If you're interested in expanding your knowledge in different areas and learning new skills with the help of experts in their respective fields, this might be the deal for you. MasterClass subscriptions are currently 40 percent off as part of the service's "spring forward" sale. They start from the equivalent of $6 per month when billed annually (so $72 for the year).

We reckon the mid-tier Plus plan likely offers the best value here. That includes the ability to watch MasterClass videos on two devices simultaneously. Perhaps more importantly, this tier includes offline viewing, which might come in handy if no in-flight entertainment options grab your interest the next time you're traveling. The Plus plan is available for the equivalent of $9 per month when billed annually ($108 total), down from $15 per month.

There are more than 200 classes available on MasterClass, including lessons from some of the top names in each relevant industry. You might learn about how to have a winning mentality from Lewis Hamilton, creative writing from Margaret Atwood, shooting and scoring from Steph Curry, comedy from Steve Martin or home cooking from Alice Waters. The categories of classes include film and TV, health and wellness, science and technology, music, and business.

Each class has around 20 video lessons that typically last around 10 minutes long each. You'll get access to a workbook as well to help you absorb the information and understand how to act on it through various exercises. But even if you're not necessarily interested in acquiring new skills, you might simply use MasterClass as you would with any other streaming service, which is one reason why it's among our favorite subscriptions to gift someone.

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Amazon has sold Kindle ereaders for almost two decades but it wasn't until last year that it went beyond black and white. The Kindle Colorsoft Signature Edition came out in October and — despite a previous screen issue that seems fixed — it's a great product overall. Our biggest quip is the price, $280 for the 32GB edition, compared to $200 for the 32GB Kindle Paperwhite Signature Edition, for example. 

Now, a new sale is easing the strain on our wallets, dropping the Kindle Colorsoft Signature Edition to $225 — a 20 percent discount and record-low price. The deal is the same whether or not you opt for three months free of Kindle Unlimited. The seven-inch display touts "paper-like color," up to eight weeks of use in one charge and has an an IPX8 waterproof rating. Plus, it's especially nice for graphic novel readers who want to get the full effect. 

Amazon is also running two types of book sales. If you have one of their ereaders, then you can get three times the amount of points every time you buy a Kindle book between today and Friday, April 25. If ereaders aren't your thing then you can check out Amazon's Book Sale, on through Monday, April 28. 

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Kobo isn’t the first on the color-ereader scene; Boox and Pocketbook have had color ereaders and tablets for years. Both of those companies make beautiful, premium devices that are highly capable and customizable — but they don’t offer the plug-and-play ereader experience of a Kindle or Kobo. Of all the ereaders I’ve tried over the past year, I’ve found Kobos do the best job of combining a user-friendly interface with quality hardware. And now that hardware has a new trick with a color screen on the Clara Colour.

It’s noteworthy that Kobo beat Kindle to the punch in getting a color ereader out the door. To be fair, Amazon is busy doing, well, everything, but it’s safe to bet that a color Kindle will be coming soon. For now, though, Kobo’s Clara Colour is the consumer-friendly color ereader to beat. A beefier processor makes it zippier than its already-fast predecessor, and the addition of color looks lovely, without detracting from the crisp and easy-to-read text. I’ll admit, I’m not an ereader diehard; I often return to my first love, print. But a few weeks with Kobo’s latest has me more excited than ever about reading on this cozy, effortless machine. 

Design and display

Most e-paper devices rely on a display made by E Ink. The Clara Colour uses the company’s new Kaleido 3 panel, which adds a printed Color Filter Array (CFA) layer on top of the existing black-and-white microcapsule layer. The color layer can display around 4,000 colors, with a resolution of 150 dpi. To be clear, a full color page on the Clara Colour looks nothing like what you’d get from the most basic LED screen. E-paper colors are muted and saturated, reminiscent of ‘70s comic book covers. But, also unlike LED, E Ink color panels actually look better under bright light.

Photo by Amy Skorheim / Engadget

The monochrome microcapsule layer creates sharp, 300 dpi text, same as the previous generation. But set side-by-side with the Clara 2E, the Clara Colour’s page does look less sharp. Get close to the screen and you’ll notice noise in the white parts of the page. The warm front light is more amber, too. That’s the nature of the color filter array: since it’s always there, any text you read is filtered through that layer. I have to stress that it’s only something I noticed because I’m writing this review and digging deep into the performance as compared to the previous generation. When it comes to actually reading, I found I preferred the softer, warmer effect of the Colour. It reminds me of the pulpy mass-market Stephen King and Anne Rice paperbacks I grew up reading.

Kobo’s customization options aren’t overly involved, but they grant enough control so you can change things like the typeface, font size, line spacing and margin width, as well as brightness and light warmth. On the outside, the Kobo Clara 2E and the Clara Colour look nearly identical. The screen is slightly more recessed on the Colour model and the soft-touch plastic is more textured, which is actually a benefit because it shows fewer fingerprints. The centimeter-wide bezels are just big enough for your thumb, which, along with the textured back, makes the reader easy to hold from different positions. It’s small enough I can grip it around the back, but I have larger hands, so that might not work for everyone.

With an IPX8 rating, the Clara Colour can handle full submersion in water. I haven’t gone that far with this review unit, but I did survive when I accidentally splashed water on it when washing my hands in the bathroom. Why was it in the bathroom? Because I stash my book near the toilet so I don’t sit there and stare at my phone. It’s the tactic that got me reading again after I had a kid and was temporarily convinced I’d never finish another book. I heartily recommend it, particularly with a reading device like this one that can handle the watery environment of a restroom. 

Photo by Amy Skorheim / Engadget

Reading experience

The Clara Colour’s new chip makes loading menus, performing searches and flipping pages a touch faster than with the previous generation. The speed increase doesn’t amount to a drastically different experience, but quicker page turns keep the action going. Like if Murderbot is protecting its humans from HostileSecUnit1 and suddenly there’s another SecUnit at the bottom of the page, you need to know as fast as technologically possible what goes down next. Browsing for a new book and checking out previews is speedier, too, something I appreciate when everything on my dutifully curated TBR list looks like broccoli and I want ice cream.

The UX is the same as all Kobos that don’t support stylus input, with just four options along a bottom menu bar: Home, My Books, Discover and More. Discover takes you to the Kobo store, where you can look for ebooks, audiobooks and titles from KoboPlus, the company’s monthly subscription for unlimited access to a selection of books (aka Kobo’s answer to Amazon Unlimited).

Discover’s recommendation section has a running list of titles called Just for You and, under Related Reads, suggests books you might like based on works you’ve finished. The connective threads between the titles isn’t anything surprising, but they offer a good place to start if you’re noodling on what to read next.

Photo by Amy Skorheim / Engadget

Kobo’s deep integration with OverDrive lets you borrow any title your local library has available with just a few seconds of setup and a library card. Clicking the three dots near the Buy button on any book brings up the option to borrow (or place a hold on) the ebook from your library. I admire how deeply Kobo supports the feature, placing something free and public on par with paid books and subscriptions.

Other features are nice to have, like gathering your Pocket articles from the web so you can read them later in the more focused environment of your Kobo. There’s also a beta web browser that I used to look up the Wikipedia entry on the Mason-Dixon line when I read Percival Everett’s James and the one for rook (the bird) when reading Tana French’s The Hunter. The browser’s not equipped for heavy surfing, but that’s a good thing. The extra effort it takes to browse keeps me on target with my reading. At the same time, I’m happy to dig up a little background info without picking up my phone, where the distractions are plentiful and compulsive.

The competition (aka Kindle vs Kobo)

There’s no escaping the fact that a Kobo ereader is not a Kindle. But the advantages Kindle has over Kobo are mostly in the availability of titles, not in hardware. The Kobo Clara Colour is most directly comparable to the standard Kindle. They have the same basic shape, the same size screen with 300 dpi text and 16GB of storage. But the Kindle is $50 cheaper.

However! Amazon’s device will serve you ads on the lockscreen and it costs $20 extra to remove them. It’s also not waterproof and has no warm light. No Kindle has a color display yet, but there are plenty of rumors suggesting that move is (pretty obviously) on the horizon. For now, though, color is another point in Kobo’s favor.

That said, if you’ve spent the past decade amassing a small library on Amazon, you won’t be able to access it on a Kobo without some major, quasi-unlawful finagling. I only have a few Kindle titles from my past, so starting over with Kobo didn’t feel like a loss.

Amazon’s ebook store is larger than Kobo’s, boosted by Kindle Direct Publishing exclusives and self-published books. Kobo has its own self-publishing program, but it’s far smaller. That said, every in-print book from a major publisher will show up in both the Kindle and the Kobo store. Every title I’ve searched for in the Kobo store was readily available.

Photo by Amy Skorheim / Engadget

Amazon’s subscription program, Kindle Unlimited, is bigger too, with four million combined audio- and ebook titles available. Comparatively, Kobo Plus currently claims 1.5 million ebooks and 150,000 audiobooks. Kobo’s plan is a tad cheaper at $10 per month to both read and listen, or $8 for ebooks only. Kindle Unlimited is $12 monthly and gives you access to both formats. Neither subscription includes bestselling titles from major authors, but there’s still plenty to choose from.

However, Kobo’s ebook access does outmatch Kindle's in two ways: the ability to shop third-party outlets and an easier OverDrive experience. Amazon uses its own digital rights management (DRM) technology, whereas most everyone else relies on Adobe’s DRM. That means if you buy a book from most major publishers on a third-party site (like ebooks.com or Google Books), you won’t be able to read the ePub file on your Kindle. There are a few extra steps for reading those titles on a Kobo, but it's easy enough. As for OverDrive, reading public library books on a Kindle isn’t hard, but you have to first go to OverDrive’s or your library’s site, find your book and select “read on Kindle” as the delivery option. With a Kobo, you click the three dots next to Buy, select Borrow and start reading seconds later on the same device.

Wrap-up

The big question is whether the addition of color makes the Kobo Clara Colour better and worth the $10 over the previous generation. The faster processor alone makes up for the price hike and the waterproof build, warm front lights and lack of ads makes for a more premium ereader that justifies the $50 price disparity between the Clara Colour and the basic Kindle.

As for the color screen, it doesn’t make much difference when you’re reading a typical ebook. And the extra layer does add some noise to the whitespace and gives everything a warmer glow. But I didn’t mind the minute drop in clarity and actually preferred the softer, cozier appearance of the page. Colors look lovely on the book covers in my collection and recommended titles draw me to them with their muted blues and washed out reds.

You’ve probably heard of that trick where you switch your phone’s screen to grayscale to reduce its appeal. It seems to actually work, so I have to imagine the opposite is true, too. Anything that makes reading material more attractive — and better able to compete with the technicolor onslaught of digital distraction — is a win in my book.

Twitch has updated its filtering tools to allow the exclusion of livestreams that feature mature themes, like sexual, violent and profane content. In other words, you won’t have to sift through hundreds of gross streams just to find someone innocently drinking soda pop and playing through Hades 2.

These new filter settings let people opt out of specific content labels, per the platform’s recently-introduced Content Classification Guidelines. These guidelines require creators to appropriately label livestreams if they include stuff like sexual imagery, depictions of violence, gambling, excessive profanity and drug use. These labels also apply when streaming mature-rated games.

This will allow for a more curated experience, as people will be able to hide entire categories when searching for something to watch. Previously, these content labels were only used as data points to help Twitch users make informed viewing decisions.

Twitch

The content classification filters are found in profile settings under Content Display Preferences. Once turned on, the filters will apply to all recommendations and search results, in addition to streams that pop up when aimlessly browsing. The system will remember preferred filter adjustments, so it should be a one-and-done trip to the settings page. For those under 18, Twitch automatically applies the vast majority of these filter settings.

There’s also another semi-related tool rolling out today. Preview thumbnails can now be blurred for streams labeled as having sexual themes. This feature will be turned on by default and can be toggled on or off via settings. However, if you follow a channel the thumbnail won’t be blurred, even if your classification labels rule out sexual content.

Twitch has been trying to nail down its policies regarding sexual content for a while now. It recently opened up the platform to nudity, as long as it was properly labeled, before changing its mind. Currently, the platform requires streamers to cover up their buttocks, genitals and (for female-presenting streamers) the nipples and underbust areas. Visible outlines of genitals are also prohibited, though all of this is liable to change.

At I/O 2024, Google’s teaser for Project Astra gave us a glimpse at where AI assistants are going in the future. It’s a multi-modal feature that combines the smarts of Gemini with the kind of image recognition abilities you get in Google Lens, as well as powerful natural language responses. However, while the promo video was slick, after getting to try it out in person, it's clear there’s a long way to go before something like Astra lands on your phone. So here are three takeaways from our first experience with Google’s next-gen AI.

Sam’s take:

Currently, most people interact with digital assistants using their voice, so right away Astra’s multi-modality (i.e. using sight and sound in addition to text/speech) to communicate with an AI is relatively novel. In theory, it allows computer-based entities to work and behave more like a real assistant or agent – which was one of Google’s big buzzwords for the show – instead of something more robotic that simply responds to spoken commands.

Photo by Sam Rutherford/Engadget

In our demo, we had the option of asking Astra to tell a story based on some objects we placed in front of camera, after which it told us a lovely tale about a dinosaur and its trusty baguette trying to escape an ominous red light. It was fun and the tale was cute, and the AI worked about as well as you would expect. But at the same time, it was far from the seemingly all-knowing assistant we saw in Google's teaser. And aside from maybe entertaining a child with an original bedtime story, it didn’t feel like Astra was doing as much with the info as you might want.

Then my colleague Karissa drew a bucolic scene on a touchscreen, at which point Astra correctly identified the flower and sun she painted. But the most engaging demo was when we circled back for a second go with Astra running on a Pixel 8 Pro. This allowed us to point its cameras at a collection of objects while it tracked and remembered each one’s location. It was even smart enough to recognize my clothing and where I had stashed my sunglasses even though these objects were not originally part of the demo.

In some ways, our experience highlighted the potential highs and lows of AI. Just the ability for a digital assistant to tell you where you might have left your keys or how many apples were in your fruit bowl before you left for the grocery store could help you save some real time. But after talking to some of the researchers behind Astra, there are still a lot of hurdles to overcome.

Photo by Sam Rutherford/Engadget

Unlike a lot of Google’s recent AI features, Astra (which is described by Google as a “research preview”) still needs help from the cloud instead of being able to run on-device. And while it does support some level of object permanence, those “memories” only last for a single session, which currently only spans a few minutes. And even if Astra could remember things for longer, there are things like storage and latency to consider, because for every object Astra recalls, you risk slowing down the AI, resulting in a more stilted experience. So while it’s clear Astra has a lot of potential, my excitement was weighed down with the knowledge that it will be some time before we can get more full-feature functionality.

Karissa’s take:

Of all the generative AI advancements, multimodal AI has been the one I’m most intrigued by. As powerful as the latest models are, I have a hard time getting excited for iterative updates to text-based chatbots. But the idea of AI that can recognize and respond to queries about your surroundings in real-time feels like something out of a sci-fi movie. It also gives a much clearer sense of how the latest wave of AI advancements will find their way into new devices like smart glasses.

Google offered a hint of that with Project Astra, which may one day have a glasses component, but for now is mostly experimental (the glasses shown in the demo video during the I/O keynote were apparently a “research prototype.”) In person, though, Project Astra didn’t exactly feel like something out of sci-fi flick.

Photo by Sam Rutherford/Engadget

It was able to accurately recognize objects that had been placed around the room and respond to nuanced questions about them, like “which of these toys should a 2-year-old play with.” It could recognize what was in my doodle and make up stories about different toys we showed it.

But most of Astra’s capabilities seemed on-par with what Meta has already made available with its smart glasses. Meta’s multimodal AI can also recognize your surroundings and do a bit of creative writing on your behalf. And while Meta also bills the features as experimental, they are at least broadly available.

The Astra feature that may set Google’s approach apart is the fact that it has a built-in “memory.” After scanning a bunch of objects, it could still “remember” where specific items were placed. For now, it seems Astra’s memory is limited to a relatively short window of time, but members of the research team told us that it could theoretically be expanded. That would obviously open up even more possibilities for the tech, making Astra seem more like an actual assistant. I don’t need to know where I left my glasses 30 seconds ago, but if you could remember where I left them last night, that would actually feel like sci-fi come to life.

But, like so much of generative AI, the most exciting possibilities are the ones that haven’t quite happened yet. Astra might get there eventually, but right now it feels like Google still has a lot of work to do to get there.

Catch up on all the news from Google I/O 2024 right here!

Audible is testing a new category of book recommendations based on what a user watched recently on Prime Video. Which, as the name suggests, will show you audiobooks based on what you watch on the Amazon-owned service, TechCrunch reports.

The new carousel should appear on mobile and web apps for about half of users who have Amazon Prime Video and Audible subscriptions. You might see recommendations as straightforward as the book a movie you watched is based on or titles with storylines or authors that users with similar preferences to you have enjoyed.

Audible claims the decision came due to the uptick it saw in users accessing titles recently released as shows or movies. "There is a natural synergy between TV, movies, and books, and we see that clearly in how our customers engage with content on Audible," Andy Tsao, chief product and analytics officer at Audible, said in a statement. The company gives examples such as Reacher, which came out on Amazon Prime in 2022. Audible claims that the listenership of author Lee Child's books rose by almost 80 percent daily in the two weeks after its release.

Do you like rip-roaring science fiction books? Do you like movies? Then you are in for a treat in, well, two years. Amazon MGM Studios just set a release date of March 20, 2026 for Project Hail Mary, according to Deadline. It’s based on the Andy Weir novel of the same name, which was one of our favorite books of the past few years, so color us excited.

The film stars honorary SNL cast member Ryan Gosling and will be directed by Phil Lord and Christopher Miller, the duo behind The Lego Movie and, allegedly, most of the good parts of Solo: A Star Wars Story. Lord also wrote a little-known movie called Spider-Man: Into the Spider-Verse.

The script was penned by Drew Goddard, who cut his teeth on TV shows like Buffy the Vampire Slayer and Lost before moving onto features. He directed Cabin in the Woods, which is somehow both iconic and underrated at the same time. If the name Andy Weir sounds familiar, it’s because he wrote a book called The Martian, which inspired the Matt Damon film. Incidentally, Goddard also wrote that script.

I’ve read the book and loved it. It’s more fantastical than The Martian, but still filled with the same science-based solutions to massive life-or-death problems. This time, the entire Earth is on the chopping block, instead of one lone astronaut. It’s also pretty dang funny, just like The Martian, so Lord and Miller are a good match to direct. The pair also signed on to direct an adaptation of another Weir novel, Artemis, but that project looks to have stalled.

Or course, a lot can happen in two years. Here’s to hoping our humble little society keeps clunking along so we can chomp down some popcorn in 2026. Speaking of, that year will also see the release of The Mandalorian & Grogu, the Rey Skywalker film, the sequel to The Super Mario Bros. Movie, Toy Story 5, The Batman Part II and, reportedly, Avengers: The Kang Dynasty. 

Apple just dropped a trailer for another of its never-ending cavalcade of sci-fi shows. Dark Matter stars Joel Edgerton and Jennifer Connelly. It also happens to be based on a fantastic book by author Blake Crouch, which we recommended in 2021 after publication. The show premieres on May 8 with two episodes.

I’ve read the book, and love it, but there will be no real spoilers here. Dark Matter follows a physicist as he gets involved with some serious sci-fi shenanigans. The trailer gives a bit of the plot away, enough to understand that these particular sci-fi shenanigans are of the multiversal variety. Again, the book is a rip-roaring page turner, so the show should follow suit. The rest of the cast includes Jimmi Simpson, Alice Braga, Dayo Okeniyi and Oakes Fegley.

Crouch is actually the showrunner here, which is a first for the author. This isn’t, however, the first TV show based on one of his books. Wayward Pines ran on Fox for two seasons and was based on a series of novels. Good Behavior, also pulled from a book series, aired on TNT back in 2016. The writer has penned a bunch of novels that haven’t been turned into TV shows. We heartily recommend Upgrade, which made our list of the best books of 2022.

Dark Matter joins an absolutely stacked collection of sci-fi shows on Apple TV+. There are the heavy hitters like Severance, For All Mankind and Silo, but also a bunch of lesser-known programs like Invasion and the recently-released Constellation. I’m not done. Monarch: Legacy of Monsters put Kurt Russell up against Godzilla and Hello Tomorrow is set in a retro-future wonderland. I’m still not done. See, Schmigadoon and The Last Days of Ptolemy Grey all have sci-fi elements. Finally, there’s that fantasy show about an American college football coach who somehow becomes a soccer sensation in the UK without actually knowing anything about the sport.

Jon Stewart hosted FTC (Federal Trade Commission) chair Lina Khan on his weekly Daily Show segment yesterday, but Stewart's own revelations were just as interesting as Khan's. During the sit-down, Stewart admitted that Apple asked him not to host Khan on a podcast, which was an extension of his The Problem with Jon Stewart Apple TV+ show at the time. 

"I wanted to have you on a podcast and Apple asked us not to do it," Stewart told Khan. "They literally said, 'Please don’t talk to her.'"

In fact, the entire episode appeared to have a "things Apple would let us do" theme. Ahead of the Khan interview, Stewart did a segment on artificial intelligence he called "the false promise of AI," effectively debunking altruistic claims of AI leaders and positing that it was strictly designed to replace human employees. 

"They wouldn’t let us do even that dumb thing we just did in the first act on AI," he told Khan. "Like, what is that sensitivity? Why are they so afraid to even have these conversations out in the public sphere?"

"I think it just shows the danger of what happens when you concentrate so much power and so much decision making in a small number of companies," Khan replied.

The Problem With Jon Stewart was abruptly cancelled ahead of its third season, reportedly following clashes over potential AI and China segments. That prompted US lawmakers to question Apple, seeking to know if the decision had anything to do with possible criticism of China. 

While stating that Apple has the right to stream any content it wants, "the coercive tactics of a foreign power should not be directly or indirectly influencing these determinations," the bipartisan committee wrote. (Apple's response to this, if any, has yet to be released.)

Stewart didn't say that the AI and Khan interview issues were the reason his show was cancelled, but they do indicate that Apple asserted editorial influence over issues that directly involved it.

Elsewhere in the segment, Khan discussed the FTC's lawsuit against Amazon, stating that the FTC alleges the company is a monopoly maintained via illegal practices (exorbitant seller fees, shady ads). They also touched on the FTC's lawsuit against Facebook, tech company collusion via AI, corporate consolidation, exorbitant drug prices and more.

It's getting hard to keep up with copyright lawsuits against generative AI, with a new proposed class action hitting the courts last week. This time, authors are suing NVIDIA over its AI platform NeMo, a language model that allows businesses to create and train their own chatbots, Ars Technica reported. They claim the company trained it on a controversial dataset that illegally used their books without consent.

Authors Abdi Nazemian, Brian Keene and Stewart O’Nan demanded a jury trial and asked Nvidia to pay damages and destroy all copies of the Books3 dataset used to power NeMo large language models (LLMs). They claim that dataset copied a shadow library called Bibliotek consisting of 196,640 pirated books. 

"In sum, NVIDIA has admitted training its NeMo Megatron models on a copy of The Pile dataset," the claim states. "Therefore, NVIDIA necessarily also trained its NeMo Megatron models on a copy of Books3, because Books3 is part of The Pile. Certain books written by Plaintiffs are part of Books3— including the Infringed Works—and thus NVIDIA necessarily trained its NeMo Megatron models on one or more copies of the Infringed Works, thereby directly infringing the copyrights of the Plaintiffs. 

In response, NVIDIA told The Wall Street Journal that "we respect the rights of all content creators and believe we created NeMo in full compliance with copyright law."

Last year, OpenAI and Microsoft were hit with a copyright lawsuit from nonfiction authors, claiming the companies made money off their works but refused to pay them. A similar lawsuit was launched earlier this year. That's on top of a lawsuit from news organizations like The Intercept and Raw Story, and of course, the legal action that kicked all of this off from The New York Times.