Aston Martin plans to build "ultra-luxury high-performance" EVs using Lucid's electric motors, batteries and other technology, Lucid announced in a press release. It's the first deal for Lucid to supply parts to other automakers — much like Rimac, which itself developed batteries and other components for Aston Martin, along with Koenigsegg and others. Lucid recently released its own debut electric car, the Air, in multiple versions starting at around $87,400. 

"The supply agreement with Lucid is a game changer for the future EV-led growth of Aston Martin," said Aston Martin executive chairman Lawrence Stroll. "Based on our strategy and requirements, we selected Lucid, gaining access to the industry's highest performance and most innovative technologies for our future BEV products."

Aston Martin said it selected Lucid through a "competitive process" and will use Lucid's proprietary electric powertrain technology, including its ultra-high performance twin motor drive unit, battery technology, and onboard "Wunderbox" charging unit. The technology will allow for features like torque vectoring, heat exchanger tech and a battery system upgraded for higher power. 

In 2020, Aston Martin scrapped plans to manufacture an all-electric Rapide E, saying it wouldn't release any EVs until it's "financially stable." Stroll, a Canadian billionaire who also owns the Aston Martin F1 team, took a 25 percent ownership in Aston Martin back in 2020. Mercedes-Benz, meanwhile, currently owns 9.4 percent of Aston Martin, and previously said it plans to increase that to 20 percent by 2023. 

As part of that deal, Mercedes-Benz granted Aston Martin access to its hybrid and electric powertrains, but it's not clear how Lucid and Mercedes will interact. Aston Martin's F1 team currently uses a Mercedes-Benz power unit, though it plans to switch to Honda in 2026. "Along with Mercedes-Benz, we now have two world-class suppliers [with Lucid] to support the internal development and investments we are making to deliver our electrification strategy," Stroll said. 

Rimac has supplied technology, including a lightweight battery system, to Aston Martin's 1,160 HP Valkyrie hypercar. Back in 2015, Aston Martin joined forces with LeEco to build an electric version of the Rapide, but LeEco bowed out with its own financial issues. To complete the circle, LeEco originally had a stake in Lucid, but founder Jia Yueting was forced to sell it due to a liquidity crisis. 

Despite our intrinsic distrust of AI in space taught to us by movies like 2001: A Space Odyssey ("I'm afraid I can't do that, Dave"), it offers large advantages to both manned and unmanned missions. To that end, NASA is developing a system that will allow astronauts to perform maneuvers, conduct experiments and more using a natural-language ChatGPT-like interface, The Guardian reported. 

"The idea is to get to a point where we have conversational interactions with space vehicles and they [are] also talking back to us on alerts, interesting findings they see in the solar system and beyond," said Dr. Larissa Suzuki, speaking at an IEEE meeting on next-gen space communication. "It's really not like science fiction anymore." 

NASA aims to deploy the system on its Lunar Gateway, a space station that will orbit the Moon and provide support for NASA's Artemis mission. It would use a natural language interface that allows astronauts to seek advice on experiments or conduct maneuvers without diving into complex manuals. 

On a dedicated page soliciting small business support for Lunar Gateway, NASA wrote that it would require AI and machine learning technologies to manage various systems when it's unoccupied as well. Those include autonomous operations of science payloads, data transmission prioritization, autonomous operations, health management of Gateway and more.

For instance, Suzuki outlined a scenario in which the system would automatically fix data transmission glitches and inefficiencies, along with other types of digital outages. "We cannot send an engineer up in space whenever a space vehicle goes offline or its software breaks somehow," she said. 

The original free-to-play battle royale game Call of Duty: Warzone (now known as Warzone Caldera) will shut down definitively on September 21st. That will allow developers to focus on "future Call of Duty content including the current Warzone (originally called Warzone 2.0) free-to-play experience," Activision wrote in a blog post. 

All gameplay, player progression, inventories and online services will expire on that date. However, any Caldera content purchased in Modern Warfare, Black Ops Cold War or Vanguard will still be accessible in those games.

Warzone came along in 2020, featuring two gameplay modes (battle royale and plunder) plus a single map called Verdansk that supported up to 150 players at a time. It shared a battle pass, weapons and cosmetics with 2019's Modern Warfare. It was an immediate success, reportedly hitting 30 million players just 10 days after launch. 

The game was renamed Call of Duty: Warzone Caledera (after the 2021 Caledera map) following the release of Warzone 2.0 in November of 2022. Call of Duty: Warzone 2.0 was recently renamed simply to Warzone, and Activision is encouraging original Warzone players to jump ship to that title. "Expect a vast amount of gameplay choices across three Battle Royale maps (including Season 04’s new map Vondel), as well as Ranked Play, the DMZ Beta featuring five different Extraction Zones, BlackCell offerings, and more," it wrote.

Some players aren't pleased, though, citing the fact that earlier battle royale games like Blackout from Black Ops 4 still have operating servers, while the original Warzone won't. Others are displeased that resources are being shunted to Warzone: Mobile, and some have pointed out that they'll lose all their Warzone cosmetics, according to Kotaku. 

YouTube has plans to go beyond translated subtitles by allowing creators to dub videos into other spoken languages. At VidCon, the company announced yesterday that it's testing an AI-powered dubbing service called Aloud, developed at Google's Area 120 incubator, The Verge reported. The tool would eliminate the time and often great expense required to create a dub the usual way (with human translators and narrators), allowing creators to reach a wider global audience.

Aloud promises a "quality dub in just a few minutes" using AI. The tool first creates a text-based translation that creators can check and edit, then generates a dub. Users can choose different narrators, how to publish and more. Best of all, the service is available for "no charge," Aloud's website states.

YouTube is currently testing the tool with "hundreds" of creators, YouTube's VP of product management, Amjad Hanif, told The Verge. It's currently available in English and lets you dub into Spanish and Portugese with "more languages coming soon," according to Aloud. 

From a user perspective, the setting appears as an "Audio track" toggle in the gear icon, just below subtitles. An example of that is from the Amoeba Sisters science channel trailer, which uses English as a native language, with a dubbed Spanish language option created by Aloud's AI. 

The ability to easily dub languages can expand a creator's reach without the need to do anything else, Google said in its keynote. There's no mention yet as to when Aloud's dubbing tool will be available more widely. In the future, though, YouTube will "make translated audio tracks sound like the creator's voice, with more expression and lip sync," Hanif said. 

UK broadcaster Sky has unveiled a webcam device called Sky Live designed to add features like watch parties with friends, fitness and gaming features, the company announced. It attaches magnetically to the top of the company's Sky Glass smart TVs via USB-C and HDMI, and supports motion tracking for games and workouts, along with video calls, group chats and more.

"Sky Live makes your TV much more than just a TV, by introducing new entertainment experiences for the heart of your home," said Sky global chief product officer Fraser Stirling in a statement. "Get active with motion control games, work out with body tracking technology, video call on the big screen and watch TV with loved ones – even from afar. And [with] our powerful Entertainment OS ecosystem, it will keep getting better with every update."

The 12-megapixel webcam looks a bit like a mini Xbox One Kinect, with a rectangular design and lens on the right. Video is captured at up to 4K with an ultrawide 106-degree field of view (equivalent to a 14mm lens in 35mm camera terms). It has a white status LED, four microphones on top and a privacy button that turns it off (but no privacy shutter). There's an auto-framing feature to keep you in the center of the shot, along with background noise suppression to ensure you're heard during noisy broadcasts.

A key feature pitched by Sky (owned by Comcast since 2018) is called "Watch Together," letting you do watch parties with up to 11 other households remotely. Friends' video feeds appear to the right of the main feed and it works with all live channels and Sky's own on-demand programs — but not Netflix or other third-party streaming services. Playback is supposed to be synchronized among all call participants, so you shouldn't hear your friends cheering before you actually see a goal scored.

On top of looking like one, Sky Live also acts like a Kinect. It comes with a Mvmnt fitness app offering 130 interactive workouts, with the motion control tech tracking and your form, reps and more. It also supports motion-controlled games like Fruit Ninja and an multiplayer version of Monopoly controlled with the TV's remote. You can make Zoom calls, with participants shown in full HD and centered in the frame thanks to the auto-tracking feature. 

Sky Live requires a Sky Glass smart TV to work and costs £290 ($370) as a standalone purchase, £6 per month over 48 months, or £12 per month on a 24-month contract. Sky is also offering introductory discounts if purchased with a Smart Glass TV. Th latter, launched back in 2021, comes in 43-, 55- and 65-inch version and starts at around £14 per month. 

A new report has revealed alarming statistics about Discord's issues with child safety. Over the past six years, NBC News identified 35 cases of adults being prosecuted on charges of "kidnapping, grooming or sexual assault" that allegedly involved Discord communication. At least 15 of those have resulted in guilty pleas or verdicts, with "many others" still pending. 

Reporters also discovered 165 more cases, including four crime rings, in which adults were prosecuted for sharing CSAM (child sexual exploitation material) via Discord or allegedly using the site to extort children into sending sexually graphic images of themselves, a practice known as sextortion. The illegal acts often take place in hidden communities and chat rooms, according to the report.

A simple Google search of "site:justice.gov Discord" yields a large number of hits, many of a disturbing nature. In one case identified by NBC News, "a teen was taken across state lines, raped and found locked in a backyard shed, according to police, after she was groomed on Discord for months."

"What we see is only the tip of the iceberg," the Canadian Center for Child Protection's Stephen Sauer told NBC News. And it's not the first time Discord has been under fire for its handling of child abuse complaints. Last year, CNN also identified numerous incidents of CSAM, with some parents claiming that Discord offered little help. 

Earlier this year, the National Center on Sexual Exploitation (NCOSE) issued a statement titled "Discord Dishonestly Responds to How it Handles Child Sexual Abuse Material After Being Named to 2023 Dirty Dozen List." Among other things, it noted that CSAM links were identified and reported, but still available on Discord's servers "over two weeks later." It added that Discord's actions in responding to the issues are "far too passive, failing to proactively search for and remove exploitation." It recommended that the site, which currently has over 150 million users, ban minors "until it is radically transformed." 

In a recent transparency report, Discord said its "investment and prioritization in child safety has never been more robust," adding that it disabled 37,102 accounts and removed 17,425 servers for child safety violations. The company's VP of trust and safety, John Redgrave, told NBC News that he believes the platform's approach to the issue has improved since Discord bought the AI moderation company Sentropy in 2021. It uses several systems to proactively detect CSAM and analyze user behavior, and Redgrave said that he thinks the company now proactively detects most materials that already "identified, verified and indexed." 

However, the systems can't currently detect child sexual abuse materials or messages that have yet to be indexed. In a review of Discord servers created over the past month, NBC News found 242 that use thinly disguised terms to market CSAM. 

Discord isn't the only social media company with CSAM problems. A recent report found that Instagram helped "connect and promote a vast network of accounts" devoted to underage-sex content. However, Discord has reportedly made it particularly difficult for law enforcement at times, in one case asking for payment after the Ontario Police asked it to preserve records, according to the report. Engadget as reached out to Discord for comment. 

Apple has updated its Podcasts app on iOS, iPadOS and macOS with features that make it easier to find content in your favorite genres. It now includes nine new subcategories: Mental Health, Relationships, Self-Improvement, Personal Journals, Entrepreneurship, Documentary, Parenting, Books and Language learning. Those come on top of existing subcategories like True Crime, Sports and others. 

Apple has been focused on mental health over the past few years, and recently introduced the Journal app that lets you document how you're feeling. In addition, the company recently introduced a mood tracking feature as part of Health in iOS 17. The addition of the Mental Health subcategory in Podcasts, along with others like Relationships, Self-Improvement and Personal Journals, appears to be part of that. 

Apple

Each subcategory has its own charts showing top shows and episodes in your particular market. "For example, a listener in the U.S. can browse the charts for Mental Health, which display the top 200 shows and top 200 episodes available in the U.S. based on a mix of listening, follows, and completion rate," Apple wrote in its Podcasts for Creators blog. 

As a point of comparison, Spotify has eight main podcast categories and no less than 54 subcategories. YouTube offers 14 main podcast categories and PocketCast 19, but neither offer subcategories. With the new additions, Apple appears to offer a good selection without overwhelming users.

The nine new subcategories, along with the 19 primary categories, have been updated with new artwork and recommendations as well. The latter includes New & Noteworthy shows, Shows of the Month, Feature Channels and Creators and global Highlights. 

With the upcoming release of iOS 17, Apple is adding some new Podcasts features like a refreshed Now Play experience and Queue, episode art, search filters and more. Podcasts updates have been relatively sparse, though, with the last major one coming a year ago with new Podcasts Charts. Apple's major rival Spotify, which spent big on podcasts back in 2019, recently laid off 200 employees from that division. 

TikTok has enjoyed a significant advantage over Instagram Reels in that anyone can download a TikTok video and post it to another social media network — something that helps draw new users to the platform. Now, Instagram has finally gained that ability, according to a post by CEO Adam Mosseri (using the new broadcast channels feature) spotted by TechCrunch. 

The feature is only available to US users on mobile for now, and only for public and not private accounts. At the same time, users with public accounts can choose a setting that blocks users from downloading their Reels. To use the feature, you tap on the "Share" icon for a given Reel and select "Download."

Engadget

An image posted by Mosseri (top) appears to show that downloaded Reels will be watermarked with the Instagram logo and name of the account, much as TikTok does. YouTube also started adding watermarks to Shorts videos created on desktop, likely also as a way to bring attention to its short video feature. 

Instagram now appears to be taking the same tack, likely also seeing it as a way to ensure people see Reels on other social media networks. It's not going out of its way to accommodate videos from rival platforms, though. The Meta-owned company allows TikTok and other videos to be uploaded, but its algorithms stopped promoting any watermarked videos from rivals back in 2021. 

Earlier this year, Panasonic launched the S5 II and S5 IIX full-frame cameras, finally embracing phase-detect autofocus that puts it on par with rivals. I’ve already tested the S5 II and found it to be one of the company’s best cameras yet for content creators. Now, we’re looking at what I think is the more interesting model, the S5 IIX.

It has an identical design and shares many of the same features as its sibling, like the new autofocus system and highly effective in-body stabilization. However, it adds a key function: the ability to record high-quality, easy-to-edit ProRes video internally onto SSDs via the USB-C port. With a bit of rigging, you can record hours of 4K or even 6K video to a relatively inexpensive drive.

What’s surprising is that the S5 IIX only costs $200 more than S5 II. ProRes RAW is also included for free, whereas it’s a $200 upgrade on the S5 II. To see if it’s worth that, I shot photos and videos in Paris, Brittany and elsewhere around France.

Body and Handling

I’ve already looked at the S5 II’s body and controls, and the S5 IIX has an identical layout – but it’s worth revisiting them briefly — particularly in the context of video and content creation.

One key difference is the general appearance. The S5 IIX has a distinctive dark design, with a black logo and subtle gray graphics on the controls. The only dash of color to be found is the red record button. Quite a number of bystanders have oohed and aahed over the black-on-black look.

Like the S5 II, the X model is a nice handling camera. The grip is large and uses relatively tactile materials, and features a ridge at the ring finger so it won’t slip out of your hands. The controls are spot on, with the record button in an easy-to-find location on top. That said, it would’ve been nice to have another one on the front like the GH6. The menus are also among the best among camera companies (and nearly the same as the GH6), with most settings easy to find.

It weighs 714 grams, a bit more than Sony’s A7 IV and the Canon EOS R6 II. An external SSD can also add 100 grams or more, making it a bit heavy if you’re holding it out at the end of your arm while vlogging.

The screen fully articulates for self-shooting and has a sharp 1.84-million-dot display. It features a 3.69-million dot electronic viewfinder with resolution that’s comparable to rivals and easily enough to check focus when shooting on a bright day. It has a full-sized HDMI port that’s key for a camera with RAW video output, and USB-C for capturing internal video.

The S5 IIX also includes dual UHS-II SD card slots, headphone and mic ports, plus the same battery as the original S5, GH6 and other models. You can get about 370 shots on a charge by CIPA stands, fewer than most of its rivals. For video, you can shoot for about 45 minutes at 4K 60p, again, a touch less than rivals.

If you’re planning to rig the S5 IIX to use SSDs, many folks are using the SmallRig universal holder with a hotshoe mount, though any clamping type device will work (I’m using a smartphone tripod mount from Joby). If you need to use a shotgun microphone along with the SSD, you may need to mount it elsewhere on the camera, though, or use a cage. As for SSDs, Panasonic lists models from Samsung and SanDisk compatible with the GH6 (which has the same USB-C feature) and those should work for the S5 IIX as well. Other high-speed models should work as well.

Video

Yes, the S5 IIX is a hybrid camera, but video is the main attraction. With high-quality ProRes capture to an SSD, plus RAW video over the HDMI port, it offers a lot of capability for the price.

First, let’s look at capture via the USB-C port. It supports internal 10-bit ProRes capture to supported SSDs, which is a huge benefit to videographers. Media is relatively cheap, and there’s no need to transcode or even transfer footage – you can just hook up an external drive to a PC or Mac and start editing.

Image by Steve Dent for Engadget

In ProRes USB-C mode, there’s a strange mix of recording formats. It captures 5.8K 17:9 30p footage in either ProRes HQ (1.6Gbps) or regular ProRes (1.1Gbps), but not at 16:9. It can only capture 17:9 C4K at 60p with a crop, or 30p supersampled video without a crop. But again, not 16:9 Ultra HD. The 17:9 part isn’t a huge deal as you can crop the edges, but it’s odd considering most vloggers shoot 16:9 UltraHD. Perhaps that’s something Panasonic can address in a future update.

Luckily, you can capture 16:9 5.9K 25p footage and 4K 60p and 30p at 16:9 in the .MOV format. The latter supports All-I with data rates up to 800Kbps when capturing to USB-C, which is nearly as good as ProRes quality-wise though a bit slower for editing.

On top of that, you can record 12-bit ProRes RAW or Blackmagic RAW files to Atomos or Blackmagic recorders via HDMI. It supports recording up to 5.9K 30p at 16:9 and not 17:9, or the rather odd 4.1K 4,128 x 2,176 17:9 format. Again, not a huge issue as you can crop the sides, but also a bit weird.

Image by Steve Dent for Engadget

As with other Panasonic models, you can capture “open gate” 6K 3:2 footage that uses every pixel on the sensor. That allows content creators to easily output both horizontal and vertical formats, but also to capture anamorphic video with supported lenses.

Finally, you can record to regular old SD UHS-II cards. Where the S5 II is limited to recording longGOP files that aren’t very easy to edit, the S5 IIX can do most formats using an All-I codec at up to 600Mbps.

So how is the quality of all the video? Mostly excellent, depending on the format. 4K 30p video is supersampled, so it’s extremely sharp. Panasonic’s colors are accurate, quite natural and easier to work with than Sony’s files, I find. Skin tones aren’t as flattering as Canon offers, though.

4K 60p video is cropped to an APS-C size which isn’t ideal, considering Canon’s like-priced R6 II has uncropped 4K 60p. Sharpness also drops a hair, as it’s pixel-for-pixel instead of supersampled. 5.9K video is also captured on a pixel for pixel basis, but I like that format as it allows for a lot of cropping options.

Compared to other mirrorless cameras with the same resolution, it has good low-light capability. The Dual ISO system does a good job keeping noise down at ISOs as high as 12,800 or even 25,600.

Image by Steve Dent for Engadget

Panasonic’s V-Log delivers extra dynamic range, particularly with ProRes. Of course the best option, quality-wise, is V-Log RAW video. That lets you edit video just as you would with RAW photos, with a lot of room to recover highlights and shadow details. With those things together, the S5 IIX delivers results in line with expensive, professional video cameras.

Pros will also appreciate the new hybrid phase-detect autofocus. It’s designed to eliminate the wobble inherent in Panasonic’s past contrast-detect AF camera, and it does that very effectively.

The S5 IIX offers continuous AF modes along with subject tracking, for both humans and animals. It’s not quite up to Sony and Canon models like the A7 IV and R6 II, as subject tracking isn’t quite as fast or reliable. However, it’s as good or better than Nikon and Fujifilm’s latest models.

Image by Steve Dent for Engadget

The S5 II has updated in-body stabilization borrowed from the GH6, and it’s powerful and impressive – the best on any camera on the market for video. It can’t match a gimbal, of course, but the electronic mode smooths out steps much better than the S5, despite some side-to-side sway.

It also has a “Boost IS” for handheld video with no movement, keeping shots locked off like the camera’s on a tripod. One cool feature not seen on too many other cameras is full stabilization support for anamorphic lenses (most types) via a setting.

And finally, it supports high audio quality either through the mic port or an XLR adapter that attaches to the hotshoe.

Photography

If you need to use the S5 IIX for photography from time to time, it’s not bad at all. You can shoot at up to 7 fps with the mechanical shutter or 30 fps in electronic mode. The buffer is quite impressive, as it allows for 200 shots in RAW before throttling. Oddly though, a USB-C drive doesn’t improve that number much compared to an SD card.

The autofocus can keep up as well, but as with video, it’s not quite as fast or smart as the AF on recent Sony cameras. It’s particularly noticeable when using the AI subject modes — for example, it can lose a subject’s eyes if they turn their heads. Tracking is also a bit more limited than Sony and Canon models. Still, for vlogging and most types of content creation, it performs well.

The stabilization system is rock solid for photos. And photo quality is outstanding, with dynamic range comparable to Sony and Nikon’s latest models. You also get natural looking colors and skin tones. It also shines in low light situations thanks to the stabilization, dual ISO system and relatively large pixels.

Wrap-up

Image by Steve Dent for Engadget

When I reviewed the S5 II earlier this year, I said that its biggest competition would be the X version, and now I’m sure of that. Simply put, this is a $2,200 near-professional camera with the image quality and most of the features a content creator needs.

The new autofocus is good but not quite up to the Sony A7 IV, and it lacks full-frame 4K 60p video like the Canon R6 II. It’s far better for video than both of those models, though, thanks to the ProRes and other features nowhere to be found in either rival model. And the AF is as good or better than you’ll find on like-priced Nikon and Fujifilm models, with the focus wobble of past models a thing of the past.

One thing that might give you pause is the L-Mount lens choice and value. However, Panasonic recently lowered the prices on key lenses, including this 24-70m f/2.8 model. It now has 14 of its own lenses, on top of 31 from Sigma. All told, if I was looking for a new camera system for around $2,000, I wouldn’t hesitate to grab the S5 IIX.

Rumors about a Spotify HiFi tier have been around since at least 2017, and the company even announced plans to launch such a feature in 2021 — only to back off the next year. Now, the company may finally be ready to launch a high-fidelity plan (dubbed "Supremium" internally) that would be its most expensive tier, according to Bloomberg. 

The aim would be to drive more revenue and address investor demands that it raise its prices. Spotify reportedly delayed rolling out the plan back in 2021 as two of its primary rivals, Apple Music and Amazon Music, started including the feature for no charge in their standard plans.  

In addition, Spotify may enhance its regular Premium offering with expanded audiobook access, either through a certain number of free hours per month or a specific number of books (with an option to purchase more). Audiobooks are currently only available on Spotify via individual purchases. 

There's no word on whether audio would be lossless at up to 24-bit and 192kHz, as it is on Apple Music and Amazon Music. Lossless audio generally doesn't work on Bluetooth speakers or headphones (including Apple's AirPods and AirPods Max), due to the high bandwidth, so users need a wired or WiFi setup.

Pricing hasn't been revealed, either. Spotify has kept its Premium plan at $9.99/month in the US, unlike Apple and Amazon, which raised their rates to $10.99. CEO Daniel Ek said in a recent earnings call that the company tries to balance subscriber growth with revenue, so pricing varies by region depending on which of those it's trying to boost. Earlier this month, the company announced that it would cut its staff by two percent, after laying off six percent of its workforce in January.