Canada has passed its controversial streaming bill that requires Netflix, Spotify and other companies to pay to support Canadian series, music and other content, the CBC has reported. After clearing a final hurdle in the Senate on Thursday, Bill C-11 imposes the same content laws on streamers as it does on traditional broadcasters. The government has promised that the bill only applies to companies and not individual content creators on YouTube or other platforms.

The new rules give the Canadian Radio-television and Telecommunications Commission (CRTC) regulator broad powers over streaming companies, which could face fines or other penalties if they don't comply with the new laws. "Online streaming has changed how we create, discover, and consume our culture, and it's time we updated our system to reflect that," a Canadian government press release states.

Critics have said that the bill could cause over-regulation online. "Under this archaic system of censorship, government gatekeepers will now have the power to control which videos, posts and other content Canadians can see online," Canada's Conservative opposition wrote on a web page dedicated to C-11. Streaming companies like YouTube and TikTok opposed the bill as well. 

The law has also been criticized for being overly broad, with a lack of clarity on how it will apply in some cases. "The bill sets out a revised broadcasting policy for Canada, which includes an expanded list of things the Canadian broadcasting system 'should' do," a Senate page states. "But precisely what this would mean in concrete terms for broadcasters is not yet known." 

Canada is far from the first country to enact local content rules for streaming companies, though. The EU requires a minimum of 30 percent locally produced content for member nations, most of which easily exceed that. Australia also recently announced that content quotas will be placed on Netflix, Disney+, Prime Video and the other international streamers by July of 2024.

Some notable Canadian series include Schitt's Creek, Letterkenny and M'entends-tu. Numerous US and international shows are also shot in "Hollywood North" in cities like Montreal, Toronto and Vancouver, including The Handmaid's Tale, The Boys, Riverdale and others.

It’s a strange and wonderful time to buy a camera. Since smartphones have gutted the casual photography market, manufacturers are focusing on building technological marvels designed for very specific uses. Mirrorless cameras continue to improve in terms of autofocus, video and more. Action cams provide sharp, fluid video, compact cameras are targeted to both tourists and vloggers, and DSLRs are available at some of the best prices we’ve seen. With so much choice, though, you may need some guidance to find just the right camera – and that’s where we come in. Whether you’re a creator looking for just the right vlogging camera, an aspiring wildlife photographer or an adrenaline sports junkie, we’ll help you find the perfect model to match your budget and needs.

What to consider before choosing a camera

There are a lot of reasons to choose a camera over a smartphone. The larger sensors in mirrorless cameras let more light in, and you have a wide choice of lenses with far superior optics. Where smartphones have one f/stop, cameras have many, which gives you more exposure control. You also get natural and not AI-generated bokeh, quicker shooting, a physical shutter, more professional video results and so on.

With that extra quality comes a lot of extra factors to consider, however. The first thing is sensor size. In general, the larger the sensor size, the better (and usually more expensive) the camera.

Full frame is available on models like Sony's new ZV-E1, the Canon EOS R6 II and Panasonic S5 II. At a size equivalent to 35mm film (36 x 24mm), it offers the best performance in terms of image quality, low-light capability and depth of field. It's also the most expensive and finicky. While bokeh looks incredible at f/1.4, the depth of field is so razor thin that your subject's nose might be in focus but not their eyes. This can also make video shooting difficult.

The next size category is APS-C (around 23.5 x 15.6mm for most models and 22.2 x 14.8mm for Canon), offered on Fujifilm's X Series lineup, Canon’s R10 and R50 and the Nikon Z50. It's cheaper than full frame, both for the camera body and lenses, but still brings most of the advantages like decent bokeh, high ISOs for low-light shooting and relatively high resolution. With a sensor size the same as movie cameras, it's ideal for shooting video, and it’s easier to hold focus than with full-frame cameras.

Micro Four Thirds (17.3 x 13mm), a format shared by Panasonic and Olympus, is the next step down in sensor size. It offers less bokeh and light-gathering capability than APS-C and full frame, but allows for smaller and lighter cameras and lenses. For video, you can still get reasonably tight depth of field with good prime lenses, but focus is easier to control.

The other common sensor size is Type 1 (1 inch), which is actually smaller than one inch at 12.7 x 9.5mm. That's used mostly by compact models like Sony’s ZV-1 vlogging camera. Finally, action cameras like the GoPro Hero 11 and DJI’s Osmo 3 have even smaller sensors (1/1.9 and 1/1.7 size, respectively).

For photographers, another key factor is autofocus (AF) speed and accuracy. Most modern mirrorless cameras have hybrid phase-detect AF systems that allow for rapid focus and fast burst speeds. The majority also feature AI smarts like eye-detect AF for people and animals. However, some models are just a bit faster and more reactive than others.

The electronic viewfinder (EVF) and rear display are also key. The best models have the sharpest and brightest EVFs that let you best judge a shot before taking it. For things like street photography, it’s best to have as bright and sharp a rear display as possible. You may also want a screen that flips out rather than just tilting.

DSLRs and mirrorless cameras let you change lenses, but you're stuck with what's built into a compact camera. While that's great for portability, a single lens means you're going to sacrifice something. Fujifilm's X100V, for instance, has a fast but fixed 35mm-equivalent f/2.0 lens and no zoom. Sony's RX100 V has a 24-70mm zoom, but it's slower at the telephoto end (f/2.8) and less sharp than a prime lens.

When it comes to video, there are other factors to consider. Does your camera do “pixel-binning” for video recording or read out the entire sensor? Better cameras tend to do the latter. Another key factor is sensor speed, as slower sensors tend to have more rolling shutter that can create a “jello” effect that skews video.

In addition, how’s the battery life? How do you like the handling and feel? How long can you shoot video before the camera heats up or stops? Does it support 10-bit HDR video? Is there a microphone and/or a headphone jack? (if you do a lot of interviews, it's preferable to have both.) How's the video autofocus? All of these things play a part in your decision – so now let’s take a look at the best models.

The best cameras

Best mirrorless cameras

Mirrorless is far and away the biggest category of cameras these days, so it’s the best way to go if you’re shopping for a modern camera with the most advanced features. Both Canon and Nikon recently announced they’re discontinuing development of new DSLRs, simply because most of the advantages of that category are gone, as I detailed in a recent video. The biggest selling feature of a mirrorless camera is the ability to change lenses depending on the type of shooting you want to do.

The key features are sensor size, resolution, autofocus, shooting speeds and video specs. If you’re primarily a sports or wildlife photographer, you’ll likely want fast shooting speeds and accurate autofocus. Portrait and landscape shooters will likely favor large sensors and high resolution to maximize image quality. And content creators will want to look for things like flip-out displays, high-end video specifications and good in-body stabilization. Price is of course a major factor as well.

Mirrorless cameras under $2,000

Best mirrorless camera under $2,000: Canon EOS R50

My top budget camera pick is Canon’s brand new 24.2-megapixel R50, which is a great model for both photographers and content creators. It can shoot bursts at up to 15 fps in electronic shutter mode, and offers 4K 10-bit at up to 30p with supersampling and no crop. It has a fully articulating display, and unlike other cameras in this price range, an electronic viewfinder. It uses Canon’s Dual Pixel AF with subject recognition mode, and even has a popup flash. The only drawback is the lack of decent quality lens that’s as affordable as the camera itself, and a lack of in-body stabilization.

Runner up: Canon EOS R8

Full-frame cameras generally used to start at $2,000 and up, but Canon’s brand new EOS R8 is priced at just $1,500. It offers Canon’s excellent Dual Pixel AF with subject recognition AI, and can shoot bursts at up to 40 fps. It's equally strong with video, supporting oversampled 10-bit 4K at up to 60 fps. The R8 also offers a flip-out display, making it great for vloggers. The main drawback is a lack of in-body stabilization.

Another good option: Panasonic Lumix S5 II

Content creators should take a hard look at Panasonic’s full-frame S5 II. It’s the company’s first camera with hybrid phase-detect AF designed to make focus "wobble" and other issues a thing of the past. You can shoot sharp 4K 30p video downsampled from the full sensor width, or 4K 60p from an APS-C cropped size, all in 10-bit color. It even offers 5.9K 30p capture, along with RAW 5.9K external output to an Atomos recorder. You also get a flip-out screen for vlogging and updated five-axis in-body stabilization that’s the best in the industry. Photo quality is also good thanks to the dual-gain 24-megapixel sensor. The main drawback is the slowish burst speeds.

Mirrorless cameras over $2,000

Best mirrorless camera over $2,000: Sony ZV-E1

Equipped with the same backside-illuminated (BSI) 12-megapixel sensor as the A7S III, Sony’s ZV-E1 offers excellent low-light performance, 4K at up to 120p and a host of new AI features like auto framing. It also comes with an updated in-body stabilization system aimed at vloggers that can smooth out even jolting movements like footsteps. The $2,200 price tag makes it enticing for vloggers as it offers features found on the $3,500 A7S III for considerably less money.

Runner up: Fujifilm X-H2S

If you’re OK with a smaller APS-C sensor, check out the Fujifilm X-H2S. It has an incredibly fast stacked, backside-illuminated 26.1-megapixel sensor that allows for rapid burst shooting speeds of 40 fps, along with 4K 120p video with minimal rolling shutter. It can capture ProRes 10-bit video internally, has 7 stops of in-body stabilization and a class-leading EVF. Yes, it’s expensive for an APS-C camera, but on the other hand, it’s the cheapest stacked sensor camera out there. The other downside is AF that’s not quite up to Canon and Sony’s level.

Another good option: Sony A7R V

For the ultimate high-resolution camera, check out Sony’s A7R V. With a 61-megapixel sensor, it shoots sharp and beautiful images at a very respectable speed for such a high-resolution model (10 fps). It has equally fast and reliable autofocus, the sharpest viewfinder on the market and in-body stabilization that’s much improved over the A7R IV. Video has even improved, with 8K and 10-bit options now on tap, albeit with significant rolling shutter. If you don’t need the video, however, Sony’s A7R IVa does mostly the same job, photo-wise, and costs a few hundred dollars less.

Best action camera

The most important features to look for in an action cam are image quality, stabilization and battery life. GoPro has easily been beating all rivals over the last few years in all those areas, but DJI made some strides last year with the Osmo Action 3. At the same time, GoPro’s latest models are more expensive than rivals.

Best action camera: GoPro Hero 11 Black

GoPro didn’t change the design on its latest model, but it has a larger sensor that enables a couple of cool features – Horizon Lock stabilization and Full Frame mode that makes it easier to shoot for, say, TikTok and YouTube at the same time. It also offers a new wider, though slightly distorted Hyperview field of view.

Otherwise, the Hero 11 Black offers better video quality than ever (up to 5.3K 60p), Hypersmooth stabilization that’s still the best in the business (by far), battery life that’s improved by 40 percent over the last model, and more. It’s easily the best action camera on the market, but you pay for that: it’s $400 with a one year subscription ($500 without it), compared to $329 for the DJI Osmo Action 3 and $300 for the Insta360 RS 4K bundle. If you’re serious about filming extreme sports, though, it’s worth it.

Runner up: DJI Osmo Action 3

After experimenting with an oddball modular design on the Action 2, design has gone back to a more classic action cam design on the Osmo Action 3. It also comes with a slick new magnetic quick-release mount that lets you connect the camera directly to a GoPro-style mount with or without the case. Video quality and stabilization are quite good, but fall short of the Hero 11 Black (the Action 3 tops out at 4K 120p resolution compared to 5.3K 60p on the GoPro). While it’s not quite as good as the Hero 11, it’s considerably cheaper.

Best compact camera

This category has fewer cameras than it did even a few years ago and many models are older, as manufacturers focus instead on mirrorless models. However, I’m still a big believer in compact cameras. They’re a big step up from smartphones quality-wise, and a lot of people will take a compact traveling or to events when they’d never bother with the hassle of a DSLR or mirrorless camera.

Compacts largely have type 1-inch sensors, but a few offer larger options, particularly Fujifilm’s XF-100V. Another popular model, Sony’s XV-1, is primarily aimed at content creators looking to step up. In any case, desirable qualities include image quality, a fast lens, relatively long zoom, flip-out display, good battery life, a high quality EVF, decent video and good pocketability.

Best compact camera: Fujifilm X100V

The X100V is the latest in Fujifilm's famous fixed-lens X100 camera series. Like other models in the lineup, it has an APS-C sensor and a 23mm f/2.0 lens, equivalent to 35mm on a full-frame sensor. You also get the same hybrid optical/electronic viewfinder, mechanical dials, film simulations and good looks as before. But the X100V is the most significant advancement in the series' history. It has Fujifilm's latest 26.1-megapixel X-Trans 4 CMOS sensor compared to 24.2-megapixels on the last model and a new, sharper lens to handle that extra resolution.

A new tilting rear display makes "shooting from the hip" street photography much easier, as does the fast 11 fps/20 fps shooting speeds in mechanical/silent shutter modes. You also get a better hybrid phase- and contrast-detect autofocus (AF) system with more AF points along with face and eye detection. Finally, it now has the same 4K video-shooting features as the X-T30. It doesn't come cheap, but the X100V is the ultimate camera if you're into street photography – assuming you can find one.

Runner up: Sony ZV-1

The ZV-1 is Sony’s first RX100-series camera designed specifically for vlogging. It does that job well thanks to a lightweight body, built-in high-quality microphone, flip-out display, best-in-class autofocus and excellent image quality. The 24-70mm lens is sharp, but it needs to be wider because of the 25 percent crop when using electronic stabilization. It also lacks a true touch display and a headphone port. That nitpicking aside, if you’re looking to step up from a smartphone or just want something simple, it does the job nearly perfectly.

Another good option: Panasonic ZS-200

For a value compact camera, the best option is Panasonic’s 20-megapixel ZS-200. It offers a lot of features for the price, like a 1-inch, 20.1 megapixel sensor, 5-axis stabilization, 4K, 30 fps video and more. Its main claim to fame, though, is the 24-360x lens that offers incredible reach for travel and more. Though it dates back to 2018, it’s actually one of the more recent compact models.

Best DSLR camera

With mirrorless cameras taking over the interchangeable lens market, but DSLRs still give you the ability to change lenses at relatively cheap prices. The defining feature is the reflex mirror that lets you look directly through the lens at your subject with no electronics in between. Most also have very fast autofocus thanks to a dedicated phase-detect sensor, and very fast battery life. However, many lack features you’d expect on modern mirrorless cameras like subject tracking, eye-detection and more.

Best DSLR camera: Nikon D850

Nikon's full-frame (FX) D850 is the best deal on a high-end camera and arguably the best camera for photography. With a 45.7-megapixel sensor and max 102,400 ISO, it gives you the best quality for the money, whether mirrorless or DSLR. It can also shoot fast, at up to 7fps, which is very good for such a high-res camera. In addition, the battery life (1840 shots on a charge) puts any mirrorless option to shame, and there’s a massive number of FX Nikkor lenses to choose from. Nikon has upped its video game as well with the D850 by introducing 4K internal recording. If you’d still rather have a live optical rather than an electronic view, the D850 is the best option available.

Runner up: Canon EOS Rebel SL3

Another one of the best cameras for photography is Canon’s 24-megapixel APS-C EOS Rebel SL3, which has a great blend of features, build quality and value. It offers features like a vari-angle touchscreen, 4K video (albeit with a crop) and Dual Pixel autofocus technology in live mode. You get shooting speeds of up to 5 fps, 1600 shots on a charge and an ISO range up to 51,200 (expanded). It also offers guided screen options for beginners. Best of all, it offers excellent picture quality for the price thanks to Canon’s skin-friendly color science.

In a new presentation, Ayaneo has confirmed that its upcoming Ayaneo 2S Steam Deck-like handheld consoled will be powered by an AMD chip identical to the one in the ASUS Rog Ally, The Verge has reported. The AMD Ryzen 7000 chip is likely the Ryzen 7 7840U, a chip that's supposed to be nigh on the same as the AMD Z1 Extreme found in the Ally. The Ayaneo 2S will also come with a three-pipe cooler and other improvements. 

The Ayaneo 2S looks identical to the Ayaneo 2 we reviewed earlier this year, but has improvements under the hood that address some our key complaints. Namely, the new 7000 series processor with Radeon 780M graphics offers "substantial performance gains in the low TDP 8-15W gold range" compared to the 6800 in the current model. 

That could mean improvements in battery life, which we called "mediocre" in the Ayaneo 2. Aya has also promised slightly reduced temperatures with the Ryzen 7000 processor as well. On top of the new chip, Aya says the console will have an improved fingerprint sensor, a more colorful screen, smoother triggers and a case that's easier to open.

Along with the new Ayaneo 2S, the company is also promising upgrades to existing handhelds. The Ayaneo Air will get a free speaker upgrade, and Ayaneo 2 and Ayaneo Geek buyers will receive a free cooling module that can lower temperatures by 12 degrees. 

The company may offer Ayaneo 2 buyers a future motherboard upgrade as well, and Ayaneo Air Plus buyers will automatically be updated from the 6800U to the 7000 series chip if they haven't received it yet. Offsetting that good news a bit is that Aya indicated it will end its free lifetime warranty plan for the original Ayaneo Founder’s Edition and offer a voucher for a free Ayaneo 2021 instead.

The company also showed off the new Ayaneo Geek 1S, effectively a more basic Ayaneo 2 with a lower-resolution 800p screen, but packing the same Ryzen 7000 processor. The Ayaneo 2S and Geek 1s will arrive to Indiegogo at the end of April and open for orders in mid-May, with shipping set for the end of June. The free cooling and speaker upgrades also arrive in mid-May. Launch of the Ayaneo Slide we saw earlier this year is still unknown, and the Android-based Ayaneo Pocket Air will go into production in July. 

Tile, best known for its AirTag-like trackers that help you locate lost objects, can now find something that can get lost on purpose — your cat. The $40 Tile for Cats tracker from Life360 is a modified version of the Tile Sticker with a silicon collar attachment and 250 foot Bluetooth range. The idea is to give you peace of mind that your cat is somewhere in the house, and then help you figure out exactly where that sneaky floof is hiding. 

The battery on the Tile for Cats lasts a generous three years, and you can easily replace the sticker. It even offers AI assistant integration with Siri, Alexa, and Google Assistant, so you can locate Sir Fluffybutt with a voice command. 

For the $40 price tag, you get a Tile sticker and attachment that's compatible with most cat collars, including breakaway collars. The attachment can stretch up to 1.7 times without breaking and is water resistant, so it'll continue to function even if hit with a few drops. 

Tile for Cats is Life360's first pet tracker, though the company was already marketing its regular Tile Trackers for the same purpose. It's designed for indoor use only, though, due to the limited range. If you're worried about your pet getting lost outside, you'd be better off with a dedicated pet tracker, typically costing around $100 plus a subscription fee. 

TikTok may soon let you create AI stylized avatars not unlike what you can with deep learning apps like Midjourney or Lensa, according to a Twitter thread from social media guru Matt Navarra seen by The Verge. Called AI Avatars, the tool lets you upload three to 10 photos of yourself and choose from five art styles. It will then generate up to 30 separate avatars in a couple of minutes. You can then download one, several or all of the images to use as a profile picture or in stories.

Though the styles are more limited than what you can get on Lensa, the results look pretty good — so the feature is bound to be popular. Likely for that reason, TikTok will only let you use it once a day to presumably avoid overloading servers. 

Matt Navara

Though generative AI images seem like harmless fun, they're not without some controversy. For both Lensa and Midjourney, artists have complained that the AI has sampled their work and borrowed from it a bit too liberally at times. And earlier this year, Getty launched a lawsuit against Stable Diffusion claiming it was scraping its data to generate art. 

Tinder is bolstering its photo verification system by letting members take video selfies to better prove who they are. The feature will actually be required for Photo Verification to earn Tinder's official blue checkmark. The site will also double-check your video selfie against profile photos. The aim is to guard against dating scammers, as a video is a lot harder to fake than a photo. 

To perform this verification, you just need to record video of yourself in the app using your smartphone’s front camera — again, something that would be quite difficult to cheat. Another dating site, Hinge, implemented a similar video verification system last year to combat scam accounts and catfishing. 

Performing the video selfie procedure also earns you status into Tinder's new "Photo Verified Cuties" club. That lets you choose to only see other photo verified member recommendations via their Message Settings. You can also ask a match to verify before they're allowed to send a message. If you currently have the verification check mark, Tinder will soon ask you to re-verify with a video selfie “in the coming months,” the company wrote. 

The feature could help a lot of users avoid scams if they use it correctly — and photo verification is free, unlike the Tinder Gold subscription service. However, the dating site still isn't forcing members to use photo verification, so you'll still want to stay on guard. 

Lucid is already late on its plan to open reservations for the three-row Gravity SUV in early 2023. However, the company announced today that the EV is making some progress, saying it's entering a "new phase of development, now testing on public roads throughout the US." That's a sign that it might be ready to go on sale in the US soon.

As we learned before, the Gravity shares design language with the Lucid Air but offers up to three rows of seats that can accommodate seven people. It will also have Lucid's "new Glass Cockpit high-resolution displays, powered by the next generation of Lucid UX," the company said. It's also promising "the driving dynamics of a sports car, and greater electric range than any SUV on the market today." 

Lucid

Other details have yet to be released, like the exact range and performance figures or battery size. Previously, Lucid released a couple interior and exterior shots showing a massive panoramic roof, and today it gave a glimpse of the Gravity's rear and front. 

Lucid recently launched its first EV, the Air sedan, generally receiving good reviews for its driving dynamics, looks and more. While the initial model went on sale at an astronomical $179,000 price, the company has been working to get its less expensive Air and Pure models out to the market. The company struggled to design and build its first EV, and recently announced that it's laying off 1,300 workers to reduce expenses. The company did manage to deliver more units than it expected in 2022, however. 

DJI has unveiled its new flagship consumer drone, the Mavic 3 Pro, with a triple-camera setup that includes a new 70mm lens designed for "powerful subject framing." It also includes a new 10-bit D-Log M color mode, improvements in the tele cameras, and ProRes capture on the Mavic 3 Pro Cine option. It's the company's fourth Mavic 3 drone, joining the Mavic 3, the Mavic 3 Classic and the Mavic 3 Enterprise models. 

Like the Mavic 3, it's available in regular and Cine models, with the latter having advanced features for filmmakers like Apple ProRes capture (ProRes 422 HQ, ProRes 422, and ProRes 422 LT), a 1TB SSD drive and a 10Gbps lightspeed data cable. However, you'll pay a premium of nearly $1,000 to get those.

DJI

The new 70mm camera has a 1/1.3-inch sensor that's the same size as on the Mini 3 Pro. Though considerably smaller than the 4/3 chip on the main Hasselblad camera, DJI says the camera is designed for a "range of different scenarios from framing intriguing buildings to cars in commercial shoots." That comment indicates that the quality should be better than the 7x tele camera. It can handle 48-megapixel (MP) high-res or 12MP low light photos, along with 4K/60fps video. 

Like the main camera, it supports a new log format called D-log M along with DJI's original D-Log. D-Log M is designed to deliver "natural color gradations with delicate details" even in high-contrast situations like sunsets, the company says. At the same time, it's easier to grade than typical log footage, according to DJI. It can shoot up to 10-bit 4:2:2 ProRes video on the Mavic 3 Pro Cine model and 10-bit 4:2:0 (H.264/H.265) on the regular model. 

DJI

DJI has also improved the 7x (166mm equivalent) tele camera, boosting the aperture from f4.4 to f3.4, which should make it considerably better in low light. It also offers boosted video specs, up from 4K at 30p on the Mavic 3 to 4K/60fps.

Aside from those improvements, it's much the same as the Mavic 3. The main 4/3 Hasselblad camera can shoot video at up to 5.1K at 50fps or DCI 4K at 120fps, with the new D-Log M mode, along with D-Log and HLG options. As before, it can capture 10-bit 4:2:2 ProRes (Mavic 3 Pro Cine) and 10-bit 4:2:0 H.264/H.265 video on the Mavic 3 Pro. 

DJI

It allows up to 43 minutes of flight time, roughly the same as before. You'll also get DJI's omnidirectional sensing and APAS 5.0 obstacle protection, with eight wide-angle vision sensors and a high-performance vision computing to engine "to precisely sense obstacles in all directions and plan a safe flight to avoid them," DJI says. Its DJI O3+ transmission system can transmit a 1080p/60fps HD live feed at high frame rates at a distance of up to 15 km (10 miles), though considerably less in Europe. 

The Mavic 3 Pro also offers key AI features seen on the Mavic 3 and other models. Among those is ActiveTrack 5.0 designed to track a subject while avoiding obstacles, Spotlight (moving the drone around the subject), and Point of Interest (allows the drone to circle around the subject while keeping it centered in the frame). 

DJI

In addition, it includes features designed for creators like MasterShots 4, QuickShots 5 with diverse camera movements like Dronie, Rocket, Circle and Helix, and Panorama 6, designed to take a 100 MP photo. It also comes with a time lapse mode. 

As for the price, the Mavic 3 Pro is only a bit more expensive than the Mavic 3's current $2,049 starting price. The Mavic 3 Pro with a DJI RC starts at $2,199, while the Fly More combo with the DJI RC, three intelligent flight batteries, a charging hub, carrying bag and one ND filter set is $2,999. The same thing with the DJI RC Pro remote (the high-end one with a screen) is $3,889, and the Mavic 3 Pro Cine Premium Combo (with the latter accessories) is $4,799. It's now available to order with shipping starting in May. 

Anker is best known for its chargers and power banks, but its Soundcore brand offers some surprisingly good value wireless headphones. If you've been looking for a pair with noise cancellation and want to pay less than a $100, it has several models currently on sale at or near all-time lows. Those include the Soundcore Life Q30 model on sale for just $56 (30 percent off), the Soundcore Space Q45 priced at $100 for a $50 discount and the Space A40 wireless noise-cancelling earphones, down to $64 or 36 percent off the regular price. 

Both the Soundcore Life Q30 and Soundcore Space Q45 headphones offer a comfortable fit thanks to the ample padding. They deliver superb battery life of up to 40-50 hours, can connect two devices at once and come with a 3.5mm cable for wired listening (though only the Space Q45 lets you use ANC when wired). The ANC can't of course, beat high-end headphones like the Sony WH-1000XM5 or Bose QuietComfort 45, but it does a great job of reducing lower-end rumble from jet planes, trains, etc.

For the extra money, The Space Q45 it has an adaptive ANC mode that can automatically adjust the headphone's ANC strength based on your surroundings. The Life Q30, on the other hand, just offers three preset ANC levels. For Android users, the Space Q45 also supports the higher-quality LDAC audio codec. Both let you tune the audio using Anker's companion app, which offers a graphic EQ tool and a few alternative sound profile presets.

Meanwhile, the Soundcore Space A40 earbuds can reduce noise by up to 98 percent, according to Anker. They have a one-touch transparency mode, adaptive noise cancellation and wireless high-res audio. A feature called Hear ID Sound is designed to analyze how you hear music to create a sound profile tuned for your ears. You'll get up to 10 hours of playtime on a single charge, with the charging case providing another 40 hours of playback. Charging for 10 minutes could get you up to four hours of playtime. Soundcore promises "pumping bass" along with "rich middle and crisp trebles" thanks to the 10mm drivers. 

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Chromebooks have always been a popular option for schools due to the relatively cheap prices, but they exploded in popularity during the Covid pandemic as kids did their schoolwork from home. However, they may not be such a good deal after all, according to a new report called Chromebook Churn from the US Public Interest Research Group (PIRG). They found that many Chromebooks purchased just three years ago are already breaking, creating electronic waste and costing taxpayers money. 

Chromebooks in schools typically see rough use, and repairability is a key issue, due to a lack of parts and expensive repairs. For instance, 14 out of 29 keyboard replacements for Acer Chromebooks were found to be out of stock, and 10 of the 29 cost $90 each — nearly half the price of some models. "These high costs may make schools reconsider Chromebooks as a cost-saving strategy," the report states. In another instance, HP only stocked power cords and AC adapters for one model, but no other parts.

The devices also have built in "death dates," the report reads, after which software updates end. "Once laptops have 'expired,' they don’t receive updates and can’t access secure websites." Google does provide eight years of software updates for Chromebooks, but that's only from the date of release. Since many schools buy Chromebooks released several years before, support can expire in half that time. 

Chromebooks aren’t built to last. Professional repair techs tell me they’re often forced to chuck good Chromebook hardware with years of life left due to aggressive software expiration dates.

"Chromebooks aren’t built to last. Professional repair techs tell me they’re often forced to chuck good Chromebook hardware with years of life left due to aggressive software expiration dates," iFixit's director of sustainability Elizabeth Chamberlain told PIRG. Those expiration dates also make it a challenge for schools to resell their devices. PCs and Macs may have a higher purchase price, but they can easily be resold after a couple of years and can get updates for longer periods of time.

The organization said that doubling the lifespan of the Chromebooks sold in 2020 (some 31.8 million) "could cut emissions by 4.6 million tons of CO2e, equivalent to taking 900,000 cars off the road for a year. To do that, they recommend that Google eliminate update expirations and that its manufacturing partners production a 10 percent overstock of replacement parts, and that those parts be more standardized across models. They also say that consumers should be allowed to install alternative operating systems like Linux.

In a statement to Ars Technica, Google said: "Regular Chromebook software updates add new features and improve device security every four weeks, allowing us to continuously iterate on the software experience while ensuring that older devices continue to function in a secure and reliable manner until their hardware limitations make it extremely difficult to provide updates." 

It added that it's "always working with our device manufacturing partners to increasingly build devices across segments with post-consumer recycled and certified materials that are more repairable, and over time use manufacturing processes that reduce emissions."

Google needs to do better, though, according to the group. "The least we can do for students who rely on their laptops is ensure these devices are durable and repairable—not part of a constant churn," said PIRG's Lucas Rockett Gutterman. "With more tech in our lives and classrooms, if Google wants to be a trusted source for tens of millions of students, they need to make laptops that families and school districts can count on."