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Pioneer DJ debuts DDJ-REV series of battle-style controllers

Battle DJs, the turntablists that perfect the art of cutting and scratching music to build new creations on-the-fly are getting some new gear for the mobile digital world. Until now, most devices for this style of mixing have either been the classic turntables and mixer combo, or pricey modular units. Today, Pioneer DJ announces its new DDJ-REV controller series focused on the battle DJ’s style of mixing and aimed at both novices and pros alike. The new entry-level DDJ-REV1 ($259) and the pro-level DDJ-REV7 ($1,899) are both Serato DJ compatible and offer an adjusted layout for fans of the sideways turntable and the Pioneer DJM-S series of mixers.

Newcomers interested in this style of DJing can get a taste of what’s to come, with a few useful flourishes for the livestreaming generation. The 2-channel DDJ-REV1 controller runs Serato DJ Lite and includes a 14-day trial of Serato DJ Pro. It’s bus-powered, has slightly larger jog wheels than prior models in this price range and includes a mic input so you can get chatty during livestreams without extra gear. Along with the mic, the only other input is the USB port, and you only get a single RCA master output.

Although pint-sized, the layout echoes a classic battle DJ’s choice with platters at the bottom and a horizontal pitch slider up top. A sideways turntable allowed easier scratching without the tonearm getting in the way, which resulted in an unusual placement for the pitch control. It seems some have gotten used to that layout and this type of controller layout caters to that familiarity.

The DDJ-REV1 controller.
Pioneer DJ

The central mixing panel also borrows from the popular Pioneer DJM-S series, with performance pads in the middle and lockable FX toggles. There’s also a Scratch Bank to store your choice of audio clips and the Tracking Scratch feature. This saves you having to get back to a scratchable cue point by doing it for you when you remove your hands from the ridged capacitive jog wheel or spin it back.

If you have more seasoned skills and/or more money to spend, the 2-channel DDJ-REV7 is a better fit. This higher-end model includes 7-inch motorized jog wheels with vinyl-mimicking top plates and adjustable torque for a classic turntable feel. Each side also includes a 3.5-inch on-jog display where you can see waveforms and other data, or switch to a Serato virtual deck view, song artwork or your own logo with easy-to-see omnidirectional viewing.

As with the economy model, the DDJ-REV7 mimics a classic cut and scratch layout with the DJM-S styled central mixer, performance pads and FX toggle. Those jog wheels are along the front edge with the pitch slider on the top. Relevant control buttons live in between those, somewhat reminiscent of the Pioneer CDJ series layout.

Other highlights for the DDJ-REV7 are onboard scratch samples, a Maglev Fader Pro and 22 built-in Beat FX. If you want to flank your controller with turntables or CDJs, you’re in luck since there are line and phono inputs on each channel. Plan to swap with another DJ during live sets? The dual USB ports will make life easier. You'll need a computer for most things, since there's no thumb drive or microSD slot. It seems you can store full tracks in the on-board scratch bank along with clips, but that's no real solution. For outputs you'll get XLR and RCA ports for master out, plus balanced 1/4-inch TRS for the booth.

The entry-level DDJ-REV1 is expected to be available in late January at the retail price of $259 and works with the free Serato DJ Lite (1.5.9) software, although the pro version will also work. Those interested in the high-end DDJ-REV7 ($1,899) will have to wait until February, although no solid availability date has been confirmed. This model includes a license for Serato DJ Pro (2.5.9) and a voucher for the Serato Pitch ‘n’ Time expansion.

Shokz OpenRun Pro bone-conduction headphones bump up the bass

I’ve been an avid user of bone-conduction headphones for years and can attest to the lackluster low-end in this form factor. Luckily, things are improving. Along with recently changing its name to Shokz (formerly Aftershokz), the company has delivered on this long-desired feature upgrade to its line of bone-conduction headphones. The new product is called OpenRun Pro ($179.95) and there is a significant boost in bass with this Bluetooth 5.1 headset. In addition, Shokz is renaming its existing product line to tie things together with Aeropex becoming OpenRun and Xtrainerz now called OpenSwim.

For those new to bone-conduction headphones, let me clarify a few things. These still don’t quite measure up to over-ear or in-ear models, since they have an open-ear design. The transducers rest against your cheeks in front of your ears and deliver sound to your inner ear via the bone. It’s a different delivery system for sound that leaves your ears open to the world, which can be a double-edged sword. They’re not great on the subway or in generally noisy environments. Don’t be disheartened, though, as this same design lets you walk, run or bike around and listen to music while still being able to hear the world around you. And with the upgrades we're seeing, the audio experience is better than ever.

Until now, diminished low-end has long been a problem for this form factor. The OpenRun (Aeropex) have good volume levels and a decent frequency response compared to previous models. But now that I’ve tested the OpenRun pro, there’s been a noticeable improvement in the low-end spectrum. I don’t mean that they’re so loud they’re literally bouncing off your cheeks (like the old Titanium model did). These deliver a good sub-frequency to give your tunes more depth without excessive tactile reverberation. My standard listening is techno and electronic music (like this) and it holds up pretty well. The decibel and frequency response specs are the same as before, but acoustic tweaks have born fruit. For bone conduction headphones, the OpenRun Pro sounds great.

Other desirable enhancements in this new model include the fit and charging capability. The over-the-ear curve is more rounded and the side enclosures are 20-percent smaller than before. This makes them feel light and comfortable. The battery life has been bumped up from 8 to 10 hours of listening and you can charge fully in one hour (a whole hour less than before). On top of that, we’re told you can get 1.5 hours worth of listening in five minutes of charging. A great feature when you’re settling in for a workout and hear the headset exclaim “charge me”.

If you’ve just gotten Aeropex headphones over the holidays, don’t fret. I’ve been using these for a long while and have enjoyed the experience. I even feel that while there’s not as much bass, these could be a touch louder in the mid to high range than the new model. 

On top of that, the OpenRun Pro has traded complete waterproofing for better sound. A fine mesh grate covers two vents in front of and below the cheek-based delivery system, changing it to IP55 water-resistant (still more than adequate). The OpenRun (Aeropex) retains its IP67 rating due to its sealed enclosure. If you want to wear these in the shower, then you’re in a good place (but maybe consider OpenSwim if this is a habit).

As of today, the entire line is available for purchase including the new OpenRun Pro ($179.95) with a few new colors (although only black may be available at launch). The fully-waterproof OpenSwim is still $149.95, while the OpenRun ($129.95) will continue to be available at its recently lowered price.

The new OpenRun Pro color options.
Shokz

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Serato Studio’s long-needed recording feature is finally here

The scope of Serato’s creative audio ecosystem continues to grow with the latest update to its Serato Studio digital audio workstation (DAW). Serato Studio 1.6 rolls out to the public today and most notably adds the ability to record audio directly into the app, along with some changes to the audio track tools and the addition of a built-in Virtual Audio Driver. While the update isn’t flush with a litany of new features, these few changes make a world of difference for producers, musicians and DJs alike.

To record audio, you can use an external input or even just the internal microphone. This accommodates pros and entry level creators with little to no gear beyond the laptop. When recording, even in loop mode, your contiguous session is kept whole. This lets you try different versions of a guitar lick or vocals in a single take that you can trim down to the best segment later. You can edit the recordings into clips, use different pieces throughout your project or even layer them in different keys for effect.

Serato Studio 1.6 also keeps recordings in your library for use in other projects. You can sample vinyl directly into your project and by analyzing the file, it will instantly match them to your current BPM. There's key detection for the recordings too, which can help keep your vocals on point.

Those using third-party apps or live-streaming will be happy to know that you no longer need plug-ins to make the audio available to other apps. Serato now includes its own Virtual Audio Driver for input and output channels, and even works on Big Sur.

As always, Studio is great for those using Serato DJ and a controller, but now that audio recording has been added, it has the chops to stand on its own as a production tool. It's also very intuitive and opens up plenty of opportunities for creative expression without having to jump through hurdles in the process. New users can get tracks rolling in minutes (seriously) and pros can sketch out tracks or complete full projects quickly.

Serato Studio 1.6 is available to download today and, as always, there's a limited free version for you to test drive. To open up all the capabilities and access tons of sounds and samples, you can choose from a $10 monthly subscription or buy it outright for $199 (including all updates for Version 1).