Lettieri, Oak Felder, Soulection, Take A Daytrip, Tom Misch and Trakgirl. Each contains royalty-free loops, samples, instruments, drum kits and more that aim to encapsulate the feel of each producer's work. The packs also include videos from the producers, in which they provide words of encouragement and info about their creative process.
Oak Felder said he hopes his pack can help even the playing field and make it easier for newcomers to start producing music. "There is a possibility that you, picking around and making beats on your iPad, can actually turn it into a side hustle," he said.
There's another producer pack which acts as a companion piece to Apple TV+ docuseries Watch the Sound With Mark Ronson. You'll be able to play around with GarageBand versions of samples, drum machines, vocal effects and other elements featured in the show, which premieres on Friday. All of these free downloads are now available from the Sound Library.
Hawkeye, the next live-action Marvel Cinematic Universe series, will debut on Disney+ on November 24th, with new episodes to follow every Wednesday thereafter. Disney shared the news in an interview Entertainment Weekly published with series star Jeremy Renner. The article also includes a first-look screencap (below) showing Renner opposite co-star Hailee Steinfeld, who plays Hawkeye’s protégé Kate Bishop in the series.
Marvel Studios / Disney
With Hawkeye, Disney looks to continue the recent success it’s had with Marvel content. In June, Loki had Disney+’s most-watched premiere, beating out an already impressive debut showing fromThe Falcon and the Winter Soldierearlier in the year. At the start of July, Black Widow brought in more than $60 million in revenue solely from people willing to pay $30 each to watch the film from the comfort of their homes.
The power of deepfake tech to hone digital effects into incredibly realistic video can’t be underestimated. We’ve seen a top-level Tom Cruise impersonator transformed with a high-level deepfake artist, and now companies — and film studios — are taking notice.
Luke Skywalker's CGI face in The Mandalorian was met with a lot of criticism, and one fan’s efforts to improve it resulted in a new job. Lucasfilm has hired YouTuber Shamook to ensure future projects won’t have wobbly representations of actors that are either much older or perhaps even deceased now. The latter, however, remains an ethical conundrum in itself, as demonstrated by the recent Anthony Bourdain documentary.
The user-friendly medical device can be operated at home.
We've seen helmets and AI that can spot brain tumors, but a new magnetic hard hat can actually treat them, too. Researchers used a helmet that generates a magnetic field to shrink a deadly tumor by a third. The 53-year-old patient who underwent the treatment ultimately passed away due to an unrelated injury, but an autopsy showed that the procedure had removed 31 percent of the tumor mass from his brain. Continue reading.
Apple’s tiny Bluetooth trackers have one critical flaw: no built-in keychain hole. That means anyone who buys AirTags has to buy holders or cases to attach them to their stuff.
It’s a very Apple way of milking as much money out of a new product as possible since many will simply buy Apple’s own AirTag holders. But those aren’t the only options available — plenty of accessory companies have already made AirTag cases. We take a look at all the options. Continue reading.
Microsoft's double-screen Surface Duo landed with outdated specs and a hard-to-swallow price, but the company might be looking for a do-over. A Tech Rat leak suggests a Surface Duo with a new conspicuous rear camera bump with three sensors might be on the way — as well as a new black look. Continue reading.
LG has revealed a new family of wireless earbuds, and while germ-killing UV tech is still on board, the coolest part may be backward compatibility. The high-end FP9 model has a charging case that plugs into a headphone jack to work as a Bluetooth dongle. The feature could be handy during flights and when dealing with wired environments of yesteryear, like gym treadmills. The headphones feature active noise cancellation and spatial audio compatibility, too. The LG Tone Free FP series will be available this month, price still TBC. Continue reading.
Apple has pushed out a new update to iOS 14 for iPhone and iPad owners. While there are no new features, it addresses a bug that broke Apple's Unlock with iPhone integration, preventing Touch ID-equipped phones from unlocking Apple Watch devices. So if you use an older iPhone with your Apple wearable, you'll want to download the update as soon as possible.Continue reading.
If you thought the classic ‘pants on a dog’ problem was tricky, try it with treads.
As robots increasingly move into our everyday lives, a new kind of clothing revolution could soon be upon us once again, according to a new research study out of New York’s Cornell University.
“We believe that robot clothes present an underutilized opportunity for the field of designing interactive systems,” the team argues in What Robots Need From Clothing. It’s not simply a matter of tossing human clothing on a robotic chassis. “What robot clothes are is integrally tied to what robots need from clothing. Robot clothing should analogously fulfill needs robots have, rather than just being human clothes on a robot,” the researchers wrote. What will that entail? Continue reading.
Luke Skywalker's CGI face in the character's The Mandalorian cameo was met with a lot of criticism, and fans even tried to fix the scene with various tools and programs. One of those fans did so well, Lucasfilm has hired him to help it ensure its upcoming projects won't feature underwhelming de-aging and facial visual effects. That fan is a YouTuber known as Shamook, who uses deepfake technology to improve upon bad CG effects and to put actors in shows and movies they never starred in.
In the comments section of a video that replaces Christian Bale with Robert Pattinson as the Batman in Christopher Nolan's film, Shamook wrote that he joined Lucasfilm/Industrial Light & Magic (ILM) a few months ago. When asked what his role within the company is, he said his official title is "Senior Facial Capture Artist." The studio has confirmed the hire with IndieWire, telling the publication that it's always on the lookout for talented artists. A representative said in a statement:
"Over the past several years ILM has been investing in both machine learning and A.I. as a means to produce compelling visual effects work and it’s been terrific to see momentum building in this space as the technology advances."
In addition to working on a deepfake version of Luke in The Mandalorian, he also deepfaked Tarkin's and Leia's appearances in Rogue One. Shamook's videos don't always show the most realistic results, but the great ones like Luke's truly look impressive. Lucasfilm could his technical know-how to make sure de-aged characters and CG faces won't take us straight to uncanny valley anymore.
SiriusXM has revealed a new $35/month plan that allows you to listen to the service’s 300-plus channels from two cars and log in to the SXM streaming app on two devices simultaneously. Subscribers will have other perks through the Platinum VIP plan, including the chance to check out some exclusive events with artists and celebrities.
The plan includes access to more than 5,000 soundboard-quality concert recordings. You’ll also be able to check out 250 video recordings of shows selected from live concert streaming service nugs.net’s library. The lineup includes gigs from Bruce Springsteen, Phish and Pearl Jam (all of whom have SiriusXM channels), as well as the likes of Wilco and Metallica.
Platinum VIP seems like SiriusXM’s take on a family plan, with live concert recordings and other perks to sweeten the deal. For subscribers who have more than one car, the plan could be a better option than perhaps having two $22/month Platinum plans.
Even though every media-centric company is battling for customers' time and dollars, SiriusXM targets a slightly different type of user to the likes of Spotify and Apple Music. It has some high-profile exclusive stations, including ones from Howard Stern, as well as features like Pandora stations and play-by-play for several major sports. However, Spotify has significantly expanded its non-music offerings over the last few years, with investments into the likes of podcasts and Clubhouse-style audio chat rooms.
