HBO Max is completing its transformation into Warner Bros. Discovery's "Max" streaming service today, and it's launching with a new tier especially made for 4K ultra HD viewing. The Ultimate Ad-Free tier will set you back $20 a month or $200 if you're paying for a whole year, making it the service's most expensive subscription option yet. A subscription will give you access to over 1,000 4K movies and TV show episodes, which is nearly eight times more than previously available 4K content. It will also give you the ability to stream on up to four devices at the same time and to store up to 100 offline downloads.

Ultimate Ad-Free's arrival, however, could spell the end of 4K availability for regular ad-free subscribers. While Warner Bros. didn't say it outright, the company included a line in its announcement to reveal that "existing HBO Max subscribers will still have access to their current plan features for a minimum of six months following launch." We've asked the company for clarification. To note, Warner Bros. raised its subscription prices in January, so you now have to pay $16 a month for the ad-free tier and $10 for the ad-supported one. 

For the Ultimate Ad-Free tier, Dolby Atmos and Vision will also be available for select content and devices. The company plans to keep growing its 4K library every month going forward, but for now, the ultra HD shows and movies you can stream with a subscription include Game of Thrones, House of the Dragon,The Last of Us, the Harry Potter movies, The Lord of the Rings trilogy, The Dark Knight trilogy and The Matrix films. Further, all Warner Bros. movies released this year and in the future will be added to the tier's 4K library when they arrive on Max.

After previewing new verification features last month, LinkedIn is now rolling them out to give job-seekers confidence that they're dealing with real companies and jobs. At the same time, the work-oriented social media site has introduced warnings for messages that may look like scams. The latter feature arrives amidst a spate of fake accounts on the site, according to LinkedIn's latest transparency report. 

The first type of verification tool is related to job postings, displaying information about the posters and their companies. For instance, it can display verifications for a company page and job poster work email, and whether their government ID was verified by CLEAR, the same company that gets people to the front of security lines and airports and other venues. 

LinkedIn

"When you see verifications on job posts, that means there is information that has been verified as authentic by the job poster, LinkedIn or one of our partners," the company wrote in a blog post. Verifying with CLEAR is free but requires sharing a US phone number and government ID. You can also confirm your employer via a verification code sent to your company email address, and some users can verify both their identity and employer via Microsoft Entra, for companies enrolled in the program. 

LinkedIn pointed out that it recently launched the About This Profile feature to show when a profile was created and last updated, and whether it has a verified phone number and/or work email associated with the account. The aim is to flush out fake accounts, but LinkedIn is also rolling out new messages that warn users about high-risk content. 

LinkedIn

"We now also alert you if messages on LinkedIn include high-risk content that could impact your security. For example, we will alert you if a message asks you to take the conversation to another platform, as that can sometimes be a sign of a scam. If something doesn’t feel right, these warnings will also give you the choice to report the content without letting the sender know," the company wrote. 

The new features arrive in the wake of LinkedIn's latest transparency report, which showed a large increase in scam accounts. Between July and December 2022, the company blocked more than 58 million accounts, up from 22 million in the previous six months. LinkedIn is even seeing profiles with fake photos created by AI, something it wrote about last year. Though it said its new "deep-learning-based model proactively checks profile photo uploads to determine if the image is AI-generated," a recent study identified over 1,000 active profiles using AI-generated photos, The Financial Times reported. 

LinkedIn noted that verifications on job posting have just started rolling out, so while you may not see them yet, the tools will be more prevalent as the company expands access. In the meantime, it recommends you check out its tips on how to spot and avoid suspicious job postings. 

Square Enix wants a hit Final Fantasy game that’s just as popular as any game in the storied history. It’s taken seven years to get from the tepidly-received Final Fantasy XV to Final Fantasy XVI, and the company continues to wrestle with what a FF game is in 2023.

The company courted nostalgia with FF7 Remake (and the Pixel Remaster series). At the same time, its MMORPG, Final Fantasy XIV, continues to be a huge success – but what about the prestige title? It has a plan, and it involves giant-summoned monster battles with different styles of play, a single controllable protagonist with guest-star allies, a support dog that grows up with you, horny antagonists, wicked moms and several bleak plot twists to help establish the plot and characters relatively early on. I won’t spoil the story much, but the early segment covers warring nations, vicious family dynamics, slavery and more. I spent six hours playing through the game's opening chapters, and thought: This plan might work. Although heavy in battle tutorials, the opening of the game does a good job of teasing the narrative beats and major players, which is crucial not only to JRPGs like Final Fantasy, but to modern games in general. It’s just a shame the main character is called Clive.

I played some early chapters, which focused on the childhood years of Clive, flanked by his younger, ailing brother, Joshua, who was chosen to house the power of the Phoenix (giant mythical flaming bird, usually wielding healing powers in Final Fantasy lore). This is the game’s first example of an Eikon; magical summoned beasts that seem to live through their wielder, passed on through lineage and seemingly the cause of uneasy peace between nations. Each is assigned to an elemental beat of a fantasy RPG.

During the demo, I got to see roughly six Eikons in action. Sometimes they were going toe-to-toe. Other times, their human host channeled them for upgraded moves and damage. I particularly enjoyed the opening beats of Clive’s adulthood chapter, where you’re forced to navigate a cliffside as Shiva and Titan hurled giant glaciers and boulders at each other. I caught a glimpse (or fought with) beasts representing fire, ice, earth, lightning and wind. However, as you’ve probably gleaned from the teasers and snippets up until now, Ifrit, another fire-based beast, is setting things aflame. That’s not allowed, apparently. Why? I do not know.

Blessings from these Eikons form the basis of Clive’s skills and magic. Equipped with “a blessing from Phoenix” (his brother), the protagonist starts with sword skills, including lifting, rushing, and elemental attacks. Square Enix claims this is the first fully-fledged action RPG in Final Fantasy history, and it doesn’t play like any of its predecessors.

Square Enix

There is no menu. All your items and attacks are done through button combinations and assigned shortcuts, with some degree of customization. I had my doubts from Final Fantasy XV, but Clive proves to be surprisingly agile and most battles were fluid and, honestly, exciting.

While allowing you to swap between enemies, the battle system shines brightest when you’re pitted against big solo enemies or boss fights. As soon as multiple enemies are dashing around, and the camera’s spinning, it’s a bit chaotic – a lot like Forspoken, another game from Square Enix.

Like Forspoken, there’s a smoothness and style to combat here that comes as more moves and skills are added. Clive can switch between Eikon-based movesets, not only differentiated by elemental attributes but by playstyle, too. For example, earth-based Titan attacks offer up a shield and counter system, while wind-based skills manipulate the distance between you and each enemy. If you can counter, or make a well-timed dodge in battle, you’ll be rewarded with a star. At the end of the fight, those stars will translate to battle spoils: extra accessories, items and resources.

My demo was almost exclusively controlling the heroically named Clive. However, there are support actions you can trigger from the d-pad, which directs your faithful hound, Torgal, to heal, strike or distract enemies. I also briefly fought alongside allies, but there didn’t seem to be any way to guide their behavior.

As you’ve probably seen teased in several trailers, FFXVI offers up different styles of battles when giant Eikons go head to head, razing castles, literally creating canyons and glaciers. Sometimes these played like rhythm action games, carefully timed evasions and attacks, while another was like an on-the-rails shooter. Hopefully, this variety spreads across the entire game.

Beyond the Eikon battles, all ofthe boss fights are where this system shines most. And if you’re wary of the notion of a live-action Final Fantasy, the game does feature an intelligent way to make the game more accessible through special accessories.Some of these will auto-heal you (if you have the potions for it) while others can widen the timing window for counters and parries. These offer a way to tailor the game to keep it challenging but avoid difficulty walls – and there were a few even in this early demo.

Outside the fights and the main campaign, there were hints of fetch quest horror, but the ones included in my demo were blissfully nearby, working more to show where to get your supplies and do more lore-building – which is what side quests should do. Still, there wasn’t anything reaching Witcher 3 levels of side quest hell just yet.

Square Enix

Another feature introduced in FFXVI is Active Time Lore (a play on Active Time Battle, the turn-based battle system of older FF games). Here, you can pause during the game and cutscenes and dive into who’s talking, where they’re from and even the region you’re in. It’s a fantastic way of transmitting the plot and everything without overwhelming the player – it reminds me of the X-ray feature on Amazon Prime Video.

FFXVI producer Naoki Yoshida has pointed out that he sees the latest entry as heavily inspired by the likes of God of War, mentioning both the books and TV show Game of Thrones in the same interview. There’s a lot of the latter here. Also, I think this is the first time I’ve seen Final Fantasy characters show… lust? There are some horny people here and for once it’s not tongue-in-cheek, so to speak. So far, this appears to be a different kind of game – I’m intrigued to see how the whole thing turns out. Square Enix has added that it'll be launching a demo featuring the opening beats of the game ahead of its release.

Final Fantasy XVI launches on 22nd June 2023.

Square Enix noted this was a special preview build of the game built for press. Content may differ from the final version.

With its long-awaited System Shock remake slated to arrive later this month, Nightdive Studios has shared a first look at System Shock 2: Enhanced Edition. The game doesn’t have a release date yet, but those who pre-order System Shock will get a copy of the remaster at no extra cost when it’s released by publisher Prime Matter.

On Friday, Nightdive said System Shock 2: Enhanced Edition features updated cinematics, textures, character and weapon models. The developer also partnered with Systemshock.org so that it could integrate the best community-made patches and mods into the remaster. Thanks to the fact Nightdive brought the game’s original source code over to its in-house engine KEX engine, System Shock 2: Enhanced Edition will be available on current generation consoles. Judging from the teaser trailer, the studio did a commendable job of preserving System Shock 2’s art style and atmosphere while increasing the quality of the game’s assets. Here's hoping Nightdive can avoid a repeat of Blade Runner: Enhanced Edition.

Johnny Cash's Hurt hits way different in A Major, as much so as Ring of Fire in G Minor. The dissonance in tone between the chords is, ahem, a minor one: simply the third note lowered to a flat. But that change can fundamentally alter how a song sounds, and what feelings that song conveys. In their new book Every Brain Needs Music: The Neuroscience of Making and Listening to Music, Dr. Larry S Sherman, professor of neuroscience at the Oregon Health and Science University, and Dr. Dennis Plies, a music professor at Warner Pacific University, explore the fascinating interplay between our brains, our instruments, our audiences, and the music they make together. 

Columbia University Press

Excerpted from Every Brain Needs Music: The Neuroscience of Making and Listening to Music by Larry S. Sherman and Dennis Plies published by Columbia University Press. Copyright (c) 2023 Columbia University Press. Used by arrangement with the Publisher. All rights reserved.

The Minor Fall and The Major Lift: Sorting Out Minor and Major Chords

Another function within areas of the secondary auditory cortex involves how we perceive different chords. For example, part of the auditory cortex (the superior temporal sulcus) appears to help distinguish major from minor chords.

Remarkably, from there, major and minor chords are processed by different areas of the brain outside the auditory cortex, where they are assigned emotional meaning. For example, in Western music, minor keys are perceived as “serious” or “sad” and major keys are perceived as “bright” or “happy.” This is a remarkable response when you think about it: two or three notes played together for a brief period of time, without any other music, can make us think “that is a sad sound” or “that is a happy sound.” People around the world have this response, although the tones that illicit these emotions differ from one culture to another. In a study of how the brain reacts to consonant chords (notes that sound “good” together, like middle C and the E and G above middle C, as in the opening chord of Billy Joel’s “Piano Man”), subjects were played consonant or dissonant chords (notes that sound “bad”together) in the minor and major keys, and their brains were analyzed using a method called positron emission tomography (PET). This method of measuring brain activity is different from the fMRI studies we discussed earlier. PET scanning, like fMRI, can be used to monitor blood flow in the brain as a measure of brain activity, but it uses tracer molecules that are injected into the subjects’ bloodstreams. Although the approach is different, many of the caveats we mentioned for fMRI studies also apply to PET studies. Nonetheless, these authors reported that minor chords activated an area of the brain involved in reward and emotion processing (the right striatum), while major chords induced significant activity in an area important for integrating and making sense of sensory information from various parts of the brain (the left middle temporal gyrus). These findings suggest the locations of pathways in the brain that contribute to a sense of happiness or sadness in response to certain stimuli, like music.

Don't Worry, Be Happy (or Sad): How Composers Manipulate our Emotions

Although major and minor chords by themselves can elicit “happy” or “sad” emotions, our emotional response to music that combines major and minor chords with certain tempos, lyrics, and melodies is more complex. For example, the emotional link to simple chords can have a significant and dynamic impact on the sentiments in lyrics. In some of his talks on the neuroscience of music, Larry, working with singer, pianist, and songwriter Naomi LaViolette, demonstrates this point using Leonard Cohen’s widely known and beloved song “Hallelujah.” Larry introduces the song as an example of how music can influence the meaning of lyrics, and then he plays an upbeat ragtime, with mostly major chords, while Naomi sings Cohen’s lyrics. The audience laughs, but it also finds that the lyrics have far less emotional impact than when sung to the original slow-paced music with several minor chords.

Songwriters take advantage of this effect all the time to highlight their lyrics’ emotional meaning. A study of guitar tablatures (a form of writing down music for guitar) examined the relationship between major and minor chords paired with lyrics and what is called emotional valence: In psychology, emotions considered to have a negative valence include anger and fear, while emotions with positive valence include joy. The study found that major chords are associated with higher-valence lyrics, which is consistent with previous studies showing that major chords evoke more positive emotional responses than minor chords. Thus, in Western music, pairing sad words or phrases with minor chords, and happy words or phrases with major chords, is an effective way to manipulate an audience’s feelings. Doing the opposite can, at the very least, muddle the meaning of the words but can also bring complexity and beauty to the message in the music.

Manipulative composers appear to have been around for a long time. Music was an important part of ancient Greek culture. Although today we read works such as Homer’s Iliad and Odyssey, these texts were meant to be sung with instrumental accompaniment. Surviving texts from many works include detailed information about the notes, scales, effects, and instruments to be used, and the meter of each piece can be deduced from the poetry (for example, the dactylic hexameter of Homer and other epic poetry). Armand D’Angour, a professor of classics at Oxford University, has recently recreated the sounds of ancient Greek music using original texts, music notation, and replicated instruments such as the aulos, which consists of two double-reed pipes played simultaneously by a single performer. Professor D’Angour has organized concerts based on some of these texts, reviving music that has not been heard for over 2,500 years. His work reveals that the music then, like now, uses major and minor tones and changes in meter to highlight the lyrics’ emotional intent. Simple changes in tones elicited emotional responses in the brains of ancient Greeks just as they do today, indicating that our recognition of the emotional value of these tones has been part of how our brains respond to music deep into antiquity.

Disney+ and Hulu are starting to purge a number of shows from their respective streaming services. This seems to be an industry-wide trend that reinforces the idea that you don’t own anything with subscriptions.

As reported by Deadline, a slew of titles on Disney+, including Big Shot, Clouds, Diary of a Future President, and Benedict Society are leaving on May 26th. On the Hulu side, shows such as Dollface, Maggie and Little Demon will vanish on that same date.

In August of last year, HBO Max (now just Max) announced that it would be stripping 36 shows from its platform, including The-Not-Too-Late-Show with Elmo and My Dinner with Hervé. The company continued its rampage in December 2022 by announcing larger shows such as Westworld were going to be pulled from the platform. And even before then, Netflix was notoriously known for pulling and adding shows and movies at the drop of a hat.

While the list mostly consists of direct-to-streaming movies and shows that didn’t get more than a few seasons, it’s still disappointing to see content being dropped. Movies and TV shows aren’t the only affected medium, as streaming music services have long had the issue of certain tracks becoming unavailable or an entire album being pulled entirely from the catalog. It’s the price you pay when going the subscription route. It’s an all-you-can-eat buffet, but the buffet owner can take anything away at a moment’s notice.

Behaviour Interactive has revealed what’s next for Dead by Daylight, including two more spin-off games. Perhaps the more intriguing of the two is a project being developed by Supermassive Games. While the game is staying mostly under wraps for now, it seems to build on the formula Supermassive has executed so well on games like Until Dawn and The Quarry.

This will be a single-player interactive story game with a new cast of characters that offers “an intense narrative experience filled with powerful life-or-death choices set within the backdrop of Dead by Daylight,” according to Behaviour. Expect to learn more about the game later this year.

The other spin-off that’s in development is a co-op title from Midwinter Entertainment, which joined Behaviour last year. This game, which is in its very early stages, will focus on the themes of greed and the lust for power. You’ll be able to team up with as many as three other players.

These two games follow on from Hooked On You, a DbD dating sim that arrived last year. A Dead by Daylight film adaptation is in the works too. Behaviour and its partners are currently looking for the director and screenwriter for the project.

Behaviour had a lot more to discuss during the DbD seventh anniversary showcase. There was news on upcoming collaborations for cosmetic items, including team ups with Slipknot and Iron Maiden. Ikumi Nakamura, the former Ghostwire: Tokyo creative director who you may remember from that game’s reveal at E3 2019, has designed some DbD cosmetics too.

On the gameplay front, the stream included a look at the next DbD chapter, which will be available on June 13th. End Transmission will bring sci-fi horror to the game, with a new map set on another planet that doesn't look unlike Atropos from Returnal. The upcoming killer, The Singularity, “is a monstrous amalgamation of restructured organic matter and machine parts seeking to become the perfect lifeform,” Behaviour said. The accompanying survivor is Gabriel Soma, a technician.

Over the next year, Behaviour plans to add four chapters, including End Transmission and two others that will bring another pair of licensed killers from other franchises to DbD. On top of those, there will be two extra survivor-only chapters. We already know who one of those survivors will be: a certain Nicolas Cage.

The actor is playing himself in the game. Lest you think that Behaviour recruited a soundalike, that’s not the case. Cage "was generous enough to record every grunt, scream and exertion you will hear in Dead by Daylight," Mathieu Côté, head of partnerships for the game, told reporters at a preview event this week. Here's hoping that includes Cage shrieking about bees and his eyes. Anyway, you can find out more about Cage's introduction to the game on July 5th.

Folks are spending less time on Twitter since Elon Musk bought the social media site last year, but there’s still plenty of demand for similar platforms like Mastodon and Bluesky. To that point, Meta has long been rumored to be building its own platform to rival Twitter. After months of speculation, there’s finally some details to go along with the rumors, according to digital media marketing expert Lia Haberman.

Haberman says the app is nearing completion and could launch as early as the end of June. She says that Meta has been meeting with select content creators to discuss the platform. One of these creators furnished Haberman with all kinds of info about the forthcoming app, calling it “Instagram for your thoughts.”

Instagram is the right word here, as it looks like the entire platform is built out of the popular photo-sharing social network. The decentralized app is said to work with current Instagram parameters, like usernames and passwords. So if you already have an Instagram account you should be able to sign right up and automatically sync up with your current followers. Your handle, bio and verification should all carry over from IG. Haberman says that even blocked Instagram accounts and hidden words transfer to the new platform.

This is also set to be a decentralized app that’ll integrate with other platforms like Mastodon, meaning you should be able to interact with users across multiple services without having to constantly switch between apps. The report indicates that text updates will be limited to 500 characters, which is less than an Instagram caption, but still plenty long enough to make a sarcastic comment or whatever. 

You’ll likely be able to attach links, photos and videos up to five minutes long, which of course is much shorter than Twitter's recently launched two hour video-sharing feature. Just like Twitter and similar platforms, Meta’s service will have its own versions of likes, replies and reposts. Haberman got her hands on a leaked marketing slide that shows the app in action and, well, it looks a whole lot like Twitter, Bluesky and the rest, with a dash of Instagram's design scheme. 

Back in March when these rumors first surfaced, Meta said it was indeed “exploring a standalone decentralized social network for sharing text updates.” So this is coming, it’s just a matter of what it’ll look like and if it’ll be “the one” to dethrone Twitter. There's no name for the service yet, though within Meta it has a few codenames like Barcelona and P92. 

The Supreme Court has ruled that Andy Warhol has infringed on the copyright of Lynn Goldsmith, the photographer who took the image that he used for his famous silkscreen of the musician Prince. Goldsmith won the justices over 7-2, disagreeing with Warhol's camp that his work was transformative enough to prevent any copyright claims. In the majority opinion written by Justice Sonia Sotomayor, she noted that "Goldsmith's original works, like those of other photographers, are entitled to copyright protection, even against famous artists." 

Goldsmith's story goes as far back as 1984, when Vanity Fair licensed her Prince photo for use as an artist reference. The photographer received $400 for a one-time use of her photograph, which Warhol then used as the basis for a silkscreen that the magazine published. Warhol then created 15 additional works based on her photo, one of which was sold to Condé Nast for another magazine story about Prince. The Andy Warhol Foundation (AWF) — the artist had passed away by then — got $10,000 it, while Goldsmith didn't get anything. 

Typically, the use of copyrighted material for a limited and "transformative" purpose without the copyright holder's permission falls under "fair use." But what passes as "transformative" use can be vague, and that vagueness has led to numerous lawsuits. In this particular case, the court has decided that adding "some new expression, meaning or message" to the photograph does not constitute "transformative use." Sotomayor said Goldsmith's photo and Warhol's silkscreen serve "substantially the same purpose." 

Indeed, the decision could have far ranging implications for fair use and could influence future cases on what constitutes as transformative work. Especially now that we're living in the era of content creators who could be taking inspiration from existing music and art. As CNN reports, Justice Elena Kagan strongly disagreed with her fellow justices, arguing that the decision would stifle creativity. She said the justices mostly just cared about the commercial purpose of the work and did not consider that the photograph and the silkscreen have different "aesthetic characteristics" and did not "convey the same meaning."

"Both Congress and the courts have long recognized that an overly stringent copyright regime actually stifles creativity by preventing artists from building on the works of others. [The decision will] impede new art and music and literature, [and it will] thwart the expression of new ideas and the attainment of new knowledge. It will make our world poorer," she wrote. 

The justices who wrote the majority opinion, however, believe that it "will not impoverish our world to require AWF to pay Goldsmith a fraction of the proceeds from its reuse of her copyrighted work. Recall, payments like these are incentives for artists to create original works in the first place."

Hulu has a bit of "good news" for Futurama fans. The streaming provider announced on Twitter today that Bender and the gang (yes, John DiMaggio will be reprising his role as Bender) will return for season eight on July 24th. After the eighth season’s announcement in early 2022, DiMaggio said in a tweet that he would not be returning to the show after a pay disagreement with Disney and Hulu, though he quickly changed course. Series creator Matt Groening and producer David X. Cohen are returning to lead Futurama once again.

As reported by Variety, the eighth season will consist of two parts, with an initial run of 10 episodes. The new season airs on Mondays, on a weekly basis on Hulu. Notably, this is the second time (or fourth time, depending on who’s asking) the show has been brought back, and the first time the show will be airing first on a streaming platform. Hulu did not announce an air date for part two, which will include an additional 10 episodes.

Futurama originally debuted in 1999, with the first four seasons airing on Fox. The show then had a new home on Comedy Central, which aired seasons six and seven, which ended in 2013. The so-called "fifth season", which was also under Comedy Central, was a series of four movies that were eventually split into short-length episodes. Now, after being canceled and renewed several times by several cable networks, the next season lives on in the streaming world nearly 10 years after the last season had aired.