If you were trying to watch Drake, Taylor Swift, Lil Nas X, The Weeknd, Eminem, Ariana Grande, Harry Styles, Kanye West, Michael Jackson and other artists on YouTube this morning, you may not have seen what you expected. Music video network Vevo was reportedly attacked by someone with the Twitter handle @lospelaosbro, who uploaded some extremely strange clips, The Verge reported. Those included video of a rapper called Lil Tjay and a man called Paco Sanz who was sent to jail for scamming donations after lying about having cancer.
Vevo acknowledged the incident to The Verge, saying that "some videos were directly uploaded to a small number of Vevo artist channels earlier today by an unauthorized source." It added that no pre-existing content was accessible to the attacker and said that it would be "conducting a review of our security systems."
Vevo is owned primarily by music labels Sony Music Entertainment, Universal Music Group and Warner Music Group. The company says it controls "the largest network of music channels on YouTube," and essentially acts like a contractor, allowing distributors to merge Vevo channels with existing channels as "Official Artist Channels." Google supplies ads for Vevo videos and also owns a small stake in the service.
According to a Vevo FAQ, artists don't post their videos directly, but send them to "content providers" for uploading. Content providers include major labels like Universal Music Group and Sony Music, along with independent distributors. The hacked artist channels belong to multiple labels and Vevo said that they have now been secured and the incident is resolved.
A24 has shared the first trailer for Marcel The Shell With Shoes On, a film adaptation of the viral YouTube series of the same name. If you’re not among the millions of people who have watched the shorts (the first entry has more than 32 million views), they were co-created by Zootopia and Obvious Child actor Jenny Slate. In the new film, Slate returns to voice the titular Marcel, an anthropomorphic seashell in search of their family. Co-staring alongside Slate are Rosa Salazar, Thomas Mann, as well as series and film director Dean Fleischer-Camp. The film also features cameos from the likes of Conan O’Brien and Lesley Stahl.
A viral YouTube series more than a decade old may seem like unusual source material for a theatrical film, but then A24 is no stranger to backing such movies. Last year, the company released Zola, a film inspired by a 148-part Twitter thread from 2015. Marcel The Shell With Shoes On arrives in US theaters on June 24th.
Spotify's long-promised Batman podcast is almost here. The streamer has announced that DC Comics and Warner Bros.' Batman Unburied will debut worldwide on May 3rd, with a trailer offering a hint of what to expect. The show will have Barbara Gordon (aka Batgirl) look for help from The Riddler to understand why Bruce Wayne can't remember his Batman role and, hopefully, convince him to fight a serial killer wreaking havoc on Gotham City.
Winston Duke (M'Baku in Black Panther) will play Bruce Wayne in the English-language podcast. Other stars include John Rhys-Davies, Lance Reddick (John Wick), Jason Isaacs (Harry Potter), Gina Rodriguez (Jane the Virgin) and Ashly Burch (Horizon Forbidden West), among others. Spotify is also promising localized versions and actors for Brazil, France, Germany, India, Indonesia, Italy, Japan and Mexico.
The release comes nearly two years after Spotify first unveiled a multi-year deal with DC and Warner Bros. to produce exclusive podcasts, and roughly a year and a half after the companies teased early details of Batman Unburied. It's not clear what prompted the long wait, but the news reflects a catch-up of sorts as Spotify's podcast deals finally become reality. Meghan Markle's first podcast series, for instance, is arriving on Spotify nearly two years after she and Prince Harry reached a deal.
Whatever the reasons behind the wait, Batman Unburied could represent an important moment for Spotify. It could show whether or not the DC/Warner collaboration was worth the effort, of course, but it might also indicate whether Spotify's quest for exclusive podcasts was worth the delays and sometimes serious problems.
“The days of Usenet, IRC, the web… even email (with PGP)... were amazing,” Jack Dorsey said in a tweet over the weekend. “Centralizing discovery and identity into corporations really damaged the internet. I realize I’m partially to blame, and regret it.”
Dorsey’s tweet is a notable admission by a tech executive who has made billions creating a platform that centralized the way we consume news — and is still involved in other core facets of the digital economy. The Twitter founder isn’t afraid of being outspoken. In December 2021, he ranted about how Web3 had already been co-opted by investors. “You don’t own ‘Web3,’” he said at the time. “The VCs and their LPs do. It will never escape their incentives.” He also said world peace could be achieved with bitcoin.
This, above, is what the JackRabbit looks like. As a pedal-free e-bike, it’s for those who want a scooter rather than an electrified road bike. But, unlike a scooter, the JackRabbit can handle more than just a paved sidewalk while remaining about as portable. James Trew tests out this unusual ride.
Streams could be promoted to the homepage through buying subscriptions and other items.
A number of Twitch users noticed streams of porn videos were on the homepage, all captioned “Promoted by the streamer’s community." It appeared a number of unidentified users were taking advantage of the platform’s Boost Train program, which promotes streamers if enough fans create a “hype train” by purchasing subscriptions and bits.
Since Twitch only rolled out the Boost Train feature to partners and affiliates, only a limited number of streamers have it enabled. It's still unclear how the bad actors were able to access enabled accounts. In an email to Engadget, a Twitch spokesperson said Boost Train was paused “due to safety reasons.”
The company added a series titled "Get back to fitness after having a baby."
Apple is adding seven 10-minute workout and cooldown videos aimed at new parents. The activities are a mix of core, strength and Apple's Mindful Cooldown workouts and have modification guidance if you want a greater challenge or prefer to take it slower. The mindful cooldowns offer stretches that target common post-pregnancy tight spots, while the core sessions include pelvic floor exercises. There are next to no equipment requirements, but you need an Apple Watch and a Fitness+ subscription.
Strange New Worlds looks like a return to the relentless optimism and romanticism put forward by creator Gene Roddenberry. “I love this job,” Pike whispers to Rebecca Romijn’s Number One, followed by a brief montage of some of the adventures ahead for the crew of the Enterprise in season one of the series. Set about a decade before The Original Series, Strange New Worlds features a handful of future Star Trek greats before their career-defining stint on the Enterprise, with Anson Mount, Rebecca Romijn and Ethan Peck reprising their respective roles as Pike, Spock and Number One from Star Trek: Discovery season two.
A little more than a month before its May 5th premiere, Paramount+ has shared a new trailer for Star Trek: Strange New Worlds. For those who have become weary of the franchise’s more dark tone during the Alex Kurtzman era, Strange New Worlds looks like a return to the relentless optimism and romanticism put forward by creator Gene Roddenberry. “I love this job,” Pike whispers to Rebecca Romijn’s Number One, followed by a brief montage of some of the adventures the crew of the Enterprise will find itself in season one of the series.
Set about a decade before The Original Series, Strange New Worlds features a handful of future Star Trek greats before their career-defining stint on the Enterprise, with Anson Mount, Rebecca Romijn and Ethan Peck reprising their respective roles as Pike, Spock and Number One from Star Trek: Discovery season two. To that cast, the series adds the likes of Celia Rose, portraying a young Nyota Uhura, and a few newcomers that we haven’t seen before.
In the US, Star Trek: Strange New Worlds will stream exclusively on Paramount Plus.
The tone is almost apologetic. "I have some important news," says Ewan McGregor, star of the upcoming Disney+ series Obi-Wan Kenobi. "Our premiere date is moving just a couple of days." His hands are raised, as if to say "don't be mad!" Indeed, Disney is pushing the show's launch back by two days, from Wednesday, May 25th to Friday, May 27th.
That's a shame mostly because the 25th would have been exactly 45 years since the original Star Wars opened. But, as McGregor's body language suggests: don't be mad. As penance for the grave inconvenience, Disney will now be releasing the first two episodes that day instead of just one.
For fans of the franchise, this newest series starring McGregor has been a long time coming. The series was first announced in summer 2019, and Disney has since revealed that other big names are attached, including Rosario Dawson and Hayden Christensen reprising his trilogy role as Darth Vader.
Blue Origin's first crewed space tourism mission of 2022 is go for launch today with a crew of six, the company has announced. The NS-20 mission is set to take place at the company's launch facility in Van Horn, Texas at 9:30 AM ET after a two-day delay due to high winds.
Passengers will ride aboard the New Shepard reusable launch system which marks its 20th flight to date (hence the NS-20 mission designation). The crew includes angel investor Marty Allen, nonprofit founder Sharon Hagle, Hagle's husband and Tricor CEO Marc Hagle, entrepreneur Jim Kitchen and Commercial Space Technologies founder Dr. George Nield.
SNL's Pete Davidson was supposed to be aboard but had to drop due to a scheduling conflict, so he'll be replaced by New Shepard's chief architect, Gary Lai. In previous flights, Blue Shepard has carried Laura Shepard, the daughter of pioneering astronaut (and New Shepard's namesake) Alan Shepard, Michael Strahan, William Shatner and of course Blue Origin owner Jeff Bezos.
The company is competing in the space tourist arena with Virgin Galactic, which recently completed its first fully crewed spaceflight with four onboard including owner Richard Branson. Another rival is SpaceX, which did its first tourist spaceflight (Inspiration 4) last year with four civilian passengers.
The livestream for the launch is set to start at 8:20 AM ET, with the launch scheduled for 9:30 AM ET.
Three years and three days after it was first unveiled, Apple TV+ has captured the first ever Best Picture Oscar for a streaming service with CODA. The film also took a historical win for Best Supporting Actor, as Troy Kotsur became the first Deaf male actor to win an Oscar. Writer and director Sian Heder also won for Best Adapted Screenplay.
The film, with a mostly Deaf cast, follows Ruby (played Emilia Jones), a high school student who navigates life as the only hearing member of a Deaf family in Gloucester, Massachusetts. "This is a really big moment for the Deaf community. It’s a really big moment for the disability community," said Heder in a backstage ABC interview, via an ASL interpreter, as Variety reported. "Marlee Matlin won an Oscar 35 years ago, and not that much has changed in Hollywood, so I want to thank the Academy for making that change. Let this one be the first of many, many films to come out of this beautiful community."
Apple paid $25 million for the distribution rights to the film, which made a limited theatrical run and is currently streaming on Apple TV+. It beat out Netflix's The Power of the Dog, which was another favorite in that category.
After a record 27 nominations, Netflix didn't go away empty-handed, though. Jane Campion took a historic Best Director Oscar for The Power of the Dog, becoming only the third woman to win the award. (Chloé Zhao took the prize last year for Nomadland, while Katheryn Bigelow previously won for The Hurt Locker.) The Power of the Dog was nominated for 12 Oscars, including in the Best Actor and Best Supporting Actor/Actress categories, but Campion was the only winner.
Brian Snyder / reuters
Sci-fi fared particularly well at this year's Oscars. Dune, released simultaneously in the US on HBO Max and in theaters, won no less than six Academy Awards. The highlight was Greig Fraser's win for Best Cinematography, presented live during the telecast (above). However, the film's other awards were presented prior to the ceremony for the first time in Oscar history, something decried by several attendees including Steven Spielberg. They include wins for Best Production Design (Patrice Vermette, Zsuzsanna Sipod), Best Film Editing (Joe Walker), Best Sound (Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill, Ron Bartlett), Best Visual Effects (Paul Lambert) and Best Original Score (Hans Zimmer).
Dune doesn't count as a streaming release, though, nor do others like Disney's Encanto, which won Best Animated Feature. Overall, streaming films fared poorer than last year, taking four statues compared to seven at the 2021 Oscar ceremonies.
Halo’s TV adaptation doesn't waste any time differentiating itself from the popular game franchise. We open in a rebel village bar, where patrons are discussing the evil UNSC (United Nations Space Command) and boogey-man like Spartans. It could easily be a scene from Firefly, the short-lived series about plucky folks fighting for freedom against an authoritarian central government. In short order, a group of Covenant aliens attack, leading to a bloody massacre where limbs are blown off, skulls take serious damage and an entire room of children is murdered. It's not too long before Master Chief (Pablo Schreiber), our hero clad in glorious green armor, appears and wipes out the alien threat with a unit of super-human Spartan soldiers with brutal yet elegant efficiency.
Spoilers ahead for Halo on Paramount+.
The core Halo games were always rated M for Mature by the ESRB, but they never felt as gory as the Paramount+ show's opening. When you're playing as Master Chief, you feel like a one-man army going on a fun intergalactic adventure. The TV series instead begins by focusing on people usually ignored by the games. Only one survivor is left from that rebel village, a teenaged girl named Kwan Ah. But instead of being cared for by the Spartans and their UNSC and United Earth Government overseers, she's treated as a prisoner. While the Halo games have typically treated the UEG as a sort of benevolent authoritarian regime, the show frames the military government as controlling and villainous.
That may end up turning off the franchise's most diehard fans, but it's a more honest representation of what the UNSC represents. Master Chief quickly learns that he can't trust his leaders either. After touching an alien artifact, he begins to have flashbacks to a former, pre-soldier life. While the show isn't quick to jump into his origins, Halo fans know the history of the Spartan soldiers is rife with controversy. Master Chief, and other members of his cohort, were actually kidnapped as children, genetically modified and trained to be battle-hardened super soldiers. While the games rarely wrestled with the horrors and complexity of that program, the lore-heavy Halo novels filled in the gaps.
Paramount+
What's most interesting about the Halo series is that it's confronting that backstory head-on. When we first meet Master Chief, he's the ultimate soldier we're familiar with. But when the UNSC orders him to kill Kwan Ah, he hesitates and does something we've never seen in the games: He takes off his helmet. Instead of killing the defenseless teen, Master Chief goes rogue. The super soldier starts to think for himself.
Unfortunately, the interesting elements of Halo are somewhat outweighed by the show's simplistic writing, stiff acting and sometimes dodgy special effects. If it came out in 2015, when wefirst expected it to arrive on Showtime, it would be more impressive. But now we're practically living through a golden age of sci-fi TV.The Mandalorian(and to a lesser extent, The Book of Boba Fett), is giving us several episodes of big-budget Star Wars action annually!Foundation on Apple TV+ isn't the Asimov story as we know it, but it looks incredible. The Expanse skillfully brought an epic book series to life. And even Ridley Scott is dabbling in science fiction again withRaised by Wolves.
It also doesn't help that, at its core, Halo feels like a retread of The Mandalorian's riff on Lone Wolf and the Cub in space. Kwan Ah isn't a child, but she's a defenseless innocent who's being protected by a tough-guy space loner who's forced to go against his superiors. Whatever made Halo seem unique several years ago just doesn't exist anymore.
Still, it's astounding that the show exists at all. The live-action adaptation wasfirst announced in 2013 as a collaboration between 343 Industries and Amblin Entertainment, with Steven Spielberg himself joining as a producer. Kiki Wolfkill, 343's head of Halo transmedia, tells Engadget that the key element to getting the series off the ground was "patience." The studio wasn't rushing to get the series on TV, instead 343 wanted to take its time to get the adaptation right.
Halo finally started to rev up in 2018 with Kyle Killen joining as a writer/showrunner, who was later joined by Steven Kane in 2019. The original director, Rupert Wyatt (Rise of the Planet of the Apes), was eventually replaced by Otto Bathurst (Black Mirror, Peaky Blinders), which pushed production even further. And once they finally started shooting in 2020, the COVID-19 pandemic forced another delay. Instead of being a premium cable highlight, it became a flagship series for Paramount+ last year.
Despite the fits and starts, Wolfkill says the pandemic delay ultimately helped the creative team regroup and discover some unsustainable aspects of production. At one point, she said, there were five directors shooting episodes at the same time. Taking a break also allowed the VFX teams to catch up on a backload of work. Now that Paramount+ has already ordered a second season, Wolfkill says the team is also better prepared to deal with bringing the world of Halo to life. For example, they know that the live-action Master Chief can't unholster his gun from his back like he does in the game – that has to be VFX work instead.
While the Halo series exists on a separate “Silver” timeline from the games, Wolfkill says we may see some crossover between the mediums eventually. But when I asked if we’ll ever see an unmasked Master Chief in the games, Wolfkill was quick to say “pretty categorically no.” As she says, “that’s a different experience and that Chief is owned by all of us, so we’d never want to impede on that.”
In 2020, Motorola's Edge+ marked a return to form for the company — a renewed focus on flagship phones after years of putting out more affordable devices. And despite skipping an update last year, now the 2022 Edge+ has arrived sporting a new chip and some inspiration Moto cribbed from Samsung's playbook: built-in stylus support. Unfortunately, even with a slick 144Hz screen and a $1,000 list price that undercuts the Galaxy S22 Ultra, the Edge+ doesn't live up to its premium ambitions. And at this point I'm wondering if Moto really has the chops to hang with other top-tier phone makers.
Design and display
Available in two colors (blue and white), the Edge+ doesn't do much to stand out, but I wouldn't call it ugly either. In some respects, it's more confused than anything. Packing a 6.7-inch 2,400 x 1,080 OLED display, the Edge+ is a chunky device, and just barely smaller than Samsung's 6.8-inch Galaxy S22 Ultra. Despite its premium price, the Edge+'s frame is made from plastic, and its lackluster IP52 dust and water resistance won't repel much more than a splash. So you better keep this thing away from sinks and toilets.
Sam Rutherford/Engadget
Around back, while I like the gradient effect you get from the phone's Gorilla Glass 5 rear panel, the see-through housing around the Edge+'s triple camera module looks out of place. Actually, I'm not sure why that glass is there at all, aside from possibly making it look a bit more like an iPhone 13. And because the Edge's cameras aren't totally flush, you get more of a camera mound than a full camera bump, which seems like a compromise that won't please anyone.
I'm also sad that Moto axed the previous Edge+'s headphone jack. With so many other Android phones having done the same in recent years, retaining support for 3.5mm audio could have been an easy way for the Edge+ to differentiate itself from the competition. Now it's just a missed opportunity.
Sam Rutherford/Engadget
Thankfully, when it comes to the display itself, there's not much to complain about. It's big, it’s colorful and, although its peak brightness of around 600 nits isn't nearly as high as what you'd get from a S22+ (1,750 nits), content looks good anywhere without direct sunlight. Moto also included support for a 144Hz refresh rate, which is slightly faster than the 120Hz screens you get from Apple, Samsung and others. But while the screen does make things look very smooth, it's hard to discern a difference in side-by-side comparisons with an S22+.
Finally, the Edge+ has a side-mounted fingerprint sensor built into its lock button, which is totally serviceable. That said, the phone's buttons are close to the top of the device so reaching them can be a stretch, particularly for people with smaller hands. I really wish Moto had opted for an in-screen fingerprint reader (which the 2020 Edge+ also had) or a rear-mounted option, both of which I find more accessible.
Cameras
Sam Rutherford/Engadget
While the Edge+’s rear cameras don’t look out of place, they might be the worst part of the phone’s entire kit. To start, one of the phone's rear “cameras” is merely a 2-megapixel depth sensor, which leaves a 50MP main sensor along with a 50MP ultra-wide sensor that can also take macro shots. Right away, the lack of a dedicated telephoto cam is a serious demerit among premium phones. But it gets worse because the Edge+'s image quality can only be described as depressing.
In well-lit conditions, the phone does fine, taking bright pictures with punchy colors. However, I should mention that with default settings, photos tended to look one or two stops more exposed than I like. You also have to be careful about spotting when Moto's scene optimizer automatically turns on, lest you risk some funky processing. For example, when I shot a very normal picture of some fruit, the Edge+ activated its food mode, which amped up colors to the point where the oranges looked neon.
But the biggest issue is the phone's low-light photography. No matter what I did, unless there were multiple street lights right next to me, the Edge+ struggled to snap a sharp pic at night. Things like leaves and branches routinely came out blurry, with Moto's Night Vision feature consistently capturing grainer photos when compared to the S22's Night Mode. In even darker conditions, the Edge+ felt lost, producing an image of a stained glass window that looked more like an impressionist painting than an actual photo. And let's not forget, I’m comparing Moto’s Night Vision setting to Samsung's Night Mode, which isn't even as good as Night Sight on the Pixel 6. On a mid-range phone, these results might be more forgivable. But for something listed at four figures, it's just sad.
Performance and sound
While the Edge+'s cameras don't impress, thankfully the phone's performance and sound are strong. You get a Qualcomm Snapdragon Gen 1 chip, 8GB of RAM (or 12GB if you buy an upgraded model direct from Moto), and up to 512GB of storage. Overall, benchmarks were within five percent of what we've seen from Samsung's Galaxy S22 line, and in the real world, I didn't experience any hitches.
Sam Rutherford/Engadget
The Edge+ also features stereo speakers with Dolby Atmos that deliver relatively rich audio for a device this size. That said, I found that its speakers are better for watching movies than listening to music. For films that support surround sound, the Edge+ was slightly better at delivering layered, directional audio, especially for things like footsteps and explosions.
Accessories and 5G
One of the Edge+'s highlight features is active pen support and Motorola's optional Smart Stylus. In theory, this should help transform the Edge+ into a slightly cheaper alternative to Samsung's Galaxy S22 Ultra. Unfortunately, Motorola did not provide one for review alongside the phone, which doesn't inspire a lot of confidence. On top of that, the phone doesn't have built-in pen storage, so you'll also need to use the folio cover that comes bundled with Moto's stylus to create a more cohesive package that you might actually want to carry around.
As for 5G, support varies greatly depending on your carrier. On Verizon, you get both sub-6GHz and mmWave 5G. On T-Mobile/MetroPCS and unlocked models you only get sub-6GHz 5G, and on AT&T/Cricket, you're stuck with 4G LTE. This discrepancy when it comes to 5G compatibility is borderline infuriating, and unless you're on Verizon and have no intentions of switching, it almost makes the Edge+ a complete non-starter.
Software
Sam Rutherford/Engadget
The Edge+ comes pre-installed with a straightforward take on Android 12, though our Verizon-branded review unit was loaded with a fair amount of bloatware. All your beloved Moto gestures are still around, including my longtime favorite, the double-chop to activate the flashlight. And as a bonus for people new to the Moto ecosystem, there's a handy floating button that guides you through the various gestures, navigation options and more. There's also Moto's Ready For mode, which allows the phone to function like a mini desktop when hooked up to an external monitor. And while it works, it's not nearly as good as Samsung's Dex mode.
What's really annoying, though, is that for a premium handset, Motorola's long-term support is weak. You only get two years of Android updates and three years of bi-monthly security patches. In comparison, Samsung offers four years of both for all of its Galaxy S phones and many of its mid-range devices, while the Pixel 6 gets a whopping five years of OS upgrades and security updates.
Charging and battery life
Thanks to its 4,800 mAh battery, even with a large display sucking up juice, the Edge+ lasted a respectable 15 hours and 24 minutes on our local video rundown test. That's about half an hour longer than the standard S22, though still a bit short compared to the S22+ and S22 Ultra's times of 17:33 and 17:16, respectively. And during normal use, the Edge+ fared even better, often finishing the day with more than 30 percent battery left in the tank, due in part to efficient standby power usage that only robbed one or two percent battery an hour while idle.
Sam Rutherford/Engadget
Recharging the Edge+ can be done in two ways: wired charging at up to 30 watts (and yes, a power adapter does come in the box) or Qi wireless charging at up to 15 watts. On top of that, the phone supports reverse wireless charging (aka Power Share) at up to five watts, so you can send excess juice to a friend with a device in need or recharge Moto's Smart Stylus.
Wrap-up
Back in 2020, I was cautiously optimistic to see Motorola get back into the flagship phone game with the original Edge+, even if that phone ended up being merely fine. Motorola is the third biggest phone maker in the US, so you'd think it might have a decent shot at making a compelling alternative to Google, Apple and Samsung's high-end devices. But now, having checked out its latest high-end phone, I feel like this whole endeavor might have been a mistake.
Aside from its screen and chipset, the 2022 Edge+ feels more like a mid-range handset than a truly premium phone. It's lacking the telephoto cam that other flagships (and the previous model) have, and Moto's low-light photo quality seems like it's gotten worse, not better. Same goes for some of the Edge+'s other specs like its side-mounted fingerprint reader, which is a step back from the in-screen sensor on its predecessor. Moto even killed the headphone jack, which was one of the 2020 Edge's defining features, and a real rarity among high-end phones.
Sam Rutherford/Engadget
Sure, this year's Edge+ got a small boost thanks to a third year of security patches. But when you look at competing Android devices, Motorola's software support still falls woefully short of what you get from Samsung and Google. With limited or no 5G connectivity on two of the US's three biggest carriers, the Edge+ is a hard phone to like, let alone recommend. And while you might be tempted by some of the phone's promo pricing at launch that could lop $100 to $150 off its price tag, even with those discounts, the Edge+ still feels too expensive. At $700, the Pixel 6 is a better (and cheaper) phone, and if you don’t mind only having sub-6GHz 5G, you can get an unlocked model directly from Google for just $600.
Honestly, the Edge+ feels like a trap: It has the build and cameras of a mid-range phone with a couple high-end features to lure you in. But it's missing a lot of the polish and sophistication you should be getting on a top-tier device. And while I can't tell how much carrier partnerships or the ongoing chip crunch may have held this device back, regardless of how we got here, it really seems like Motorola is struggling to compete in the premium phone space.
