AMD's upcoming Ryzen 7000 chips will mark another major milestone for the company: they'll be the first desktop processors running 5 nanometer cores. During her Computex keynote presentation today, AMD CEO Lisa Su confirmed that Ryzen 7000 chips will launch this fall. Under the hood, they'll feature dual 5nm Zen 4 cores, as well as a redesigned 6nm I/O core (which includes RDNA2 graphics, DDR5 and PCIe 5.0 controllers and a low-power architecture). Earlier this month, the company teased its plans for high-end "Dragon Range" Ryzen 7000 laptop chips, which are expected to launch in 2023.

Since this is just a Computex glimpse, AMD isn't giving us many other details about the Ryzen 7000 yet. The company says it will offer a 15 percent performance jump in Cinebench's single-threaded benchmark compared to the Ryzen 5950X. Still, it'd be more interesting to hear about multi-threaded performance, especially given the progress Intel has made with its 12th-gen CPUs. You can expect 1MB of L2 cache per core, as well as maximum boost speeds beyond 5GHz and better hardware acceleration for AI tasks.

AMD is also debuting Socket AM5 motherboards alongside its new flagship processor. The company is moving towards a 1718-pin LGA socket, but it will still support AM4 coolers. That's a big deal if you've already invested a ton into your cooling setup. The new motherboards will offer up to 24 channels of PCIe 5.0 split across storage and graphics, up to 14 USB SuperSpeed ports running at 20 Gbps, and up to 4 HDMI 2.1 and DisplayPort 2 ports. You'll find them in three different flavors: B650 for mainstream systems, X650 for enthusiasts who want PCIe 5.0 for storage and graphics and X650 Extreme for the most demanding folks.

Given that Intel still won't have a 7nm desktop chip until next year (barring any additional delays), AMD seems poised to once again take the performance lead for another generation. But given just how well Intel's hybrid process for its 12th-gen chips has worked out, it'll be interesting to see how it plans to respond. If anything, it sure is nice to see genuine competition in the CPU space again.

While Ryzen 7000 will be AMD's main focus for the rest of the year, the company is also throwing a bone to mainstream laptops in the fourth quarter with its upcoming 6nm "Mendocino" CPUs. They'll sport four 6nm Zen 2 cores, as well as RDNA 2 graphics, making them ideal for systems priced between $399 and $699. Sure, that's not much to get excited about, but even basic machines like Lenovo's Ideapad 1 deserve decent performance. And for many office drones, it could mean having work-issued machines that finally don't stink.

What happens when animation geeks get the greenlight to produce whatever they want? You get Netflix's Love, Death and Robots, an anthology series that's meant to remind viewers that cartoons aren't just for kids. You'd think that would be a foregone conclusion in 2022, decades after anime has become mainstream, Adult Swim's irreverent comedies took over dorm rooms, and just about network/streaming platform has their own "edgy" animated series (Arcane and Big Mouth on Netflix, Invincible on Amazon Prime).

Still, it's all too common to see the medium being diminished. At the Oscars this year, the best animated feature award was introduced as something entirely meant for kids, prompting the filmmakers Phil Lord and Christopher Miller (The Lego Movie, Spider-Man: Into the Spider-Verse), to demand that Hollywood elevate the genre instead. Even Pixar's library of smart and compelling films still aren't seen as "adult" stories.

Love, Death and Robots, which just released its third season on Netflix, feels like a crash course in the unlimited storytelling potential of animation. It bounces from a cute entry about robots exploring the remnants of human civilization (the series' first sequel, 3 Robots: Exit Strategies, written by sci-fi author John Scalzi), to a near-silent, visually lush game of cat and mouse between a deaf soldier and a mythical siren (Jibaro), to a harrowing tale of whalers being boarded by a giant man-eating crab (Bad Traveling, the first animated project directed by series co-creator David Fincher).

Jennifer Yuh Nelson, supervising director for Love, Death and Robots, tells Engadget that the animation industry has certainly made progress when it comes to telling more mature stories. "Everyone that works in animation has been talking about trying to get more adult things done because it's [about] the freedom of exploring the whole spectrum of storytelling," she said. "You're not trying to do things for a certain age group."

Netflix

But, she says, animators were also told the audience for mature projects wasn't necessarily there. "I think it takes a show like [this] to prove that it can [work], and that makes the whole business and the whole company town basically look around and say, 'Oh, this is a viable thing that people actually want to see.’"

Series co-creator Tim Miller (Deadpool, Terminator: Dark Fate) also points to the power of video games, which has been telling mature narratives with interactive animation for decades. That's another industry that was initially seen as toys for kids, but has matured significantly with rich storytelling from indie projects, like Kentucky Route Zero, to big-budget blockbusters like The Last of Us. Games and animation are practically evolving together, with audiences demanding more complex ideas and creators who were raised on earlier generations of those mediums. You don't get to the excellent Disney+ remake of DuckTales, or Sony's recent God of War, without a fondness for the simple joys of the originals.

"Animation has grown so much and reflects a taste of the people making it and the people that are watching it," Nelson says. "It's a generational shift. People demand a certain level of complexity in their story, and so it's not princess movies anymore."

With every season of Love, Death and Robots, Nelson says that she and Miller are focused on finding stories that evoke a sense of "nerd joy." There's no overarching theme, instead they look out for projects with scope, emotion and a potential to be visually interesting. And while none of the shorts have been turned into standalone series or films yet, Nelson notes that's a possibility, especially since some authors have explored other ideas within those worlds. (I'd certainly love to see those three quirky robots poking fun at humanity for an entire season.)

The series also serves as a showcase for a variety of animation techniques. Some shorts show off meticulously crafted CG, while others like Bad Traveling use motion capturing to preserve the intricacies of an actor's movement or face. Jerome Chen, the director of military horror short In Vaulted Halls Entombed, relied on Unreal, which makes his piece seem like a cut-scene from a game I desperately want to play. And there's still plenty of love for more traditional 2D techniques, like the wonderfully bloody Kill Team Kill (directed by Nelson, a far cry from her playful Kung Fu Panda sequels).

Netflix

"The tech doesn't replace the art, but the experimentation allows these studios to find ways of doing things better," Nelson said. "[The show gives] freedom for all these different studios to try their own language."

Miller has a slightly different view, saying on some level it's like "tech is the art and they somehow mixed together." While he agrees with Nelson, who was quick to point out "artists can make art with a stick," Miller said you'll still need a certain level of sophisticated technology to create photorealistic stories.

The great thing about an anthology series like Love Death and Robots? Both of those philosophies can co-exist while equally demonstrating the power of animation.

As part of Cooking Week, we set out to test some of the most niche (and, in some cases, ridiculous) kitchen gadgets we could find. We wanted to know if these impressive-looking appliances actually do what they claim and if they’re worth the splurge. These are our findings.

What if you could get a perfect glass of cold brew coffee in just a few minutes, without the hassle of steeping grounds overnight? That's the basic pitch behind the Osma Pro, a quirky $695 gadget from designer Joey Roth. You may remember him as the guy behind those gorgeous ceramic speakers from over a decade ago — this time, he's set his sights on something even more ambitious: Creating an entirely new form of coffee brewing.

Osma

The Osma Pro relies on acoustic cavitation, or a wave of continuous pressure that agitates grounds, to extract a smooth and mellow shot of coffee. It has the nuances you'd find in cold brew (something you lose with heat-based methods), but it also adds layers of complexity you'd expect from espresso, like a delicate bit of crema at the top. The result, based on a few months of testing, is one of the most unique coffee experiences I've ever had.

Now I wouldn't consider myself a true java expert, but I know my way around an espresso machine, and I've tried almost every other coffee brewing method over the years. During the summer, I typically rely on homemade iced lattes or cold brew (via OXO's nifty kit). If I'm really lazy, I'll buy a bottle of concentrated cold brew from the store (Gradys, in particular, is just lovely).

Those methods have kept me alert and productive since college, but Osma's coffee adds a bit more depth, with a velvety texture reminiscent of nitro cold brew. It's also noticeably stronger than a typical glass of cold coffee, at least based on the amount of coffee grounds Osma suggests. After adding ice, water and a dash of soy milk, I'm left with a drink that gives me a nicer buzz than a glass of cold brew, but doesn't make me as jittery as a triple-shot iced latte. So long iced coffee, hello chill coffee.

Devindra Hardawar/Engadget

As much as I like the Osma, though, its high price and multi-step process makes it best suited for coffee shops and true obsessives. Pulling a shot involves grinding fresh beans and securing them in the portafilter, as you'd expect. But you also have to place a glass of water under the intake straw, in addition to something under the filter to grab the coffee. (Roth says future designs could have built-in reservoirs, like my beloved Breville espresso machine.) You then have to pre-infuse the grounds by hitting the pump button a few times, wait 30 seconds or so, and only then can you start pulling a full shot. I can usually 5 ounces in under a minute, but you could also go for more or less depending on your taste.

Osma's stark anodized aluminum case makes it stand out in kitchens typically filled with gleaming stainless steel appliances. The 18-pound machine itself feels substantial, but I'd love to see Roth round out its sharp corners. I've already stabbed myself a few times while making coffee, and I'm worried about leaving it on the counter where my wife or toddler could inadvertently run into it. It's skinny enough to stuff into a drawer, but its weight also makes it difficult to maneuver easily. It's best suited for a corner that doesn't get much traffic.

Given how quickly nitro cold brew took off, I wouldn't be surprised if Osma finds a foothold in boutique coffee shops. Roth says it's already a permanent fixture at Chromatic in San Jose, and he's in discussions with other cafes. It's hard to anticipate demand for traditional cold brew, after all, so plenty of shops would likely welcome a faster way to craft a cold cup of joe.

What the heck is going on in the land of cryptocurrency and NFTs? This week, Devindra and Engadget UK Bureau Chief Mat Smith chat with Manda Farough, co-host and producer of the Virtual Economy podcast, about the massive crypto crash. They discuss how the fall of the Luna cryptocurrency and its sibling, TerraUSD, sent shockwaves through the industry. 

Also, they dive into ICE’s surprisingly robust (and scary) surveillance system, as well the DHS’s stalled misinformation board. Stay tuned for the end of the show for our chat with Tim Miller and Jennifer Yuh Nelson, the co-creator and animation director for Netflix's Love, Death & Robots.

Listen above, or subscribe on your podcast app of choice. If you've got suggestions or topics you'd like covered on the show, be sure to email us or drop a note in the comments! And be sure to check out our other podcasts, the Morning After and Engadget News!

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Topics

• Terra, Luna, and the recent Crypto crash – 2:05

• Acer’s glasses-free 3D laptop – 26:35 

• Report outs U.S.’s ICE as breeching data privacy, has facial recognition data on Americans – 33:37

• Homeland Security “pauses” disinformation board – 43:15

• There is once again a rumor about USB-C on iPhone – 46:41

• Working on – 52:44

• Pop culture picks – 59:35

• Interview with Love, Death & Robots co-creator Time Miller and animation director Jennifer Yuh Nelson – 1:06:51

Credits
Hosts: Devindra Hardawar and Mat Smith
Guest: Manda Farough
Producer: Ben Ellman
Music: Dale North and Terrence O'Brien

EVE Online addicts got their wish last year when developer CCP games announced EVE Anywhere, a browser-based platform for streaming the popular space MMO. Today, that's opening up to all EVE players, and not just premium Omega subscribers. You just need a modern browser, like Chrome, Edge, Safari or Firefox, and a solid 25Mbps internet to start streaming some space battles. EVE Anywhere is rolling out in the US and select European countries, like Germany, Switzerland and the UK, with more territories coming later this year.

CCP says it's relying on Intel technology to stream the game to players over high-capacity servers. While EVE diehards likely aren't giving up their PC rigs anytime soon, EVE Anywhere lets them squeeze in a few sessions when they're away from home (but not ever at work, nobody would do that). The platform could also serve as a gateway for players with slow and aging hardware. After all, even a Chromebook would be able to stream EVE Anywhere.

After announcing the very cute Honda E and a long-term collaboration with GM, Honda has made its EV ambitions clear. But it's still lagging behind most other carmakers—especially its closest rival Toyota, which is rolling out its first mainstream electric car this year. To whet our appetites a bit, Honda has revealed a teaser image of the Prologue, its first electric SUV launching in 2024. And, well... it looks pretty much like what we'd expect from a Honda SUV.

The lone image, which is just a render and not a photo of the Prologue in action, shows off the SUV's clean body lines and beefy tires. The Prologue is a design collaboration between its studios in Los Angeles and Japan, and it was also developed together with GM. There's a bit of old and new here, for sure, but its relatively plain aesthetic makes Toyota's BZ4X look practically radical in comparison.

Honda plans to unveil 30 new EVs by 2030, with expected sales of 2 million units. After kicking off sales of the Prologue in 2024, Honda plans to start producing and selling new EVs based on its e:Architecture in 2026, and it'll have affordable EVs (also developed with GM) in 2027. You'll find the Prologue first in Zero Emissions states, but it should start heading to more states in the US afterwards. 

Honda

There's only so much we can learn from a single render, but it's still helpful to see that Honda has its eye on the EV ball. The company also plans to bring Level 2 and fast-charging to dealerships around the US, as well as some slightly more modern building designs.

3D TVs may be dead, but Acer isn't giving up on the dream of going beyond 2D just yet. It's spent years hyping up its SpatialLabs technology, which lets you view stereoscopic 3D content without any clunky glasses. Now that innovation is headed to the company's gaming laptops, starting with the new Predator Helio 300 SpatialLabs Edition. The company says you'll be able to play more than 50 modern and classic games in 3D, including Forza Horizon 5, No Man's Sky and God of War (no Halo Infinite yet, sadly).

Naturally, though, you'll have to pay a huge premium to be an early glasses-free 3D adopter. The Helios 300 SpatialLabs Edition will start at $3,400 when it arrives in the fourth quarter. You'll get some killer hardware under the hood, like Intel's latest 12th-gen CPUs, 32GB of DDR5 RAM and up to NVIDIA's RTX 3080, but it's clearly not meant for the typical gamer. It weighs a hefty 6.6 pounds, and the small amount of supported 3D titles makes this laptop seem even more like a niche product.

Acer

Still, the display nerd in me is eager to see how Acer actually implements this technology. I was impressed by some early SpatialLabs demos years ago, but it's another thing to transform a game into a fully 3D experience. The technology relies on a combination of eye tracking (which helps the image stay in focus without additional glasses), real-time rendering and a stereoscopic 15.6-inch screen. Acer is also bringing SpatialLabs' 3D hardware to its ConceptD7 laptop this year.

If you're just looking for a thin gaming laptop, without any fancy 3D screens, Acer is also updating the Predator Triton 300 SE with 12th-gen Intel chips, RTX 3000-series GPUs and 16:10 OLED panels. A 16-inch model with a 240Hz 1,440p display is joining the existing 14-inch version, giving the company options for gamers who want the lightest possible machine or something with a bit more breathing room. The smaller model tops out with an RTX 3060, but the larger one can squeeze in a beefier 3070 Ti.

We've generally liked Acer's gaming hardware over the years (except when they introduce useless concepts like swiveling screens). Based on my brief hands-on time with the Triton 300 SE, it seems like yet another solid option for a stylish-yet-portable gaming rig. The new OLED screen is clearly the star of the show, delivering deep black levels and glorious colors in a few Halo Infinite matches, but its 90Hz refresh rate may disappoint gamers used to faster LCDs. Those folks can just opt for the 165Hz 1080p and 1,440p LCDs, instead. The 14-inch Triton 300 SE is lighter than the Razer Blade 14, clocking in at 3.7 pounds instead of 3.9, and its overall build quality feels just as premium.

You'll find the 14-inch Triton 300 SE in July starting at $1,600, while the 16-inch version will arrive in August for $1,750.

This week, Engadget Deputy Editor Nathan Ingraham joins Cherlynn and Devindra to dive into everything announced at Google I/O. There were plenty of new devices, of course, but Google also showed off how its improved AI tech is making maps, translation and more features even smarter. Also, Cherlynn discusses her exclusive feature on Microsoft’s Adaptive Mouse, as well as the company’s new Inclusive Tech Lab. And in other news, we bid farewell to the iPod and reminisce about the early days of MP3 players.

Listen above, or subscribe on your podcast app of choice. If you've got suggestions or topics you'd like covered on the show, be sure to email us or drop a note in the comments! And be sure to check out our other podcasts, the Morning After and Engadget News!

Subscribe!

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Topics

• Google IO overview – 1:45

• A return for Google Glass? – 13:24

• Pixel 6a announcement – 29:11

• Pixel Watch – 33:49

• Pixel Buds Pro – 38:27

• Notes from Microsoft’s Ability Summit – 43:43

• Apple officially discontinues the iPod – 1:01:04

• Sonos Ray is real and it’s $279 – 1:08:53

• New info on Intel’s 12th Gen HX Chips – 1:20:45

• Pop culture picks – 1:26:21

Video livestream

Credits
Hosts: Devindra Hardawar and Jessica Conditt
Guest: Nathan Ingraham
Producer: Ben Ellman
Music: Dale North and Terrence O'Brien
Livestream producers: Julio Barrientos
Graphic artists: Luke Brooks and Brian Oh

By this point, we all know what to expect from Google's "a" phones: Last year's hardware for a much lower price. In that respect, the Pixel 6a isn't a huge surprise. The phone, which was announced today at Google's I/O 2022 keynote, is powered by Google's first "Tensor" AI chip, just like the Pixel 6 and 6 Pro before it. It will cost just $449 when it hits shelves on July 28th. But unlike the previous Pixel 5a, which was a slightly boring rehash of the Pixel 4a 5G, Google's new mid-range phone actually offers some useful upgrades.

For one, the Pixel 6a offers the same unique two-tone case as the Pixel 6, something that helps it to stand out in the crowded field of boring smartphones. Google also shrunk the screen down to 6.1 inches, whereas the 5a had a 6.34-inch display. Because of that decision, along with smaller enclosure materials, Google says it's roughly the size of the Pixel 5. If anything, it's nice to have a modern Pixel phone that's a bit more compact for smaller hands.

Google

Most importantly, though, Google's Tensor chip delivers all of the same features as the more expensive Pixels. There's support for 5G, Titan M2 security and enough speed to power complex tasks like Google's Live Translate. According to Rick Osterloh, Google's SVP of Devices and Services, the Tensor chip is a "big deal for a phone at this price." It's certainly more impressive than the aging Snapdragon chips mid-range phones are typically stuck with.

Google

The Pixel 6a features dual rear cameras, just like the 5a, but now there's a 12 megapixel ultrawide sensor alongside the 12-megapixel main camera. It still has the same 8MP front-facing camera as before, but we're hoping Google's upgraded software can do more with that lens this time. Pixel 6a comes with an enhanced version of Google's Magic Eraser photo editing tool, and its Real Tone feature will also better capture the nuances of skin tones. 

Google says the Pixel 6a will receive five years of security upgrades, making it a solid investment if you don't plan to upgrade too often. It will be available in charcoal, chalk and sage cases, and you'll be able to pre-order Pixel 6a phone on July 21st.

Follow all of the news from Google I/O 2022 right here!

Google is making it easy to catch up on long documents with a new auto summarization feature, which will soon be available on Google Docs. It relies on machine learning to break down the key points in a file and generate a readable briefing. Think of it like automatic Cliff's Notes for all of those work reports you never read. Google originally announced the feature in March, but now it's closer to reaching the public.

Google

As Alphabet CEO Sundar Pichai explained at today's Google I/O keynote, the automatic summary feature relies on language understanding, information compression and natural language generation to work its magic. And while it's coming to Docs soon, he says it'll eventually make its way to Google Spaces and Chats, where it can summarize your conversations so you don't have to spend hours scrolling up. If anything, it'll be a nice way to keep tabs on those group chats you're lurking in.

As for other Google Workplace updates, the company is introducing a Portrait Restore feature to clean up crummy webcam video in Google Meet, and it's launching a customizable way to simulate studio portrait lighting. It's also using AI to de-reverberate sound, which makes it seem like you're talking into a high-quality microphone, and bringing automatic transcriptions to Google Meet later this year.   

Follow all of the news from Google I/O 2022 right here!