208 episodes of The Clone Wars and Star Wars Rebels. Three Tales of the Jedi shorts. Two episodes of The Mandalorian and The Book of Boba Fett. One movie. That's everything you'll need to see to truly understand everything going on in the new Ahsoka series on Disney+. For Star Wars diehards, especially those raised on the animated shows spearheaded by Ahsoka creator Dave Filoni, it's everything they've hoped for. Everyone else, though, may find themselves adrift.

Ahsoka deftly brings animated characters to live action — Rosario Dawson remains a beguiling Ahsoka, and she's joined by Mary Elizabeth Winstead as Hera Syndulla, and Natasha Liu Bordezzo as the impulsive Sabine Wren — and it wastes no time introducing intriguing villains (especially Baylan Skoll, a former Jedi portrayed by the late Ray Stevenson). The series is a direct sequel to Rebels in almost every way. But while that's great news for fans, the downside is that newcomers to the wider Rebels verse, even those who've seen Ahsoka in The Mandalorian and The Book of Boba Fett, will have a hard time finding any emotional stakes.

Photo by Lucasfilm

With the previous live action Star Wars TV shows (including the enjoyable-yet-unneccessary Obi-Wan Kenobi series), Filoni and co-producer Jon Favreau tried to ease general audiences into deeper aspects of Star Wars lore. That was most successful in the first season of The Mandalorian, which was filled with new characters and simple emotional stakes. (Protect Baby Yoda, no matter what it takes!) But Filoni eventually managed to bring in some characters from his animated shows, including the nefarious bounty hunter Cad Bane.

For better or worse, Ahsoka feels like a riskier project than any of those other live action shows. Almost everyone refers to events and major characters from Rebels, without explaining much about who they are. We know that Grand Admiral Thrawn seems like a major new antagonist, but the show never says why. We later learn that Ahsoka is driven to find him because that may reveal the location of Ezra Bridger, the main character of Rebels who disappeared at the end of that series. Sabine and Ahsoka share some pensive moments reflecting on their lost friend, but we don't get much about their shared relationship beyond that.

Photo by Lucasfilm

At times watching Ahsoka is like being invited to a party where everyone else are old friends, and who refuse to explain their in-jokes or shared history. It's not their problem if you're not having as much fun as them. Deal with it. I had similar issues with The Mandalorian's third season relying too much on The Book of Boba Fett, but at least those were shows airing in close proximity. Ahsoka hinges on direct continuity from an animated series that began in 2014 and ran for four years.

Of course, the series may get better down the line. Ahsoka is Filoni's baby, after all, and he's too talented of a storyteller to have her tread water for a season. And I'll admit, even the excellent Andor took a few episodes to really rev things up. I just hope this show weaves character motivations into its plot more effectively moving forward.

In the first two episodes, Ahsoka is basically sent on a fetch quest when a new trio of villains pops up. There’s some investigative work that sheds light on the post-Empire world (would former members of the Empire really want to support the New Republic?), but much of the time I felt like I was waiting for something, anything to happen. At least the handful of action scenes spice up the proceedings – Dawson’s months of training really show in her lightsaber duels. And there are hints of interesting character dynamics moving forward. 

In the years since Rebels ended, it turns out Ahsoka started training Sabine as a Jedi, but then abandoned her. It’s a reflection of Ahsoka’s own story, where she started as Anakin Skywalker’s padawan before a (very complicated) series of events pushed her out of the Jedi Order. Can Ahsoka make up for her mistakes, or is she doomed to fail her student like her master failed her?

At the very least, Ahsokai’s first two episodes are far more intriguing than the Book of Boba Fett or Obi-Wan’s intros. Both of those shows felt superfluous – did we really need Boba Fett’s backstory and redemption tale? Did seeing another Obi-Wan and Darth Vader duel really accomplish anything? At least Ahsoka is trying to push Star Wars into new territory. It’s just too bad that everyone isn’t invited for that journey.

WhatsApp will now let you create small groups without first naming them. Mark Zuckerberg announced the new feature in a Facebook post (viaTechCrunch). You previously had to choose your group’s name when setting it up.

TechCrunch reports that unnamed groups have a cap of six members instead of the named groups’ limit of 1,024 participants. In addition, WhatsApp will reportedly auto-generate placeholder names for unnamed groups based on their members. (For example, “Rocco & Li-Chen” for a chat between them in Zuckerberg’s sample image below.) Depending on how they've saved members’ contacts, the group name will also appear differently for each member.

Meta / Mark Zuckerberg

When joining an unnamed group that includes people who haven’t saved your contacts, it will reportedly display your phone number to the group. This suggests the feature is designed more for established friends, family or colleagues and less for strangers.

TechCrunch reports that the feature will roll out globally “over the next few weeks.”

Atari is launching another retro home console, after its last effort. The Atari 2600+ pays homage to the original Atari 2600, launched in 1977, but this remake echoes the four-switch model from 1980. (Of course, we’re going to get specific.)

Atari

The console has been “lovingly recreated to the same specifications as the original” but is only 80 percent of its size. The console’s plus features are the HDMI output and widescreen support. It’ll have 10 titles in the box, but Atari die-hards will want to track down physical cartridges if they want to play the big hits of the era, like Pac-Man or Pitfall! The mini console also has a remade Atari CX40 joystick. The Atari 2600+ will launch worldwide on November 17 for $130, and pre-orders are already open. Now, to find a copy of E.T. the video game…

– Mat Smith

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Half-Life 2 is getting an unofficial RTX remaster

The community is using an NVIDIA toolkit to modernize the classic shooter.

NVIDIA

From cartridge games to ray tracing. NVIDIA has unveiled a community-led Half-Life 2 RTX: An RTX Remix Project that, as the name implies, will remaster the classic shooter for PCs with GeForce RTX graphics. The team isn't just adding ray tracing, though — this is an attempt to modernize the overall look and feel of the game.

The ray-traced lights are the star attraction, of course, but the modders are also using an early version of RTX Remix to add extra model detail (through Valve's own Hammer editor) and rework materials with physical-based rendering properties. The RTX port, so far, looks moodier and far more detailed, with light sources bouncing and diffusing in a far more realistic manner. Existing RTX conversions, like those for Portal and Quake II, are pretty but limited by either the age of a game or its relative scale. Half-Life 2 is a much bigger challenge.

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X plans to remove news headlines and text in shared articles

Elon Musk said it’s his idea.

According to Fortune, X (formerly Twitter) is planning to implement major changes to the way shared articles appear on a tweet, by removing their text elements and leaving just their lead images with an overlay of the URL. Musk confirmed the incoming change, saying it came directly from him, adding it would greatly improve the “esthetics.” It’s the latest big change, following news that user-blocking will soon go. I’m taking bets on what the social network will strip out next.

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Microsoft will sell Activision Blizzard streaming rights to Ubisoft to win UK approval

It said the deal makes for a 'substantially different transaction under UK law.'

Microsoft is significantly restructuring its Activision Blizzard merger proposal by selling cloud gaming rights for Activision Blizzard games to rival Ubisoft, it wrote in a blog late yesterday. That would address a key concern of UK regulators, who blocked the deal in part because of Microsoft's potential dominance in cloud gaming. The UK regulator will now examine the restructured deal and deliver a decision by October 18.

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Facebook and Instagram will offer chronological Stories and Reels to comply with EU law

Users will also be able to see search results not personalized to them specifically.

Meta will soon offer Stories and Reels in chronological order to comply with the European Digital Services Act (DSA). The changes were expected after the European Commission announced it had agreed in April to create new rules, demanding social media platforms offer alternative systems "not based on profiling." Starting later this month, Meta will offer Reels, Stories, Search and other parts of Facebook and Instagram unaffected by Meta’s existing AI recommendation process.

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Blizzard Entertainment has released the trailer for the second season of Diablo IV along with the announcement that it's arriving on October 17th. According to IGN, Rod Fergusson, who oversees the development of the franchise, players will get vampire powers and will face against a vampire lord in the new questline during the opening night of Gamescom 2023. Season 2 of the online action role-playing game is called "Season of Blood," because yes, it does feature vampires. 

Gemma Chan, actor and producer who starred in Eternals and Crazy Rich Asians, voices the vampire hunter companion Erys, who leads the fight against the new threat in the game's universe. The new season will also feature five new and returning endgame bosses, as well as updates to renown rewards, gem and stash storage, making it so that gems no longer take up space, as well as to resistance and status effects. 

The main Diablo IV storyline that came out earlier this year featured a tale that takes place decades after the end of Diablo III: Reaper of Souls. It puts the player in the shoes of a wanderer who, due to certain circumstances, must now go after Lilith. That's the daughter of Mephisto, who was prominently featured in Diablo II as one of the Prime Evils the player must defeat. Diablo IV became the best-selling game in June when it came out, and Fergusson said the game, with the first season that's still ongoing, boasts 12 million players. 

We'll have to wait and see if the second season will add more players to that number. For now, fans can watch the trailer for it below:

Fighting game fans are eating well this year with the likes of Street Fighter 6, Mortal Kombat 1 and Guilty Gear Strive all arriving. The beat 'em up bonanza is set to continue at least into early 2024, as Bandai Namco announced at Gamescom 2023 that Tekken 8 will hit PC, PS5 and Xbox Series X/S on January 26th. Pre-orders open today.

The tenth overall entry in the long-running series includes 32 unique fighters (King is thankfully among them). The latest trailer notes that the game marks the beginning of "a new Tekken saga," while the series' long-term antagonist Heihachi Mishima is dead. 

Tekken 8 will also introduce a brand new single-player mode called Arcade Quest. You'll create a character and it appears as though they can go to a virtual arcade and compete in Tekken tournaments. It all seems quite meta. 

The Game Awards has grown enormously and has become a much-awaited annual year-end celebration for video game fans around the world since it first took place in 2014. If you're looking forward to watching it this year, you can now fire up your calendars and add a reminder: The 10th annual show is scheduled to stream live from the Peacock Theater in Los Angeles on December 7th, 2023. Just like in the previous years, the event will stream for free across various platforms, including Twitch, YouTube, Facebook, TikTok Live, Steam and X, the website formerly known as Twitter. 

Last year's show was the biggest one yet, with an estimated 103 million viewers tuning in, which was almost 20 million more than 2021's numbers. It also introduced the Best Adaptation category, reserved for projects that translate video games into popular media, like movies, TV shows and books. Plus, Pedro Pascal and Bella Ramsey, stars of The Last of Us, which fans were still looking forward to and had yet to premiere back then, attended the event to present an award. The organizers haven't revealed just yet whether they'll have big stars guesting again this year, but they did say that the event will feature musical performances by The Game Awards Orchestra and other artists. Of course, you can expect to see new game trailers and announcements for launch dates and expansions, among other things. 

Geoff Keighley, creator and executive producer of The Game Awards, said: "Each year, we look forward to hosting a show that honors the stand-out games of the year, while also announcing and previewing some of the world’s biggest and most anticipated video games. With so many beloved video game franchises exploring new mediums and developers creating new experiences across platforms, whether in games, television, movies, and beyond, the industry continues to expand in many surprising ways, and we can’t wait to honor the year’s best games and to show viewers around the world what’s next."

Meta will soon offer Stories and Reels in chronological order, among other changes, to comply with the European's Digital Services Act (DSA), the company announced. The changes were expected after the European Commission announced that it had reached an agreement in April to create new rules that would require platforms like Facebook to offer alternative systems "not based on profiling" as a key requirement. 

Meta said it has mobilized over 1,000 people to "develop solutions to the DSA's requirements." Some of the changes will increase transparency about how its systems work and provide users more options to tailor their experiences on Facebook and Instagram. At the same time, it's establishing an "independent compliance function" to ensure it meets ongoing regulatory obligations. 

Starting later this month, Meta will offer Reels, Stories, Search and other parts of Facebook and Instagram that are unranked by Meta using its AI recommendation process. "For example, on Facebook and Instagram, users will have the option to view Stories and Reels only from people they follow, ranked in chronological order, newest to oldest," wrote Meta President of Global Affairs Nick Clegg. 

It's not clear how Meta will implement the change. The main Feed on Instagram already allows users to sort by Following instead of using the algorithm-based approach. However, the "Following" feature is effectively a secondary page on Instagram, and the app always defaults to the algorithmic "For You" option when first opened. Facebook is even more of a hassle, forcing you to select a menu, go into Feeds and tap "Friends" rather than "All." 

Users will also be able to view Search results based only on the words they enter, rather than results personalized specifically to them based on their previous activity and personal interests. The company is also providing more information about how its AI systems rank content via 22 system cards for Facebook and Instagram, adding to its "Why Am I Seeing This" feature. 

"These cards provide information about how our AI systems rank content for Feed, Reels, Stories, and other surfaces; some of the predictions each system makes to determine what content might be most relevant to people; and the options available to help customize an experience on Facebook and Instagram," Meta said.

Meta is also expanding its Ad library to display and archive all ads (for one year) that target EU users, including date run, parameters used for targeting (age, gender, location), who received the ad and more. It's also rolling out two new tools for researchers that include publicly available content from Pages, Posts, Groups and Events. 

The company said that it "welcomes the principles of transparency, accountability and user empowerment at the heart of the DSA," adding it has "long advocated for a harmonized regulatory regime." However, Meta previously expressed extreme displeasure when Apple introduced changes that allowed users to easily opt out of targeted advertising starting with iOS 14. To that end, observers will no doubt be keenly interested in how the changes are implemented and whether they follow the letter, if not the spirit, of the new law.

Those who follow publications like Engadget on X, the social network formerly known as Twitter, will know that the articles they share on the platform appear with a text snippet, an image and a sometimes-truncated version of their headline. That may not be the case in the near future. According to Fortune, the company is planning to implement major changes to the way shared articles appear on a tweet (or a post, as it's now called) by removing their text elements and leaving just their lead images with an overlay of the URL. In a post about the update, Elon Musk has confirmed that X is working on the new format and that the idea came from him directly.

That corroborates Fortune's report, which says Musk is pushing for the new format. It also says that the change going to happen even though X ran it by advertisers who didn't like it. The company's main reason for removing the text in shared tweets is apparently to make posts look less compact and to fit more of them in the portion of the timeline that appears on screen. Musk also thinks it could help lessen instances of clickbait shared on the website. As the publication explains, X's current format typically cuts part of the headline in shared articles, which works to the advantage of websites that write clickbait headlines and posts. 

It's also very much possible that X is implementing this change to encourage not just news publications, but also individuals, to write meatier posts on the website itself. After all, they will have to add context to the URL they share in order to get readers to click through the lead image. Musk has been encouraging users to post long-form pieces directly on the platform and allows Blue subscribers to write as many as 25,000 characters in a single post. More recently, Musk tweeted that journalists who want "more freedom to write and a higher income" should publish directly on X. As 9to5Mac notes, though, X recently had some issues paying creators part of its ad revenue-sharing program, because the number of interested users far exceeded its expectations. 

Two of the standout indie hits of the past few years are Cult of the Lamb and Don’t Starve Together. Now, the pair of critically-acclaimed darlings are teaming up for a new game mode, unique in-game items and even some character cameos. This crossover impacts both games, though each receives different perks.

The biggest draw here is a brand-new game mode for Cult of the Lamb that’s directly inspired by Don’t Starve Together. The appropriately-named Penitence Mode ups the stress factor by giving your lamb protagonist the same mortal needs as your cute and poop-obsessed followers. In other words, you have to eat and shelter yourself, in addition to providing for your cult. You are given the same options as the criticality-acclaimed traditional game, so you can eat meat and veggies, or go at it Yellowjackets style (cannibalism.)

The games also now share some items to create a unique look, so you’ll be able to unlock decorations in Cult of the Lamb from Don’t Starve, like pig heads on sticks, and vice-versa. Look for new chest skins, tabernacle decorations and more.

Finally, there’s some characters making their way through a “crossover portal.” Webber, from Don’t Starve’s Reign of Giants DLC, is now an unlockable cult member, complete with a new “never hungry” trait so you can save that grassy gruel for someone that actually needs it. Additionally, Don’t Starve’s lamb-like ewelet critter/pets are getting even, uh, lamb-ier, thanks to clothing and design options inspired by the other game.

The update is available now for PlayStation and Xbox consoles. The developers also note that a major content update is coming soon to Cult of the Lamb and that Don’t Starve Together will continue to receive more content in its ongoing From Beyond story arc.

YouTube is quickly becoming a home for AI-generated music, and the service is trying to strike a balance between the technology's fans and the labels eager to protect their copyrights. The company and partners like Universal Music Group (UMG) have unveiled a set of principles for AI music. In theory, the approach encourages adoption while keeping artists paid.

To start, YouTube maintains that "AI is here" and that it must have a "responsible" strategy. Accordingly, it's forming a Music AI Incubator that will influence the company's strategy. UMG and artists it represents (including Rosanne Cash, Yo Gotti and Frank Sinatra's estate) will help gather insights from YouTube's AI experiments.

YouTube also says AI music must include "appropriate protections" against copyright violations, and must also provide "opportunities" for partners who want to get involved. While the video giant hasn't detailed what this will entail, it suggests it will build on the Content ID system that helps rights holders flag their material. On top of this, YouTube claims it will scale its content policies and safety structure to adapt to AI. The firm already has systems in place to catch copyright abuse, misinformation and other violations, but intends to pour more resources into those methods.

The principles are currently vague and don't do much to change YouTube's stance. More details are due in the months ahead, however, including policies, particular technologies and monetization for creators.

Generative AI is increasingly popular for unauthorized collaborations and mashups (including for UMG artists like Drake and Frank Sinatra), but it's also finding legitimate uses. The surviving members of The Beatles are using AI to create a 'final' song from a John Lennon recording, while electronic artist Holly Herndon covered Dolly Parton using an AI voice. UMG itself is exploring AI-made soundscapes. YouTube's principles could help it profit from legal productions while dodging lawsuits from artists and labels worried about ripoffs.